In rural Cambodia the rampant allocation of state land to political elites and foreign investors in the form of “Economic Land Concessions (ELCs)”—estimated to cover an area equivalent to more than 50 % of the country’s arable land—has been associated with encroachment on farmland, community forests and indigenous territories and has contributed to a rapid increase of rural landlessness. By contrast, less than 7,000 ha of land have been allotted to land-poor and landless farmers under the pilot project for “Social (...) Land Concessions (SLCs)” supported by various donor agencies. Drawing on fieldwork conducted in two research sites in Kratie Province, this article sheds light on the mechanisms and discourses surrounding the allocation of ELCs and SLCs. Our findings suggest that large-scale and non-transparent land leases in the form of ELCs are discursively justified as land policy measures supporting national development, creating employment opportunities in rural areas, and restoring “degraded” and “non-use” land, while SLCs are presented by the government and its international donors as a complementary policy to reduce landlessness, alleviate rural poverty, and ensure a more equitable land distribution. We argue that the SLC pilot project is a deliberate strategy deployed by the Cambodian ruling elite to instrumentalize international aid agencies in formalizing displacement and distributional injustices, in smoothing the adverse social impacts of their very own land policies and in minimizing resistance by dispossessed rural people. (shrink)

Recent decades have witnessed widespread agrarian transitions in mainland Southeast Asia. This paper examines how agrarian transitions are shaped by multiple drivers of change, and how these interwoven processes have triggered shifts in agricultural extension practices in three countries in the Lower Mekong Basin: Laos, Cambodia, and Vietnam. Drawing on interviews with experts working on the fields of agrarian studies and rural development, this paper argues that agrarian transitions not only put a strain on agricultural extension systems in responding to (...) evolving needs, but they also stimulate the co-production of innovative agricultural extension models to address gaps left by the limited presence of extensionists. The study gains insight into challenges faced by extensionists, including a lack of resources, skills, and capacities to meet growing needs, which simultaneously urged them to excel in their work performance. The paper highlights the proactive role of ‘champions’ in orchestrating collective efforts towards the co-production of innovative agricultural extension models (e.g. Metkasekor), and the formulation of pluralistic extension platforms in enabling such ‘co-learning-to-act’ practices. By translating these insights into the broader contexts of agricultural and rural development in the Mekong region and beyond, this paper aims to make a two-fold contribution. First, it will assert how the ‘business-as-usual’ extension model has failed to adequately address emerging needs as a result of agrarian transitions. Second, it will provide pathways for the recognition and legitimisation of the pluralistic extension approach that fosters stakeholders’ co-learning and productive engagement in extension practices. (shrink)

Since Aristotle, touch has been found especially hard to define. One of the few unchallenged intuition about touch, however, is that tactile awareness entertains some especially close relationship with bodily awareness. This article considers the relation between touch and bodily awareness from two different perspectives: the body template theory and the body map theory. According to the former, touch is defined by the fact that tactile content matches proprioceptive content. We raise some objections against such a (...) bodily definition of touch and suggest, as an alternative, to revive the proposal according to which touch is essentially a sense of pressure. According to the body map theory, tactile sensations are localized within the frame of reference provided by the mental representation of the space of the body. We argue that this approach of the location of bodily sensations fares better that the Local Sign theory that denies intrinsic spatiality to touch. (shrink)

Using the philosophy of Jean-Luc Nancy as an anchoring point, Jacques Derrida in this book conducts a profound review of the philosophy of the sense of touch, from Plato and Aristotle to Jean-Luc Nancy, whose ground-breaking book Corpus he discusses in detail. Emmanuel Levinas, Maurice Merleau-Ponty, Edmund Husserl, Didier Franck, Martin Heidegger, Francoise Dastur, and Jean-Louis Chre;tien are discussed, as are Rene; Descartes, Diderot, Maine de Biran, Fe;lix Ravaisson, Immanuel Kant, Sigmund Freud, and others. The scope of Derrida’s deliberations (...) makes this book a virtual encyclopedia of the philosophy of touch (and the body). Derrida gives special consideration to the thinking of touch in Christianity and, in discussing Jean-Luc Nancy’s essay “Deconstruction of Christianity,” devotes a section of the book to the sense of touch in the Gospels. Another section concentrates on “the flesh,” as treated by Merleau-Ponty and others in his wake. Derrida’s critique of intuitionism, notably in the phenomenological tradition, is one of the guiding threads of the book. On Touching includes a wealth of notes that provide an extremely useful bibliographical resource. Personal and detached all at once, this book, one of the first published in English translation after Jacques Derrida’s death, serves as a useful and poignant retrospective on the work of the philosopher. A tribute by Jean-Luc Nancy, written a day after Jacques Derrida’s death, is an added feature. (shrink)

