The book has two aims. First, to examine the extent and significance of the connection between Hume's aesthetics and his moral philosophy; and, second, to consider how, in light of the connection, his moral philosophy answers central questions in ethics. The first aim is realized in chapters 1-4. Chapter 1 examines Hume's essay "Of the Standard of Taste" to understand his search for a "standard" and how this affects the scope of his aesthetics. Chapter 2 establishes that he treats beauty (...) in nature and art and moral beauty as similar in kind, and applies the conclusions about his aesthetics to his moral thought. Chapter 3 solves a puzzle to which this gives rise, namely, how individuals both accept general standards that they also contravene in the course of aesthetic and moral activity. Chapter 4 takes up the normative aspect of Hume's approach by understanding moral character through his view of moral beauty. The second aim of the book is realized in chapters 5-7 by entertaining three objections against Hume's moral philosophy. First, if morality is an immediate reaction to the beauty of vice and the deformity of virtue, why is perfect virtue not the general condition of every human individual? Second, if morality consists of sentiments that arise in the subject, how can moral judgments be objective and claim universal validity? And third, if one can talk of "general standards" governing conduct, how does one account for the diversity of moral systems and their change over time? The first is answered by showing that like good taste in aesthetics, 'right taste' in morals requires that the sentiments are educated; the second, by arguing against the view that Hume is a subjectivist and a relativist, and the third, by showing that his approach contains a view of progress left untouched by any personal prejudices Hume himself might harbor. The book concludes in chapter 7 by showing how Hume's view of philosophy affects the scope of any normative ethics. (shrink)

Deeply moved by his experiences in the trenches of the First World War, the Scottish philospher John Macmurray came to challenge the conventions inherited from European traditions of thought and mounted an assault on impersonal philosophies that failed to address needs and emotional reality.

This is the first single volume to offer a comprehensive and systematic account of British and American aesthetics from the early eighteenth century to the late twentieth century.

This paper traces the systematic connections between the structure of Hume's argument in "Of the Standard of Taste" and the way Kant presents the Antinomy of Taste in his Critique of Judgment. It is argued, however, that although there are striking parallels between the way Hume and Kant formulate their respective antinomies, there are significant differences in the way the two philosophers solve them. For while Hume's approach reflects his scepticism about the place of philosophy in common life, Kant's solution (...) confirms his view that philosophy can effectively correct the errors into which human reason naturally falls. (shrink)

This paper explores the concept of an ?animal holocaust? by way of J.M. Coetzee's The Lives of Animals, and asks whether the Nazi treatment of the Jews can be legitimately compared to modern factory farming. While certain parallels make the comparison appealing, it is argued, only the holocaust can be described as ?evil.? The phenomena share another feature, however, namely, the capacity of perpetrators to render victims ?invisible.? This leaves the moral dimension of the comparison in tact since it shows (...) defenders and critics of an ?animal holocaust? to be talking about different things: the comparison is offensive for many because it levels degrees of moral value attributed to human and animal life, respectively, while for others it articulates the challenge of bringing non-human sentient beings into the same moral universe as their human counterparts. The paper concludes by asking whether such moral progress can ever render the death of human beings and animals similar in kind. (shrink)

In this paper, we describe how critical data designers have created projects that ‘push back’ against the eclipse of environmental problems by dominant orders: the pioneering pollution database Scorecard, released by the US NGO Environmental Defense Fund in 1997; the US Environmental Protection Agency’s EnviroAtlas that brings together numerous data sets and provides tools for valuing ecosystem services; and the Houston Clean Air Network’s maps of real-time ozone levels in Houston. Drawing on ethnographic observations and interviews, we analyse how critical (...) data designers turn scientific data and findings into claims and visualisations that are meaningful in contemporary political terms. The skills of critical data designers cross scales and domains; they must identify problems calling for public consideration, and then locate, access, link, and create visualisations of data relevant to the problem. We conclude by describing hazards ahead in work to leverage Big Data to understand and address environmental problems. Critical data designers need to understand what counts as a societal problem in a particular context, what doesn’t, what is seen as connected and not, what is seen as ethically charged, and what is exonerated and discounted. Such recognition is produced through interpretive, ‘close reading’ of the historical moment in which they operate. (shrink)

Defines the cutting-edge of scholarship on ancient Greek history employing methods from social science.

