This article presents Grotius’s argument against raison d’état and his defense of the rule of law in international relations. Grotius remains an important voice in the debate about the character of international politics. He challenges the views of the adherents of the doctrine of raison d’état who, following Machiavelli, give rulers the license to disobey legal and ethical norms whenever the vital interests of the state are at stake, and to use any means to achieve their goals, including (...) warfare. On the other hand, he also takes a position against pacifists who on moral or religious grounds are adverse to any war. By putting forward the idea of international rule of law, even in warfare, he provided the foundation for a universal legal order applicable to all nations. (shrink)

En approfondissant la pensée d'Ortega, nous découvrons que la métaphysique est une science de la réalité radicale, du sens et un mode de vie. Nous verrons que la réalité radicale est la vie individuelle et que le sens de la raison vitale est personnel, ce qui implique un changement dans la conception traditionnelle du sujet, de l'objet et de la vérité.

This article investigates the meaning of doing good and doing well in positive business. It examines the relationship between the two expressions and discusses their relevance, shedding new light on the significance of ‘positive’ in positive business and positive organizational scholarship. Thus, this article illuminates the ultimate end of positive states and practices. ‘Positive’ primarily represents values and assumptions. These lead to the creation of beneficial situations and marked improvements, which put individuals and organizations on an upward trajectory toward achieving (...) excellent functioning, assuring profitability in addition to sustainability and social well-being. Doing well, with reference to economic performance and profits, is partly constitutive of doing good. This presents a new approach regarding the role of economic outcomes in positive business and POS. It means that financial criteria do not have priority. Profits are considered vital and necessary, but the final ‘raison d'être’ of positive states and practices is the overall well-being of the stakeholders. (shrink)

Les critiques du Père de Tonquédec ont conduit Bergson à préciser ses raisons d’affirmer la transcendance de Dieu. Suite aux réponses du philosophe, le théologien a renouvelé et déplacé ses critiques. À travers cette discussion, on est amené à penser l’écart posé par Bergson entre Dieu et les élans vitaux. Le philosophe rencontre une réelle difficulté en affirmant à la fois la transcendance et une certaine immanence de Dieu. Surtout, dans ce débat, deux conceptions de la transcendance s’opposent, et chacune (...) soulève des problèmes. Est-ce que l’examen bergsonien de l’expérience mystique a pu lever ces problèmes? Dans cet article, on s’efforce d’apporter une réponse à cette question et d’indiquer les conditions de l’institution d’un dialogue entre philosophie et théologie. (shrink)

The article focuses on the relation established by Foucault in the two lecture courses Security, Territory, Population and The Birth of Biopolitics between life, nature and political economy. It explores the ways in which liberalism constructs a notion of economic nature as a phenomenon of circulation of aleatory series of events and poses the latter as an internal limit to sovereign power. It argues that the entwinement of vital and economic processes provides the means of internal redefinition of the (...) class='Hi'>raison d’État and uses such an explanation to understand the emergence of the network topos as a technology of regulation of the unstable co-causality of milieus of circulation. The article also follows Foucault’s argument that the neoliberal market is significantly different from the liberal market inasmuch as, unlike the latter, it is not defined as an abstract logic of exchange among equals but as an ideal logic of competition between formal inequalities. Finally it asks whether new theories of social production and sympathetic cooperation, in the work of authors such as Yochai Benkler and Maurizio Lazzarato, can offer an alternative to the neoliberal logic of market-based competition as the basis for the production of new forms of life. (shrink)

There are those who say that the changes in the position of Jean-Paul Sartre from the publication of L'Être et le néant to the appearance of Critique de la raison dialectique constitute a “radical conversion”. Some attribute this conversion to the influence of Maurice Merleau-Ponty. Sartre has given support to this claim by acknowledging that Merleau-Ponty taught him politics and in doing so helped to move Sartre from the fierce individualism of his early period to the position which culminated (...) in CRD, a position informed by a much greater appreciation for social entanglement. But what is not clear is that Merleau-Ponty's influence upon Sartre extended to Sartre's fundamental convictions, particularly to his fundamental ontological theses. Kwant tells us that Merleau-Ponty's objections to Sartre in the last days of his life indicate that he believed that Sartre had not altered his ontological views. Sartre has not commented upon that issue. It is of vital interest because Merleau-Ponty explicitly claimed in Les Aventures de la dialectique that Sartre's mistaken political views were a consequence of his mistaken ontological principles. Were this true and were it true that Sartre had not made significant alterations in his ontology, one would expect that Merleau-Ponty would have to have said that Sartre's political views in CRD were similarly mistaken. We know that he did make some comments to that effect but, since Merleau-Ponty's tragic death prevented the full articulation of his latest opinions, we cannot be certain. (shrink)

