RESUMEN Según Furio Jesi y Giorgio Agamben, la máquina antropológica es un dispositivo histórico que produce imágenes del hombre. En este artículo nos proponemos retomar esta categoría y mostrar que existen dos grandes modelos de máquina según la naturaleza de la imagen generada: la máquina teológica-bíblica, que funciona hasta el siglo XIX y que produce al hombre como ícono; la máquina ateológica, posterior a la muerte de Dios, que produce al hombre como fantasma. ABSTRACT According to Furio Jesi and Giorgio (...) Agamben, the anthropological machine is a historical dispositive that produces images of man. This paper aims at returning to this category and demonstrating that two models of the machine can be found depending on the nature of the image produced: the theological-biblical machine that operates until 19th century and that produces man as icon, and the a-theological machine, after disappearance of God, that produces man as phantasm. (shrink)

There are thirteen instances of the term schema throughout the chapter “Le panoptism”, from Surveiller et punir. We consider that the meaning of this technical term found in Foucault’s work refers to the philosophy of Kant. Gilles Deleuze is one of the few thinkers who noticed the connection between the issue of power and the Kantian schema. Considering that the diagram is analogous to the Kantian schema and the schema —as in Kritik der reinen Vernunft— is a product of imagination, (...) which is the Foucauldian term that corresponds to imagination? This question itself leads to an ontology. The aim of this paper is to demonstrate that Foucauldian archeology and genealogy require a political and historical ontology of imagination, which has been partially outlined by Deleuze, but never thought in connection with the imagination. (shrink)

What are we doing with utopia? The ideas I am going to share with you relate to what urban designers have done with utopia, which is based on the historical relationship that grew up between utopian thinking and the intent to organize and control the arrangement of space and thus manage society in order to ensure its development.

Fruto de un trabajo de investigación desarrollado en la Región de Murcia sobre diversidad cultural y minorías religiosas, se pretende llevar a cabo una revisión sobre la historiografía existente en torno a los orígenes históricos de tres confesiones religiosas como son musulmanes, judíos y protestantes. Así, se apuntan algunos datos sobre el hecho religioso y la vida cotidiana.

This handbook explores the ways biomedicine and pop culture interact while simultaneously introducing the reader with the tools and ideas behind this new field of enquiry. From comic books to health professionals, from the arts to genetics, from sci-fi to medical education, from TV series to ethics, it offers different entry points to an exciting and central aspect of contemporary culture: how and what we learn about scientific knowledge and its representation in pop culture. Divided into three sections the handbook (...) surveys the basics, the micro-, and the macroaspects of this interaction between specialized knowledge and cultural production: After the introduction of basic concepts of and approaches to the topic from a variety of disciplines, the respective theories and methods are applied in specific case studies. The final section is concerned with larger social and historical trends of the use of biomedical knowledge in popular culture. Presenting over twenty-five original articles from international scholars with different disciplinary backgrounds, this handbook introduces the topic of pop culture and biomedicine to both new and mature researchers alike. The articles, all complete with a rich source of further references, are aimed at being a sincere entry point to researchers and academic educators interested in this somewhat unexplored field of culture and biomedicine. (shrink)

Alasdair MacIntyre´s criticism of Modernity essentially refers to the problem of compartmentalization, which restricts the possibility of achieving excellence in an integral lifestyle. Among other reasons, compartmentalization is especially derived from an insular valorization of the workplace based on a reductionist understanding of productivity in terms of mere efficiency. Aimed at overcoming the moral confusion derived from the overestimation of technical, skilled productivity and individualistic cooperation in private corporations, this article offers a thicker explanation of MacIntyre’s theory of productive work (...) in light of a narrative approach that opens up the possibility of achieving standards of excellence in modern production. To do so, it follows MacIntyre’s understanding of productivity in terms of craftsmanship by explaining what excellence in production is and the role it plays in achieving unity of life and excellence in modern corporations based on two criteria derived from a historical definition of production, namely, craftsmanship and collegiality. (shrink)

This introduction to a special issue of Thesis Eleven devoted to science fiction begins by exploring the way the genre has been handled by German and French critical theory and their Anglophone equivalents. It proceeds to a discussion of the historical sociology of the genre and, thence, to an account of what it terms the dialectic of science fiction endangerment. Finally, it concludes with a brief overview of the various contributions to the issue.

