It is still commonly supposed that Descartes based his argument for the mind-body distinction on the law of the indiscernibility of identicals. I argue that this interpretation is very unlikely to be correct. I explain three contemporary versions of this interpreta- tion and say why I reject it. Basically, use of this law for Descartes’s conclusion would require reference to human bodies or else the supposition, for the purpose of the argument, of reference to human bodies. But at the time (...) Descartes formulated his argument, he would not have allowed either. Instead, I amend a different interpretation which others have found, and briefly defend it against one famous objection. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Fallacy in the Intentional FallacyJames DowneyAccording to a famous argument by W. K. Wimsatt and Monroe Beardsley, the intention of the author is neither available nor desirable as a standard by which to judge the success of a work of literary art. I wish to focus on the former allegation. The author's intention is not available as a standard by which to judge a work's success, it is (...) argued, because "If the poet succeeded in doing it [the intention], then the poem itself shows what he was trying to do. And if the poet did not succeed, then the poem is not adequate evidence, and the critic must go outside the poem."1The intent of this reasoning is not entirely clear. It is intended to pose a dilemma for intentionalism, but what is the dilemma supposed to be? What difficulty is there for intentionalism if the poem itself shows what the author's intention was? Perhaps it is supposed to follow that somehow intentionalism would be purposeless. Perhaps the point is Socratic: if the intention is successful, then the reader automatically knows it was intended, so that the intention cannot be sought. Or, perhaps it is the success which cannot be sought. The idea may be that one automatically knows the extent of success precisely to the extent that one recognizes the intention. Perhaps both points are intended.On the other side of the dilemma, suppose the intention is not successful and the critic "must go outside the poem." Is this supposed to imply that whatever meaning is thereby discovered will not be the poem's meaning? Or, is the idea that being forced to go outside the poem for evidence of its meaning violates some essential goal of intentionalism? [End Page 149]It is not my main concern, however, to question the implications of the argument's premises. I wish to challenge the basic premise, itself, that if an intention is successful then the work would show that it was the author's intention. I will assume that this means, at least, that the reader would understand a certain intention and know that it was the author's intention, and that the work would provide this knowledge.Sometimes an author deliberately composes without thematic intentions. I take my example from cinematic art because it is a particularly striking example, and the point clearly holds for other forms of art. Furthermore, the intentional fallacy is usually thought to apply to other forms of art in addition to literary art. So, let us consider the method which Salvador Dalí claims that he and Luis Buñuel used when creating Un Chien Andalou, to put together whatever images came to their mind without any particular intentions directing them. Indeed, Dalí claimed, if there was even a pause between the artists, a mere moment when it seemed as though some directed thought might be beginning to take hold of them, he and Buñuel immediately discarded that idea. They retained only those ideas which arose with no thematic intentions, or intentions as to larger meaning. (We may set aside the fact that there were still formal intentions, such as what images to present, in what order, etc.—although even this can be eliminated to some degree, as when an artist cuts up bits of sound tapes and splices them together willy-nilly, and so forth.) In such a work of art, it is not possible that any such intentions be shown, since there are none.But there is still a definite intention behind such art, namely, the intention to compose with no thematic intentions. This intention could be successfully shown to an audience through a work, certainly. However, Dalís often intend otherwise (so they say). They may intend not to reveal whether or not there are certain, or even any, thematic intentions (perhaps that is an intentional anti-religious theme in that scene in Un Chien Andalou, after all; we do not know.) Perhaps, even, Dalí does not want us to know whether he wants us not to know. An intention not to reveal might apply to the intention not to reveal. What a grand game... (shrink)

Clement Dore has offered a demonstration that God is possible. This is important because the Ontological Argument shows that if God is possible, it is necessarily true that God exists. Dore’s demonstration parallels Descartes’s Meditation V argument: (roughly) God by definition has all perfections; but (Dore proposes) possible existence is a perfection; therefore, God is possible. However, Leibniz recognized that Descartes’s argument is incomplete, omitting proof that the concept of God is consistent. Dore’s demonstration fails for just this reason. Dore’s (...) defense misses this objection. If the concept of God is consistent, that directly establishes that God is possible, making assumptions about perfections irrelevant. (shrink)

Donald R. Gregory has recently argued that the monk Gaunilo's response to St Anselm's ontological argument succeeds in showing what is fundamentally wrong with any ontological argument, including modern modal versions. He holds that the Gaunilo strategy in fact demonstrates what it alleges, that reasoning which parallels the form and intent ofAnselm's reductio argument can ‘prove’ a priori the existence of quite unacceptable entities.

