This paper is one of the few attempts made by social scientists to measure social capital via psychometric approach, and is the only one of such kind to base its evidence on the AsiaBarometer survey data. After first reviewing the history of social capital, including its conceptual emergence and recent literatures, we expose the issue of difficulty in the measurement of social capital despite its topical popularity. We tackle this measurement issue by applying psychometric procedures to the AsiaBarometer survey data (...) of 2004, 2005, and 2006, focusing on questions pertaining to social capital of ordinary individuals residing in the 29 survey societies. This paper is significant in two aspects. First, using simple statistical procedures, it extracts various dimensions of social capital without first knowing what dimensions to extract. In short, it does not try to measure social capital using some kind of pre-defined concepts such as those outlined in the historical review of our predecessors. Rather, it succeeds in manifesting key factors of social capital by mechanically processing collective responses by individual respondents towards survey questions oriented with social capital. Though the paper does not aim to establish its methodology as a widely held consensus on how to measure social capital, it does give credence and recognition to psychometric approaches as effectives means to measure social capital, which, by its very definition, calls for approaches using collective data to measure notions of individual actions within networks. Second, this paper is the first systematic empirical analysis of social capital in all the subregions of Asia, i.e. East, Southeast, South, and Central. It builds on our earlier works, including the 2006 paper on social capital in Central and South Asia, and gives empirical credence to important concepts on Asian political culture. (shrink)

t. 1. O Russkoĭ filosofii i literature : statʹi, ocherki i ret︠s︡enzii, 1912-1961 -- t. 2. O pravoslavii i religioznoĭ kulture : statʹi i ocherki, 1916-1957 --.

This sequel to the widely read Zen and the Brain continues James Austin's explorations into the key interrelationships between Zen Buddhism and brain research. In Zen-Brain Reflections, Austin, a clinical neurologist, researcher, and Zen practitioner, examines the evolving psychological processes and brain changes associated with the path of long-range meditative training. Austin draws not only on the latest neuroscience research and new neuroimaging studies but also on Zen literature and his personal experience with alternate states of consciousness.Zen-Brain Reflections takes (...) up where the earlier book left off. It addresses such questions as: how do placebos and acupuncture change the brain? Can neuroimaging studies localize the sites where our notions of self arise? How can the latest brain imaging methods monitor meditators more effectively? How do long years of meditative training plus brief enlightened states produce pivotal transformations in the physiology of the brain? In many chapters testable hypotheses suggest ways to correlate normal brain functions and meditative training with the phenomena of extraordinary states of consciousness.After briefly introducing the topic of Zen and describing recent research into meditation, Austin reviews the latest studies on the amygdala, frontotemporal interactions, and paralimbic extensions of the limbic system. He then explores different states of consciousness, both the early superficial absorptions and the later, major "peak experiences." This discussion begins with the states called kensho and satori and includes a fresh analysis of their several different expressions of "oneness." He points beyond the still more advanced states toward that rare ongoing stage of enlightenment that is manifest as "sage wisdom."Finally, with reference to a delayed "moonlight" phase of kensho, Austin envisions novel links between migraines and metaphors, moonlight and mysticism. The Zen perspective on the self and consciousness is an ancient one. Readers will discover how relevant Zen is to the neurosciences, and how each field can illuminate the other. (shrink)

Zen Training is a comprehensive handbook for zazen , seated meditation practice, and an authoritative presentation of the Zen path. The book marked a turning point in Zen literature in its critical reevaluation of the enlightenment experience, which the author believes has often been emphasized at the expense of other important aspects of Zen training. In addition, Zen Training goes beyond the first flashes of enlightenment to explore how one lives as well as trains in Zen. The author also (...) draws many significant parallels between Zen and Western philosophy and psychology, comparing traditional Zen concepts with the theories of being and cognition of such thinkers as Heidegger and Husserl. (shrink)

This sequel to the widely read Zen and the Brain continues James Austin's explorations into the key interrelationships between Zen Buddhism and brain research. In Zen-Brain Reflections, Austin, a clinical neurologist, researcher, and Zen practitioner, examines the evolving psychological processes and brain changes associated with the path of long-range meditative training. Austin draws not only on the latest neuroscience research and new neuroimaging studies but also on Zen literature and his personal experience with alternate states of consciousness.Zen-Brain Reflections takes (...) up where the earlier book left off. It addresses such questions as: how do placebos and acupuncture change the brain? Can neuroimaging studies localize the sites where our notions of self arise? How can the latest brain imaging methods monitor meditators more effectively? How do long years of meditative training plus brief enlightened states produce pivotal transformations in the physiology of the brain? In many chapters testable hypotheses suggest ways to correlate normal brain functions and meditative training with the phenomena of extraordinary states of consciousness.After briefly introducing the topic of Zen and describing recent research into meditation, Austin reviews the latest studies on the amygdala, frontotemporal interactions, and paralimbic extensions of the limbic system. He then explores different states of consciousness, both the early superficial absorptions and the later, major "peak experiences." This discussion begins with the states called kensho and satori and includes a fresh analysis of their several different expressions of "oneness." He points beyond the still more advanced states toward that rare ongoing stage of enlightenment that is manifest as "sage wisdom."Finally, with reference to a delayed "moonlight" phase of kensho, Austin envisions novel links between migraines and metaphors, moonlight and mysticism. The Zen perspective on the self and consciousness is an ancient one. Readers will discover how relevant Zen is to the neurosciences, and how each field can illuminate the other. (shrink)

A groundbreaking study of the lost tradition of Tibetan Zen containing the first translations of key texts from one thousand years ago. Banned in Tibet, forgotten in China, the Tibetan tradition of Zen was almost completely lost to us. According to Tibetan histories, Zen teachers were invited to Tibet from China in the 8th century, at the height of the Tibetan Empire. When doctrinal disagreements developed between Indian and Chinese Buddhists at the Tibetan court, the Tibetan emperor called for a (...) formal debate. When the debate resulted in a decisive win by the Indian side, the Zen teachers were sent back to China, and Zen was gradually forgotten in Tibet. This picture changed at the beginning of the 20th century with the discovery in Dunhuang (in Chinese Central Asia) of a sealed cave full of manuscripts in various languages dating from the first millennium CE. The Tibetan manuscripts, dating from the 9th and 10th centuries, are the earliest surviving examples of Tibetan Buddhism. Among them are around 40 manuscripts containing original Tibetan Zen teachings. This book translates the key texts of Tibetan Zen preserved in Dunhuang. The book is divided into ten sections, each containing a translation of a Zen text illuminating a different aspect of the tradition, with brief introductions discussing the roles of ritual, debate, lineage, and meditation in the early Zen tradition. Van Schaik not only presents the texts but also explains how they were embedded in actual practices by those who used them. (shrink)

Extending their successful series of collections on Zen Buddhism, Heine and Wright present a fifth volume, on what may be the most important topic of all - Zen Masters. Zen masters in China, and later in Korea and Japan, were among the cultural leaders of their times. Stories about their comportment and powers circulated widely throughout East Asia. In this volume ten leading Zen scholars focus on the image of the Zen master as it has been projected over the last (...) millennium by the classic literature of this tradition. (shrink)

In traditional and popular accounts, Zen Buddhism is depicted as a practice that rejects literary study and intellectualization in favor of a direct experience of enlightenment that is beyond words. Indeed, the Zen school has traditionally defined itself as a "separate transmission outside the teachings, not dependent on words and letters". Even when regarding the tradition's literary output, Zen literature is famous for its antinomian dialogues replete with outrageous antics, frequent non sequiturs, and crude, illiterate utterances that appear to (...) validate the perspective that Zen simply rejects logical thinking, rational discourse, literary cultivation, and any systematic means of study. While it is... (shrink)

Accessible and elegant teachings from a well-loved and revered woman Zen teacher. “The truth and joy of this life is that we cannot change things as they are.” The import of those words can be found beautifully expressed in the work of the woman who spoke them, Katherine Thanas (1927–2012)—in her art, in her writing, and especially in her Zen teaching. Fearlessly direct and endlessly curious, Katherine’s understanding of Zen was inseparable from her affinity for the arts. She was an (...) MFA student studying painting with Richard Diebenkorn, the preeminent Californian abstract painter, when she met Shunryu Suzuki, author of Zen Mind, Beginner’s Mind, in the sixties. Soon thereafter she decided to drop painting to dedicate herself to Zen, which she did for the last forty years of her life. In these essential teachings taken from her dharma talks—which make up her only book—her love of art and literature shine through in her elegant prose and her vast references, from poets William Stafford and Naomi Shihab Nye to the Zen teachings of Dogen and Robert Aitken. Ranging on subjects from the practice of zazen to the meaning of life, Katherine urges us to “develop an insatiable appetite for inner awareness, to become proficient with this mind.” This slim volume is an important contribution by a well-loved and revered teacher. (shrink)