Therapeutic touch, a healing technique based upon the laying‐on of hands, has found wide acceptance in the nursing profession despite its lack of scientific plausibility. Its acceptance is indicative of a broad antiscientific trend in nursing. Adherents of this movement use the jargon of postmodern philosophy to justify their enthusiasm for a variety of mystically based techniques, citing such postmodern critics of science as Derrida and Michel Foucault as well as philosophical forerunners Heidegger and Husserl. Between 1997 and 1999, (...) 94 articles in nursing journals referred to postmodernism, according to a database search. This paper criticizes the postmodern movement for abandoning the biological underpinnings of nursing and for misreading philosophy in the service of an antiscientific world‐view. It is also suggested that nursing can retain its tradition of ‘caring’ without abandoning the scientific method. (shrink)

In 1925, David Katz published an influential monograph on touch, Der Aufbau der Tastwelt, which was translated into English in 1989. Although it is called “the world of touch,” it also discusses the thermal and the nociceptive senses, albeit briefly. In this chapter, we will follow this approach, but we will speak about “somatosensory senses” in general in order to remind ourselves that perceptions of temperatures and pains should also be considered together in this context.

Our existence is increasingly lived at a distance. As we move from flesh to image, we are in danger of losing touch with each other and ourselves. How can we combine the physical with the virtual, our embodied experience with our global connectivity? How can we come back to our senses? Richard Kearney offers a timely call for the cultivation of the basic human need to touch and be touched. He argues that touch is our most primordial (...) sense, foundational to our individual and common selves. Kearney explores the role of touch, from ancient wisdom traditions to modern therapies. He demonstrates that a fundamental aspect of touch is interdependence, its inherently reciprocal nature, which offers a crucial corrective to our fixation with control. Making the case for the complementarity of touch and technology, this book is a passionate plea to recover a tangible sense of community and the joys of life with others. (shrink)

A Touch of Doubt traces the theme of touch in the evolution of skepticism through Platonism, German idealism, Continental philosophy and psychoanalysis. Haptic Scepticism, the field of ethics emerging from this study, explores the grasp-ability of contradiction. Contradiction is a haptic marvel. We can cup it in our palms, press it against our lips, dip our toes into its coolness, and, if we are not careful, we may even burn ourselves on its surface.

Touch requires that one move in concert with one's tactile object. This provokes the question how joint movement of this sort yields perception of tactile qualities of the object vs. tactile qualities of an object-augmented body. Phenomenological analysis together with results of dynamic systems theory (in psychology) suggest that the difference stems from 'resonant' vs. 'reverberant' modalities of body-object movement. The further suggestion is that tactile movement is itself a form of discriminative intelligence, and that the peculiar intimacy of (...) touch and movement can shed light on a general role of movement in perception, subject-object relations, and intelligence. (shrink)

This article examines touch and its significance from an affect studies perspective. Touch makes our bodies more-than-one in a very concrete way, yet in body and affect research it has largely remained a philosophical abstraction, with few empirical explorations. Our theoretical deliberations are based on empirical material consisting of ‘touch biographies’ written by people of various backgrounds in the 2010s in Finland. The biographies are embodied-affective data, and our analysis of them offers a novel perspective on the (...) ways touch forms a part of affective relations and communal history. Touch works in and between bodies through affects in social bonds. Moreover, the exploration of touch biographies demonstrates that people draw upon different affective repertoires, and their experiences concerning touch are highly variable. The touch biographies highlight diverse and multi-temporal ways of attuning to, registering and recognising the social as it happens. Furthermore, our discussion opens up a new perspective on the study of affective privilege and inequality. (shrink)

This essay considers the work of Jean-Luc Nancy on touch as a model for a conception of the musical body. More than a re-emphasizing of the tactile, though, it is possible to show that Nancy’s work enables an understanding of music as touch. The significance of this re-thinking lies in the counterweight it provides to the degradation of music entailed in its digitalized de-materialization. Hegel is seen to be complicit in this degradation.