The British Aesthetic Tradition: From Shaftesbury to Wittgenstein is the first single volume to offer readers a comprehensive and systematic history of aesthetics in Britain from its inception in the early eighteenth century to major developments in Britain and beyond in the late twentieth century. The book consists of an introduction and eight chapters, and is divided into three parts. The first part, The Age of Taste, covers the eighteenth-century approaches of internal sense theorists, imagination theorists and associationists. The second, (...) The Age of Romanticism, takes readers from debates over the picturesque through British Romanticism to late Victorian criticism. The third, The Age of Analysis, covers early twentieth-century theories of Formalism and Expressionism to conclude with Wittgenstein and a number of views inspired by his thought. (shrink)

This volume offers readers a unique and comprehensive overview of theoretical perspectives on "the sublime," the singular aesthetic response elicited by phenomena that move viewers by transcending and overwhelming them. The book consists of an editor's introduction and fifteen chapters written from a variety of disciplinary perspectives. Part One examines philosophical approaches advanced historically to account for the phenomenon, beginning with Longinus, moving through eighteenth and nineteenth century writers in Britain, France, and Germany, and concluding with developments in contemporary continental (...) philosophy. Part Two explores the sublime with respect to particular disciplines and areas of study, including Dutch literature, early modern America, the environment, religion, British Romanticism, the fine arts, and architecture. Each chapter is both accessible for nonspecialists and offers an original contribution to its respective field of inquiry. (shrink)

Timothy M. Costelloe - Kant and the Culture of Enlightenment - Journal of the History of Philosophy 44:4 Journal of the History of Philosophy 44.4 667-668 Muse Search Journals This Journal Contents Reviewed by Timothy M. Costelloe The College of William and Mary Katerina Deligiorgi. Kant and the Culture of Enlightenment. Albany, New York: SUNY Press, 2005. Pp. xi + 248. Cloth, $70.00. At a time when our attention is overwhelmed by the practical manifestations of power in pursuit of personal, (...) political, and economic gain, it is timely to read a book urging the spirit of the Enlightenment as a palliative for contemporary ills. In Katerina Deligiorgi's recent study, Kant is the spectre haunting the halls of the Enlightenment project, reminding the living that it is a "culture" shaped by the "social ideal" of rational enquiry, self-criticism, and public debate ... (shrink)

In his writings Alfred Schutz identifies an artificiality in the concept of life-world produced by Edmund Husserl's method of reduction. As an alternative, he proposes to assume intersubjectivity as a given of everyday life. This eradicates Husserl's distinction between life-world and natural attitude. The subsequent phenomenological project appears to center upon sociological descriptions of the structures of the life-world rather than on a search for apodictic truth. Schutz, however, actually retains Husserl's emphasis on the subject. A tension then arises between (...) the assumption of intersubjectivity and individual experience. Rather than clarifying the concept of intersubjectivity, this further problematizes it. Drawing upon Max Weber's work, Schutz responds by developing a rigorous methodology for studying the social world. But having rejected Husserl's reduction and conflated life-world and natural attitude, Schutz's analysis moves at the level of daily life itself. Consequently, the explanatory categories he proposes appear as abstractions rather than as a way of describing lived experience. Schutz, it is concluded, initiates a scientistic sociology in which the commonsense structures of the natural attitude of everyday life are subverted and replaced by the more rigorous knowledge of the scientific attitude. Schutz's version of phenomenology is ultimately untrue to the spirit of Husserl's original project; and deploying his work as a clear-cut alternative to scientistic tendencies within sociology is not as straightforward as it might at first seem. (shrink)