When The Sound of One Hand Clapping came out in Japan in 1916 it caused a scandal. Zen was a secretive practice, its wisdom relayed from master to novice in strictest privacy. That a handbook existed recording not only the riddling koans that are central to Zen teaching but also detailing the answers to them seemed to mark Zen as rote, not revelatory. For all that, The Sound of One Hand Clapping opens the door to Zen like no other book. (...) Including koans that go back to the master who first brought the koanteaching method from Japan to China in the eighteenth century, this book offers, in the words of the translator, editor, and Zen initiate Yoel Hoffmann, "the clearest, most detailed, and most correct picture of Zen" that can be found. What we have here is an extraordinary introduction to Zen thought as lived thought, a treasury of problems, paradoxes, and performance that will appeal to artists, writers, and philosophers as well as Buddhists and students of religion. (shrink)

Resumen: Las dinastías Tang y Song fueron una época en la que prevaleció el budismo zen, y también fue un periodo crítico para el rápido desarrollo de la literatura china antigua. En esta época, las ideas literarias eran omnicomprensivas y ricas en estratos. Se introdujeron poemas en la gāthā budista para explicar los principios budistas. La infiltración del budismo zen dio a la poesía un ámbito zen claro y significativo, por lo que brilla en la historia de la literatura china (...) antigua. Este artículo partirá de los antecedentes de la época y del análisis de los textos, y se centrará en la relación entre el pensamiento del budismo zen y la poesía en las dinastías Tang y Song para explorar cómo ambos se combinan e influyen mutuamente. (shrink)

An interdisciplinary study of postmodern ethics and literary criticism from the perspective of Chan/Seon/Zen Buddhism, this book combines the tradition of Western metaphysics and its contact with Asian thought, contemporary Western thought, Buddhism, Taoism, and literary criticism.

In this article, Martin Heidegger’s phenomenology of boredom is compared with some aspects of Zen practice. Heidegger is primarily interested in boredom as a “fundamental mood,” which takes us beyond the opposition of the subject and object. Thus, boredom reveals the existence more initially than those forms of cognition that are the basis of classical philosophy and special sciences. As an essential feature of the experience of boredom, Heidegger singles out that being in this state we feel that our attention (...) is held by something in which we find nothing but emptiness. In the article, this emptiness is compared with the Buddhist concept of shunyata, and various forms of experiencing boredom are paralleled with the different types of concentration achieved in Zen practice. Besides, the question is discussed how the Buddhist perception of emptiness corresponds to Heidegger’s “openness.”. (shrink)