Because philosophical reflections on touch usually start from our ability to perceive properties of objects, they tend to overlook features of touch that are crucial to correct understanding of tactual perception. This paper brings out these features and uses them to develop a general reconception of the sense of touch. I start by taking a fresh look at our ability to feel, in order to reveal its vital role. This sheds a different light on the skin's perceptual (...) potential. While it is commonly observed that tactile experiences have two intentional objects, an external object and one's own body, I will advance a more accurate alternative: in tactile experiences, one becomes aware of what one's body undergoes. This alternative not only fits better with tactility's vital role; it is also key to explaining how active touching provides for a unique contribution to our perceptual relation to material objects. By thus connecting tactility's vital role to the way we rely on touch while manipulating objects, this essay offers a cross-sectional survey of our tactile powers that reveals the interplay between sensing and touching. (shrink)

Things: In Touch with the Past explores the value of artifacts that have survived from the past and that can be said to "embody" their histories. Such genuine or "real" things afford a particular kind of aesthetic experience-an encounter with the past-despite the fact that genuineness is not a perceptually detectable property.

Canʹt touch this -- How sight is not touch -- The medium of sight -- The problem of tactility -- The commonalities of the senses -- Photios and the unfolding of perception -- Has the mind seen?: the language of effluxes -- Has it grasped?: apprehending the object -- Has it visualized?, I: the grasp of the imagination -- Has it visualized?, II: the problem of fantasy -- Then it has effortlessly...: judgment and assent -- Mediation, veneration, remediation (...) -- Medium and mediation -- Tactility and veneration -- Synaesthesia and remediation -- Tempted to touch. (shrink)

As most philosophers recognize, the body’s central role in touch differs from the role it plays in the other sense modalities. Any account of touch must then explain the pivotal nature of the body’s involvement in touch. Unlike most accounts of touch, this paper argues that the body’s centrality in touch is not phenomenological or experiential: the body is not felt in any special way in tactile experiences. Building on Aristotle’s account in De Anima, I (...) argue that the body is central in touch because it is the medium of tactile perception. Touch depends on the body as vision and audition depend on air or any medium that can transmit light or sound waves. I show that it is precisely because the body must be transparent in order to transmit tangible properties that it cannot be perceived or experienced in tactile perception. Although this account conflicts with the widespread view that tactile perception is mediated by bodily sensations, I maintain that it explains how the structure and constitution of the human body contribute directly to what we feel in tactile experiences and that it provides a better understanding of the relation between the sense of touch and our bodily feelings. (shrink)

The sense of touch provides us knowledge of two kinds of events. Tactile sensation (T) makes us aware of events on or just below the skin; haptic perception (H) gives us knowledge of things outside the body with which we are in contact. This paper argues that T and H are distinct experiences, and not (as some have argued) different aspects of the same touch-experience. In other words, T ≠ H. Moreover, H does not supervene on T. Secondly: (...) In T, we are aware of immanent, phenomenal qualities; in H, we come to know of transcendent qualities in things that exist independently of ourselves. Finally: T is non-spatial; it is indexed by parts of the body, but not by position in space. H, by contrast, is spatial. This brings to mind Kant’s contention that things are presented as existing objectively when they are represented spatially. (shrink)

I counter a tendency in critical phenomenology to read Frantz Fanon as derivative upon, indeed reducible to, other (European) phenomenologies, eliding the originality and contemporaneity of his method. I propose it is time to read phenomenology through Fanon, instead of centering analysis on his assumed debt to Maurice Merleau‐Ponty's body schema. Fanon reconfigures and ungrounds phenomenology in Peau noire, masques blancs (Black Skin, White Masks). I show how he creates his own method through an anticolonial phenomenology of touch and (...) affect that breaks with the perceptual spectacle at the center of most phenomenologies before him. I read Fanon's “toucher du doigt”—in contrastive relation to Edmund Husserl's touch‐sensings—to define a phenomenology that dwells with colonial wounding and holds the memory of a “burning” colonial duration. This is to say that Fanon's phenomenology is not mere description; rather, Fanon invents a critical, distinctly temporal, and anticolonial method from the affective territory in which he has had to dwell. This method addresses the conditions of possibility for doing (critical) phenomenology. Fanonian phenomenology makes tangible the (de)structuring violence through which colonialism ontologizes itself, while providing tools to dwell with the wounding and critically mine it—to create possibilities for living otherwise than what colonialism makes of us. (shrink)

