Haraway's 'Cyborg Manifesto' is a key postmodern text and is widely taught in many disciplines as one of the first texts to embrace technology from a leftist and feminist perspective using the metaphor of the cyborg to champion a socialist, postmodern, and anti-identitarian politics. Until Haraway's work, few feminists had turned to theorising science and technology and thus her work quite literally changed the terms of the debate. This article continues to be seen as hugely influential in (...) the field of feminism, particularly postmodern, materialist, and scientific strands. It is also a precursor to cyberfeminism and posthumanism and perhaps anticipates the development of digital humanities. (shrink)

This article explores the queer qualities of feminist scientist Donna Haraway's ‘A Cyborg Manifesto’. In the first part, the article investigates the similarities between ‘A Cyborg Manifesto’ and the ideas circulating in queer theory, including the hybridity of identity, and the disruption of totalizing social categories such as ‘Gay man’ and ‘Woman’. In the second part, it is argued that ‘A Cyborg Manifesto’ evinced a decolonial feminist form of queerness. The article references the African-American, (...) Chicana and Asian-American feminist sociology, theory, literature and history that ‘A Cyborg Manifesto’ takes up. The article does not wish to position Haraway's white-authored text as an authoritative voice on decolonial feminist queerness, instead arguing for the role of ‘A Cyborg Manifesto’ as a bibliographical work that readers may reference in their exploration of decolonial feminist beginnings of queer theory. (shrink)

In this review of Donna J Haraway’s book, Manifestly Haraway, that brings together The Cyborg Manifesto, The Companion Species Manifesto and Companions in Conversation, the author aims to show how Haraway’s work taken together is inspiring and revolutionary, offering us a basis for thinking differently about how we can intervene in dominant power relations in ways that are not simply critical but constructive of new ways of doing and being a social scientist. Like Foucault before her, Haraway (...) offers not just exceptional tropes to think with – the cyborg, the companion species – but practices, ways of thinking and writing and relating, through which to make knowledge, and remake worlds. Making kin, becoming-with – not post-humanism but compost – these are the messages of her manifestos for doing our theorizing and our researching differently. (shrink)

A few years after feminist philosopher Donna Haraway proclaimed she'd rather be a cyborg than a goddess, the Borg marched across television screens in Star Trek: the Next Generation. The Borg is an organic‐technological hybrid collective that seeks perfection by forcefully incorporating other species into itself. Locutus is fully integrated into the collective Borg consciousness, sharing all of Picard's own knowledge and memories, so that the Borg can more efficiently assimilate humanity. The Picard/Locutus storyline allows to explore one of (...) the core values of the Federation, namely autonomy. Hugh is with a band of Borg who accidentally assimilated his memories of individuality. Seven of Nine is the most developed Borg character in the Star Trek universe. Seven experiences autonomy and individuality as challenges, just as Locutus and Hugh do. In 1985, Donna Haraway published “A Cyborg Manifesto”, an essay that came at the forefront of third‐wave feminism. (shrink)

It is useful on the occasion of the 21st anniversary of the ‘Cyborg Manifesto’ not only to reconsider its lessons in the context of what is frequently described as the re-engineering of ‘life itself’, but to look at Haraway’s earlier work on embryos. In this article I begin with Haraway’s analysis of embryology in the 1970s to suggest her cyborg embryo was already there, and has, if anything, gained relevance in today’s embryo-strewn society. I argue further, as (...) the title suggests, that the cyborg embryo has been crucial in defining our path to what I am calling here, building on Haraway’s notion of trans from Modest_Witness, ‘transbiology’ - broadly meaning stem cell research, cloning, tissue engineering and regenerative medicine. To illustrate this argument I draw on recent ethnographic fieldwork in a new stem cell derivation facility in the UK built adjacent to an IVF surgery. Using this example, I explore the important and paradoxical role of IVF in the emergence of stem cell science, cloning and transbiology, suggesting that Haraway’s analysis remains crucial to understanding the ironic and contradictory, and unexpectedly generative, circumstances through which the IVF-stem cell interface - the door to transbiology - came into being. (shrink)

This essay explores how, for many minoritized peoples, cyborg ontology is experienced as dehumanizing rather than posthumanizing. Rereading Haraway’s Cyborg Manifesto through a decolonial, transfeminist lens, it explores the implications of Haraway’s assertion that cyborg subjectivity is the “illegitimate offspring of militarism and patriarchal capitalism” by examining the modern/colonial development and deployment of microprosthetic hormonal technologies – so often heralded as one of the technologies ushering in a queer, posthuman, post-gender future – as mechanisms of gendered (...) and racialized subjective control operative at the level of the biomolecular. (shrink)

Laurence Allard, Delphine Gardey et Nathalie Magnan proposent au public français la traduction de six textes incontournables de Donna Haraway écrits entre 1985 et 1997. Outre le célèbre Cyborg Manifesto, écrit en 1985 et traduit pour la première fois en français en 1992 dans la revue Futur Antérieur, l’anthologie parue aux éditions EXILS en 2007 présente cinq essais qui permettent de mieux comprendre la critique féministe de Haraway, celle des normes de genre et de la domination. Tout d’abord...