The merits of these two books speak for themselves. The topic chosen by the author is one that is very much alive today and one that has provoked much discussion, some superficial, some quite definitely soul-searching. To this latter the author has made a very valuable contribution. Religious of either sex will be the poorer for ignoring these two works. He states clearly some biting truths which lay bare the deep laden fears which militate against really choosing fully a vocation—a (...) choice which is for better or for worse. The demands of a vocation are always there as a challenge. In fact ‘a feeling of revulsion from the sacrificial element, an experience of turning away can be in fact the first experienced states of a person in whom the divine call truly exists’. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Cognition and Commitment in Hume's PhilosophyTimothy M. CostelloeDon Garrett. Cognition and Commitment in Hume's Philosophy. Oxford: Oxford University Press, 1997. Pp. 270. Cloth, $49.95Given that the Hume literature abounds in interpretive disagreements, it is striking to read of Don Garrett's aim "to solve... to be the last word about... [a] set of problems that have long stood in the way of understanding Hume's philosophy" (10); and, as if (...) that were not enough, to see him defining success in terms of grasping Hume's aims, understanding his arguments, and explicating conclusions and interrelations between them (8-9). Somewhere between honesty and hubris, Garrett then investigates various "puzzles" within Hume scholarship. The first three chapters undertake work of clarification. The first addresses "imagination" and "understanding," emphasizing Hume's "rejection of the intellect" within rationalist and empiricist thought, before raising difficulties with and offering solutions to Hume's use of the terms. Garrett then distinguishes five types of empiricism which "produce and reinforce" Hume's status as a cognitive psychologist developing a "theory of representational faculties" (39). Chapters two and three examine Hume's "fundamental principles" (Copy Principle and Separablity Principle) leading Garrett into informative discussions of various doctrines—space and time (152ff), the missing shade of blue (50-53, 73), and "distinctions of reason" (59ff)—arguing that none contradict the principles in question. At the end of the chapter, Garrett concludes Hume's interest in both principles lies less in doctrines each "forbids" than in "investigations... [each] motivates" (75).Armed with a battery of distinctions, the remaining chapters focus on seven such "investigations," each situating the problem, reconstructing Hume's arguments, considering extant interpretations, and offering original solutions to the puzzles posed. In chapter five, for example, Garrett argues that Hume endorses two definitions of "cause," which, neither logically equivalent nor co-extensive, involves Hume in contradiction. Having considered and rejected interpretations by other commentators, Garrett proposes a solution: Since Hume holds both that a "relation" exists only where two or more relations are compared (102-4); and that necessary connection involves "pairs of objects" and "ideas of pairs" (105-6), cause and effect can be defined either as constant conjunction or association. The "contradiction" thus removed, Garrett supports [End Page 441] his case by arguing that since Hume accepts two definitions of "virtue" (107ff.), he can do the same with causality. Finally, Garrett raises four objections to his conclusion and, responding to each, completes his solution to the Humean puzzle.As scholarly and engaging as Garrett's book is, however, the spirit of Hume is often missing from its pages. Although important, an approach which focuses on discrete fundamental principles, sets and solves puzzles, and transforms philosophical prose into lists of numbered propositions, belies Hume as a thinker obsessed with the medium of his message. Philosophy, in Hume's view, is also a matter of taste and character; a way of being and thinking which, as Garrett acknowledges, is integral to the "conduct of...[Hume's] life" (241).No single study can capture Hume's philosophy in its entirety. Yet a book claiming the "last word" might acknowledge the necessary partiality of its approach especially when it affects its own conclusions. First, with few exceptions, Garrett makes almost perfect sense of everything Hume says; and even when found wanting, it is "less philosophically vitiating that one might expect" (39). Charitable readings and Hume's greatness, notwithstanding, for his work to be free of all contradiction would be extraordinary. Second, Garrett's "puzzles" are not always genuine. Emphasizing, for example, how Hume's definitions of cause are the same thing viewed from different perspectives might prevent such a puzzle arising at all; and the evidence for Hume's putative "propositional theory of moral evaluation" is so thin (191) that one suspects Garrett's method to have a hand in generating the alleged contradiction.The same is true of the concluding chapter. Presenting the "puzzle" as a contradiction between skepticism and science, and looking to "human reason" for solace (207), it comes as no surprise that Hume's skepticism should ground and reconfirm "our commitment to reason and its products" (208). Hume's... (shrink)