Un des problèmes les plus controversés en bioiogie philosophique, c'est l'unité de l'être vivant. Cette unité est tout à fait sui generis. En effet, nous nen trouvons aucun analogon dans la Nature inorganique. L'unite de l'eau, par exemple, c'est sa molécule dont nous connaissons bien la formule essentielle (H₂O). L'eau contenue dans un récipient, c'est une foule d'individus. Au contraire, l'être vivant, malgré le nombre immense de molécules dont il se compose, constitue un être parfaitement un. La preuve? C'est l'unité (...) de ses activités. Elles tendent toutes au bien de l'être vivant. Mais comment une multitude énorme de molécules, dans l'être vivant, peut-elle conspirer ainsi pour assurer un résultat favorable à l'individu vivant? Comment se fait-il que ces molécules puissent garder si scrupuleusement l'ordre de succession et de subordination dans leurs interventions particulières? Les Psychovitalistes (et il y en a encore de nos jours) disent que tous les êtres vivants possèdent, au moins à quelque degré, la conscience. Cet anthropomorphisme ne trouve aucune sympathie chez les biologistes sérieux. II a déjà été refuté par Aristote. Certains autres biologistes croient pouvoir résoudre le probleme en question en réunissant les forces physico-chimiques dans une "machine". Cette théorie a quelque chose de vrai. L'organisme possède toujours quelque structure. Or la structure rappelle, par plus d'un point, une machine. Cependant outre les ressemblances qui existent entre la machine et Torganisme vivant, il y a entre eux de différences nombreuses et profondes. Ce point a été bien saisi par les Vitalistes. Aussi ont-ils mis dans chaque organisme une "force" spéciale, irréductible aux forces physico-chimiques ("vis vitalis"). Malheureusement, la manière dont ils présentent sa nature compromet gravement leur thèorie au point de la rendre absolument inacceptable. Considérant les difficultés que le mécanicisme et le vitalisme soulèvent sans pouvoir les résoudre, certains biologues ont eu l'idée de présenter une théorie qui serait capable de surmonter "le dualisme mecanicisme-vitalisme" : elle reconnaitrait la pleine validité des lois physico-chimiques dans l'ordre de la vie, mais en même temps elle considérerait l'organisme comme un tout indivisible, inanalysable et absolument spécifique: elle verrait dans l'organisation caractéristique de l'être vivant le vrai facteur de son unité, de ses régulations, de ses restitutions. Mais ce facteur ne serait pas actif, ni, à plus forte raison, transcendant à la manière de la "vis vitalise". Ainsi cette théorie serait "accessible à la science" (L. von Bertalanffy). Elle porte différents noms: organicisme, holisme, théorie de totalité (Ganzheittheorie) etc. Dans certains pays elle est en vogue, dans d'autres elle est en butte à de rudes attaques: elle est considérée comme un "concept vide", comme "un cercle vicieux" (H. Ruyer). Nous croyons que ce reproche n'est pas sans fondement. En effet, nous ne comprenons pas comment les fonctions vitales s'expliqueraient entièrement par les facteurs totalement soumis aux lois physico-chimiques. Car enfin le fait que les éléments physiques et chimiques de l'organisme sont unis entre eux par des liens de "mutuelle interaction" (L. von Bertalanffy) en vue de former un "système" , une "totalité" (Ganzheit) ne change pas leur nature foncière ni, par conséquent, leurs actions. Pour procéder logiquement, cette théorie devrait accepter le "préformisme" (qu'elle rejette). De plus, elle est incapable d'expliquer l'origine et la nature de la "totalité" . Poussée à fond, elle aboutit à une impasse ou à une contradiction. Passons à l' hylémorphisme aristotélicien. On le confond souvent avec le Vitalisme. Il est à regretter que Driesch n'eût pas inventé un autre nom pour désigner la "vis vitalis". Car "l'entélechie" chez Aristote signifie une tout autre chose. D'abord elle ne "réside" pas dans l'organisme; j'entends dire, elle ne réside pas dans l'organisme tout fait. Car c'est elle précisément qui le construit. Mais elle ne le construit pas du dehors, mais du dedans; en s'unissant à de la matière elle lui donne une "forme" particulière d'être vivant. La forme en question n'est point synonyme des contours extérieurs. Elle apporte à la matière une transformation profonde comparable au changement que subit l'hydrogène quand l'oxygène s'unit à lui en proportion de 2: 1. L'organisme qui doit son origine à l'union de la matière et de la forme possèdet des propriétés qui ne se trouvent identiques dans aucune des parties composantes. L'action que l'entéléchie exerce sur l'organisme n'est point comparable à l'action du "pilote qui gouverne son navire" (Aristote); elle n'est pas d'ordre de causalité efficiente (motrice) mais formelle. En se communiquant à la matière, elle lui détermine sa nature; elle lui indique son comportement spécifique, sa manière d'agir. Aucun organe n'agit à son propre titre, ni, par conséquent, pour son propre bien: chacun agit au titre de la "totallité" , et au profit de celle-ci. Voilà em même temps le sens profond de la finalité