As a response to the problems of language in Chinese modern and avant-garde art from 1988 to 1998, early video art reclaimed the independence of language from social reality and political influence and established it on the basis of the time phenomenon. By comparing the category of time in the Western philosophical tradition and in Chinese traditional thought, we find that the “immediacy” of Zen provides a hermeneutical approach to the nature of language as a reflective medium, closely related to (...) the silent experience. In line with the three basic principles of transcendental Zen, video media purifies body language into the immaterial language in three ways – through disembodied video movement, the de-objectified video image, and discontinuous video narrative. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Books ReceivedAt the Eleventh Hour: The Biography of Swami Rama. By Pandit Rajmani Tigunait, Ph.D. Honesdale, Pennsylvania: Himalayan Institute Press, 2002. Pp. 427. Hardcover $18.95.Awakening and Insight: Zen Buddhism and Psychotherapy. Edited by Polly Young Eisendrath and Shoji Muramoto. Hove, England: Brunner-Routledge, 2002. Pp. xii + 275. Paper $24.95.Beyond Metaphysics Revisited: Krishnamurti and Western Philosophy. By J. Richard Wingerter. Lanham, Maryland: University Press of America, 2002. Pp. vii + (...) 391. Hardcover $71.00.Bhāmatī and Vivaraṇa Schools of Advaita Vedānta: A Critical Approach. By Pulasth Soobah Roodurmun, foreword by V. N. Jha, and edited by Kanshi Ram. New Delhi: Motilal Banarsidass Publishers, 2002. Pp. xv + 297. Price not given.A Bibliography of Ananda Kentish Coomaraswamy. By James S. Crouch. New Delhi: Indira Gandhi National Centre for the Arts and Manohar Publishers and Distributors, 2002. Pp. 430. Price not given.Crisis Theory and World Order: Heideggerian Reflections. By Norman K. Swazo. Albany: State University of New York Press, 2002. Pp. x + 289. Hardcover $78.50. Paper $26.95.Devotional Literature in South Asia: Current Research 1997-2000: Proceedings of the Eighth International Conference on Early Literature in New Indo-Aryan Languages, Leuven, 23-26 August 2000. Edited by Winand M. Callewaert and Dieter Taillieu. New Delhi: Manohar Publishers and Distributors, 2002. Pp. xxii + 324. Price not given.Dharma Bell and Dhāraṇī Pillar: Li Po's Buddhist Inscriptions. By Paul W. Kroll. Kyoto: Italian School of East Asian Studies, 2001. Pp. viii + 95. Price not given.Essays on the Moral Philosophy of Mengzi. Edited, with introduction, by Xiusheng Liu and Philip J. Ivanhoe. Indianapolis and Cambridge: Hackett Publishing Company, 2002. Pp. xiv + 249. Hardcover $39.95. Paper $16.95. Professional price $12.95.Ethical Questions: East and West. Edited by Bina Gupta. Lanham, Maryland: Rowman and Littlefield Publishers, 2002. Pp. vi + 279. Hardcover $70.00. Paper $26.95.Ethical Relativism and Universalism. By Saral Jhingran. New Delhi: Motilal Banarsidass Publishers, 2001. Pp. xiv + 385. Price not given.Genius-In Their Own Words: The Intellectual Journeys of Seven Great 20th Century [End Page 431] Thinkers. Edited and with introduction by David Ramsay Steele, foreword by Arthur C. Danto. Chicago and La Salle: Open Court, 2002. Pp. xxii + 366. Paper $24.95.The Hatha Yoga Pradipika. The original Sanskrit by Svatmarama, an English translation by Brian Dana Akers. Woodstock, New York: YogaVidya.com, 2002. Pp. xii + 115. Hardcover $19.95. Paper $11.95.Human Rights and Chinese Thought: A Cross-Cultural Inquiry. By Stephen C. Angle. New York: Cambridge University Press, 2002. Pp. xviii + 285. Hardcover $65.00. Paper $23.00.Indestructible Truth: The Living Spirituality of Tibetan Buddhism. By Reginald A. Ray. Boston and London: Shambhala Publications, 2002. Pp. x + 495. Paper $17.95.Introduction to Eastern Thought. By Marietta Stepaniants. Edited by James Behuniak and translated by Rommela Kohanovskaya. Lanham, Maryland: AltaMira Press, a division of Rowman and Littlefield Publishers, 2002. Pp. xiv + 293. Hardcover $69.00. Paper $24.95.Jainism and Ecology: Nonviolence in the Web of Life. Edited by Christopher Key Chapple. Cambridge: Harvard University Press for the Center for the Study of World Religions, 2002. Pp. xliv + 252. Hardcover $32.95. Paper $22.95.Mediating the Power of Buddhas: Ritual in the Mañjuśrīmūlakalpa. By Glenn Wallis. Albany: State University of New York Press, 2002. Pp. xiii + 263. Hardcover $86.50. Paper $29.95.Methodology in Religious Studies: The Interface with Women's Studies. Edited by Arvind Sharma. Albany: State University of New York Press, 2002. Pp. xi + 253. Hardcover $78.50. Paper $26.95.Persons and Valuable Worlds: A Global Philosophy. By Eliot Deutsch. Lanham, Maryland: Rowman and Littlefield Publishers, 2002. Pp. x + 309. Hardcover $80.00. Paper $34.95.Philosophy and Art in Gurdjieff's Beelzebub: A Modern Sufi Odyssey. By Anna T. Challenger. Amsterdam and New York: Editions Rodopi B.V., 2002. Pp. xi + 145. Paper EUR 27,00, U.S. $25.00.The Pratyabhijñā Philosophy. By G. V. Tagare. New Delhi: Motilal Banarsidass Publishers, 2002. Pp. xii + 165. Price not given.Reflections on Reality: The Three Natures and Non-Natures in the Mind-Only School: Dynamic Responses to ong-ka-a's The... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Denying Divinity: Apophasis in the Patristic Christian and Soto Zen Buddhist TraditionsJoseph S. O'LearyDenying Divinity: Apophasis in the Patristic Christian and Soto Zen Buddhist Traditions. By J. P. Williams. Oxford: Oxford University Press, 2000. Pp. 249. $65.00.Janet Williams studied patristic theology at Oxford and Soto Zen in Tokyo, in the circle of Nishijima Zenji. In Denying Divinity: Apophasis in the Patristic Christian and Soto Zen Buddhist Traditions, her (...) excellent account of negation and silence in Pseudo-Dionysius and Maximus the Confessor (pp. 64-126) and in Dogen (pp. 126-179) is preceded by surveys of apophasis in earlier Christianity and Buddhism and followed by an eloquent defense of the importance of the twofold apophatic tradition for contemporary theology (pp. 180-228).The initial surveys show a sure-footed scholarly competence that may owe something to the author's experience as an investment banker. Her writing often exhibits a concentrated justesse, as in the two paragraphs on Origen (pp. 26-27). The temptation to forced comparisons between the two traditions is avoided until the concluding chapter, apart from a few unconvincing touches such as this remark: "How similar all this sounds to the 'unsupported thought' and the 'absence of thought-coverings' in the Prajñaparamita literature!"—in reference to Gregory of Nyssa on Abraham's faith, which was "unmixed and pure of any concept" (p. 29). Similarly, to speak of Plotinus' "recoil from—or transcendence of—ontological views" (p. 18) is inappropriately Nāgārjunian; Plotinus held firm, dogmatic views and entertained a host of speculative ones. (Incidentally, it is probably wrong to identify the experience recounted in Enneads IV.8—the relatively frequent ascent of the soul to contemplate the intelligible realm—with the union with the One, evoked in Porphyry, Life of Plotinus 23, a much rarer event [p. 21].)Gregory of Nyssa is nudged in the direction of Buddhism when Williams talks of "the inchoate undermining of the realist ontology he inherited from Plato and Aristotle" (pp. 32-33) and suggests that "the hesitation between ontology and 'disontology,' if it were a little more developed, would become the kind of recoil from [End Page 370] ontological views which we see as characteristic of apophasis" (p. 36). As a very kataphatic theologian in dogmatic debate, Gregory has no aversion to views; his apophasis applies only to certain views of the divine, especially heretical ones that he sees as hubristic. In Mādhyamaka Buddhism, one transcends "views" about anything, but in the Greek Fathers it is only views concerning God that are problematized. The Buddhist transcending of views is oriented to a nondual experience of everyday reality, but in the Fathers it concerns only the divine simplicity, infinity, and transcendence and the mysteries of the eternal generation of the Son and the Incarnation. It is untrue that "there is no explicit apophasis in Gregory" (p. 35): there is plenty of it in Contra Eunomium II, albeit of a simple kind. Nonetheless, Gregory's ontology remains realistic even at the level of divine being. One might query the view expressed by Rowan Williams that, for Gregory, the divine essence becomes "an abstraction and, in a sense, a fantasy" (p. 34).Dionysius is presented as a mobile and open-ended thinker who has been underestimated. He "negates both affirmation and negation, but by offering no third alternative, in a sense affirms them too as the only usable theological resources" (p. 121). Maximus accords with this, although attaining "a finer balance of incarnational christo-centrism over Neoplatonism" (p. 124). The claim that Dionysius "is at pains to distance himself from the Neoplatonist tradition of making transcendence prior or superior to immanence" (p. 216) is overstated, and it misses the degree to which Proclus had already seen the cosmos as pervaded by divine eros (as pointed out long ago by Anders Nygren).The emphasis on a nonduality of transcendence and immanence brings Dionysius into a rapprochement with more of the this-worldly Zen vision. Similarly, the stress on a "shocking activity of emptiness" (p. 141) in Dogen hints at a parallel with the divine ekstasis in Dionysius. But the latter is merely a variant of the Neoplatonic... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Opening a Mountain: Kōans of the Zen MastersDale S. WrightOpening a Mountain: Kōans of the Zen Masters. By Steven Heine. Oxford: Oxford University Press, 2002. Pp. xiv + 200. Hardcover $25.00. Paper $17.95.On the beautifully designed cover of Steven Heine's Opening a Mountain: Kōans of the Zen Masters, we gaze at one of the masterworks of Chinese painting, Kuo Hsi's Early Spring, painted in the late eleventh century (...) at what may have been the pinnacle of the Chinese Zen monastic tradition. Allowing our eyes to wander up, down, and across this truly great work, we spot the curved roof of a Buddhist monastery gorgeously nestled in a rugged valley halfway up a towering, mist-covered mountain. No image could more adequately capture the mystique that Chinese Zen monasticism attained in that era and has continued to cultivate into the modern period. Steven Heine's new book masterfully communicates the aura of Zen in those times by highlighting a segment of kōan literature that features the work of Zen masters in "opening a mountain." While it is clear that the mountain in this phrase is really a Zen monastery, and that this phrase became a standard way to refer to the initiation of a new monastery, Heine unravels this act of opening by detailing the enormously interesting historical/cultural tradition behind it.Long before the emergence of the Zen or even the Buddhist tradition in China, mountains symbolized numinous, spiritual power. Early Taoists had already used the image of the mountain as a metaphor of mysterious, otherworldly reality. Chinese [End Page 194] popular tradition pictured the deities residing at these far-off and little-known elevations. Buddhists continued to capitalize on images like this until literature valorizing the T'ang and Sung dynasty Zen masters brought them to their current cultural position. Climbing a mountain, and dwelling there, required the utmost mental and spiritual discipline. Residing in that lofty sphere, one attained a vision of the world that in its depth and breadth trumped any understanding that could be attained in the world below. The mountain recluse and the enigmatic Zen master who drew disciples into remote mountainous regions for mental or spiritual training is by now one of the best known, most powerful images in the world. It is quite understandable that the great Zen masters would "open" their monastic training centers in the kind of setting depicted in Heine's reconstruction of the idea of the mountain in Chinese history.What Heine's analysis makes clear, though, is that there is much more to the act of "opening" than we have hitherto assumed. Prior to the movement of Buddhist monasteries into these remote areas there existed a largely oral tradition concerning enigmatic mountain recluses who, like the legendary Taoist Lao-tzu, had withdrawn from the world in the quest for profound spiritual vision. Popular images of these visionaries were widespread throughout China in the medieval period, and no parallel to them existed in the staid, scholarly world of Buddhist monasticism. The movement of monastic Buddhism into that domain, therefore, necessitated a conflict and melding of images, and the terms in which this ideological battle would take place would not be derived from the rarified philosophical and textual traditions that had made Buddhism so impressive to earlier generations of Chinese converts. Instead, Zen masters would compete for popular recognition in south-central China in terms that were familiar to the residents of that area, namely of magical powers, demons, local deities, and the visions, apparitions, and exorcisms that supported that premodern metaphysical world.The innovation of Opening a Mountain is that, while not denying what Heine calls the "conventional understanding" of the kōan tradition, which has been communicated in largely modern, demythologized, psychological images, the book undertakes the study of kōan literature by being particularly attentive to these clear representations of the extent to which Zen was born and cultivated in a premodern world. Opening new territory in Zen kōan studies, Heine works his way back into the medieval Chinese mentality that would have set the context for the emergence of the kōan tradition... (shrink)

On the basis of Lluís Duch’s idea that there is no specifically religious language, the article examines the kōan, a form of dialogue typical of Zen Buddhism used as a meditation technique and compiled in several written collections. Using the interpretations of the kōan carried out by some contemporary Japanese philosophers, the paper reflects on the expressive resources developed by Zen literature in order to account for the tension between the ineffability of the experience of an ultimate reality and (...) the infinite possibilities of linguistic articulation of reality. (shrink)

This book provides an innovative, critical textual and literary analysis, in light of Song dynasty (960-11279) Chinese cultural and intellectual historical trends, of the Blue Cliff Record, the seminal Chan/Zen Buddhist collection of commentaries on one hundred gongan/koan cases long celebrated for its intricate and articulate interpretative methods.