This paper aims to show how recent cinematic representations reveal a far more pessimistic and essentialised vision of Human/Cyborg hybridity in comparison with the more enunciative and optimistic ones seen at the end of the twentieth century. Donna Haraway’s still influential 1985 essay “A Cyborg Manifesto” saw the combination of the organic and the technological as offering new and exciting ways beyond the normalised culturally constructed categories of gender and identity formation. However, more recently critics see her (...) later writings as embodying a Faustian deal between the individual and hegemony, where technology does not enhance but merely returns the subject to a level of normalisation. As such cybernetics is only configured as a form of prosthetic rehabilitation, to ‘re’-able the ‘dis’-abled, that ultimately re-establishes earlier essentialised subject positions through that same evolutionary process. The Six Million Dollar Man, which ran from 1974 to 1978, exampled a symbiosis between the organic and the technological where the broken human body is not just re-made via mechanical prosthesis but through a process of Cyborg hybridity which actually makes it better, faster, stronger than before. In contrast, contemporary films such as Avatar (Cameron 2009), Transformers II: Revenge of the Fallen (Bay 2009) and Iron Man II (Faveraeu 2010) portray an inherent anxiety toward the cyborg body disavowing of any human/cyborg interaction beyond re-establishing their own discrete and separate subject positions. Although human/cyborg symbiosis constructs the possibility for potentialised bodies beyond those previously imagined, contemporary, popular, film represents them as separated and essentialised. This article looks at what cultural anxieties might produce such an about turn in such representations how this positions human identity in a time of increasing technology and, as a result, asks “whatever happened to The Six Million Dollar Man?”. (shrink)

Feminist theorist and philosopher Donna Haraway has substantially impacted thought on science, cyberculture, the environment, animals, and social relations. This long-overdue volume explores her influence on feminist theory and philosophy, paying particular attention to her more recent work on companion species, rather than her "Manifesto for Cyborgs." Margret Grebowicz and Helen Merrick argue that the ongoing fascination with, and re-production of, the cyborg has overshadowed Haraway's extensive body of work in ways that run counter to her own transdisciplinary (...) practices. Sparked by their own personal "adventures" with Haraway's work, the authors offer readings of her texts framed by a series of theoretical and political perspectives: feminist materialism, standpoint epistemology, radical democratic theory, queer theory, and even science fiction. They situate Haraway's critical storytelling and "risky reading" practices as forms of feminist methodology and recognize her passionate engagement with "naturecultures" as the theoretical core driving her work. Chapters situate Haraway as critic, theorist, biologist, feminist, historian, and humorist, exploring the full range of her identities and reflecting her commitment to embodying all of these modes simultaneously. (shrink)

As a literary figure or conceit, Haraway’s cyborg is kin to Dumas’ and Balzac’s flâneur. As a social science fiction, crossing and mixing categories, the cyborg is an abject quasi-body who does not fit the Enlightenment model of the political subject and actor. The ‘Manifesto’ has a geography of sites - Home, Market, Paid Work Place, State, School, Clinic-Hospital and Church - which this article updates and to which it adds the Body and the Web. However, Haraway’s (...) ‘cyborg-analysis’ directs attention to the nanotechnological scale of biotechnology. The spatialization implied in the ‘Manifesto’ is more like a surface, a site of regeneration, not a space of the body or of rebirth or the space of institutions such as the Market or School. The cyborg cannot be an Enlightenment political actor, but challenges the traditions, scale and space of the public sphere even as she carries ethical qualities and potentials for less normative forms of politics. (shrink)

Electrifying, provocative, and controversial when first published thirty years ago, Donna Haraway's "Cyborg Manifesto" is even more relevant today, when the divisions that she so eloquently challenges--of human and machine but also of gender, class, race, ethnicity, sexuality, and location--are increasingly complex. The subsequent "Companion Species Manifesto," which further questions the human-nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.Manifestly Haraway brings together these momentous manifestos to expose the continuity and (...) ramifying force of Haraway's thought, whose significance emerges with engaging immediacy in a sustained conversation between the author and her long-term friend and colleague Cary Wolfe. Reading cyborgs and companion species through and with each other, Haraway and Wolfe join in a wide-ranging exchange on the history and meaning of the manifestos in the context of biopolitics, feminism, Marxism, human-nonhuman relationships, making kin, literary tropes, material semiotics, the negative way of knowing, secular Catholicism, and more.The conversation ends by revealing the early stages of Haraway's "Chthulucene Manifesto," in tension with the teleologies of the doleful Anthropocene and the exterminationist Capitalocene. Deeply dedicated to a diverse and robust earthly flourishing, Manifestly Haraway promises to reignite needed discussion in and out of the academy about biologies, technologies, histories, and still possible futures. (shrink)