This paper considers the claim that Hume washostile to religion and religious belief, andhoped for their demise. Part one examines hisapproach to belief, showing how commentatorstake him to see religious belief asnon-natural. Part two challenges thisconclusion by arguing, first, that Hume'sdistinction between natural and artificialvirtue allows the term ``natural'' to coverreligious belief as well; second, that Humehimself never denies religious belief isnatural, and, third, that he takes religion tobe a necessary part of any flourishing society. The target of Hume's critical (...) remarks onreligion, it is then emphasized, are forms of``false'' religion, which arise from thecorrupting influence of passion, hypocrisy,bigotry, enthusiasm, and superstition. Atbest, it is concluded, the claim that Hume washostile to religion requires qualification,while the view that he was in favor of itsactual demise is largely unwarranted. (shrink)

While there is hardly an aspect of Hume’s work that has not produced controversy of one sort or another, deciphering and evaluating his views on aesthetics involves overcoming interpretive barriers of a particular sort. In addition to what is generally taken as the anachronistic attribution of “aesthetic theories” to any thinker of the eighteenth century, Hume presents the added difficulty that unlike the other founding-fathers of modern philosophical aesthetics, he produced no systematic work on the subject, and certainly nothing comparable (...) to his efforts in epistemology, morals, politics, history, and religion. Even interpreting Hume’s most definitive expression of his views on aesthetic questions—the famous essay “Of the Standard of Taste”—is fraught with difficulties and, as the diversity of views on the piece demonstrates, only the most confident reader would take it as an unambiguous statement of Hume’s position. (shrink)

This paper examines the role of the imagination in Hume's epistemology. Three specific powers of the imagination are identified – the imagistic, conceptual and productive – as well as three corresponding kinds of fictions based on the degree of belief contained in each class of ideas the imagination creates. These are generic fictions, real and mere fictions, and necessary fictions, respectively. Through these manifestations, it is emphasized, Hume presents the imagination both as the positive force behind human creativity and a (...) subversive presence that transforms experience while at once making it possible. (shrink)

While there is hardly an aspect of Hume’s work that has not produced controversy of one sort or another, deciphering and evaluating his views on aesthetics involves overcoming interpretive barriers of a particular sort. In addition to what is generally taken as the anachronistic attribution of “aesthetic theories” to any thinker of the eighteenth century, Hume presents the added difficulty that unlike the other founding-fathers of modern philosophical aesthetics, he produced no systematic work on the subject, and certainly nothing comparable (...) to his efforts in epistemology, morals, politics, history, and religion. Even interpreting Hume’s most definitive expression of his views on aesthetic questions—the famous essay “Of the Standard of Taste”—is fraught with difficulties and, as the diversity of views on the piece demonstrates, only the most confident reader would take it as an unambiguous statement of Hume’s position. (shrink)

A debate between two aestheticians concerning the relative influence of Scottish and German philosophers on the contemporary discipline. -/- .

In his Fifth Meditation, Husserl appears to confront the problem of solipsism. As a number of commentators have suggested, however, since it arises from within phenomenology itself and the existence of the other is never in doubt, it is not a solipsism in the traditional Cartesian sense. Alfred Schutz, however, appears to understand Husserl's inquiry in precisely these terms. As such, his critical discussions of the Fifth Meditation, as well as his subsequent rejection of transcendental philosophy, might not be well-founded. (...) Yet in spite of this misconstrual, Schutz's criticisms do highlight the problematic relationship between subjectivity and intersubjectivity in Husserl's late phenomenology, and albeit misplaced, ironically, his rejection of the Fifth Meditation forms a coherent response to Husserl's call for a “science of the life-world.” Intersubjectivity, Schutz concludes, must be assumed as a basis for phenomenological investigation rather than derived as a result of philosophical inquiry. “Negatively,” this is clearly a departure from Husserl's project since Schutz inevitably negates the “radical” motif under which phenomenological inquiry ostensibly proceeds. “Positively,” however, the project to which this criticism leads—a “phenomenology of the natural attitude”—represents a legitimate direction for phenomenological study as well as a radical turn within the theory and practice of social science. (shrink)

This paper distinguishes two components of experience, the subjective and objective, and connects them to the distinction between “individual” and “social” epistemology. These elements, it is then proposed, shape Hume’s approach to knowledge and belief and, by extension, his treatment of taste. The paper con- cludes by distinguishing “philosophical criticism” from “vulgar criticism”; the former reflects Hume’s place in the eighteenth-century “science of man,” while the latter connects him to a tradition that makes aesthetics closer to an art criticism.