In considering the role of language in Zen Buddhism, a basic conundrum is immediately confronted. Historical studies demonstrate that in Zen there has been a very large and fundamental role for verbal communication via poetry and prose narratives included in commentaries on enigmatic koans. During Song dynasty China, Zen masters produced an abundant volume of writings that originally were based on the spontaneous and deliberately eccentric oral teachings of Tang dynasty patriarchs. This literature forms the heart of the modes (...) of textual study and ritual practice used in Zen today. Silence has always been highlighted in Zen. Zen's language of non‐language, or vice versa, leaves open the possibility for inventive expression and productive silence to intermingle and to be alternatively used or discarded, as appropriate for particular discursive contexts and pedagogical situations. (shrink)

Our aim in this paper is to explicate some unexpected and striking similarities and equally important differences, which have not been discussed in the literature, between Wittgenstein's methodology and the approach of Chinese Chan or Japanese Zen Buddhism. We say ?unexpected? similarities because it is not a common practice, especially in the analytic tradition, to invest very much in comparative philosophy. The peculiarity of this study will be further accentuated in the view of those of the ?old school? who (...) see Wittgenstein as a logical positivist, and Zen as a religious excuse for militarism or sadomasochism. If the second claim were true, the following investigation would not only be futile but also impossible. That the first claim, concerning the ?old school? perspective on Wittgenstein, is incorrect, we will demonstrate in the ensuing discussion. By now more experts have come to accept this claim and we hope that our comparative perspective will add even more momentum. (shrink)

A new translation of one of the great koan collections--by the premier translator of the Chinese classics--that reveals it to be a literary and philosophical masterwork beyond its association with Chan/Zen. Zen is famous for its koans, those seemingly confounding statements, questions, or stories that masters use to gauge their students' practice. Here, the lauded modern master of Chinese poetry translation asks us to reimagine one of the greatest of the koan collections in a new way: as a classic of (...) Chinese philosophical literature in the tradition of the Tao Te Ching or the Chuang Tzu. He presents the No-Gate Gateway (variously also familiar to readers as the Mumonkan, Wu-men Kuan, Gateless Gate, or Gateless Barrier), in a "bare bones" version, without the usual additional commentary, not intended to be studied in the usual case-by-case method, but to be read as a complete work in itself, one that leads the reader carefully on a path to the discovery of the deep nature of reality--an unconventional way of reading it that can be truly revelatory. (shrink)

Chinese Chan or Zen Buddhism is renowned for its improvisational, atypical, and perplexing use of words. In particular, the tradition’s encounter dialogues, which took place between Chan masters and their interlocutors, abound in puzzling, astonishing, and paradoxical ways of speaking. In this chapter, we are concerned with Chan’s use of paradoxical language. In philosophical parlance, a linguistic paradox comprises the confluence of opposite or incongruent concepts in a way that runs counter to our common sense and ordinary rational thinking. One (...) naturally wonders about Chan masters’ rationales for their use of paradox. There are also concerns about whether the use violates the logical principle of noncontradiction to the effect that nothing can be both P and not-P all over in the same way at the same time. Chan became a viable Chinese Buddhist tradition during the Tang dynasty (618−907) and continued to develop for several centuries. The tradition had produced a huge literature; consequently, our investigation of its use of paradox cannot but be limited and selective. In the second section, I first sketch key ideas of Chan that are pertinent to our investigation and then examine the use of paradox in the sermons associated with certain Tang masters of the southern Chan. In the third section, I analyze the presence of paradoxical language in post-Tang encounter dialogues. The fourth section concludes. (shrink)

Drawing on ancient and modern sources, "a lucid discussion of Taoism and the Chinese language [that's] profound, reflective, and enlightening." —Boston Globe According to Deepak Chopra, "Watts was a spiritual polymatch, the first and possibly greatest." Watts treats the Chinese philosophy of Tao in much the same way as he did Zen Buddhism in his classic The Way of Zen. Critics agree that this last work stands as a perfect monument to the life and literature of Alan Watts. "Perhaps (...) the foremost interpreter of Eastern disciplines for the contemporary West,... Watts begins with scholarship and intellect and proceeds with art and eloquence to the frontiers of the spirit."—Los Angeles Times. (shrink)

I want to know whether Chan masters and students depicted in classical Chan transmission literature can be interpreted as asking open (or what I will call “genuine”) questions. My task is significant because asking genuine questions appears to be a decisive factor in ascertaining whether these figures represent models for dialogue—the kind of dialogue championed in democratic society and valued by promoters of interreligious exchange. My study also contributes to a more comprehensive understanding of early Chan not only by (...) detailing contrasts between contemporary interests and classical Chan, but more importantly by paying greater attention to the role language and rhetoric play in classical Chan. What roles do questions play in Chan encounter dialogues, and are any of the questions genuine? Is there anything about the conventions of the genre that keeps readers from interpreting some questions in this way? To address these topics, I will proceed as follows. First, on a global level and for critical-historical context, I survey Chan transmission literature of the Song dynasty in which encounter dialogues appear, and their role in developments of Chan/Zen traditions. Second, I zoom in on structural elements of encounter dialogues in particular as a genre. Third, aligning with the trajectory of performative analyses of Chan literature called for by Sharf and Faure, I turn to develop and criticize a performative model of questions from resources in recent analytic and continental philosophy of language and I apply that model to some questions in encounter dialogue literature. (shrink)

The contributors to this volume were asked the following questions: The term "Humanism" is widely used, as are the terms "ethical" Humanism, "scientific" Humanism and "religious" Humanism. What is Humanism? Can you define it? If there is in your judgment no clear definition in the literature, you may wish to propose one. You may also wish to focus on the relationship of Humanism to atheism, science, its ethical position, or some other theme. Those who have contributed represent a wide (...) spectrum of Humanist opinion in the world today. They are primarily philosophers, psychologists, social scientists, ethical and religious leaders. Among the themes they discuss are historic roots of Humanism, the general problem of definition, the relationship of Humanism to ethics and morality, Humanism and religion, Humanism and atheism and Humanism on the world scene. Most of the varieties of Humanism are represented, including naturalistic Humanism, liberal Humanism, atheistic Humanism, humanistic psychology, behaviourism, Marxism, and Zen. If there is a common thread running throughout this volume, it is the conviction that Humanism is committed to the method of reason as the chief means of solving problems and the belief that mankind can survive and humans can enjoy a significant life. This conviction and this belief, however, can be realized only if men continue to have confidence in their own natural powers and abilities and the courage to use them. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.3 (2003) 108-112 [Access article in PDF] Themes in the Philosophy of Music, by Stephen Davies. New York: Oxford University Press, 2003, 283 pp., hardcover. Over the last few decades, there has been a remarkable output of several books and articles on the philosophy of music. Stephen Davies is one of the leading contributors to this growing literature in the Philosophy of Music. (...) This important and thought-provoking volume collects fifteen of Davies's essays on various philosophical issues pertaining to music such as ontology, performance, expression, and appreciation. With the exception of two, all of the essays have been published before. There is not enough space here to do justice to all fifteen essays, and thus I focus on those that strike me as most important and where I disagree with Davies.First a word about the book's relevance to aesthetic education and itspotential for use in aesthetic education. Davies's book strikes me as having immense potential for aesthetic education. I can easily see the various essays as being of great value in educating performers, composers, musicologists, and music lovers about various aspects of performance and appreciation especially. Here is a brief list of questions pertinent to aesthetic education that Davies's work raises and addresses: Why is performance on authentic instruments important? What is involved in understanding musical works? Is technical training necessary to appreciate musical works fully? To what degree can the performer create her own interpretation of a work, and how much does the score constrain her?Now on to the essays themselves. The first part of Davies's volume concerns ontology, and the first essay "John Cage's 4'33": Is it Music?" addresses this very famous musical work. Davies argues that 4'33" is not music but rather a theatrical piece about music because it does not exclude anysounds as being ambient noise, as Davies thinks musical works should do. Davies does not deny, however, that this work is an artwork. He thinks instead that the work is not organized sound, as all music must be, for it does not exclude any sonic events during performance as ambient; even sounds made by the performer of this work, claims Davies, are mistakes and not ambient. Thus neither Cage nor the performer organize (select, appropriate) sounds. Davies also suggests that while Cage wants us to have an aesthetic interest in the sonic properties of 4'33," he failed in his intention for we hear the work instead in musico-historical terms.Contrary to Davies's view, one mustwonder if 4'33" just is a theatrical piece about music, not a musical work as such. Unlike theater and theatrical works which are meant to be both seen and heard, Cage's work is only meant to be heard. Davies's view would seem to neglect this important auditory aspect in claiming that the work is just theater not music. Besides, why must all musical works exclude some soundsas ambient, and why might Cage's [End Page 108] work not be an exception to this? Why couldn't 4'33" be a limiting case of music, at one extreme of a range of musical works? As for Davies's claim that any sounds made by the performer who is supposed to be silent are mistakes not ambient noise, one must wonder if Cage intended instead that sounds made by the performer (such as musical tones or coughs) be bracketed by listeners as not part of the work while sounds made by the audience are part of the work, thus undermining the audience-performer distinction. Moreover, against Davies's claim that Cage intended us to have an aesthetic interest in sonic properties, I submit that Cage was Zen-influenced and not committed to such dualisticaesthetic concepts (such as beautiful vs. ugly) or any concepts for that matter, whether musico-historical or not. Instead, Cage intended us to simplylisten, with an open mind and openears, without adhering rigidly to concepts or hearing 4'33" in musico-historical terms, difficult as that may be. Finally, there... (shrink)