The concept of empathy describes our capacity to understand the emotions and intentions of others and to relate to our conspecifics. Numerous studies investigated empathy as a state as well as a stable personality trait. For example, recent studies in neuroscience suggest, among other brain areas such as the insula or the ACC, a role of the somatosensory cortices for empathy. Since the classic understanding of the primary somatosensory cortex is to represent touch on the body surface, we here (...) aimed to test whether tactile performance is linked to the personality trait empathy. To test this, we examined the tactile acuity of 95 healthy participants by using a two-point discrimination threshold task at the index fingers. Trait empathy was assessed by employing the interpersonal reactivity index, which measures self-reported empathy with four scales. Results of regression analyses suggested the subscale empathic concern to be positively associated with performance in the tactile acuity task. We discuss this finding in the light of recent studies on empathy and consider possible implications of tactile training to enhance empathy. (shrink)

Aristotle’s treatment of tactility is at odds with the hierarchical order of psyche’s faculties. Touching is the commonest and lowest power; it is possessed by all sentient beings; thinking is, on the contrary, the highest faculty that distinguishes human beings. Yet, while Aristotle maintains against some of his predecessors that to think is not to sense, he nevertheless posits a causal link between practical intelligence and tactility and even describes noetic activity as a certain kind of touch. This essay (...) elucidates Aristotle’s analysis of the sense of touch in De anima and argues that tactility provides a paradigm for sensitivity in general and in particular for the reflexivity of sensation whereby the senses disclose not only what they are sensing but also that they are sensing. This feature, it is argued, has epistemological and ontological consequences. The sense of touch testifies to the physical presence of material beings and provides an empirical verification of substance’s essential feature, namely, self-reference. (shrink)

This paper explores the phenomenology of touch and proposes that the structure of touch serves to cast light on the more general way in which we 'find ourselves in a world'. Recent philosophical work on perception tends to emphasize vision. This, I suggest, motivates the imposition of a distinction between externally directed perception of objects and internally directed perception of one's own body. In contrast, the phenomenology of touch involves neither firm boundaries between body and world nor (...) perception of bodily states in isolation from perception of everything else. I begin by arguing that touch does not involve two distinct feelings, a feeling of the body and a feeling of something external to the body. Rather, these are inextricable aspects of the same unitary experience, with one or the other occupying the experiential foreground. Then I suggest that tactile experience does not always respect a clear boundary between body and world. In touch, bodily and worldly aspects are experienced in a number of different ways and, in many instances, there is no clear experiential differentiation between the two. Finally, I draw these two points together in order to consider the contribution made by touch to our sense of being situated in a world. (shrink)

This paper presents a juxtaposition of the understanding of objects in Jean-Luc Nancy’s postdeconstructive realism and Graham Harman’s object-oriented ontology, particularly with reference to their respective notions of touch. Nancy incorporates a tension between the phenomenological accounts of touch and embodiment given by Merleau-Ponty, who focuses on the relationality of the flesh, and Levinas, who focuses more on non-relational alterity. Furthermore, Nancy does not accept the anthropocentric assumptions whereby phenomenology accounts for objects insofar as they correlate to human (...) existence. Following the deconstruction of sovereign humanity, Nancy approaches what Derrida calls “post-deconstructive realism,” accounting for touch with regard to the relationality and alterity of all objects, human and nonhuman. However, abjuring the metaphysical interiority posited by panpsychists, Nancy admits that his philosophy cannot account for the discrete, atomistic differences between beings. Graham Harman agrees with much of Nancy’s philosophy, but he criticizes Nancy on this point, offering a corrective supplement in the form of his object-oriented ontology, which avoids panpsychism while nonetheless accounting for the discrete differences between objects. (shrink)

Congenitally blind people can make and understand ‘tactile pictures’ – representations form of raised ridges on flat surfaces. If made visible, these representations can serve as pictures for the sighted. Does it follow that we should take at face value the idea that they are pictures made for touch? I explore this question, and the related issue of the aesthetics of ‘tactile pictures’ by considering the role in both depiction and pictorial aesthetics of experience, and by asking how far (...) the experience of those engaging with representations through touch can approximate to that of those engaging with them through sight. (shrink)