This article discusses the similarities and differences between what might be called two »crises of historical consciousness« in the late 17th and the late 20th, the first engendered by a combination of philosophical scepticism with new techniques for questioning the credibility of historical sources and detecting forgeries, the second in our crisis. The result is a widespread cultural relativism to which the debates on colonialism and feminism as well as the practice of anthropology and literary theory have contributed. (...) In both periods, the debate about epistemology is linked to the opening of the frontier between history and fiction and the rise of a hybrid genre of historical novel/novelistic exemplified by St. Real and Defoe in the first crisis, and by Eco, Keneally and many others today. (shrink)

Between 1957 and 1961, W. E. B. Du Bois wrote a lengthy work of historical fiction, a trilogy collectively titled The Black Flame. Through the lenses of four American families, the narrative offers an illuminating glimpse into the American, political drama of the late 19th and early 20th centuries, focusing on the degree to which “the negro problem” featured in important decisions and events. Reiterating ideas found in his other works—like Black Reconstruction —the narrative foregrounds the gravity of the (...) “Negro Problem” in the formation and constitution of American culture and political institutions.While this paper will examine a few of the specific arguments that emerge from The Black... (shrink)

Narrative history and narrative fiction can be thought of as opposite ends of a single theoretical continuum. Much of the literature on Stalin's purges and the rise of the Soviet gulag system, however, seems to be something more than fiction, yet less than strict historiography. There are five criteria which ease the difficulty in determining whether a given work is history or fiction: the qualitative degrees of truth, the scope of the work, the purpose of the work, the relationship of (...) the author to his or her subject, and the relationship of the reader to the narrative. In some cases the nature of historical events combines with the peculiar capabilities of narrative description to blur the distinction between reality and invention, and places constraints upon the historian's choice of narrative genre. Two hybrids are used as exemplars of works that are both historical and fictive: Solzhenitsyn's The Gulag Archipelago and Danilo Kis's A Tomb for Boris Davidovich. (shrink)

German Idealism develops its philosophy of history as the theory of becoming absolute and as absolute knowledge. Historism also originates from Hegel's and Schelling's discovery of absolute historicity as it turns against Idealism's philosophy of history by emphasizing the singular and unique in the process of history. German Idealism and Historism can be considered as the central German contribution to the history of ideas. Since Idealism became most influential for modern philosophy and Historism for modern historiography, they (...) are analyzed in this volume in a collaboration of philosophers and historians. German Idealism is presented in Schelling and its critics Schlegel, Baader, and Nietzsche; Historism in Ranke, Droysen, Burckhardt, and Treitschke. The volume further presents the impact of Idealism and Historism on present German approaches to the philosophy of history and outlines the debates on the possibility of a philosophy of history and on the methodology of the historical sciences. (shrink)

The German Tradition of Self-Cultivation (Bil dung) and its Historical Meaning. This article aims at analysing the historical meaning of the German ideal of self-cultivation (Bildung), considering its different uses and interpretations over time. Based on the historical semantics of Reinhart Koselleck and the bibliography on the subject, it reconstructs the core transformations in its semantic structure from the beginnings in the late Middle Ages to its institutionalization in the German school system in the (...) nineteenth century. The development of the ideal of Bildung in Germany is characterised by the tension between its function as means of integration through education and its function as instrument of social distinction. The reflexion on this educational ideal is presented as a counterpoint to some of the contemporary educational practices, based on the imperatives of the market and the neoliberal management of human capital. (shrink)