“When Species Meet is a breathtaking meditation on the intersection between humankind and dog, philosophy and science, and macro and micro cultures.” —Cameron Woo, Publisher of Bark magazine In 2006, about 69 million U.S. households had pets, giving homes to around 73.9 million dogs, 90.5 million cats, and 16.6 million birds, and spending over $38 billion dollars on companion animals. As never before in history, our pets are truly members of the family. But the notion of “companion species”—knotted from human (...) beings, animals and other organisms, landscapes, and technologies—includes much more than “companion animals.” In When Species Meet, Donna J. Haraway digs into this larger phenomenon to contemplate the interactions of humans with many kinds of critters, especially with those called domestic. At the heart of the book are her experiences in agility training with her dogs Cayenne and Roland, but Haraway’s vision here also encompasses wolves, chickens, cats, baboons, sheep, microorganisms, and whales wearing video cameras. From designer pets to lab animals to trained therapy dogs, she deftly explores philosophical, cultural, and biological aspects of animal-human encounters. In this deeply personal yet intellectually groundbreaking work, Haraway develops the idea of companion species, those who meet and break bread together but not without some indigestion. “A great deal is at stake in such meetings,” she writes, “and outcomes are not guaranteed. There is no assured happy or unhappy ending—socially, ecologically, or scientifically. There is only the chance for getting on together with some grace.” Ultimately, she finds that respect, curiosity, and knowledge spring from animal-human associations and work powerfully against ideas about human exceptionalism. One of the founders of the posthumanities, Donna J. Haraway is professor in the History of Consciousness Department at the University of California, Santa Cruz. Author of many books and widely read essays, including The Companion Species Manifesto: Dogs, People, and Significant Otherness and the now-classic essay “The Cyborg Manifesto,” she received the J. D. Bernal Prize in 2000, a lifetime achievement award from the Society for Social Studies in Science. (shrink)

The cyborg inscribes itself nearly everywhere, forcing us to re-examine discourses of humanity, modernity, Japan, and technology. I will trace the early history of the cyborg, from its hidden roots and precursors in fin de siècle Gothic fiction to its fully formed conception in 1990s science fiction and Donna Haraway’s Cyborg Manifesto. I will then move beyond the well-known cyborg genealogy to delve into contemporary portrayals that radically expand the cyborg’s political potential, and posthuman (...) role, through an analysis of Kenji Kamiyama’s Kōkaku Kidōtai Sutando Arōn Konpurekkusu (Ghost in the Shell: Stand Alone Complex), the 2002-2003 TV series based on Shirō Masamune’s 1989-91 manga Kōkaku Kidōtai (Ghost in the Shell). (shrink)

This interview reconsiders Donna Haraway’s Cyborg Manifesto 21 years after it was first published. It asks what has become of the three boundary breakdowns around which the Manifesto was structured - those between animals and humans, animal-humans and machines, and the ‘physical and non-physical’. Against this backdrop, this interview examines the connection between the Cyborg Manifesto and Haraway’s more recent writings on companion species, along with what it means to read or write a ‘manifesto’ (...) today. Recent notions of the ‘posthuman’ are also placed into question. (shrink)

Who said manifestos are dead? Some thirty years after the publication of Donna Haraway's illustrious A Cyborg Manifesto, fifty years after Valerie Solanas's angry and delightful SCUM Manifesto, and 170 years after Karl Marx and Friedrich Engels's influential Communist Manifesto, a new manifesto in town in fact bears traces of all these and then some: The Xenofeminist Manifesto. This manifesto, which comes in a gorgeously designed booklet version as well as in a colorful (...) and nostalgic 80s computer-culture website with nerdy hexadecimal page numbers and related Twitter account, is a work from the “xenofeminist” collective Laboria Cuboniks. The name of this collective, whose members are from various parts of the globe, is actually an anagram of “Nicolas Bourbaki,” a largely French collective of mathematicians in the early 1900s who sought to affirm abstraction, rigor, and generalization. Together with a firm foot in cyberfeminism and a strong penchant for the abstract and universal by way of the logic of computing against the arguably flawed universal of “nature,” the manifesto also clearly bears the marks of feminist ecocriticism, new materialism, queer theory, and technological accelerationism. The two books under review bring various activisms and insights together in an original way, and do so clearly with an eye toward reviving the cyberfeminist spirit through, among others, ideas from Shulamith Firestone's Dialectics of Sex. This pairing certainly had me excited, since, as I argue elsewhere, I am, together with Haraway's original cyborg manifesto, firmly of the opinion that feminisms of all kinds should intervene in and contribute even more radically to contemporary techno-culture and philosophy of technology. This is because clearly, new media and genetic technologies are at present some of the most powerful techniques by which we live and probably will live in the near future, and because these technologies are intimately interwoven with Eurocentric masculinism, heterosexism, militarism, and capitalism. (shrink)

