Cambridge University Press (2012)

Timothy Costelloe
College of William and Mary
Machine generated contents note: 'The sublime'. A short introduction to a long history Timothy M. Costelloe; Part I. Philosophical History of the Sublime: 1. Longinus and the ancient sublime Malcolm Heath; 2...And the beautiful? revisiting Edmund Burke's 'double aesthetics' Rodolphe Gasche; 3. The moral source of the Kantian sublime Melissa Meritt; 4. Imagination and internal sense: the sublime in Shaftesbury, Reid, Addison, and Reynolds Timothy M. Costelloe; 5. The associative sublime: Kames, Gerrard, Alison, and Stewart Rachel Zuckert; 6. The 'prehistory' of the sublime in early modern France: an interdisciplinary perspective a Madeleine Martin; 7. The post-Kantian German sublime Paul Guyer; 8. The postmodern sublime: presentation and its limits David B. Johnson; Part II. Disciplinary and Other Perspectives: 9. The 'subtler sublime': in modern Dutch aesthetics John R. J. Eyck; 10. The first American sublime Chandos Michael Brown; 11. The environmental sublime Emily Brady; 12. Religion and the sublime Andrew Chignell and Matthew C. Halteman; 13. The British romantic sublime Adam Potkay; 14. The sublime and the fine arts Theodore Gracyk; 15. Architecture and the sublime Richard Etlin.
Keywords Sublime, The  PHILOSOPHY / History & Surveys / General
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Reprint years 2015
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Call number BH301.S7.S833 2012
ISBN(s) 0521194377   9780521194372   9780511978920   0521143675   0521612667
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18th Century German Aesthetics.Paul Guyer - 2008 - Stanford Encyclopedia of Philosophy.
Why the Sublime Is Aesthetic Awe.Robert R. Clewis - forthcoming - Journal of Aesthetics and Art Criticism.
What Is the Monumental?Sandra Shapshay - 2021 - Journal of Aesthetics and Art Criticism 79 (2):145-160.
A Medical Sublime.Bradley Lewis - 2020 - Journal of Medical Humanities 41 (3):265-287.

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