In this paper, I develop a serious new dilemma involving necessary truths for safety-based theories of knowledge, a dilemma that I argue safety theorists cannot resolve or avoid by relativizing safety to either the subject’s basis or method of belief formation in close worlds or to a set of related or sufficiently similar propositions. I develop this dilemma primarily in conversation with Duncan Pritchard’s well-known, oft-modeled safety-based theories of knowledge. I show that Pritchard’s well-regarded anti-luck virtue theory of knowledge and (...) his recently proposed (allegedly superior) anti-risk virtue theory of knowledge clearly succumb to the dilemma, and so they are inadequate as they stand. If Pritchard’s safety-based theories of knowledge are shown to be inadequate by the dilemma that is developed in this paper, then a number of other safety-based theories of knowledge (e.g., Beddor and Pavese’s, Luper’s, Dutant’s, early Pritchard’s, and others) look to be in jeopardy in this connection as well. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

A new process philosophy of signs, where process becomes primary, and fixed relation secondary'Behind Red Doors - Signs, Process and the Political' - a post by James Williams on the Edinburgh University Press blogWhat is a sign? We usually think that it is a fixed relation: a red light signifies 'Stop'. In his bold new book, James Williams now argues that signs are varying processes: seeing the red light triggers a creative response to the question, Should I stop?Williams (...) develops this new process philosophy of signs through a formal model, in contrast to earlier structuralist definitions. He draws on the philosophies of Deleuze and Whitehead, criticises earlier work on the sign in biology by Jakob von Uexküll, and connects to contemporary work on process in the philosophy of biology by John Dupré.The process model has wide applications in the arts, humanities and social sciences, and informs their critical debates with science. In defining the sign as essentially political, this radical definition of the sign opens up new possibilities for social and political critique.". (shrink)

Two books bound together, from the religious period of one of the most renowned and representative thinkers. Written for laymen, thus easy to understand, it is penetrating and brilliant as well. Illuminations of age-old religious questions from a pragmatic perspective, written in a luminous style.

Former Google advertising strategist, now Oxford-trained philosopher James Williams launches a plea to society and to the tech industry to help ensure that the technology we all carry with us every day does not distract us from pursuing our true goals in life. As information becomes ever more plentiful, the resource that is becoming more scarce is our attention. In this 'attention economy', we need to recognise the fundamental impacts of our new information environment on our lives in order (...) to take back control. Drawing on insights ranging from Diogenes to contemporary tech leaders, Williams's thoughtful and impassioned analysis is sure to provoke discussion and debate. Williams is the inaugural winner of the Nine Dots Prize, a new Prize for creative thinking that tackles contemporary social issues. This title is also available as Open Access. (shrink)

This paper discusses some procedures developed in recent work in machine learning for inferring causal direction from observational data. The role of independence and invariance assumptions is emphasized. Several familiar examples including Hempel’s flagpole problem are explored in the light of these ideas. The framework is then applied to problems having to do with explanatory direction in non-causal explanation.

We are bombarded with epistemic norms. Respect your evidence. Don’t believe in contradictions. Don’t arbitrarily change beliefs. But how do such norms get their normative force? Why should we respect our evidence, for example? In this paper I offer a familiar type of answer, epistemic instrumentalism. Epistemic instrumentalism holds that epistemic norms get their normative force by being useful. You should respect your evidence because it will help you achieve some valuable ends. This answer, while familiar, is not very popular. (...) There is a widely accepted objection to epistemic instrumentalism, the too few reasons objection. The objection looms so large that standard developments of instrumentalism have become bloated with philosophical machinery to respond to it. This does a disservice to epistemic instrumentalism. Rather than focusing completely on the objection, I focus on describing a simple model for how conforming to the epistemic norms is broadly useful. Once I describe the simple model, the too few reasons objection becomes much easier to answer. This strategy results in a well-motivated philosophical theory based on uncontroversial facts that has many advantages over rival theories. (shrink)

Philosophy & Public Affairs, Volume 50, Issue 2, Page 169-201, Spring 2022.