A metáfora do ciborgue é um constructo epistêmico relativamente recente. Publicado em 1985, o Cyborg Manifesto, de Donna Haraway, mobilizou o imaginário acadêmico-cultural apontando para a emergência do híbrido de máquina e organismo, indicando o nó produzido nas linhas de sentido históricas, vivenciadas na fusão entre técnicas (bio-info-cogno) e nós, os organismos vivos; tornando-se, assim, matriz da filosofia ciborgue. Academicamente, coube a Thierry Hoquet anatomizar o ciborgue na obra Filosofia Ciborgue: pensar contra dualismos (publicada em Português no ano (...) de 2019 e, no original, em 2011), fenômeno este que aparece no século XX com características próprias, desafiando categorias epistemológicas estanques, cuja pretensão é definir os limites entre o humano e o não humano, entre o que é próprio da natureza e o que é parte da cultura. (shrink)

This article takes Afrofuturism as a model for addressing the concerns for digital and technology arts practice in Africa. The focus is on a mechanism for decentralization of a centralized western worldview. Cyberfeminist notions from Haraway’s ‘Cyborg Manifesto’; propositions for an African Science Fiction; and Bouriaud’s ‘Radicant’ are additionally taken into account to reflect similar mechanism in addressing the mechanisms of decentralization. All these act as speculative methods, which are applied to thinking about the concerns that come with (...) contemporary Globalization. The aim is to rethink these issues in globalisaton, particularly with regard to creative and cultural practice with communication technologies emanating from Africa. (shrink)

The cyborg that Donna Haraway appropriated in ‘Manifesto for Cyborgs’ as a metaphor for political action and theoretical inquiry has ceased to have the potency it did 20 years ago. While Haraway has turned from a central focus on technoculture to companion species, much important cultural work remains to be done, especially in networked and programmable media. Problems with the cyborg as a metaphor include the implication that the liberal humanist subject, however problematized by its hybridization with (...) cybernetic mechanism, continues as a singular entity operating with localized agency. In a word, the cyborg is not networked enough to encompass the emergent possibilities associated with the Internet and the world-wide web and other phenomena of the contemporary digital era. Instead I propose the idea of the cognisphere. As operational concept and suggestive metaphor, the cognisphere recognizes that networked and programmable media are not only more pervasive than ever before in human history but also more cognitively powerful. It is closely associated with what many researchers regard as a major insight: the idea that the physical world is fundamentally computational. While these scientists regard computation as a physical process, the cultural critic is apt to see it as an over-determined metaphor. The binary choice between seeing the computational universe as a literal description of the physical world and reading it as an over-determined metaphor misses a crucial aspect of contemporary cultural dynamics: the interaction between means and metaphor, technology and cultural presupposition. Taking this dynamic into account leads to a more complete understanding summed up in the aphorism, ‘What we make and what we are co-evolve together.’. (shrink)

Donna Haraway, in her ‘Manifesto for Cyborgs’, issues a warning that in the postmodern world where grand narratives increasingly fail and subjects are seen to be irremediably fragmented, ‘we risk lapsing into boundless difference and giving up on the confusing task of making a partial, real connection. Some differences are playful; some are poles of world historical systems of domination. Epistemology is about knowing the difference’. Such an account of epistemology, which sees its central task to be a knowledge (...) of the significance of difference and a capacity to discern between innocent and oppressive forms of difference, is perhaps not one that would most readily occur to British philosophers of religion. It is, however, an account which has resonances both with many contemporary continental thinkers and with feminist epistemologists. Notwithstanding the many areas of divergence between and among these groups, on two points at least they converge: that the recognition and discernment of difference has become inescapable for epistemology, and that of the differences which must be dealt with, gender difference has a paradigmatic status. (shrink)

Donna Haraway's work has transformed the fields of cyberculture, feminist studies, and the history of science and technology. Her subjects range from animal dioramas in the American Museum of Natural History to research in transgenic mice, from gender in the laboratory to the nature of the cyborg. Trained as an historian of science, she has produced a series of books and essays that have become essential reading in cultural studies, gender studies, and the history of science. The Haraway Reader (...) brings together a generous selection of Donna Haraway's work. Included is her "Manifesto for Cyborgs," in which she famously wrote that she "would rather be a cyborg than a goddess." Other selections are taken from her three major works, Primate Visions, Modest Witness , and Simians, Cyborgs and Women , as well as some of her more recent writing on animals. For readers in cultural studies, feminist theory, science studies, and cyberculture, Donna Haraway is one of our keenest observers of nature, science, and the social world. This volume is the best introduction to her thought. (shrink)