dans le système d'Aristote et de l'action immcmente. C'est grâce è l'entéléchie que l'organisme possède une structure supérieure è celle que nous rencontrons dans le monde inorganique. Ce dernier point ne doit pas nous créer trop de difficulté. Les biologues parlent communément de la "hiérarchie" dans la Nature, de la "gradation" dans ses créations, des différents "niveaux" de la perfection. On sait combien les partisans de la Ganzheittheorie insistent sur ce point (L. von Bertalanffy). Comme théorie philosophique l'hylémorphisme aristotélicien fait certainement bonne figure permi les théories que les modernes ont inventées pour expliquer "philosophiquement" l'organisme. A notre sens il les surpasse toutes, comme nous avons tâché de le montrer dans plusieurs de nos ouvrages sur le système d'Aristote. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:OSCAR WILDE AND POSTSTRUCTURALISM by Guy Willoughby Towards the beginning ofthe hugely entertaining and provocative manifesto called "The Critic as Artist" (1890),1 Oscar Wilde causes the well-named discipulus Ernest to inquire of the suave magister, Gilbert: "But what are the two supreme and highest arts?" The prompt answer takes us to the heart ofWilde's aesthetic priorities: "Life and Literature," says Gilbert: "Life and the perfect expression of life" (p. (...) 1016). The aim of this discussion is, first, to consider the terms of Oscar Wilde's aesthetics; second, to relate them to tendencies in contemporary theory. I will be arguing, in sum, that the ideas entertained in his essays, and demonstrated in his fictions, have suggestive implications for our practices today—particularly in die light of a gathering rapprochement across the range of cultural study. The abiding theme ofOscar Wilde's writings is his insistence throughout not merely on art's primacy, but on the vital importance ofaesthetic criteria to life itself. In de Profundü (1897), that extraordinary attempt at self-definition, the author claims that it is only by conceiving of one's existence as an art-statement, as a dynamic convergence of forces extending in time and place, that trial, humiliation, and reversal—the shocks the flesh is heir to—can be imaginatively subsumed into a composite whole. He summed up the argument of the apologia thus to André Gide: "My life is like a work of art; an artist never starts the 316 Guy Willoughby317 same thing twice... or if he does, it's that he hasn't succeeded. My life before prison was as successful as possible. Now it's something that's over."2 Accordingly, he ascribes in de Profundis the greatest value to the frank acceptance of all one's deeds and susceptibilities, no matter how vicious or unlovely: "to reject one's experiences is to arrest one's development," he writes. "Whatever is realised is right" (p. 916). It is noteworthy, furthermore, that Wilde oudines this same argument under varying conditions throughout his work as essayist, story-teller, and playwright. In his wry but delicately tuned fairy tales, the most successful heroes and heroines are those who—like the litde Nightingale, the young King, or the Star-Child—manage to transform their lives into images of complex, artistic unity, suggestive of the radical power of the imagination. As the author ofde Profundis was to remark: "every work of art is the conversion of an idea into an image. Every single human being should be the fulfilment of a prophecy" (p. 928). Likewise, the elegant rhetorical strategies of Wilde's two critical dialogues announce art's power to starde and provoke its spectators into new attitudes, and—in particular—to suggest a transference ofaesthetic criteria to life itself. Artistic appreciation develops "that sense of form which is the basis of creative no less than of critical achievement," which may then be profitably applied to one's disparate experience: "it is form that creates not merely the critical temperament, but also the aesthetic instinct, that unerring instinct that reveals to one all things under their conditions of beauty" ("The Critic as Artist," p. 1052). It is only by cultivating a flexible, formalist oudook that a cramping and static Weltanschauung may be avoided; ethical distinctions too must be recast, if a successful life-as-artwork is to be sustained. Thus, writes Wilde, "Ethics, like natural selection, makes existence possible. Aesthetics, like sexual selection, makes life lovely and wonderful, fills it with new forms, and gives it progress, variety and change" (p. 1058). Moreover, the critical or aesthetic impulse—and the point of Wilde's essay is that the terms are interchangeable—has overall a vital cosmopolitan function; it will heal all human divisions, "by insisting on the unity of the human mind in the variety of its forms" (p. 1057). If we transfer aesthetic criteria from art to life, therefore, we will discover a new raison d'être in a skeptical age; we will understand that our apprehension of symmetry in art offers a motive for restoring a novel order to our own lives, singly and together. So it will be that "form [will... (shrink)