Background Advance healthcare decision-making presumes that a prior treatment preference expressed with sufficient mental capacity (“T1 preference”) should trump a contrary preference expressed after significant cognitive decline (“T2 preference”). This assumption is much debated in normative bioethics, but little is known about lay judgments in this domain. This study investigated participants’ judgments about which preference should be followed, and whether these judgments differed depending on a first-person (deciding for one’s future self) versus third-person (deciding for a friend or stranger) perspective. (...) -/- Methods A vignette-based survey was conducted (N = 1445 US Americans; gender-balanced sample), in a 3 (relationship: self, best friend, stranger) × 2 (T1 preference: treat, do not treat) × 2 (T2 contrary preference: ambiguous, unambiguous) design. -/- Results Participants were more likely to defer to the incapacitated T2 preference of a third-party, while being more likely to insist on following their own T1 capacitated preference. Further, participants were more likely to conclude that others with substantial cognitive decline were still their “true selves,” which correlated with increased deference to their T2 preferences. -/- Conclusions These findings add to the growing evidence that lay intuitions concerning the ethical entitlement to have decisions respected are not only a function of cognition, as would be expected under many traditional bioethical accounts, but also depend on the relationship of the decision to the decision-maker’s true self. (shrink)

The problems and the keys to their solutions -- Ontology of artworks -- Copyright and its limits -- Token appropriation -- Pattern appropriation -- Appropriation of artistic elements.

Introduction by Ralph McInerny The essays in this volume, indebted in great part to Jacques Maritain and to other Neo-Thomists, represent a contribution to an understanding of beauty and the arts within the Aristotelian-Thomistic tradition. As such they constitute a different voice in present-day discussions on beauty and aesthetics, a voice which nonetheless shares with many of its contemporaries concern over questions such as the relationship between beauty and morality, public funding of the arts and their educational role, objective and (...) universal standards of what is beautiful. In the tradition in which the contributors of this volume reflect, beauty manifests itself in the order of the universe, an order that provides human reason with a window onto the transcendent. For Aristotle and Aquinas the natural order grounds both art and morality, and yet it is this very order which has been called into question by modern science and philosophy. Instead of pointing us to a suprahuman order, the beautiful then points to the order of human freedom and creativity. Reflection on the beautiful since the modern philosopher Immanuel Kant has thus often taken a subjectivistic turn. Because of the importance of beauty and art in human existence, in man's education and life as a moral and political being, an alternative should be sought to any reduction of the beautiful to a purely subjective experience or cultural construct. The Aristotelian-Thomistic tradition, in dialogue with modern and contemporary conceptions of the beautiful, provides us with just that alternative, and thus the essays herein represent a decisive step in the "journey for Thomistic aesthetics." THE CONTRIBUTORS: In addition to the editor, the contributors to the volume are: Brian J. Braman, Matthew Cuddeback, Christopher M. Cullen, S.J., Patrick Downey, Desmond J. FitzGerald, Donald Haggerty, Wayne H. Harter, Jeanne M. Heffernan, Thomas S. Hibbs, Gregory J. Kerr, Joseph W. Koterski, S.J., Daniel McInerny, Ralph McInerny, James P. Mesa, John F. Morris, Ralph Nelson, Katherine Anne Osenga, Carrie Rehak, Stephen Schloesser, S.J., Francis Slade, John G. Trapani, Jr., and Henk E. S. Woldring. ABOUT THE EDITOR: Alice Ramos is associate professor of philosophy at St. John's University. (shrink)