This _Biographical Dictionary_ provides detailed accounts of the lives, works, influence and reception of thinkers from all the major philosophical schools and traditions of the twentieth-century. This unique volume covers the lives and careers of thinkers from all areas of philosophy - from analytic philosophy to Zen and from formal logic to aesthetics. All the major figures of philosophy, such as Nietzsche, Wittgenstein and Russell are examined and analysed. The scope of the work is not merely restricted to the major (...) figures in western philosophy but also covers in depth a significant number of thinkers from the near and far east and from the non-European Hispanic-language communities. The _Biographical Dictionary_ also includes a number of general entries dealing with important schools of philosophy, such as the Vienna Circle, or currents of thought, such as vitalism. These allow the reader to set the individual biographies in the context of the philosophical history of the period. With entries written by over 100 leading philosophy scholars, the _Biographical Dictionary_ is the most comprehensive survey of twentieth-century thinkers to date. _Structure_ The book is structured alphabetically by philosopher. Each entry is identically structured for ease of access and covers: * nationality * dates and places of birth and death * philosophical style or school * areas of interest * higher education * significant influences * main appointments * main publications * secondary literature * account of intellectual development and main ideas * critical reception and impact At the end of the book a _glossary_ gives accounts of the schools, movements and traditions to which these philosophers belonged, and thorough _indexes_ enable the reader to access the information in several ways: * by nationality * by major areas of contribution to philosophy e.g. aesthetics * by major influences on the thinker concerned e.g. Plato, Kant, Wittgenstein. (shrink)

Jon Kabat-Zinn's Full Catastrophe Living skilfully succeeded in translating traditional Buddhist concepts in modern everyday language so as to make them accessible to the West. It was a stroke of genius to take mindfulness training out of the Buddhist context, but the risk might be that, instead of opening a door to the Dharma (the Buddhist teaching), it might also close a door leading to the vast richness of that context full of valuable insights and practices. This article aims at (...) back translating some mindfulness concepts to basic Buddhist concepts (in a movement opposite to Jon Kabat-Zinn's first move) to make Buddhist literature more accessible to MBSR/ct teachers that are less familiar with the Buddhist traditions and to allow us reconnect with some treasures that are present in our roots. It freely walks through texts and concepts of different Buddhist traditions when they seem relevant to this enterprise, drawing from the logic of the Pali Canon, the metaphors of the Mahayana sūtras and the paradoxes of Zen koans. (shrink)

Introduction. The article is focused on studying the self-knowledge techniques used in Buddhism and their application in teaching philosophy. The relevance of the study is due to the search for new approaches to studying philosophy, including approaches related to philosophical practice, as well as the interest of modern scientists in the problem of consciousness. The problem of consciousness is interdisciplinary and its study is of practical importance for philosophers, psychologists, linguists, specialists in artificial intelligence. Buddhism as a philosophical doctrine provides (...) rich material for the study of the phenomenon of consciousness, which does not lose its relevance today. A feature of the Buddhist approach to consciousness is that it has an axiological orientation that is directly related to the problem of self-knowledge. The practices of self-knowledge used in Buddhism enable a person to become happier and more harmonious, which is so important for each of us. The aim of the study is to conduct a philosophical analysis of Buddhist practices of self-knowledge and self-transformation in order to use them in the educational process. Methods: the author uses general scientific methods of analysis and synthesis, deduction and induction; phenomenological method to identify the intentions that are key for consciousness. The author also uses the hermeneutical method to interpret Buddhist texts. The method of introspection as self-observation of consciousness is used in Buddhist meditation techniques. The scientific novelty of the study is that we approach the study of extensive material on Buddhism in the context of the problem of selfknowledge, which is inextricably linked with the Buddhist concept of consciousness. The revealed and studied Buddhist techniques of self-knowledge have been adapted for teaching philosophy. Results. A philosophical analysis of the literature on Buddhism in the context of the problem of self-knowledge was carried out. As a result of the analysis, Buddhist techniques for working with consciousness, such as meditation, the method of pondering Zen koans, the method of getting rid of material attachments, or the practice of austerities, were studied and described. A philosophical analysis of various Buddhist meditation techniques showed that they are based on the Buddhist concept of consciousness, which denies the existence of an individual “I”, considers the “I” to be nothing more than a combination of various dharmas, therefore the purpose of meditation in Buddhism is to identify oneself with one’s own “I”, to achieve a state of voidness in which we must comprehend our true identity. The method of pondering Zen koans is also one of the techniques for working with one’s consciousness in Buddhism. As a result of deliberation of these paradoxical miniatures, a person goes beyond the boundaries of logical thinking; there is a transition from the level of profane consciousness to the level of deep consciousness. The basis of the method of getting rid of material attachments or the practice of austerities in Buddhism is the concept of the middle path. We have established a similarity between the method of getting rid of material attachments, the concept of the middle path and minimalism as a way of life. Findings. Elements of the Buddhist practices of self-transformation can be successfully used in the teaching of philosophy at the university as a practical aspect of studying this discipline, forming students with the idea of philosophy as a way of life leading to positive self-transformation. Studying the practical aspects of Buddhist philosophy contributes to the formation of tolerance, awareness, education of humanism and altruism, and the skills of psycho-emotional self-regulation. (shrink)

I want to know whether Chan masters and students depicted in classical Chan transmission literature can be interpreted as asking open (or what I will call “genuine”) questions. My task is significant because asking genuine questions appears to be a decisive factor in ascertaining whether these figures represent models for dialogue—the kind of dialogue championed in democratic society and valued by promoters of interreligious exchange. My study also contributes to a more comprehensive understanding of early Chan not only by (...) detailing contrasts between contemporary interests and classical Chan, but more importantly by paying greater attention to the role language and rhetoric play in classical Chan. What roles do questions play in Chan encounter dialogues, and are any of the questions genuine? Is there anything about the conventions of the genre that keeps readers from interpreting some questions in this way? To address these topics, I will proceed as follows. First, on a global level and for critical-historical context, I survey Chan transmission literature of the Song dynasty in which encounter dialogues appear, and their role in developments of Chan/Zen traditions. Second, I zoom in on structural elements of encounter dialogues in particular as a genre. Third, aligning with the trajectory of performative analyses of Chan literature called for by Sharf and Faure, I turn to develop and criticize a performative model of questions from resources in recent analytic and continental philosophy of language and I apply that model to some questions in encounter dialogue literature. (shrink)