Largely, the concept of energy or vital force, as first analysed by Placide Tempels in Bantu Philosophy, permeates most African ontology systems, worldviews and life views. The Ntomba Chief is chosen because of his above average vital force. This puts him in the position of intermediary between the Supreme Being, the ancestors, and his subordinates. The waning of his energy is incompatible with his position because his energy is that of his tribe. When installed, he takes an oath that, when (...) this happens, he has to accept mohilo, the ‘hastening of death’. In the Chief's case, the hastening of death is not intended to relieve his pain, as it would be with other creatures. The Chief's dying a natural death would result in the loss of the entire community's vital force. Therefore, he has to be killed ritually to avoid that risk. That the Chief agrees to be killed – via a form of advanced directive – poses an ethical dilemma for a Western observer. From the Ntomba perspective, however, where the energy is being, and being is energy, it is the only way to preserve and protect the community's raison d’être. (shrink)

Merleau-Ponty characterizes the poetic or literary use of language as bringing forth of sense as if it is a being that is an interlocutor with its readers. Sense will be explored as interwoven with a deeper imagination that works within the temporality of institution to become more fully manifest. Throughout the essay will be seen the overlap with Claudel’s ontology as expressed in L’Art poetique and Claudel’s approach to language. Why Merleau-Ponty’s articulation of embodiment and perception must culminate in the (...) poetic expression of the flesh ontology will be seen in: 1) how the phenomenology of sense leads to the flesh ontology as closely tied to the literary dimension of language, 2) that the analysis of sense leads to the vital importance of the physiognomic or vertical imagination as opening the latent depths of perception by its expression within poetic language, and also tracing the link between metaphor and the flesh ontology, and that 3) the expression of the latent sense of perception as the interplay of lateral relations as access to Being is the reversibility of the flesh, also articulated by Claudel as co-naissance, and calls for an “interrogative knowing,” a “question-savior.” The articulation of the texture of Being is an overlapping endeavor with Claudel as the poetic articulation of a stream of sense below our reflective life.Merleau-Ponty caractérise l’usage poétique ou littéraire du langage, en tant que producteur de sens, comme s’il s’agissait d’un être qui est un interlocuteur pour ses lecteurs. Le sens sera exploré comme entrelacé à une imagination plus profonde qui opère dans la temporalité de l’institution pour devenir pleinement manifeste. Dans cet article nous étudierons l’empiètement avec l’ontologie de Claudel telle qu’elle est exprimée dans l’Art poétique et avec l’approche de Claudel au langage. Les raisons pour lesquelles l’articulation merleau-pontienne de l’incorporation et de la perception doit aboutir à l’expression poétique de l’ontologie de la chair seront alors recherchées : 1) dans la manière dont la phénoménologie du sens conduit à une ontologie de la chair si étroitement liée à la dimension littéraire du langage ; 2) dans le fait que l’analyse du sens conduit à l’importance vitale d’une imagination physionomique ou verticale qui ouvrirait les profondeurs latentes de la perception par son expression dans le langage poétique, et aussi en traçant le lien entre la métaphore et l’ontologie de la chair, et 3) dans le fait que l’expression du sens latent de la perception, tout comme l’interaction des relations latérales et comme l’accès à l’Être, consiste dans la réversibilité de la chair, aussi décrite par Claudel comme co-naissance, et qui invite à une « connaissance interrogative », à une « question-savoir ». Ainsi, la tentative d’articuler la texture de l’Être s’entrecroise avec les réflexions de Claudel, comme l’articulation poétique d’un flux de sens au-dessous de nos vies réflexives.Merleau-Ponty caratterizza la poetica o l’uso letterario del linguaggio come portatore di senso, come se si trattasse di un essere che interloquisce con i suoi lettori. Il senso verrà esplorato come intrecciato con un’immaginazione più profonda che opera nella temporalità dell’istituzione per diventare pienamente manifesta. In questo articolo si esaminerà la sovrapposizione tra l’ontologia di Claudel, espressa nell’Arte poetica, e il suo approccio al linguaggio. Al fine di evidenziare i motivi che portano l’articolazione merleau-pontiana dell’essere incarnato e della percezione a culminare nell’espressione poetica dell’ontologia della carne si vedrà: 1) come la fenomenologia del senso conduca all’ontologia della carne in quanto strettamente legata alla dimensione letteraria del linguaggio ; 2) che le analisi del senso conducono all’importanza vitale della fisiognomica o dell’immaginazione verticale in quanto schiudenti le profondità nascoste della percezione, attraverso la sua espressione all’interno del linguaggio poetico e rintracciando, altresì, il legame tra la metafora e l’ontologia della carne; 3) che l’espressione del senso latente della percezione, sia come intreccio di relazioni laterali sia come accesso all’Essere, è la reversibilità della carne, che Claudel articola attraverso la nozione di co-naissance, ed esige un “sapere interrogativo”, un “sapere domandante”. Così il tentativo di articolare la trama dell’Essere si sovrappone all’articolazione poetica in Claudel di un flusso di senso che sottende la nostra vita riflessiva. (shrink)

There is an autonomy in life that contrasts with physico-chemical processes. It has its own biological causality. Each type of life has its teleological as well as causal side. The researches of biology should therefore be devoted to causality and teleology simultaneously, and not to one or other exclusively. Causal and teleological interpretations must not however be confused. Every life is a whole; in the organism all vital processes are integrated, and causality and teleology inherent in the whole. For the (...) concept of teleology we can substitute that of sense. The sense of vital processes transcends the individual organism. Man must also be considered as a whole: physical and psychical are different modes of expression of an organism which functions as a whole.Comparée aux phénomènes physico-chimiques, la vie possède une autonomie; elle obéit à sa propre causalité biologique. Tout phénomène de vie présente non seulement un aspect causal, mais encore un aspect final; aussi le devoir de la biologie n'est-il jamais de diriger ses recherches uniquement en raison de la causalité ou uniquement en raison de la finalité, mais toujours simultanément en raison de l'une et de l'autre. Il ne faut pas confondre l'interprétation tirée de la causalité et celle tirée de la finalité. Chaque vie forme un tout; tous les phénomènes de la vie se produisent intégrés dans l'organisme; causalité et finalité appartiennent à la totalité de l'organisme. L'idée de la finalité peut se remplacer par celle du „sens”; le sens des phénomènes de la vie dans l'organisme n'est pas seulement individuel, mais toujours aussi supraindividuel. L'homme doit pareillement être considéré comme un tout; le physique et le psychique sont deux formes différentes d'expression de l'organisme humain, qui se comporte comme une totalité. (shrink)