Frequently, historical comparisons are asymmetrical in the sense that they investigate one case carefully while limiting themselves to a mere sketch of the other case which serve as comparative reference point. The debate on the German Sonderweg and the rich historical literature originating from this debate can serve as examples. This article reconstructs the pros and cons within this controversial debate, reports its results and puts it into a broader historical context. It analyzes the comparative logic (...) implied by the Sonderweg thesis and argues that the interpretation of modern German history in the sense of a Sonderweg can only be maintained if related to the question why Germany turned fascist and totalitarian in the interwar period while other societies did not, and if Western countries are selected as units of comparison. The choice of comparative reference points turns out to be decisive and partly dependent on normative priorities and conventions. The article points to dangers and opportunities inherent in asymmetrical comparison. (shrink)

The entry of time and history into biological systems of classification is perhaps the single most significant development in the history of biological systematics in the modern era. Darwin's claiming that descent is ‘… the hidden bond of connexion which naturalists have been seeking under the term of the natural system’, rather than seeing the answer in the multitude of previous attempts to resolve the problem in terms of morphological affinities, analogies, and complex relations of resemblance, marked the turning point (...) in a long search into the meaning of biological taxonomy, and allowed the development of Darwin's insights by Haeckel, Plate and others into modern phylogenetic systematics. (shrink)

This paper focuses on the discipline of history, its methods, subject, and output. A brief overview of contemporary analytic philosophy of history is provided, followed by critical discussion of historical realism. It is argued that the insistence on the idea that historians inquire into the real past and that they refer to the actual past entities, events, or agents is widely open to sceptical objections. The concept of an abstract historical chronicle of past events which are explained or (...) retold by historians is identified as misleading. The idea of historical antirealism is then introduced. It is argued that in the centre of historian’s attention are present phenomena that are identified as historical evidence and require historical explanation. Historical explanation consists of constituting an historical past—a fictional model that accounts for present data. The identification process of historical evidence and the discursive nature of historical enterprise are analysed and accompanied by several concrete examples. According to historical antirealism, historians are not interested in the real past, but in the present empirical data. In their pursuit of historical knowledge, they produce fictional models—an historical past. Lastly, several common caveats against historical antirealism are addressed. The historical antirealism is presented as a viable fictionalist account of the historical inquiry that is capable of avoiding sceptical attacks on historical method and it is argued that antirealism allows history to retain its worth as a distinctive kind of scientific discipline. (shrink)

Resumen El lamento por el fin de la utopía que expresa la novela futurista, Cría terminal (2014), expone la crisis de un ideal ético: la pérdida de la posibilidad de un mundo mejor. Las bases del contrato moral implícitas en la amenaza de su disolución en un futuro cercano serán el objeto de indagación de este trabajo, que toma a la filosofía de Hans Jonas como principal referencia teórica. Se buscará, por consiguiente, precisar la relación entre la barbarización de la (...) cultura (con sus comportamientos y personajes modélicos) y los procesos económico-políticos tendientes a la dominación biotecnológica del medio humano. La perspectiva modalizadora de la acción y la intriga narrativas y su adecuación a un interés de tipo ético por establecer un modelo de vida óptimo para la sociedad, defraudado por la civilización técnica del futuro, serán motivo de análisis. Abstract The lament for the end of utopia which expresses the futuristic novel, Cría Terminal (2014), exposes the crisis of an ethical ideal: the loss of the possibility of a better world. The bases of the moral contract implicit in the threat of its dissolution in the near future will be the object of investigation of this work, which considers the philosophy of Hans Jonas as the main theoretical reference. Therefore, it will be sought to specify the relationship between the barbarization of culture (with its exemplary behaviors and characters) and the economic-political processes tending to the biotechnological domination of the human environment. The modalizing perspective of the narrative action and intrigue and its adaptation to an ethical interest in establishing an optimal life model for society, disappointed by the technical civilization of the future, will be the subject of analysis. (shrink)

