Cultura 10 (2):49-70 (2013)

Authors
Geoffrey Skoll
Buffalo State College
Abstract
A neighborhood in a US city seems to present a possibly unique exception to empirical generalizations and explanations of urban decline and occasional rehabilitation. Resisting decline, gentrification, and outside interests and actors, the neighborhood generated a subculture created by working class artists. As a valuable occasion for revising urban social theory, this essay draws on the work of Howard S. Becker, Pierre Bourdieu, Henri Lefebvre, Jacques Rancière, and Georg Simmel, among others. It relies on ethnographic method for its empirical findings.
Keywords Contemporary Philosophy  Language and Literature  Semiotics  Social Science
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ISBN(s) 1584-1057
DOI 10.5840/cultura201310213
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