Touch is the first sense to develop in the womb, yet often it is overlooked. The Senses of Touch examines the role of touching and feeling as part of the fabric of everyday, embodied experience. -/- How can we think about touch? Problems of touch and tactility run as a continuous thread in philosophy, psychology, medical writing and representations in art, from Ancient Greece to the present day. Picking through some of these threads, the book ‘feels’ (...) its way towards writing and thinking about touch as both sensory and affective experience. -/- Taking a broadly phenomenological framework that traces the tactility from Aristotle through the Enlightenment to the present day, it examines the role of touch across a range of experiences including aesthetics, digital design, visual impairment and touch therapies. The Senses of Touch thereby demonstrates the varieties of sensory experience, and explores the diverse range of our ‘senses’ of touch. (shrink)

This article explores the role of touch in the human-computer interface, suggesting that touch is strangely completed by vision and abandons its usual haptic quality. The interface relies heavily on touch, but that touch never touches what it reaches for, instead presenting a dynamic of pointing rather than touching. The paper goes on to consider how this unusual mode of touch alters the way this sense operates in the computing context, possibly shaping cognition in relation (...) to the interface. (shrink)

Block (Trends Cogn Sci 7:285–286, 2003) and Prinz (PSYCHE 12:1–19, 2006) have defended the idea that SSD perception remains in the substituting modality (auditory or tactile). Hurley and Noë (Biol Philos 18:131–168, 2003) instead argued that after substantial training with the device, the perceptual experience that the SSD user enjoys undergoes a change, switching from tactile/auditory to visual. This debate has unfolded in something like a stalemate where, I will argue, it has become difficult to determine whether the perception acquired (...) through the coupling with an SSD remains in the substituting or the substituted modality. Within this puzzling deadlock two new approaches have been recently suggested. Ward and Meijer (Conscious Cogn 19:492–500, 2010) describe SSD perception as visual-like but characterize it as a kind of artificially induced synaesthesia. Auvray et al. (Perception 36:416–430, 2007) and Auvray and Myin (Cogn Sci 33:1036–1058, 2009) suggest that SSDs let their users experience a new kind of perception. Deroy and Auvray (forthcoming) refine this position, and argue that this new kind of perception depends on pre-existing senses without entirely aligning with any of them. So, they have talked about perceptual experience in SSDs as going "beyond vision". In a similar vein, MacPherson (Oxford University Press, New York, 2011a) claims that “if the subjects (SSD users) have experiences with both vision-like and touch-like representational characteristics then perhaps they have a sense that ordinary humans do not” (MacPherson in Oxford University Press, New York, 2011a, p. 139). (shrink)

In this paper, I argue that in touch, as in vision and audition, we can and often do perceive objects and properties even when we are not in direct or even apparent bodily contact with them. Unlike those senses, however, touch experiences require a special kind of mutually interactive connection between our sensory surfaces and the objects of our experience. I call this constraint the Connection Principle. This view has implications for the proper understanding of touch, and (...) perceptual reference generally. In particular, spelling out the implications of this principle yields a rich and compelling picture of the spatial character of touch. (shrink)

What is like to live without touch or movement/position sense? The only way to understand the importance of these senses, so familiar we cannot imagine their absence, is to ask someone in that position. Ian Waterman lost them below the neck over forty years ago, though pain and temperature perception and his peripheral movement nerves were unaffected. Without proprioceptive feedback and touch the movement brain was disabled. Completely unable to move, he felt disembodied and frightened. Then, slowly, he (...) taught himself to dress, eat and walk by thinking about each movement and with visual supervision. In Losing Touch, the narrative moves between biography and scientific research, theatre, documentary and zero gravity. The book is the result of nearly 30 years close collaboration between author and subject. (shrink)

The development of immersive media-communication environments, and their theorization in terms of the `haptic', calls for a reconsideration of the relationship between sensuality and the ethics of contact. For the most part, the cultural theorization of the virtual which remains preoccupied with the visual has tended to limit its scope to the paradoxes, politics and ethics of representation. Much of media and cultural studies work, for instance, has adopted, directly or indirectly, the traditional visual and ocularcentric paradigm in its analyses (...) of cultural forms and technologies as these have become integrated into contemporary life. Whilst it has been argued, for instance by Mark Hansen in his recent books, that this paradigm is inadequate to digital media and the developments of human-machine interactions the digital introduces, few comentators have addressed how new developments in immersive sensory media environments bear on the ethics of communication. By way of a reflection on the themes of the tactility of contact and the ethics of touch in the work of Emmanuel Levinas, this article critically evaluates the ethical significance of the `sensory extension' haptic media represent. It identifies and argues against the neo-positivist tendency of Hansen's reliance on the empiricism of the neurosciences whilst locating the resources for an ethics of touch in Levinas' concept of time as `diachrony'. (shrink)