This paper defends the notion of downward causation. I will seek to elucidate this notion, explain why it is a useful way of thinking, and respond to criticisms attacking its intelligibility. My account of downward causation will be in many respects similar to the account recently advanced by Ellis. The overall framework I will adopt is the interventionist treatment of causation I have defended elsewhere: X causes Y when Y changes under a suitable manipulation of X. When X is at (...) a higher “level” than Y this allows for the possibility of downward causation from X to Y. True claims of downward causation must meet certain additional conditions, some of which have already been discussed by Ellis. These include the condition that X must have a homogenous effect on Y in the sense that the effect of X on Y must be the same regardless of how X is “realized” at lower levels. In addition, the most plausible examples of downward causation will involve causes X, that in a sense that I will try to specify, are capable of being manipulated by macro-level interventions that have a coordinated or organized impact on them, as when one manipulates the temperature of a gas by placing it in a heat bath.Three common criticisms of the notion of downward causation that I will consider are: the claim that this involves a whole acting downward on its parts which is an objectionable idea because wholes and parts are not sufficiently distinct to stand in causal relationships, that downward causation commits us to the existence of causal cycles in which X causes Y which in turn causes X and that the asymmetric nature of the causal relation rules out such cycles, and causal exclusion type worries, according to which all of the causal action occurs among “low level” variables, so that upper level variables are deprived of causal efficacy. In response I will argue that plausible examples of downward causation in the scientific literature do not involve whole to part causation, there is nothing wrong with causal cycles, which are common in, for example, biological contexts, exclusion type worries do not arise within the interventionist framework that I favor. (shrink)

I argue that the hole argument is based on a misleading use of the mathematical formalism of general relativity. If one is attentive to mathematical practice, I will argue, the hole argument is blocked. _1._ Introduction _2._ A Warmup Exercise _3._ The Hole Argument _4._ An Argument from Classical Spacetime Theory _5._ The Hole Argument Revisited.

This paper responds to recent criticisms of the idea that true causal claims, satisfying a minimal “interventionist” criterion for causation, can differ in the extent to which they satisfy other conditions—called stability and proportionality—that are relevant to their use in explanatory theorizing. It reformulates the notion of proportionality so as to avoid problems with previous formulations. It also introduces the notion of conditional independence or irrelevance, which I claim is central to understanding the respects and the extent to which upper (...) level explanations can be “autonomous”. (shrink)

This chapter explores the possibility of weakening the criteria for causal explanation in Making Things Happen to yield various forms of non-causal explanation. These include the following: retaining the idea that explanations must answer what if things had been different questions but dropping the requirement the answers to such questions must take the form of claims about what would happen under interventions. Retaining the w- question requirement but allowing generalizations that hold for mathematical or conceptual reasons to figure in explanations. (...) Dropping the w-question requirement to accommodate the role of information about irrelevance in explanation. (shrink)

Journal of Religious Ethics, Volume 49, Issue 4, Page 768-792, December 2021.

Our research extends the current understanding of cognitive moral reasoning research by considering the often‐overlooked element of context, specifically the issue presented in the ethical dilemma, and the issue of gender agreement between the subject and the dilemma actor. We rely on gender identity and cognitive moral reasoning theories to provide the theoretical underpinnings of our exploration to deepen our understanding of the contextual forces affecting cognitive moral reasoning. Our results generally confirm earlier research findings and provide valuable information regarding (...) our understanding of the impact of the dilemma context and the gender agreement or disagreement between the subject and the actor in an ethical dilemma, with significance found for four of our five hypotheses, with half of the significant results in the direction predicted. Implications for future academic research and business practice are discussed. (shrink)

Almost all of us would agree that the experience of art is deeply rewarding. Why this is the case remains a puzzle; nor does it explain why many of us find works of art much more important than other sources of pleasure. Art and Knowledge argues that the experience of art is so rewarding because it can be an important source of knowledge about ourselves and our relation to each other and to the world. The view that art is a (...) source of knowledge can be traced as far back as Aristotle and Horace. Artists as various as Tasso, Sidney, Henry James and Mendelssohn have believed that art contributes to knowledge. As attractive as this view may be, it has never been satisfactorily defended, either by artists or philosophers. Art and Knowledge reflects on the essence of art and argues that it ought to provide insight as well as pleasure. It argues that all the arts, including music, are importantly representational. This kind of representation is fundamentally different from that found in the sciences, but it can provide insights as important and profound as available from the sciences. Once we recognise that works of art can contribute to knowledge we can avoid thorough relativism about aesthetic value and we can be in a position to evaluate the avant-garde art of the past 100 years. Art and Knowledge is an exceptionally clear and interesting, as well as controversial, exploration of what art is and why it is valuable. It will be of interest to all philosophers of art, artists and art critics. (shrink)

Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically (...) successful works of art?” and “Is cultural appropriation in the arts morally objectionable?” Part of the highly regarded New Directions in Aesthetics series. (shrink)

This is an Introduction to the special issue of Metaphilosophy entitled Philosophy as a Way of Life, giving a brief account of the genesis of the project, an overview of the topic, and a summary of the topics covered in the issue.