Buddhas, gods, prophets and oracles are often depicted as asking questions. But what are we to understand when Jesus asks “Who do you say that I am?”, or Mazu, the Classical Zen master asks, “Why do you seek outside?" Is their questioning a power or weakness? Is it something human beings are only capable of due to our finitude? Is there any kind of question that is a power? -/- Focusing on three case studies of questions in divine discourse on (...) the level of story - the god depicted in the Jewish Bible, the master Mazu in his recorded sayings literature, and Jesus as he is depicted in canonized Christian Gospels - Nathan Eric Dickman meditates on human responses to divine questions. He considers the purpose of interreligious dialogue and the provocative kind of questions that seem to purposefully decenter us, drawing on methods from confessionally-oriented hermeneutics and skills from critical thinking. -/- He allows us to see alternative ways of interpreting religious texts through approaches that look beyond reading a text for the improvement of our own religion or for access to some metaphysically transcendent reality. This is the first step in a phenomenology of religions that is inclusive, diverse, relevant and grounded in the world we live in. (shrink)

Unlearning is a recurrent theme in Japan. To further understanding of what this entails, we focus on the view of learning laid out by a revered 13th century Zen-inspired playwright. For Zeami, learning involved a movement from the acquisition to unlearning of skills, punctuated by an experience of mushin, followed by creative reemergence. To deepen understandings of this unlearning model, we turn to draw comparison with recent discussions in the Western literature, focusing on Double-Loop Learning and Learning III, both (...) inspired by Bateson. Learning III, which Bateson utilized several Zen references to explicate, appears to gesture towards the alternative punctuation of learning envisaged by Zeami, although differences remain. We then shift to highlight empirical work on contemporary Japanese schooling, highlighting practices which suggest elements of a Zeami-like worldview continue to live on in Japan’s learning culture. Unlearning, when viewed as a living tradition embedded in culture, rather than merely a premodern past or future philosophical possibility, help sets the stage for a transnational, transdisciplinary dialogue on how we learn. We perform our own extended dialogue that led to this piece, a mode of engagement we view as methodological innovation, as we work to unlearn our past parochialisms. (shrink)

In the sixties I attempted to comprehend the Zen paradox: 1,400 years of handing down a tradition through absurd statements. I had to construct a theory of the absurd. It led me to the conclusion that not only connections among words could be absurd ; connections among objects themselves could also be absurd. God hung on the cross seemed an absurdity. The Apostle Paul acutely felt this absurdity, and later Tertullian felt it even more acutely. A thousand years later, for (...) Aquinas, the sense of absurdity had subsided, and the diminution of God to the "perspective of the slave" became a postulate of scholastic reason. In all transitional periods, when the "world is out of joint," a palpably absurd situation arises, and grotesque, absurd literature is created. François Villon became popular in Russia in the twentieth century, not very long before Kafka; the poem written for the contest in Blois engraved itself in my memory. The poem is rational in its own way, i.e., it describes well the realities of life itself. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 22 (2002) 236-239 [Access article in PDF] Book Review An Introduction to Buddhist Ethics: Foundations, Values and Issues An Introduction to Buddhist Ethics: Foundations, Values and Issues. By Peter Harvey. Cambridge: Cambridge University Press, 2000. xx + 478 pp. In my 1993 review article on Damien Keown's brilliant book The Nature of Buddhist Ethics (see Buddhist Studies Review 10, 1 [1993], 95-108), I praised Keown's volume as (...) one of the very most important research studies on Buddhist ethics to have been [End Page 236] written in the last half of the twentieth century. It ultimately became the grounding basis for the highly successful online Journal of Buddhist Ethics, and has helped to reawaken interest in an exciting but often overlooked aspect of the Buddhist tradition. I have no doubt that Peter Harvey's new work will do for the beginning of the new century precisely what Keown's did for the end of the previous one. In a few words, it is a scholarly masterpiece, a splendid in-depth tour of the entire Buddhist ethical tradition.Because of our shared interest, I had known that Peter Harvey was working on a comprehensive study of Buddhist ethics for some time prior to its publication, but as late as August 1999, I had not seen any part of it in manuscript form. While attending the International Association of Buddhist Studies meeting in Lausanne, I got my first chance to see the foundation of this book—its bibliography. Knowing that I am a bit of a bibliophile, Peter rather matter-of-factly handed me a copy of the bibliography and asked what I thought of it. It would be sorely understating the case to call it anything short of overwhelming, and while its totality would have been impractical to include in the book, it surely whetted my appetite for the book that is under review here.Harvey says in the introduction that "The schools of Buddhism have rich traditions of thought on ethics, though this is often scattered through a variety of works which also deal with other topics. This book aims to be an integrative over-view of ethics in the different Buddhist traditions, showing the strong continuities as well as divergencies between them" (1). In so doing, he has given us a volume that can easily serve as a stand-alone text for any university course on Buddhist ethics. The book is really divided into two major parts: Chapters 1-3, which introduce the reader to the foundation of Buddhist ethics, both Hinayana and Mahayana; and chapters 4-10, which cover the applications of Buddhist values to a wide variety of issues, some of which are both volatile and controversial. The book concludes with a glossary, list of references, list of useful addresses (some of which lead the reader into the Internet), and several valuable indexes.In the first portion of the book, chapter 1 considers "The Shared Foundations of Buddhist Ethics." It is a concise and clear survey of basic Buddhist ideas, culminating in a discussion of the place of ethics on the Buddhist path, a consideration of wise and skillful actions, and the means for distinguishing between good and bad actions. Moreover, the first chapter leads directly into the second, "Key Buddhist Values." Here the reader is taken through a very thorough consideration of the lay precepts—and especially the five precepts—and of monastic values. From this solid base, Harvey expands outward into a consideration of interpersonal relationships and social ethics. Unlike most studies of Buddhist ethics, Harvey gives ample attention to Mahayana ethics (in chapter 3, "Mahayana Emphases and Adaptations"). He considers the ethics and precepts of the bodhisattva, the role of compassion, wisdom, and skill-in-means, including such controversial topics as compassionate killing, compassionate stealing, noncelibacy, and lying. He also leads us through some specific sectarian applications of Buddhist ethics by considering Tantra, Pure Land, Zen, and Nichiren. Throughout, Harvey offers his readers a helpful mix of primary and secondary [End Page 237] literature, as well as a consideration of ancient and... (shrink)

In this dissertation, I argue that Kierkegaard's relationship to the mystical tradition is misconstrued in the secondary literature, and that a fuller account of his attitude toward mysticism reveals a more appreciative stance toward it, which in turn reveals a more mystical religious dialectic. To that end, in the first chapter, I give an account of what is taken to be Kierkegaard's anti-mysticism, and then show that the resources in other signed sources, like Kierkegaard's Journals and Papers, allow us (...) to see that Kierkegaard dislikes what he calls mysticism, but what he calls mysticism is not what contemporary scholarship believes it to be. Accordingly, Kierkegaard himself could be a mystic on some definitions of that term. ;The three chapters that immediately follow are devoted to explicating Kierkegaard's religious dialectic in such a way as to show that mystical themes pervade the work. In the second chapter, I argue that the nothingness of the self is a necessary condition, according to Kierkegaard, for any wholeness that the self might acquire. Further, in the third chapter, I argue that Kierkegaard's conception of God permits a rich notion of union with God . In the fourth chapter, I explain that Works of Love picks up where the pseudonyms left off, and articulates the union with God where such union is at once loving action, for God is love. ;In the final chapter, I conclude by showing that Kierkegaard has marked structural similarities to mystics such as Eckhart, who is warmly received by the Japanese philosophical tradition, particularly in the writings of its Zen and Pure Land Buddhist representatives. I then go on to show that Kierkegaard's writings are a fruitful source for comparative philosophy of religion, for while Kierkegaardians can also learn from the writings of these Japanese thinkers, Kierkegaard's writings can provide responses to many objections that are commonly leveled against both Kierkegaard's thought in particular and Christian philosophy in general. (shrink)

Based on my prior exposure in Korean Buddhism, when I first picked up Polishing the Diamond I expected to see something of the more typical Korean Jogye fare-- gongan explanations, advice on meditation, maybe some lectures containing citations from classical Seon or scriptural literature, or something like the Zen-style sermons of Seung Sahn. What I found instead was a refreshingly new and unusually eclectic blend of teachings, and at least in the extent to which the focus is on the (...) actions of karma in daily life, perhaps more on the order of what one might expect to find in a text from a modern Theravada tradition. (shrink)