La «question de l'Inconditionné» est développée par Paul Tillich dans une Religionsphilosophie pensée comme Logique de la raison religieuse et comme Théorie du sens, dans une perspective théonome. La présente étude analyse le projet du premier Tillich, après l'avoir situé en relation au paradigme de la Modernité. Tillich mène un double combat, face à l'«hybris religieuse» de l'hétéronomie et à l'«hybris culturelle» de la pure autonomie. Partant de la tension fondamentale entre identité mystique et différence éthique, le projet de (...) Tillich souligne l'aspect paradoxal et dialectique de la religion, son vouloir d'atteindre le contenu inconditionné à travers des formes conditionnées, sa résistance à être pur objet et concept d'une science. Dépassant le paradigme de la Modernité, Tillich construit une Philosophie de la Religion située dans le système des sciences, mais non fondée sur le conditionné, mais au contraire sur l'Inconditionné. Les éléments et catégories du religieux sont soumis à l'analyse à travers un processus méthodologique complexe, critique et dialectique, intuitif et vital; est ainsi formulée l'unité de sens entre le fondé, le fondant et le fondement ultime qui soutient tout. La dialectique du sacré et du profane, du divin et du démoniaque, de la foi et de l'incrédulité, de Dieu et du monde, est éclairée dans la perspective théonome; d'où est surpassée la pure autonomie, en lutte avec l'hétéronomie religieus. (shrink)

Cet article propose une réflexion sur les démarches comparatives internationales dans les études sur les médias et plus spécialement dans les études événementielles. Après avoir mis en valeur leur statut pionnier dans les sciences sociales et humaines, il souligne leur continuité et leur vitalité. Il examine ensuite les difficultés épistémologiques de ces entreprises ainsi que les raisons des préventions qui se manifestent à leur égard et qui tiennent principalement aux risques de biais socio-cognitifs . Pour les études sur les médias, (...) il met en évidence et discute certaines confusions qui contribuent à minorer l'intérêt de ces démarches. En s'appuyant sur diverses expériences de recherche, il défend enfin le pouvoir heuristique de ces démarches en proposant des repères et des principes méthodologiques en mesure de garantir leur validité.This paper proposes a reflection on the international comparative approaches in media studies and especially in event studies. After emphasized their pioneer status in the social sciences and humanities, it emphasizes continuity and vitality. It then examines the epistemological difficulties of these companies and the reasons prejudices manifested towards them and take risks primarily through socio-cognitive .. For media studies, it highlights and discusses some confusion that contribute to underestimate the value of these approaches. Based on various experiments, he finally defends the heuristic power of these approaches by providing benchmarks and methodological principles can ensure their validity. (shrink)

Le cœur a ses raisons que la raison ne connaît pas...Mais que serait une Raison sans cœur? Un pur formalisme désaffecté! Rompant avec le logicisme et l'associationnisme de son temps, Ribot refuse de voir dans la logique des sentiments un déchet ou une scorie. Il la décrit comme une organisation originaire de la pensée en tant que celle-ci est animée par un jeu d'instincts, de tendances, de passions, de désirs. Mais la logique des sentiments ne se limite pas (...) à sa fonction de projection ou de rationalisation des valeurs subjectives à coefficient émotionnel vital. Elle est aussi à l'œuvre au cœur de l'imagination créatrice et de son élan. Ainsi assistons-nous, dans cet essai, à l'entrée en force du point du vue dynamique dans l'étude des productions mentales. Le philosophe, le psychologue, le psychanalyste peuvent toujours y apurer leur savoir. (shrink)

Dans la mesure où chaque siècle est en conséquence ou effet direct de celui qui le précède, peut s'imposer ici, pour " comprendre " une part importante de la conscience " dogmatique " du XXe siècle, l'expression du polémiste catholique laïc que fut Joseph de Maistre : " L'Eglise n'est point argumentatrice de sa nature : elle croit sans disputer… " Si apparaît ici le rôle de l'Eglise dans la " définition ", au sens théologique, du dogme, apparaît également que, (...) pour Maistre, le dogme précède la définition, qui ne fait que le formuler, le " caractériser ". On est loin ici de la définition " technique " du dogme qui sera celle du concile Vatican I et qui s'imposera alors : vérité révélée et proposée comme telle par l'Eglise, de façon infaillible. Il s'avère ainsi, au cours du XIXe siècle, que, si une certaine vision de l'autorité de l'Eglise dans l'élaboration du dogme est inséparable d'une importance accrue attachée à l'infaillibilité du Pontife romain, c'est aussi la théologie de la primauté qui est en cause. En raison du poids de l'époque immédiatement antérieure au XXe siècle, J.-F. Chiron propose, dans cet article, une relecture ecclésiologique de l'élaboration et de la compréhension du dogme au XIXe siècle.Insofar as each century is the result or direct effect of the one that preceded it, the expression of the lay, Catholic polemist, Joseph de Maistre: "The Church is not argumentative by nature; it believes without arguing…" may be vital to our "understanding" of much of the "dogmatic" consciousness of the 20th century. If the role of the Church appears to be to "define" dogma in the theological sense, it also appears that, for Maistre, dogma precedes its definition, which merely formulates it and "characterizes" it. Here we are far from the "technical" definition of dogma, which would be adopted by the first Vatican Council and became established at the time, as revealed truth, which is infallibly proposed as such by the Church. It thus turns out that, during the 19th century, while a certain vision of the Church's authority in developing dogma was inseparable from the increased importance attached to the infallibility of the Roman Pontiff, the theology of primacy was also in question. Because of the weight of the period immediately preceding the 20th century, J.-F. Chiron proposes in this article an ecclesiological rereading of the development and comprehension of dogma in the 19th century. (shrink)