The “body image” is a putative mental representation of one’s own body, including structural and geometric details, as well as the more familiar visual and affective aspects. Very little research has investigated how we learn the structure of our own body, with most researchers emphasising the canonical visual representation of the body when we look at ourselves in a mirror. Here, we used non-visual self-touch in healthy participants to investigate the possibility that primary sensorimotor experience may influence cognitive representations (...) of one’s own body structure. Participants used the fingers of one hand , to touch the fingers of the other . A conflict between the experience of the active and passive hand was introduced by experimenter interleaving their fingers with the fingers of the participant’s passive hand. This led to the active hand experiencing that it touched more fingers than the passive hand felt it was being touched by. The effects on representation of body structure were assessed using an implicit measure based on Kinsbourne and Warrington’s ‘in-between task’. We found an underestimation of the number of fingers in the central part of the hand specifically linked to the experience of self-touch. This pattern of results corresponds to the experience of the passive hand, but not the active hand. Nevertheless, comparable reorganisation of fingers within the hand representation was found for both active and passive hands. We show that primary sensorimotor experience can modify the representation of body structure. This modification is driven by the passive experience of being touched, rather than by the active experience of touching. We believe this is the first experimental study of effects of self-touch on the mental representation of the body. (shrink)

The philosophical relationship that obtains between the work of Merleau-Ponty and Derrida has continued to intrigue and preoccupy many of us despite, or perhaps even partly because of, the fact that Derrida did not accord the work of Merleau-Ponty much attention during his remarkably prolific career. Two relatively recent books of Derrida’s have addressed this gap: Memoirs of the Blind and, more recently, On Touching. However, although Derrida proposes an “entire re-reading” of the later Merleau-Ponty in Memoirs of the Blind, (...) with the clear implication that there are hitherto unaccessed and invaluable resources to be mined in this body of work, I will suggest that the actual reading of Merleau-Ponty propounded in On Touching falls well short of this ambition. While this chapter will raise some critical questions about the interpretation that Derrida offers of Merleau-Ponty in ‘Exemplary Stories of the Flesh: Tangent 3’, including the implication that his work on the senses and intersubjectivity remains mired in theological prejudices, it will also be concerned to examine the transcendental philosophy of time (or philosophy of the contretemps that breaks open time but nonetheless pertains to it) that undergirds and motivates Derrida’s engagement with the philosophies of touch. In this latter respect, I will argue that Derrida’s philosophy is itself ‘touched’ by time, in the peculiar sense of ‘touched’ that connotes affected and wounded. On my reading, his work instantiates an ethics of non-presentist time, an ethics of that time which is the transcendental condition of the present and any event of touch. I ask whether this prevarication on the issue of the transcendental and the ethical is reason to look for a different understanding of both time and the transcendental to Derrida’s, and I end this chapter by once more proposing a dialectic between the disjunctive and conjunctive aspects of time that does not accord any kind of a priori privilege to the one over the other. (shrink)

The paper takes up the problem of tactility, the sense of touch, as a philosophical problem largely neglected by the philosophical tradition. It tries to show how touch immediately raises some basic philosphical concepts, the notion of inner/outer, subject/object, of difference, of the ways to conceive the limit, of appearance/the thing itself, the basic problem of counting (it takes two to touch), etc. It analyses the classical text on touching by Aristotle in De anima, trying to show (...) how the notion of the limit necessarily becomes complicated the moment one tries to grasp it. Then it pits the Aristotelian notion of flesh as the medium of touch against the modern conception of flesh in Merleau-Ponty, arguing that Merleau-Ponty tries to strategically circumvent the notion of the difference, the lack and the cut. Finally it considers the way that Freud, in Totem and Taboo, posits the prohibition on touching as the elementary social injunction instituting the social, thus posing a concept of touch with coincides with the cut in which 'the object touch' emerges. From there it procedes to an account of the analytic situation which is based on the prohibition of touch (as well as severing all other senses) in combination with the injunction to speech, thus establishing a framework for a reinvention of touch in a paradoxical, roundabout way. (shrink)

The article deals with four forms of power grabs through the conceptual connection between touch and power, focusing on four structural breakthroughs that show the changing process that this relation underwent, from the secularisation of the sacral via profane materialism until contemporary vulgar-materialism: Christian _Noli me tangere; _monarchic _King’s Evil; _materialistic _Warenfetischismus_; and profane _Grab-’em-by-the-pussy. _.