In what follows, we revisit the most promising conceptions of “hope” while following Haraway’s admonition to “stay with the trouble.” Thirty-five years after Haraway’s opening to the Manifesto for Cyborgs where she states that “irony is about contradictions that do not resolve into larger wholes”, we move with her ceaseless task to eschew resolution and certainty, urging instead a radical contingency that is fundamental to thought itself. The radical contingency recognizes the limits of what any one individual or one (...) species is capable of unto itself. Any such exceptionalism is spurned. The possibilities of thinking-with, and making-with, are the necessary path of the troubled present. And there is no escaping the present, a present that is thick with affliction but is still unfinished and ongoing. We enter into the thick presence of our ongoing conversation around hope by revisiting the concepts that help us to think our thoughts, exploring how these conceptions worked and did not work for our collective thinking. We then build on the concepts’ appendages, their attachments and detachments to our conversation around hope, by sketching Haraway’s materialist challenge to hope, and her refusal of futurism and contingency that raise some questions about the potentialities of “critical hope.” Finally, we situate our work within an understanding of the “pedagogical work of the concept,” drawing a line from Haraway to Stengers to Deleuze, which allows us to explore resonance between concepts and posit a “pedadogy of the concept” to situate the limits of hope and potentialities of “staying with the trouble.” To work towards a pedagogy that “stays with the trouble,” we extend Haraway’s critique that it matters “what thoughts think thoughts” by suggesting that it also matters which feelings we feel with, highlighting the vital necessity of feeling to the project of staying with the trouble. (shrink)

"I experience language as an intensely physical process," writes Donna Haraway. "I cannot not think through metaphor... Biochemistry and language just don't feel that different to me." Since the appearance of her monumental Primate Visions and the now classic essay "A Manifesto for Cyborgs," feminist historian of science Donna Haraway has created a way of thinking about culture, science, and the production of knowledge that has made her one of the most highly regarded theorists in America. She is admired (...) for her passion and rigor, her wicked ironies, and her deep commitment to issues of gender and race, as well as species. The author of four seminal works on science and culture, Donna Haraway here speaks for the first time in a direct and non-academic voice. Thyrza Nichols Goodeve leads her subject through conversation about Haraway's intellectual development, theories and influences, the role of Catholicism in her thinking, and how her ethical stands have mirrored issues in her personal life. For readers who have admired and struggled with the rich and complex performances of her earlier works, How Like a Leaf will be a welcome inside view of the author's thought. At the same time, this work makes Haraway's contribution to modern thought available to a much wider audience who cares about the issues she addresses. This is a highly personal introduction to a major thinker's body of work. (shrink)

This commentary argues that Donna Haraway’s still remarkable ‘Manifesto for Cyborgs’ provided one of the first windows on the invention of a different kind of world, one in which environments figure and bodily registers expand. In her attention to bioscience she was clearly one of the first to remark on these developments. But, or so I argue, she may have underestimated their generality and their grip, not least because of the comparatively light imprint of the economy and space to (...) be found in her work. (shrink)

Spanning nearly two decades, from 1980 to 1996, this Reader investigates the debates which have best characterized feminist theory. Including such articles as Pornography and Fantasy, The Body and Cinema, Nature as Female, and A Manifesto for Cyborgs, the extracts examine thoughts on sexualtiy as a domain of exploration, the visual representation of women, what being a feminist means, and why feminists are increasingly involved in political struggles to negotiate the context and meaning of technological development. With writings by (...) bell hooks, Alice Jardine, and Andrea Dworkin, this mulit-cultural Reader reflects the dynamic nature of feminist debates and the genuine diversity within current feminist theory. Capturing the sense of the rapid movement within feminist theory and criticism, Feminisms is ideal for anyone interested in feminism and the history behind it. (shrink)

This paper looks at some of the different practical cyborgs that are realistically possible now. It firstly describes the technical basis for such cyborgs then discusses the results from experiments in terms of their meaning, possible applications and ethical implications. An attempt has been made to cover a wide variety of possibilities. Human implantation and the merger of biology and technology are important factors here. The article is not intended to be seen as the final word on these issues, but (...) rather to give an initial overview. Most of the experiments described are drawn from the author’s personal experience over the last 15 years. (shrink)

Nursing Sciences are at a moment of paradigmatic transition. The aim of this paper is to reflect on the new epistemological paradigms of nursing science from a critical approach. In this paper, we identified and analysed some new research lines and trends which anticipate the reorganization of nursing sciences and the paradigms emerging from nursing care: biotechnology‐centred knowledge; the interface between nursing knowledge and new information technologies; body care centred knowledge; the human body as a cyborg body; and the (...) rediscovery of an aesthetic knowledge in nursing care. (shrink)