Largely, the concept of energy or vital force, as first analysed by Placide Tempels in Bantu Philosophy, permeates most African ontology systems, worldviews and life views. The Ntomba Chief is chosen because of his above average vital force. This puts him in the position of intermediary between the Supreme Being, the ancestors, and his subordinates. The waning of his energy is incompatible with his position because his energy is that of his tribe. When installed, he takes an oath that, when (...) this happens, he has to accept mohilo, the 'hastening of death'. In the Chief's case, the hastening of death is not intended to relieve his pain, as it would be with other creatures. The Chief's dying a natural death would result in the loss of the entire community's vital force. Therefore, he has to be killed ritually to avoid that risk. That the Chief agrees to be killed – via a form of advanced directive – poses an ethical dilemma for a Western observer. From the Ntomba perspective, however, where the energy is being, and being is energy, it is the only way to preserve and protect the community's raison d'être. (shrink)

Josefa Amar y Borbón, une intellectuelle espagnole du XVIIIe siècle, défendit dans ses ouvrages et dans sa vie la raison des femmes, à partir de sa propre tradition culturelle mais simultanément avec d’autres intellectuelles européennes de son temps. Elle se forgea un prestige intellectuel et intervint publiquement dans le débat sur l’admission des femmes dans les sociétés réformistes, contre l’opinion négative d’une partie des hommes des élites éclairées espagnoles. La lecture de ses textes et leur comparaison avec la pensée (...) de sa contemporaine Mme d’Épinay montre que, dans des contextes sociaux et culturels différents, ces deux femmes avait des idées concordantes sur la raison, l’éducation et la condition social des femmes, loin des opinions plus répandues, celles des auteurs comme Thomas, Rousseau et d’autres contemporains espagnols. Elles avaient aussi des stratégies vitales communes, qui visaient à occuper et à revendiquer pour les femmes des possibilités et des espaces dans l’activité culturelle et la sociabilité des Lumières. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Archive Feelings: A Theory of Greek Tragedy by Mario TelòSean LambertTelò, Mario. Archive Feelings: A Theory of Greek Tragedy. Ohio State University Press, 2020. 344pp.In Archive Feelings: A Theory of Greek Tragedy, Mario Telò takes aim at one of the most canonical (if also one of the most contested) features of Greek tragedy: its potential to deliver catharsis (12).1 Through careful close readings of Greek tragedies informed by (...) psychoanalytic theory and deconstruction, Telò makes a persuasive case that tragedy is anti-cathartic. “The Freudian take on catharsis is complicated, or even undercut,” he writes in the introduction, “by its own anti-cathartic latencies… We can accordingly look at tragedy as a form of dramatic poetry that finds its affective raison d’être… in these anti-cathartic feelings” (34).Telò states that the intent of Archive Feelings is mainly to intervene in the age-old debate, asking: “why do human beings enjoy tragedy?” (14). He suggests that the pleasure of tragedy is, in fact, a masochistic one: a denial of release or pleasure (such as would come from catharsis) that an audience or reader enjoys in its specifically joyless jouissance. At stake is “feeling material,” a “fantasy” of “merging into the impersonal, anorganic, universal matter of elemental life” (44) evoked in tragedy’s death-driven withdrawal from action. With this concept in mind, Telò goes beyond even his own ambitions for his project. More than merely intervening in debates about the pleasures of tragedy, he argues powerfully for the continuing relevance of Greek tragedy for critical theory today, particularly in light of the so-called “affective” and “material” turns in the humanities. Archive Feelings is thus a useful book for classicists conducting interdisciplinary and/or trans-historical research, but even more so for any scholar working within the constellation of psychoanalysis, deconstruction, queer theory, affect theory or critical race theory. Telò makes a persuasive case for tragedy as a lodestar within this firmament–a vital tool for thinking through problems within and across disciplines.In striking contradistinction to previous theorists of Greek tragedy, including Aristotle and Nietzsche, Telò locates the engine of Greek tragedy in the death drive. In so doing, he reads in ancient narratives a number of experiences such as “acceleration, hoarding, vertiginous suspension, [End Page 113] breathless looping, affective bulimia or binge-eating, serial cutting, trying to enter or fold in upon oneself, auto-immune inflammation” (14), and finds in “the orgasm as an unfinished, non-teleological pleasure,” a desire to return to a state of “inert matter” (13).2 Noting that the original meaning of the Greek word archê is “origin,” Telò connects this impulse to once again become “inert” with the desire to create archives. Thus, Telò sees Greek tragedies as both a model for projects of archival reconstruction as well as archival projects themselves: they are “anxious and debilitating” attempts to “re-create the past as it was” (13).3Telò’s study is divided into three parts: Archival Time, Archival Space, and Archival Endings, which attempt to “structurally reproduce the psychological temporalities of the archive” (49). In each of his five chapters, Telò elaborates the diverse narrative masochisms of Greek tragedy, exploring the various stakes and species of tragic anti-catharsis. In Chapter 1, Telò reads the “archive fever” of Sophocles’ Oedipus at Colonus against the “archive fatigue” of Euripides’ Phoenissae, finding in both of these plays—near the end of the epoch of ancient tragedy—an impulse toward “textual hoarding” (76) that both undermines the possibility of catharsis and “exhausts” (106) the possibilities of the genre (107). In both the “synchronic gathering of disparate fragments of experience” into the body of Oedipus before his death and the aesthetics of boredom, fatigue, and inertia that suffuse the Phoenissae, Telò locates a desire to store up, rather than purge, emotions such as pity and fear, in a flouting of the normal formula for catharsis (73).In Chapter 2, Telò looks at the figures of Heracles and Medea in their original myths and tragic incarnations, seeing in both the compulsion to recircle around scenes of their respective “primordial traumas” (145). In Euripides’s Medea, this move manifests in repeated references... (shrink)