In their recent book, Oreskes and Conway describe the ‘tobacco strategy’, which was used by the tobacco industry to influence policymakers regarding the health risks of tobacco products. The strategy involved two parts, consisting of promoting and sharing independent research supporting the industry’s preferred position and funding additional research, but selectively publishing the results. We introduce a model of the tobacco strategy, and use it to argue that both prongs of the strategy can be extremely effective—even when policymakers rationally update (...) on all evidence available to them. As we elaborate, this model helps illustrate the conditions under which the tobacco strategy is particularly successful. In addition, we show how journalists engaged in ‘fair’ reporting can inadvertently mimic the effects of industry on public belief. 1Introduction2Epistemic Network Models3Selective Sharing4Biased Production5Journalists as Unwitting Propagandists6ConclusionAppendix. (shrink)

Fair allocation of scarce healthcare resources has been much studied within philosophy and bioethics, but analysis has focused on a narrow range of cases. The Covid-19 pandemic provided significant new challenges, making powerfully visible the extent to which health systems can be fragile, and how scarcities within crucial elements of interlinked care pathways can lead to cascading failures. Health system resilience, while previously a key topic in global health, can now be seen to be a vital concern in high-income countries (...) too. Unfortunately, mainstream philosophical approaches to the ethics of rationing and prioritisation provide little guidance for these new problems of scarcity. Indeed, the cascading failures were arguably exacerbated by earlier attempts to make health systems leaner and more efficient. This paper argues that health systems should move from simple and atomistic approaches to measuring effectiveness to approaches that are holistic both in focusing on performance at the level of the health system as a whole, and also in incorporating a wider range of ethical concerns in thinking about what makes a health system good. (shrink)

James H. Donelan describes how two poets, a philosopher, and a composer - Hölderlin, Wordsworth, Hegel, and Beethoven - developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures - all born in 1770 - developed this idea in both metaphorical and actual (...) musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831. (shrink)

TheJournal of Religious Ethicshas published only two full‐length articles focusing on American Indian religious ethics in the last decade. This may signal that the field is uneasy about integrating American Indian religious ethics into its broader discourse. To fill this research lacuna and take a step toward normalizing religious‐ethical engagement with American Indian ethics, this article argues that the field needs an intentionally anticolonial, self‐aware approach to understanding American Indian religious ethics—one that decenters methods and approaches that may facilitate the (...) analysis of Christian texts, groups, and phenomena, yet limit insights into the religious‐moral beliefs and practices of Native Americans. The article first shows examples of how religious‐ethical methods, definitions, and epistemological starting points can obfuscate rich and accurate understandings of Native American religious‐ethical systems and phenomena. Next, it turns to historical and anthropological studies and Native American philosophy and ethics to outline an interdisciplinary framework for integrating American Indian traditions into the discourses of religious ethics. (shrink)

Caton d’Utique est parfois présenté comme un exemple d’agent moral ayant toujours agi avec honnêteté. Il refuse tout compromis moral. J’analyse ici comment les auteurs antiques présentent cette honnêteté comme une forme d’inaptitude, plus précisément une inaptitude à envisager toute action injuste, et comment cela est présenté comme une forme d’obstination et d’échec empêchant d’interagir avec les gens tels qu’ils sont réellement. Je compare ces anciennes représentations et ces jugements sur Caton avec le traitement des « saints moraux » par (...) Susan Wolf. (shrink)

In nine lively essays, bioethicist J. David Velleman challenges the prevailing consensus about assisted suicide and reproductive technology, articulating an original approach to the ethics of creating and ending human lives. He argues that assistance in dying is appropriate only at the point where talk of suicide is not, and he raises moral objections to anonymous donor conception. In their place, Velleman champions a morality of valuing personhood over happiness in making end-of-life decisions, and respecting the personhood of future children (...) in making decisions about procreation. These controversial views are defended with philosophical rigor while remaining accessible to the general reader. Written over Velleman's 30 years of undergraduate teaching in bioethics, the essays have never before been collected and made available to a non-academic audience. They will open new lines of debate on issues of intense public interest."--Publisher's website. (shrink)

This article defends the notion of downward causation, relating it to a notion of conditional independence.