Cyborgs are ongoing becomings of a doubly “in-between” temporality of humans and machines. Materially made from components of both sorts of beings, cyborgs gain increasing function through an interweaving in which each alters the other, from the level of “neural plasticity” to software updates to emotional breakthroughs of which both are a part. One sort of temporal in-between is of the progressive unfolding of a deepening becoming as “not-one-not-two” and the other is a “doubling back” of time into itself in (...) which moments that were once disparate are conjoined or enjambed. Tracing the experience of Michael Chorost during a four year period of coming to terms with his cochlear implant, related in Rebuilt: How Becoming Part Computer Made Me More Human, the essay pinpoints shifts in awareness, perceptual belief, and being-with others that unfold within the in-between of person and machine. (shrink)

Person‐centred practice indubitably seems to be the antithesis of technology. The ostensible polarity of technology and person‐centred practice is an easy road to travel down and in their various forms has been probably travelled for decades if not centuries. By forging ahead or enduring these dualisms, we continue to approach and recede, but never encounter the elusive and the liminal space between technology and person‐centred practice. Inspired by Haraway's work, we argue that healthcare practitioners who critically consider their cyborg (...) ontology may begin the process to initiate and complicate the liminal and sought after space between technology and person‐centred practice. In this paper, we draw upon Haraway's idea that we are all materially and ontologically cyborgs. Cyborgs, the hybridity of machine and human, are part of our social reality and embedded in our everyday existence. By considering our cyborg ontology, we suggest that person‐centred practice can be actualized in the contextualized, embodied and relational spaces of technology. It is not a question of espousing technology or person‐centred practice. Such dualisms have been historically produced and reproduced over many decades and prevented us from recognizing our own cyborg ontology. Rather, it is salient that we take notice of our own cyborg ontology and how technological, habitual ways of being may prevent (and facilitate) us to recognize the embodied and contextualized experiences of patients. A disruption and engagement with the habitual can ensure we are not governed by technology in our logics and practices of care and can move us to a conscious and critical integration of person‐centred practice in the technologized care environments. By acknowledging ourselves as cyborgs, we can recapture and preserve our humanness as caregivers, as well as thrive as we proceed in our technological way of being. (shrink)

As new communication technologies transform everyday life in the 21st century, personal, family, and other social relations are transformed with it. As a way of exploring the larger question, "how exactly does communication technology transform love and how love is lived?" here I explore the cell phone, instant messaging and other communication technologies as electronic extensions of maternal bodies connecting (cyber)mother to (cyber)children. -/- Feminist explorations of the marketing and use of cell phones, as well as other communication technologies, have (...) largely remarked on the pernicious gender ideologies intertwined with technological innovation and application. If, however, we take seriously Haraway’s (1991) claim that postmodern humans are cyborgs, the distinction between human animals and machines breaks down in ways that invite us to revision the questions we ask about technology. Thus instead of inquiring about the oppression engendered by the production and consumption of communication technologies, here I explore the ways in which technology functions as an extension and modification of human embodiment that transforms our experiences of intimacy and our ability to create, maintain and transform loving relationships with others. More specifically, I examine cyborg mothering as transformative of loving relationships between women and children. (shrink)

Sensory augmentation challenges current societal norms and views of what is conceived as a “normal” human being. Beginning with self reflections of a bodyhacker, the author proposes an extended view onto the human or respectively cyborg body. Based on cognitive theories, it is argumented that we are already mental cyborgs. Our brains plastically restructure themselves in order to meet new requirements of the technological extended human.

The era of the Cyborg is now upon us. This has enormous implications on ethical values for both humans and cyborgs. In this paper the state of play is discussed. Routes to cyborgisation are introduced and different types of Cyborg are considered. The author's own self-experimentation projects are described as central to the theme taken. The presentation involves ethical aspects of cyborgisation both as it stands now and those which need to be investigated in the near future as (...) the effects of increased technological power have a more dramatic influence. An important feature is the potential for cyborgs to act against, rather than for, the interests of humanity. (shrink)

The broad aim of this paper is to question the ambiguous relationship between technology and intelligence. More specifically, it addresses the reasons why the ever-increasing reliance on smart technologies and wide repositories of data does not necessarily increase the display of “smart” or even “intelligent” behaviors, but rather increases new instances of “brutality” as a mix of ignorance and violence. We claim that the answer can be found in the cyborg theory, and more specifically in the possibility to blend (...) different kinds of intentionality. (shrink)

The Second World War was a watershed in history in many ways. I focus on the World War II discontinuity as it relates to the intersection of scientific and military enterprise. I am interested in how we should conceptualize that intersection and in offering a preliminary tracing of the “World War II regime” that has grown out of it—a regime that includes new forms of scientific and military practice but that has invaded and transformed many other cultural spaces, including—my primary (...) example here—the industrial workplace. I exploit the figure of the cyborg to thematize the social, material, and conceptual heterogeneity of the developments at issue; specify a distinct range of cyborg objects and sciences that emerged from the World War II matrix; and exemplify a historiographical approach that escapes the traditional master-narrative structures of science studies. (shrink)

