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  1.  26
    The Time Phenomenon of Chinese Zen and Video Art in China: 1988-1998.Yang Geng & Lingling Peng - 2016 - Cultura 13 (2):103-124.
    As a response to the problems of language in Chinese modern and avant-garde art from 1988 to 1998, early video art reclaimed the independence of language from social reality and political influence and established it on the basis of the time phenomenon. By comparing the category of time in the Western philosophical tradition and in Chinese traditional thought, we find that the “immediacy” of Zen provides a hermeneutical approach to the nature of language as a reflective medium, closely related to (...)
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  2.  44
    Cultural Semiosis in Artistic Chinese Calligraphy.Lingling Peng & Yang Geng - 2013 - Cultura 10 (2):127-140.
    This paper explores iconicity in the metrical structure and the cultural value of Artistic Chinese calligraphy along the lines of Carles S.Peirce’s theory. It drawsattention to the fact that there is a simple categorical correspondence between the outer forms of Artistic Chinese Calligraphy and their subject-matter, presenting it a mixed form of representation, based on resemblances but also creating its own metaphysical meanings simultaneously.
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  3.  16
    Cultural Semiosis in Artistic Chinese Calligraphy.Lingling Peng & Yang Geng - 2013 - Cultura 10 (2):127-140.
    This paper explores iconicity in the metrical structure and the cultural value of Artistic Chinese calligraphy along the lines of Carles S.Peirce’s theory. It drawsattention to the fact that there is a simple categorical correspondence between the outer forms of Artistic Chinese Calligraphy and their subject-matter, presenting it a mixed form of representation, based on resemblances but also creating its own metaphysical meanings simultaneously.
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  4.  40
    Time Symbolism in Gourd Representations used in Chinese Culture and Art.Lingling Peng & Yang Geng - 2017 - Cultura 14 (1):59-70.
    A gourd is a sort of pumpkin whose shell is frequently used to keep food and water. Gourds are also used as kitchen utensils, musical instruments or decoration. This paper draws attention to the time framework in gourd image representations, which symbolize universality and immortality as well as the positive notions of regeneration and emptiness. By analyzing the artistic expressions in the form of gourd representations reflected in literature and art, this paper reveals the complex notion of time in Chinese (...)
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