Este artículo ofrece una aproximación al papel de la historia en los proyectos narrativos de Juan José Saer y Germán Espinosa. Para el caso del primer autor, se plantea un análisis crítico de la novela El entenado, debido a su particular naturaleza metaficcional, así como de algunos de los textos recogidos en su libro de ensayos El concepto de ficción (1997). En lo que respecta a Germán Espinosa, el paralelo será establecido primordialmente a partir de su ensayística, sin olvidar, desde (...) luego, las oportunas reflexiones que sobre la historia y la literatura aparecen contenidas en un notable acervo de entrevistas y en su extenso libro de memorias. This article offers an approach to the role of history in the narrative projects of Juan José Saer and Germán Espinosa. In the case of the first author, this article poses a critical analysis of the novel The Step Brother, given its particular metafictional nature, as well as some of the texts compiled in his book of essays The Concept of Fiction (1997). With regard to Germán Espinosa, a parallel will be drawn primarily with his essays, without forgetting, of course, the proper reflections upon history and literature that appear in his remarkable body of extensive interviews and memoirs. (shrink)

This study examines how Germany and Austria each generated a normative narrative structure that became a template for the historians and others who formulated history within the two cultures. The author demonstrates these narrative structures and indicates both their strengths and weaknesses and ways to broaden their understandings.

Two books inaugurated the revival of Kantianism in German universities in the second half of the nineteenth century. Both works were exercises in the history of philosophy. And both took to the his...

While I appreciate Annette Kolodny's attempt to clarify the aims of feminist criticism, I would like to correct a historical misconception in her recent article, "Some Notes on Defining A 'Feminist Literary Criticism.'" When Kolodny comes to defining a feminist criticism, near the end of the essay, she advocates applying to individual works, without preconceived conclusions, "rigorous methods for analyzing style and image.” . . . Kolodny implies that Hawthorne wrongly condemned domestic novels without having read them and that (...) once he began reading this body of fiction he reversed his views—in short, that his initial response was unthoughtful and, in current jargon, sexist. Second, Kolodny implies that the modern reader will find the domestic novels of the 1850s as fascinating as Hawthorne found Ruth Hall. Beverly Voloshin is a teaching associate at the University of California, Berkeley. Her current area of study is mid-nineteenth-century American domestic fiction. (shrink)

The value scenario is a useful tool in the sheaf of methods within value sensitive design. When envisioning new technology, this tool supports the designer in speculatively considering relevant stakeholders, values expressed or rebuffed by an artifact’s design, and tensions that may exist between those values. This paper explores how science fiction stories can serve as value scenarios to supplement traditional historical methods, especially when informants are no longer accessible.

I ask whether and when historical inaccuracy in a work of art constitutes an aesthetic flaw. I first consider a few replies derived from others: conceptual impossibility, import-export inconsistency, failure of reference, and imaginative resistance. I argue that while there is a grain of truth to some of these proposals, none of them ultimately succeeds. I proceed to offer an alternative account on which the aesthetic demerits of historical inaccuracies stem from a violation of the conversational contract between (...) author and audience. The key question is what that contract implies. (shrink)

Biographical novels about historical women artists have been experiencing a veritable boom in recent years. Written mostly by women, they can be understood as women authors’ attempts to reach out across time to other “artistic” women whose lives “speak to us” today. It has long been a key insight of historical fiction research that a historical novel reveals more about the time in which it was written than the time in which it is set. As such, it (...) can be assumed that contemporary novels about historical women speak as much to twenty-first-century conceptions of femininity as to particular historical moments of female subjectivity. This paper will compare two novels about historical women artists: Janice Galloway’s Clara about nineteenth-century German pianist Clara Wieck-Schumann and Priya Parmar’s Exit the Actress about Restoration actress Nell Gwyn. While based on historical facts, both these novels use the greater freedom of fiction to depart from biographical conventions. It will be demonstrated that although they resemble each other on the discourse level, employing shifts in the narrative perspective, conspicuous typography, and graphic elements, they differ markedly in the biographical and fictional subgenres in which they participate and, hence, in their gender politics. (shrink)

Individual humans as well as human communities interact in a great variety of ways and, in essence, Unesco's Silk Roads Major Project endeavors to shed light on the cultural interactions along the trade routes linking various Eurasian civilizations. The term Silk Road or Roads conjures up visions of caravans laden with rare goods, carrying them from the distant, perhaps even the so-called “mysterious”, East towards the Western World. This general impression is partially created by the word “silk”, name of a (...) commodity generally and correctly linked with China where it was first produced. It is good to remember that a “Silk Road” is a historic fiction, invented in the nineteenth century by the German geographer von Richthofen to call attention to the existence of, first and foremost, commercial contacts between China and the Roman Empire. Silk was but one of the many goods circulating all along the many roads criss-crossing the great Eurasian space. This short essay will provide some information on the languages used along the land arteries of communication between East and West. (shrink)