Compulsive smartphone users’ psyches, today, are increasingly directed away from their bodies and onto their devices. This phenomenon has now entered our global vocabulary as “smartphone zombies,” or what I will call “iZombies.” Given the importance of mind to virtually all conceptions of human identity, these compulsive users could thus be productively understood as a kind of human-machine hybrid entity, the cyborg. Assuming for the sake of argument that this hybridization is at worst axiologically neutral, I will construct a (...) kind of phenomenological psychological profile of the type of cyborg which engages in these patterns of behavior. I follow Judith Butler in seeing this identity as the result of performance practices, which as such can be modified or replaced using other performances. Pursing one such alternative, I compose a dancing critique that “reverse engineers” the choreographies implied by these cyborgs’ survival practices. The upshot of this critique is that their movement patterns do indeed align closely to those of horror cinema’s zombies. I therefore conclude by suggesting a few possible choreographic imperatives to facilitate more enabling ways of being for iZombie cyborgs today. (shrink)

In Natural-Born Cyborgs, Clark argues that what makes humans so different from other species is our capacity to fully incorporate tools and supporting cultural ...

As we become more and more enhanced with cyborg technology, significant issues of law and policy are raised. For example, as cyborg devices implanted within the body create a class of people with enhanced motor and computational abilities, how should the law and policy respond when the abilities of such people surpass those of the general population? And what basic human and legal rights should be afforded to people equipped with cyborg technology as they become more machine (...) and less biology? As other issues of importance, if a neuroprosthetic device is accessed by a third party and done to edit one’s memory or to plant a new memory in one’s mind, or even to place an ad for a commercial product in one’s consciousness, should there be a law of cognitive liberty or of “neuro-advertising” that applies? This paper discusses laws and statutes enacted across several jurisdictions which apply to cyborg technologies with a particular emphasis on legal doctrine which relates to neuroprosthetic devices. (shrink)

Two ways of self‐interpretation merged in Western thought: the Hebrew and the Greek. What is unique, if anything, about the human species? The reinterpretation of this problem has been a constant process; here I am referring to Philip Hefner and the term created co‐creator, and particularly to Donna Haraway and the term cyborg. Simultaneously, humans have been fascinated by the thought of transgressing the boundaries that seem to separate them from the rest of nature. Any culture reflects the ways (...) it relates to nature. Our nature is technonature, and our culture is technoculture. Our reality can be best approached by the metaphor and symbol cyborg. Donna Haraway's cyborg is not just an interesting figure of speech, it is also a description—of ourselves and our culture. Also, contemporary fiction reflects the return of ontological questions: What is a world? What is the self? The cyborg acknowledges our mode of existence and destabilizes the traditional procedures of identity construction. (shrink)

Desde que se completó la secuenciación del genoma humano, el hombre pierde su “esencia”, pasando a ser un texto interpretable y modificable: una subversión de la carne. D. Haraway (1995) ha sido una de las pioneras en el tema defendiendo al cyborg como una entidad polémica, un ciberorganismo que cuestiona, desde una cierta perspectiva de la filosofía de la técnica, –e incluso los feminismos– en la que se inscriben también Sloterdijk, Sandel. T. Aguilar, entre otros, la pretendida esencia humanista, (...) misma que queda cuestionada en torno a “lo humano” y su identidad unívoca. Se analizan derivas estéticas de Orlan, Sterlac y Kac. (shrink)

This excerpt from our collective biography emerges from a dialogue that commenced when Noel interjected the concept of ‘becoming-cyborg’ into our conversations about Annette’s experiences of breast cancer, which initially prompted her to interpret her experiences as a ‘chaos narrative’ of cyborgian and environmental embodiment in education contexts. The materialisation of Donna Haraway’s figuration of the cyborg in Annette’s changing body enabled new appreciations of its interpretive power, and functioned in some ways as a successor project to Noel’s (...) earlier deployment of cyborgs in what he now recognises as a ‘posthumanising’ of curriculum inquiry. Noel’s subsequent experiences with throat cancer drew us towards exploring the possibilities that concepts such as Deleuze and Guattari’s machinic assemblage and Karen Barad’s ontoepistemology offer as a mean of thinking the meetings of bodies and technologies in educational inquiry beyond Haraway’s hybrid cyborg. Through both collective biography and playfully scripted conversations with other theorists we explore what it means to perform diffractive interpretations and analyses in posthumanist educational inquiry. Our essay also contributes to contemporary conversations about the uses of collaborative biographical writing as a method of inquiry in educational research. (shrink)