In this paper I lay out the ground for a creative dialogue between Buddhist thought and contemporary nursing. I start from the observation that in tracing an arc from the existential human experience of suffering to finding compassionate responses to suffering in everyday practice Buddhist thought already appears to present significant affinities with nursing as a practice discipline. I discuss some of the complexities of entering into a cross‐cultural dialogue, which is already well under way in the working out of (...) Western forms of Buddhism, and which is beginning to be reflected in nursing literature. I introduce philosophical hermeneutics as a useful framework for elaborating an open and constructive exchange. I then discuss key Mahayana Buddhist concepts of emptiness and two truths that lead to a dynamic and open way of understanding reality and responding in the world. I turn to examples of original texts to give a flavour of the varied and distinctive forms of literature in the Buddhist tradition. This is intended partly to keep the reader alert to cultural difference (from a Western standpoint, that is) while exploring the creative potential of Buddhist thought. Hermeneutics again provides a framework for interpretation. This paper establishes a philosophical ground for a critical and creative dialogue between Buddhist thought and nursing. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 9.4 (2002) 349-351 [Access article in PDF] Mystical States or Mystical Life?Buddhist, Christian, and Hindu Perspectives Marek Marzanski and Mark Bratton THIS IS AN ORIGINAL and conceptually precise paper. It is a significant attempt to bring religion and psychiatry into conversation. With particular reference to three Oriental epistemologies—Tibetan and Zen Buddhism and Tantric Hinduism—Caroline Brett seeks to offer a means of differentiating mystical states from (...) psychotic ones. She is critical of reductionism in modern psychiatry that seeks either to elide religious experience into psychopathology, or seeks too sharp a distinction between them. Brett claims, by implication, to offer a more fundamental level of discrimination between religious experience and psychopathology than the "cognitive problem-solving model" that Jackson and Fulford propose (1997a).In both mystical and psychotic states, the author argues, there are radical alterations in the structure of experience. Psychotic states, however, result from failures to complete, or, at least, to negotiate smoothly, the transition from a commitment to an epistemology based on illusory reality to one structured according to ultimate reality—a reality that is brought into focus through an alignment of transcendent vision and mundane cognition. Although this epistemological "stuck-ness" can manifest itself in action as destructive behavior, for example, psychological isolation or social and occupational dysfunction, the basis of the distinction between mystical and psychotic states lies in real differences in the states themselves.In our view, there is a tendency in much psychiatric and theological literature to homogenize mystical states and to treat experiences that (arguably) occur on a number of different levels as if they were on the same level. It is still widely thought that a mystical consciousness can somehow be abstracted from the religious traditions out of which this consciousness emerges. It is assumed that we can talk about experience in abstraction from the shared consciousness produced by schooling in a specific historical religion (Shannon 1985, 493). Thus, the altered mystical state of a Zen Master or Saint Teresa of Avila in ecstasy are regarded as identical states of consciousness. Yet it is far from clear that mystical states can be talked about without explicit reference to the language and tradition in which the self is formed, or, in terms that would have different meanings in Abrahamic and Oriental religious traditions, un-selfed. [End Page 349]There is a related tendency to regard religious doctrines as attempts to interpret mystical experience, as second-order reflections on the language of experience, as if religious doctrines were local religious dialects into which core experiences could be translated. We suggest, rather, that there is an iterative relationship between a mystical experience and the religious framework out of which it emerges. Religious doctrines are better seen as sets of instructions designed to guide the movement of prayer, and the movement of prayer, in turn, exemplifies the religious doctrine that shapes it.So could mystical states within the framework of Tibetan and Zen Buddhism and Tantric Hinduism better be understood as exemplification's of the worldviews of those particular religious traditions? For example, the relinquishing of ego structures, the dissolution of subject/object boundaries, the yielding of the contrastive identity between experience and the world, and progress toward undifferentiated union of the self with the cosmic self, seem to exemplify the monist cosmology associated with some of those traditions. By the same token, the psychotic state could be interpreted as an exemplification of an existential stance that has for some reason defected from the movement toward transcendental cognition. The point is that the "real differences" Brett identifies in the two states cannot be understood apart from the religious epistemology and doctrines, which those states, positively or negatively, exemplify. "So far 'from mystical states' being a sort of paradigm of certainty, they have authority only within a frame of reference which is believed in on quite other grounds and are therefore properly to be tested according to their consistency with this" (Williams 1991, 149)The force of Brett's paper, like Jackson and Fulford, is to identify the boundaries... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 21.1 (2001) 139-140 [Access article in PDF] Book Review Dimensionen Der Leere: Gottals Nichts Und Nichts Als Gott Im Christlich-Buddistischen Dialog Dimensionen Der Leere: Gottals Nichts Und Nichts Als Gott Im Christlich-Buddistischen Dialog. By Armin Münch. Münster, Hamburg, London: LIT-Verlag, 1998. 337 pp. This is a most unusual study, pieced together out of hidden facets and neglected aspects of Buddhist and Christian studies and containing an unrivaled (...) overview of the literature. If modernWestern theology, taking its cue from Heidegger, has emphasized the temporality of existence, Münch draws our attention to its "spatiality" in what he calls "dimensional thinking." He is able to point to an astonishing number of thinkers from a variety of disciplines who have taken as their starting point our need to orient ourselves in space. In this light, the kenôsis.assage Philippians 2:5-11 is seen to be patterned on a U-shaped movement linking the dimensions "above" and "below" as distinct from S- and O-shaped movements found elsewhere in the mystical tradition.Münch goesonto establish left/right, behind/before, inside/outside, coming to be/passing away as what he calls "immanentals" (12-13) analogous to the "transcendentals" of scholastic theology. In particular, he seeks out thinkers who have tried to formulate the "fourth dimension," which would take us beyond conventional space-time. Plotinus, Eckhart, and the Kabbala are all examined for their attempts to conceptualize the transcendent in this way.What is the purpose of this exercise? Münch's leading question, to which he eventually returns, is clear: "What is lacking in our idea of God if we are ignorant of Buddhist experience?" (5). His purpose is to evaluate the relative significance of kenôsis ("he emptied himself") and tapeinosis."he humbled himself") in Philippians 2. This becomes apparent when he comes to the leading thinkers of the Kyoto School--Nishida, Nishitani, and Abe--and the debate between Takizawa and Yagi. Here Münch finds evidence of a "backwards-directed," or "dorsal," theology that corresponds to a rearwards movement in Buddhist thinking (264). This interesting hypothesis would need further verification by consulting the textual and extratextual traditions that shaped Japanese Buddhism in the context of their Indian and Chinese origins. In criticizing the work of Perry Schmidt-Leukel, Münch suggests that for Buddhists the balance between the experiences of relationship and transitoriness is not so much a matter of different directions or perspectives of transcendence as a leaving behind of all perspectivity (130-133). The search for salvation is orientated rearward in the Buddhist case, forward in the Christian, but these can be seen as complementary directions on the one road.Münch is able to agree with Ueda that Buddhist "nothingness" is best understood as a "desubstantializing dynamic" (283-284). Shûnyatâ.s the "fullness of nothingness" corresponds to the Christian concept of God. Christ is said to have "gone outside himself" rather than to have "emptied himself out" ["Christus entäusserte sich, aber er entleerte sich nicht!"(287)], to have undergone a metamorphosis. In Münch's view, only trinitarian language can encompass all the dimensions, from zero to the [End Page 139] elusive fourth, which are necessary to express what we mean by God in Buddhist terms (305-306).One of the most original things Münch does is to draw a parallel between the Zen ox-herding pictures and the Christian story. This serves to draw together pictorially, if not conceptually, the sometimes arcane researches that go to make up Münch's mosaic. It is perhaps because spatially dimensional thinking has been so rare in Western science, philosophy, and theology that he must search in such dark corners for evidence of it. The result is an at times bewildering patchwork of apparently unrelated contributions that do not blend smoothly into a unity. This sometimes puzzling heterogeneity is justified, in my view, in that it presents us with a highly diversified tool kit for getting to work on the potential offered... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 61.1 (2000) 19-37 [Access article in PDF] Eudaimonism and Theology in Stoic Accounts of Virtue Michael Gass The Stoics were unique among the major schools in the ancient world for maintaining that both virtue and happiness consist solely of "living in agreement with nature" (homologoumenos tei phusei zen). We know from a variety of texts that both Cleanthes and Chrysippus, if not also (...) Zeno, characterized such conduct both in essentialist terms, as a matter of living purposively in a manner natural for the human species, and in cosmological terms, as a matter of living in agreement with the purposes of nature as a whole, this being regarded as identical to Zeus. This is not to suggest, however, that cosmo-theological speculation figured prominently in the ethical systems of the early Stoics. Judging from extant summaries and discussions of Stoic ethical doctrines, those doctrines were justified in a dialectical fashion, not by appeal to facts about the purposive order of nature but simply from an analysis of ethical concepts patterned after similar analyses by earlier philosophers (most notably, Aristotle). It is this kind of learning that Chrysippus apparently had in mind when he maintained that ethics should be studied prior to undertaking a systematic investigation of nature: [T]here are three kinds of philosopher's theorems, logical, ethical and physical.... [W]hat should be ranked first of these are the logical, next the ethical, third the physical; and what should come last in the physical theorems is theology. 1On the other hand, as we learn from the testimony of Plutarch (and also from other indirect textual evidence examined recently by Jacques Brunschwig), 2 [End Page 19] Chrysippus also believed that physics in general and theology in particular yield a quite distinct, demonstrative knowledge of the matters first studied in ethics. A. A. Long and others have suggested that such knowledge was regarded by the Stoics as encompassing not just information about the ways in which virtuous living is encouraged by, and fits into, the wider aims of nature at large but also a deeper understanding of the very essence of virtue. 3 Specifically, virtue is revealed to consist in a conscious and deliberate harmonization of one's actions with the purposes of the divine architect. Thus, under this interpretation of their ethical intentions, the Stoics thought of the initial, analytical approach to ethics as necessarily incomplete even in its treatment of strictly ethical topics; the systematic study of nature was thought to impart additional wisdom regarding ethical matters.In her recent study of ancient ethical theories, Julia Annas seeks to counter this view of the place of cosmo-theological speculation in early Stoicism by arguing that such a religious characterization of virtue is incompatible with the eudaimonism to which all schools of ancient philosophy, including Stoicism, were committed. 4 She concedes that first Cleanthes and then much later the Roman Stoics did regard virtue in religious terms, but in her assessment this represents a radical departure from mainstream Stoic thinking on this subject (which is identified mostly with the views of Chrysippus and his disciples, all of whom were clearly and consistently committed to the eudaimonistic model of ethical inquiry). Annas argues that whereas the Stoic sage was traditionally depicted as a person whose commitment to morally appropriate conduct stems from his own rational reflection on his own needs and interests, a person who identified completely with the aims of the divine architect in his purposive activity would be someone who surrendered his right to decide for himself what his needs and interests are, and who therefore could even be required to act in violation of what he might judge by himself to be crucial to his happiness.In what follows I demonstrate that this argument, often advanced in the literature as a reductio ad absurdum of divine command theories of morality, falls wide of the mark in the present case due to the fact that those Stoics who characterized virtue in religious terms did so apparently because they regarded a complete identification with... (shrink)