Nietzsche is generally regarded as a severe critic of historical method and scholarship; this view has influenced much of contemporary discussions about the role and nature of historical scholarship. In this article I argue that this view is seriously mistaken . I do so by examining what he actually says about understanding history and historical method, as well as his relation to the founders of modern German historiography . I show, contrary to most expectations, that Nietzsche (...) knew these historians well and that he fundamentally affirmed their view of historical method. What he primarily objected to among his contemporaries was that historical scholarship was often regarded as a goal in itself, rather than as a means, and consequently that history was placed above philosophy. In fact, a historical approach was essential for Nietzsche’s whole understanding of philosophy, and his own philosophical project. (shrink)

Can fictions lie? According to a classic conception, works of fiction cannot contain lies, since their content is neither presented as true nor meant to deceive us. But this classic view can be challenged. Sometimes fictions appear to make claims about the actual world, and these claims can be designed to convey falsehoods, historical misconceptions, and pernicious stereotypes. Should we conclude that some fictional statements are lies? This article presents two views that support a positive answer, and two that (...) support a negative one. After examining various ways in which fictions can deceive, it concludes in favour of the view that fictional statements can mislead, but never lie. (shrink)

The article is devoted to the actual problem of historically grounded performance of Baroque vocal music by academic vocalists. Listening activity, the demand for ancient music in Russia raises issues for performers that need to be resolved within the framework of historical performance practice. To fulfill all the conditions, it becomes important to receive an appropriate specialized education. In Russia, little attention is paid to the professional training of academic vocalists in the field of historical singing or baroque (...) singing, whereas in Italy and Germany independent faculties of ancient music are intensively working, including, along with instrumentalists, the training of singers. The author reveals the features of the content and organization of the educational process in universities in Germany and Russia. The purpose of this article is to identify possible ways to form a solo academic singer of historical specialization. The methodological basis of the work consists of historical, analytical methods that reveal the topic from various angles. Using the example of a number of educational institutions that train specialists in the field of historical singing, such as the University of the Arts Bremen, the University of Music and Theatre “Felix Mendelssohn Bartholdy” Leipzig, the Cologne University of Music and the Nuremberg University of Music, the article presents a comparative analysis of curricula, examines the studied disciplines within various modules. The conclusion is made about the prospects of using the experience of foreign countries in the training of specialists in the field of baroque singing. (shrink)

Quite often, for one or the other purpose, the fact (or phenomenon) that does not exist is presented to the society or individuals as the real, really existing although it (the fact or phenomenon) simply does not exist in the real life. And often the term “fiction” is used to describe such phenomena. Although fiction is considered an inseparable companion of a social life, the question arises what the actual (true) fiction is and whether the use of it in criminal (...) proceeding does not mean an intentional law maker’s (or the person’s applying the law) fraud, deceit directed towards the addressee of the applicable law. Fiction and its impact on criminal proceedings is analyzed in this article. Features, characterizing fiction are discussed here as well. (shrink)

This comprehensive history of German philosophy from its medieval beginnings to near the end of the eighteenth century explores the spirit of German intellectual life and its distinctiveness from that of other countries. Beck devotes whole chapters to four great philosophers -- Nicholas of Cusa, Leibniz, Lessing, and Kant -- and extensively examines many others, including Albertus Magnus, Meister Eckhart, Paracelsus, Kepler, Mendelssohn, Wolff, and Herder. Questioning explanations of philosophy by the racial or ethnic character of its exponents, (...) Beck's conclusion is that German philosophy developed as a series of diverse responses to the historical experiences of the German people. The peculiarities of German philosophy must be viewed in the light of German political problems and educational structures. In particular he stresses the importance of the connections between philosophy and Germany's intellectual, literary, religious, and political history. (shrink)