En este artículo se analiza la construcción de los cuerpos de los personajes protagónicos femeninos de las novelas Impuesto a la carne y Fuerzas especiales de Diamela Eltit. Se sostiene que estos cuerpos son cyborgs que se generan gracias a articulaciones inmanentes con las tecnologías biomédicas, informáticas, escriturales, lo humano y el biopoder. El artículo se centra en la descripción de las estrategias de resistencia germinales desarrolladas por estos cuerpos cyborgs, las que se sustentan en las promesas de creación y (...) regeneración de espacios virtuales alternativos a los predispuestos por los poderes hegemónicos. En Impuesto a la carne este espacio virtual se materializa a través de la escritura de una Crónica alternativa a la Historia oficial chilena y, en Fuerzas especiales, con la creación del primer videojuego de la escena nacional. Desde esta perspectiva, estos cuerpos disruptivos y en constante reformación, son agentes biopolíticos que ensayan formas distintas de existencia dentro de un sistema dominado por poderes normalizadores. (shrink)

The idea of “nature” performs an important cultural work. The cyborg‐nature is an attempt to free ourselves from the features of the culturally authorized concepts of nature. The cyborg offers new metaphors to both academic and popular theorizing for comprehending the different ways that sciences and technologies affect our lives, subjectivities, and concepts. The cyborg is a lived reality and a metaphor. Paul Tillich deemed it necessary to have a mythos of technology to explain our technologies and (...) ourselves. He offered “The Technical City” as a symbol for his age. Donna Haraway's cy‐borg‐figure could function as a symbol to interpret our time and technologies and ourselves. (shrink)

This contribution includes three selected works from an exhibition on _Cyborg Encounters_. These works deal with hybrid connections of human and non-human species that (might) emerge as a result of enhancement technologies and bio-technological developments. They offer not only an artistic exploration of contemporary but also futuristic aspects of the subject. Followed by an introduction by Melike Şahinol, _Critically Endangered Artwork_ (by Ayşe Melis Okay) highlights Turkey’s ongoing problems of food poverty and the amount of decreasing agricultural lands. It displays (...) seeds of a promising endemic plant to mitigate these problems using the seeds of the _Thermopsis Turcica_, a herbaceous perennial endemic plant. _Ecomasculinist Pregnancy_ (by Burak Taşdizen and Charles John McKinnon Bell) follows the design fiction methodology and illustrates a future scenario through a patient’s diary and the medical letters he receives during his pregnancy with an extinct sea-lion. _Polluted Homes_ (by Beyza Dilem Topdal) is a fictional art installation consisting of polychaete species evolved in time under the ecological circumstances prevalent in the Bosphorus and the Sea of Marmara today. These works show, that manufacturing life has consequences, not only for the human body and its physical appearance, but also, for example, for gender orders, the social structure of society, and even the environment, and thus for (re)shaping (non)living matter and their environments. This Art-Science Collection intends to provide an impetus for debate about the extent to which cyborg encounters should be taken seriously. (shrink)

In 1958, a group of New-Confucians issued “A Manifesto for a Re-Appraisal of Sinology and Reconstruction of Chinese Culture.” Equally in 1958, the British philosopher Elizabeth Anscombe published her classical paper “Modern Moral Philosophy.” These two papers have the same target — modern Western morality — and the solutions they proposed respectively. Yet Anscombe’s paper did not mention Confucianism, and the “Manifesto” ignored Aristotelian tradition of virtue. Furthermore, from 1960s to 1990s, the revival movement of Confucianism and the (...) revival movement of Aristotelian ethics have not had much dialogue. This paper seeks to explain this phenomenon by comparing these two historically important documents. In particular it tries to understand why the “Manifesto” fails to see the similarities between Aristotle and Confucius. (shrink)

Forthright and wryly humorous, philosopher Susan Haack deploys her penetrating analytic skills on some of the most highly charged cultural and social debates of recent years. Relativism, multiculturalism, feminism, affirmative action, pragmatisms old and new, science, literature, the future of the academy and of philosophy itself—all come under her keen scrutiny in Manifesto of a Passionate Moderate.

The Gendered Cyborg brings together material from a variety of disciplines that analyze the relationship between gender and technoscience, and the way that this relationship is represented through ideas, language and visual imagery. The book opens with key feminist articles from the history and philosophy of science. They look at the ways that modern scientific thinking has constructed oppositional dualities such as objectivity/subjectivity, human/machine, nature/science, and male/female, and how these have constrained who can engage in science/technology and how they (...) have limited our ideas of the possibilities for both humanity and science. Later sections contain readings that present key feminist theories about representation to examine how gender and technoscience are represented in areas of particular contemporary interest: the new human reproductive technologies, science fiction, film and the Internet. The readings constantly ask "Is this for women, for human beings?" Contributors: Alison Adam, Anne Balsamo, Lynda K. Bundtzen, Barbara Creed, Mary Ann Doane, Dion Farquhar, Jennifer González, Evelynn M. Hammonds, Donna Haraway, Fiona Hovenden, Luce Irigaray, Linda Janes, Gill Kirkup, Nina Lykke, Sadie Plant, Rosalind Pollack Perchesky, Londa Schiebinger, Vivian Sobchack, Deborah Lynn Steinberg, Nancy Leys Stepan, Nina Wakeford, Kathryn Woodward. (shrink)