This dissertation offers and defends a phenomenological account of personal identity. It does so critically in conversation with Anglo-analytical traditions and varieties of other philosophical traditions from around the world, especially Zen Buddhism. Chapter One brings together three areas of philosophy: the multiple realizability thesis from philosophy of science, the logical pluralist position from philosophical logic, and the various conceptions of personhood from metaphysics. I argue that even though the divide in the literature on the metaphysics of personal identity (...) is unresolved, there is a core notion, “person,” that is understood to be the target of explanation in each of the traditions. The multiple-realizability of personhood entails the multiple realizability of identity. Because "person" is an unsettled term, "personal identity" is also unsettled. Chapter Two examines those metaphysics traditions in more detail. After outlining the claims of body continuity theorists, psychological continuity theorists, and narrative continuity theorists, I raise objections to each of the theories. In Chapter Three, I propose that all three categories of metaphysics approaches to identity face a unified objection: they presume a level of objectivity that belies the negotiation of our identities. This chapter examines the limits of methodological naturalism and examines the work of two Indigenous scholars from North and South America who present theories of identity that embrace contradictory beliefs and goals. Chapter Four proposes that phenomenology offers a new and more promising approach to studying personal identity. In this chapter, I point out that there is a disciplinary divide over whether identity is a thing (something of substance) or a way of understanding. By shifting the approach to identity from metaphysics to epistemology, I demonstrate that phenomenology avoids the objections that the metaphysics theories face. In this chapter, I also raise objections that arise in Buddhist traditions. The chapter concludes with close readings of Keiji Nishitani's critique of Western philosophy from Religion and Nothingness and Jean-Paul Sartre's defense of phenomenology, which appears in Being and Nothingness. Chapter Five defends the phenomenological analysis of identity against Nishitani’s critique. I show that the phenomenological approach to identity entails that identities are distributed within contexts. I adopt a deflationary account of identity grounded in the term existence—all that can be said about one's identity is that it is whatever makes them stand out against a background. No amount of precision that is added to the various accounts will settle whether the metaphysics or epistemic approach to identity is better. Therefore, the deflationary understanding of identity allows us to continue talking about the core notion even if the term remains unsettled. In the end, I offer an account of personal identity that suggests that identity is a distributed phenomenon. If one’s identity is intelligible only in the context of the world, then my circumstances are part of my identity. (shrink)

This theoretical psychological study comprises an illustration and analysis of the experience of "unknowing" described in contemplative and mystical literature. Materials examined were drawn from exponents of the West's "via negativa" and from the Japanese Zen master, Eihei Dosen. Although ultimately a non-discursive and ineffable mode of experience, the accounts of contemplative unknowing are shown in this study to bear a number of discernible common features. Psycho-spiritual techniques enjoined to inculcate the experience of unknowing are also examined. This study (...) proposes that the latter can be productively understood as forms of deconstruction, finding that "contemplative deconstruction" is effectively the deconstruction of the self, arrived at in an experienced shift in one's relationship to one's own experiencing . As an elucidating contrast and comparison, an extended discussion is provided of the postmodern deconstructionism of Jacques Derrida. Discussion is also included of currents within contemporary Western psychological discourse which show some promise for further aiding our understanding of contemplative experiences, namely, social constructivist psychology's investigations of the self and transpersonal psychology's valorization of East/West mysticism. It is suggested that, despite the extreme worth and impress on the lives of those who have such experiences , the discourse of contemporary mainstream psychology has yet to give adequate space in its investigations to the phenomena of contemplative praxis. (shrink)

In this paper, I try to show how Japanese practices of self-cultivation found in the so-called “ways” can be interpreted as embodied forms of “caring for oneself ” and, therefore, as part of a philosophical Lebenskunst or art of living. To this end, I refer to phenomenological accounts of the body as well as to a unique notion of practice found in the writings of Dōgen Kigen, a thirteenth-century Japanese Zen master. Central to this essay is a concern with embodying (...) kata or pre-defined patterns of movement and posture used in nearly all practices of self-cultivation in Japan. To approach this question, I look at the etymological roots of the term kata and its use in the writings of Zeami, the foremost representative of classical Noh theater, both as author and as actor. This is followed by an analysis of certain aspects of the embodiment of kata and the way it is described in Japanese literature. (shrink)

This study, which considers the exchange that occurs between civilisations, attempts to re-examine the question pertaining to the authenticity of sutra. The Guanjing [Guan Wulingshou jing 觀無量壽經 Skt. Amitāyur Dhyāna Sūtra; Contemplation Sūtra], which is an influential Buddhist text, immensely facilitated the first transmission of Zen Buddhism that occurred during the Middle Ages, and it promoted the spread of the Pure Land thought. Because of the modern academic research on the Chinese Buddhist Apocrypha, the discussion pertaining to the authenticity of (...) the Guanjing has become prominent, and for more than half a century, issues pertaining to the place in which it was compiled, the time of its establishment and the absence of the Sanskrit and Tibetan texts have received research attention. Buddhist texts have spread from India to China. If a general literature and linguistics perspective is adopted, the availability of a sutra in the original Indian language becomes a criterion for determining its reliability and authenticity. In addition, the translator, the place in which the translation occurred, the time of translation and the relationship with similar scriptures are all significant factors that can determine whether a sutra is an allegedly forged manuscript.Contribution: This article contributes to the understanding of the authenticity and counterfeit nature of Guanjing through a civilisational exchange perspective. This study differs from previous thinking only in terms of Sinicized sects, and the article analyses the possible Indian and Central Asian sources of the text, pointing out the forms in which the Guanjing and Ajātaśatru are reflected. (shrink)