Ces dix perspectives possibles pour l’Europe ne concluent pas le dossier, elles ouvrent le débat. Elles se veulent proposer des visions marquées par la raison mais aussi par la passion fédérale. Il faut que naissent des « tribuns » européens qui donnent à l’Europarlement un rôle prépondérant sur le Conseil et la Commission. Il est nécessaire d’étendre ses compétences à des sujets de société (les violences sexuelles, l’écologie) et des sujets éminemment stratégiques comme la guerre. L’Europe doit s’ouvrir au (...) lieu d’organiser la fermeture de ses frontières extérieures sous le joug de discours racistes. Les migrations internationales lui sont vitales, pour des raisons économiques et démographiques. Et puis, elle connaît une mutation extraordinaire de l’emploi. Quand la question d’un revenu universel européen financé directement par l’Union comme puissant vecteur de rattrapage et de fédéralisation des politiques sociales sera-t-elle intégrée dans les programmes d’une gauche européenne pour reconquérir les couches populaires perdues? (shrink)

La Zarathoustra de Nietzsche, de son propre aveu l’opus magnum de Nietzsche a toujours été appréhendé sous l’angle de ses contenus et de ses thématiques : volonté de puissance, surhumain, éternel retour. Le vitalisme de Nietzsche, illustré par ces trois enseignements centraux de Zarathoustra, a rarement été recherché dans la forme et les caractéristiques précises d’un discours qui se voulait pourtant novateur et que l’on pouvait supposer — à l’opposé du discours neutre et reproducteur de la tradition philosophique — chercher (...) à être lui-même « vital ». Pour les mêmes raisons, comment a-t-on pu négliger à ce point l’impact communicationnel qu’un tel discours se devait de produire sur ses lecteurs, à l’image du discours prosélyte que Zarathoustra adresse sans cesse à ses auditoires ? Si Zarathoustra est une apologie du vouloir exacerbé sous toutes ses formes, ne fallait-il pas justement qu’il fût un appel à vouloir, un manifeste plutôt qu’un traité. C’est ce renouveau qu’apporte le discours nietzschéen dans le discours philosophique séculaire, c’est sa fonction appellative que nous entendons analyser ici à l’aide d’une panoplie d’outils linguistiques allant de la morphosyntaxe aux modèles actantiels, mais toujours dans l’objectif de replacer ces caractéristiques dans une perspective philosophique.Nietzsche’s Zarathustra, the philosophical work that the philosopher regarded as his magnum opus, has always been approached through its contents and themes : the will to power, the Übermensch, Overman, eternal recurrence. Nietzsche’s “vitalism,” as illustrated by Zarathustra’s three central teachings, has rarely been sought in the form and precise characteristics of a discourse that was intended to be innovative and could therefore itself be expected to be “vital,” . Allowing this hypothesis, we must ask how interpreters could ignoreFor the same reasons, how could interpreters ignore to such an extent the communicative impact that such a discourse was intended to produce on its readers, following in its way the proselytizing discourse that Zarathustra restlessly addressed to his audiences ? If Zarathustra represents the apologia of an exacerbated will in all its forms, is it not logical to regard Nietzsche’s work as an appeal intended to strengthen that will ; as a manifesto rather than a treatise ? It is thus the renewal that Nietzsche’s discourse brings to traditional philosophical discourse andthe appellative function it fulfills that we will analyse here, using a variety of linguistic tools ranging from morphosyntax to actantial models. Our aim will invariably be to set these features in a philosophical perspective and framework. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:136 HISTORY OF PHILOSOPHY man felt two needs :"the theoretical need for guaranteeing a priori the subsistence of an ethical sphere against the Enlightenment's emphasis on happiness, and the political and practical need for guaranteeing individual freedom against an enlightened absolutism" (p. 71). Owing to this double need, Kant seems to be against himself and consequently the most critical and dialectical interpretation of Kant's thought is opposed to the (...) formalistic absolutism used by the Kantian jurists, who reject the most vital and profound critical philosophy for a metaphysical framework which confuses everything as though all were homogeneous. In fact, what appears more valid in Kant's philosophy is the continuous tension between formalism and dialectics, a tension which, even though it is never definitively overcome in a dialectical sense by Kant himself, nevertheless reveals the need for a legal dialectic rather than a formalism. It shows "the destiny of legal right to cease being a coercive apparatus, and of being transformed into rules for human society taken from civil society" (p. 390). Of course, this dialectical perspective suggests new horizons and also new problems and a wide plan of work. However, I