Terrorism is a notoriously plastic word, depending on user, audience, and political context. This paper focuses on shifts in its meanings since the early 1970s. As federal statutes made terrorism a criminal offense, common usage changed from a broad meaning to one that specified terrorism as a political crime. The argument is that the state shapes meaning and public discourse through law. Peircean semiotics and the semiotic philosophy of Russian linguist Vološinov provide a framework to explore relationships among politics, law, (...) and civil life. Applied to the events of September 11, 2001 such an analysis further allows better understanding of certain interpreters of the September 11 attacks, notably Jean Baudrillard, Jacques Derrida, and Jürgen Habermas. (shrink)

Many scholars in recent years have focused their efforts on revealing the connection of philosophy and authority. Basically, from Nietzsche onwards, philosophyhas witnessed ongoing efforts for “will to power” by some philosophers and of course this motivated many philosophers to take part in politics. Nonetheless, thismoot point engendered a serious risk and not only contrasted with the Socratic contributions, but also paved the way for the advent of a new way of making politics where philosophy and scientific prestige are being (...) manipulated following certain interests. By comparing the US and Argentinian climates, this paper explores to what extent philosophy can and must remain independent of politics. Even though one might think of Heidegger as a clear example of this relationship, there are many other philosophers who were interested in politics and committed to political parties. One of the aspects that characterizes this new way of politics is the theatrification of reality, and philosophers are part of this process. To some extent, the prestige given to scholars for their contribution to society is being conferred to some privileged groups to gain more legitimacy, precisely in a world where the classical institutions are gradually declining. (shrink)

After the Chernobyl’s and Three Miles’s accidents, the relation between technology and risk started to be questioned. Social scientist posited considerable criticism against technology and how its interventions may engender new dangers. However, these views ignored the fact that risks are not just a result of technology, but also depend upon the trust and knowledge. Any risk, first, should be defined as a narrative which is enrooted in a previous cultural and stereotyped framework. By itself, technology is only an instrument (...) employed in different directions. This essay review explores the limitations and approaches of two senior sociologists who delved in the study of risk and climate change, Cass Sunstein and Anthony Giddens. (shrink)

Preface -- Introduction: dialectics and social thought -- Marx and the dialectic of capital -- Freud and the dialectic of psychology -- Peirce, Mead, Goffman, and interactional social science -- Culture and society -- Critical theories -- Rebellion -- The phenomenologists -- Contemporary social thought: Agamben to Zizek -- Dialectics of contemporary society and the present crisis -- References -- Index.

This methodological essay describes and advocates using certain psychoanalytic techniques for ethnography. It focuses on the self analysis of the ethnographer using evenly hovering attention, dream analysis, and free association. It presents an argument that using those techniques enhances the goal of ethnography as a human science and of social research. Fear of crime serves as a point of departure for the methodological argument. Finally, it links psychoanalytic ethnography to a fractal model of society and the self with reference to (...) C. S. Peirce’s theory of semiotics as a link between the individual and society. (shrink)

A neighborhood in a US city seems to present a possibly unique exception to empirical generalizations and explanations of urban decline and occasional rehabilitation. Resisting decline, gentrification, and outside interests and actors, the neighborhood generated a subculture created by working class artists. As a valuable occasion for revising urban social theory, this essay draws on the work of Howard S. Becker, Pierre Bourdieu, Henri Lefebvre, Jacques Rancière, and Georg Simmel, among others. It relies on ethnographic method for its empirical findings.