This chapter contains sections titled: Three Examples Sameness of Experience Touch, Contact, Nearness, Presence Wright's Windows.

As I sat down to sketch this review of Richard Kearney’s new book on touch, I happened to have received just then in the post a record I had ordered some time ago. It was an album by the French gro...

This article draws on Lacanian theory in order to analyse the role of technology in the constitution of posthuman subjects. It does so by focussing firstly on those aspects of Lacan's teachings that engage with science and technology, particularly the concept of the ‘alethosphere’ developed in Seminar XVII, which refers to an environment of gadgets that plug directly into human desire. The article then goes on to apply this notion of the ‘alethosphere’ to a key technological, cultural and also political (...) example: the interactive, touch-screen electoral maps made popular during the 2008 American election. Through a close analysis of one use of such maps during a CNN broadcast, the author demonstrates both the essential meaninglessness of this technology, and the support it nonetheless provides to the search for meaning, in the form of a unified American national subject emerging consensually from the spectacle of the process of democracy. (shrink)

Musical ensemble performances provide an ideal environment to gain knowledge about complex human interactions. Network structures of synchronization can reflect specific roles of individual performers on the one hand and a higher level of organization of all performers as a superordinate system on the other. This study builds on research on joint singing, using hyperscanning of respiration and heart rate variability from eight professional singers. Singers performed polyphonic music, distributing their breathing within the same voice and singing without and with (...) physical contact: that is touching each other's shoulder or waist. The idea of singing with touch was motivated by historical depictions of ensemble performances that showed singers touching each other. It raises the question of the potential benefit of touch for group performances. From a psycho-physiological point of view, physical contact should increase the synchronization of singing coordination. The results confirm previous findings on synchronization of respiration and HRV during choir singing and extend those findings to a non-homophonic musical repertoire while also revealing an increase in synchronization in respiration during physical contact. These effects were significant across different frequency ranges. The effect of physical contact was stronger when all singers were singing in comparison to the partial ensemble. Importantly, the synchronization could not be fully explained by the singing action or by the standing position or touch. This finding suggests a higher level of organization of all singers, forming a superordinate system. (shrink)

Genuineness is an important property of objects that are rare, old, or preserved as memorials. Being genuine enhances economic value for objects such as works of art, and it is obviously critical for historical purposes, such as assessing the artefacts from a past culture. Here I argue that genuineness is also an aesthetic property that delivers an experience of its own. I contend that the sense of touch covertly operates in such experiences, as this sense conveys the impression of (...) being in contact with the ‘real thing’. Touch seems to operate with a kind of transitivity that conducts the past into the present. However, the foundation for that impression may appear dubious, as it compares closely with what has been dubbed ‘magical thinking’. Under these circumstances, is the aesthetic value accorded genuineness sensible or irrational? An apprehension of something real or a pleasant delusion? I defend the transitivity of touch by comparing it to similar phenomena already recognized in studies of perception and emotion. (shrink)

The need for human touch is universal among critical care patients and is an important component of the nurse–patient relationship. However, multiple barriers to human touch exist in the critical care environment. With little research to guide practice, we argue for the importance of human touch in the provision of holistic nursing care.

We provide a new account of the oft-mentioned special character of touch, showing that its superior reliability is subjective rather than objective : Touch provides higher certainty than vision, for the same level of objective accuracy.

The last decade has seen rise in technologies that allow humans to send and receive intimate touch across long distances. Drawing together platform studies, digital intimacy studies, phenomenology of touch, and ethics of technology, we argue that these new haptic communication devices require specific ethical consideration of consent. The paper describes several technologies, including Kiiroo teledildonics, the Kissenger, the Apple Watch, and Hey Bracelet, highlighting how the sense of touch is used in marketing to evoke a feeling (...) of connection within the digital sphere. We then discuss the ambiguity of skin-to-skin touch and how it is further complicated in digital touch by remediation through platforms, companies, developers, manufacturers, cloud storage sites, the collection and use of data, research, satellites, and the internet. Lastly, we raise concerns about how consent of data collection and physical consent between users will be determined, draw on examples in virtual reality and sex-robotics, and ultimately arguing for further interdisciplinary research into this area. (shrink)