Claudia Schmidt begins her new book, David Hume: Reason in History, by noting how recent literature has tended either to offer an overview of Hume’s thinking or to develop a “unified account of a number of themes” from it; there are no extant studies, she emphasizes, that both display the “explicit order of a systematic survey” and provide “a unified interpretation of his thought”. Schmidt takes this to be a “lacuna in the literature,” one she intends to fill by combining (...) a “systematic survey” of Hume’s contributions to the various branches of philosophy, history, and the social sciences, with a “distinctive interpretation” of her own. In so doing, she casts her net over a wide audience: the book is intended to bring in those starting out on their study of Hume, as well as attract the more seasoned specialist in search of a new interpretation, the non-specialist with an interest in recent scholarship, and those outside philosophy who are curious about Hume’s place in the methodology and history of their own disciplines. (shrink)

This dissertation examines Edmund Husserl's call for a "science of the life-world." It is argued that the most appropriate response is to develop such a science in specifically sociological terms. This argument is made by exploring particular themes in sociological theory and the philosophy of the social sciences. The dissertation begins by explicating Husserl's aspiration to understand the "life-world" and ends with the fulfillment of this aspiration in a "sociology of the life-world." ;The initial focus is upon Husserl's ambiguous concepts (...) of "life-world" and "intersubjectivity." These gain coherence when "intersubjectivity" is understood as the content of "life-world" and subject matter of philosophy. Husserl's argument implies that intersubjectivity should supersede subjectivity as the focus of study. Schutz contends that Husserl's conception of the life-world is artificial and that his philosophy is beset by an insurmountable solipsism. Schutz's alternative is to approach intersubjectivity as an empirical fact. This opens up everyday life to sociological investigation. Although Schutz follows Husserl's recommendations, it is argued that he misconstrues the scope of Husserl's philosophy and, subsequently, his own thought terminates in a reification of method and failure to achieve a science of the life-world. Mead provides a way to remedy this failure by beginning with the relationship between individual and society. Yet Mead's conception of intersubjectivity also fails, as it is undermined by an account of meaning premised on the individual alone. ;By introducing the idea of "universal symbol," however, Mead suggests the study of language as the central topic for a sociology of the life-world. In the final chapters this dissertation draws upon the thought of Ludwig Wittgenstein, Michael Oakeshott, and Harold Garfinkel to discuss how language can be conceived and studied as a set of practices shared within a society. While realizing Husserl's call, the solution of focusing on language raises the question of the scope and nature of sociological inquiry. The dissertation concludes by arguing that sociology, since its procedures are governed by the everyday character of phenomena it studies, should be understood as a descriptive mode of inquiry. In this way, Husserl's recommendations may be enacted in a sociology of the life-world. (shrink)

This paper argues that an important feature of Locke's doctrine concerning primary and secondary qualities is also central to Hume's thinking. Section one considers Locke's distinction, presenting it in terms of an "error theory." Locke argues that we attribute secondary qualities to objects and that in so doing give those qualities an ontological status they do not otherwise possess. Locke completes his theory by drawing on the concept of "resemblance" to explain why such mistakes occur in the first place. Section (...) two turns to Hume's philosophy, arguing that, despite his ambiguous comments on Locke and "the modern philosophy," he employs an error theory of the sort developed by Locke. This contention is supported by way of Hume's treatment of beauty as a secondary quality or sentiment which arises in an individual who judges an object beautiful. The paper concludes by emphasizing that, for Hume, this philosophical explanation of beauty stands in contrast to the error committed in common life where, as in Locke's account, people make the mistake of taking beauty to be in the object itself. (shrink)