This is an edited, abridged, and revised version of a chapter written by Richard Kearney which will appear in his forthcoming book Touch: Recovering Our Most Vital Sense to be published by Columbia University Press in 2021. The chapter in the book contains many extensions, footnotes, and references that do not appear in this paper. Many thanks to Professor Kearney for his permission to print a version of this chapter in the Journal of Applied Hermeneutics. Keywords: touch, trauma, (...) healing, carnal hermeneutics. (shrink)

To gain a deeper understanding of consumers' brain responses during a real-time in-store exploration could help retailers to get much closer to costumers' experience. To our knowledge, this is the first time the specific role of touch has been investigated by means of a neuroscientific approach during consumer in-store experience within the field of sensory marketing. This study explores the presence of distinct cortical brain oscillations in consumers' brain while navigating a store that provides a high level of sensory (...) arousal and being allowed or not to touch products. A 16-channel wireless electroencephalogram was applied to 23 healthy participants, with interest in cosmetics but naive about the store explored. Subjects were assigned to two experimental conditions based on the chance of touching or not touching the products. Cortical oscillations were explored by means of power spectral analysis of the following frequency bands: delta, theta, alpha, and beta. Results highlighted the presence of delta, theta, and beta bands within the frontal brain regions during both sensory conditions. The absence of touch was experienced as a lack of perception that needs cognitive control, as reflected by Delta and Theta band left activation, whereas a right increase of Beta band for touch condition was associated with sustained awareness on the sensory experience. Overall, EEG cortical oscillations' functional meaning could help highlight the neurophysiological implicit responses to tactile conditions and the importance of touch integration in consumers' experience. (shrink)

Psychological studies of touch and blindness have been fraught with controversy. Within this field there remains an important theoretical divide. Many researchers have taken a cognitive approach to the study of touch and blindness, relating these to higher order processes, such as memory and concept formation. Others adopt a theoretical perspective, arguing that it not necessary to consider the 'internal representation' of the stimuli, when investigating touch - thus people make use of information from the physical biomechanical (...) properties of their limbs as they assess the physical properties of objects. In addition, psychologists differ in the relative importance they place on the modality of sensory stimulation for subsequent perceptual experiences. Some psychologists argue that touch can do many of the things that are accomplished by vision, and claim that the mode of sensory stimulation is not critically important for perception, arguing that much information can be obtained through non-visual modalities. Others suggest that there are important consequences of a lack of visual experience, arguing for the importance of multiple forms of sensory input for conceptual development. New to the Debates in Psychology series, Touch, Representation, and Blindness brings together the leading investigators in these areas, each presenting the evidence for their side of the debate. An introductory chapter sets the theoretical and historical stage for the debate, and a concluding chapter draws together the different views and ideas set forth by the contributors, summarizing and resolving the discussion. (shrink)

Richard Kearney’s new book, Touch: Recovering Our Most Vital Sense, has come as a way of illustrating the paradoxes of our times, most deeply felt as a result of the Covid-19 pandemic. Have a look...

This article focuses on referential practices at a Japanese midwife house, where at prenatal examinations, a midwife palpates a pregnant woman’s abdomen with her hands, without any assistance from an ultrasound scanner. The midwife often refers to spots on the abdomen in palpation with locative demonstrative expressions. I demonstrate that ways in which references to spots on the pregnant woman’s abdomen are accomplished are subtly different, depending on the action sequence in which they are embedded. The description of referential practices (...) in which the touching plays an important role has consequences for the re-conceptualization of human interaction in general, and interaction between medical professionals and their clients in modern medical settings in particular. (shrink)

AGAINST THE BACKGROUND OF THE NEAR-PROHIBITION OF TOUCH IN RElations between unequals, this essay addresses very different questions: When do more-powerful people owe touch to less-powerful people as a consequence of their moral responsibility to care and nurture? How are we to understand morally the enjoyment that powerful adults receive from such contacts with their charges? This essay draws on psychological literature on touch to argue that touch is a condition of human flourishing. Consequently, in many (...) circumstances the obligation to care not only permits but requires physical affection. It argues as well that the lines separating required, permitted, and forbidden touch are somewhat culture-dependent but nevertheless can be adjudicated. Finally, it suggests how traditional theologies and ethics of embodiment might support and be developed by these claims, showing that a positive ethic of touch shares the same theological foundations as the existing ethic of protection. (shrink)