agree with the author that the uncertainties which will inevitably emerge in this work must be met urgently and radically. For we know that "on the other scale-pan there are in fact the raw metaphysics of legal positivism, the conservatism of the jurists, and at best the formalistic, paralyzing ascetics" (p. 390). The merit of Negri's book seems to me to lie above all in the lively problematical tension with which he examines the Kantian thought. Following in the paths of G. Gurwitch, Metzger and Goldmann, as well as of Luk~s' History and Class Consciousness, he appreciates and understands the interpenetration of ethical motivations with the social and cultural environment. This historical and philosophical awareness of problems is particularly lively in the pages where the author notices the begging of principle in Kantian thought; a begging of principle consisting in the fact that "the definition of limit presupposes a limit to the principle itself, but the examination of this presupposition is neglected" (p. 77 ft.). Because of this critical and historical tension, Negri's book can be of great interest to the jurist, the philosopher and the historian. And if this ensues, it is because the conception of legal right which the author seeks to assert throughout his theoretical tension is deep-rooted humanly, dialectically, concretely. It is most needed by those who really want to make of law and right not a formal science but a human science. ANTONELLA GUARALDI Bari, Italy The Narrow Pass: Kierkegaard's Concept of Man. By George Price. (New York, Toronto, London: McGraw-Hill Book Co., 1963. Pp. 5-218.) Selon hombre de ses commentateurs, Kierkegaard seralt un ehrdtien passionnd; pour d'autres, il serait une sorte d'incroyant; pour George Price, nous devrions lui accorder une unitd complexe, unitd de production, qui s'exprime directement par la suite de ses oeuvres, unitd d'intention, une vue religicuse qui repose sur une certaine conception de l'homme, un th~me fondamental aussi qui est au centre des diverses discussions sur le pdchd, la foi, la raison, la morale, la subjectivitd et le "paradoxe", tous ces probl~mes qui paraissent se poser et se reposer sans cesse pour Kierkegaard, toujours de mani~re assez nouvelle. L'homme est i~la fois une synth~se de son corps et de son moi, des causes qui ont d'abord faeonnd son ~tre, et de qu'il y a en lui d'original et qui ne sera jamais rdpdtd, ce que son esprit a fait par un effort crdateur. Et d'abord une premiere remarque pour simplifier les vues de Kierkegaard. II n'y a pas ici de substances conjointes, il n'y a que des dvdnements corporels et spirituels. L'influence de Fichte apparait par l'importance accordde au devenir, un devenir qui se poursuit selon un module et qui reste fragile, si la volontd de se rdaliser ne se maintient pas. L'homme dolt se passionner pour son existence, it dolt devenir lui-m~me. La chute de l... (shrink)

Partendo da un corso sul cambiamento politico tenuto da Norberto Bobbio nel 1979 e ora trasformato in un libro postumo grazie ad alcuni studenti di allora, Vitale mette in luce quattro questioni su rivoluzione, riforma e altre forme di cambiamento nell’età moderna e contemporanea. In primo luogo, qual è oggi, nelle nostre società capitalistiche alle prese con i cambiamenti climatici e altri disastri ecologici, il rapporto tra rivoluzioni scientifiche e politiche? In secondo luogo, alla fine del secolo scorso la (...) prospettiva rivoluzionaria è stata abbandonata a favore di un più realistico riformismo, ma possiamo chiederci se questa scelta non abbia portato a un grande inganno, perché il riformismo era in effetti una forma di “dolce” resa alla società di mercato e ai suoi valori. In terzo luogo, ci sono nel nostro tempo gli ingredienti (principalmente, soggetto politico, leadership e un’ideologia ben strutturata) per trasformare la rabbia per l’ingiustizia e la disuguaglianza in un progetto rivoluzionario e non solo in sporadiche rivolte? In quarto luogo, quale ruolo gioca la guerra a livello del cambiamento geopolitico, con particolare riferimento all’attuale guerra in Ucraina che sembra prospettare una nuova situazione di “scontro di civiltà” tra Weltanschauung occidentale e orientale? (shrink)

In “Toward an Ethic of Discussion,” Jacques Derrida returns to the controversy with Jonathan Searle to clarify his position but above all because he “would have wished to make legible the (philosophical, ethical, political) axiomatics hidden beneath the code of academic discussion.” I intend, in turn, to return to this text in order to find in it not only the conditions of an ethics of academic discussion but also of interpretation in a deconstructive perspective. In “Toward an Ethic of Discussion,” (...) in fact, it is possible to point out the necessity of a certain ethical treatment of the texts. In particular, how can we determine the conditions of an ethical use of quotation against the always possible manipulation of the text that quotation makes possible? I attempt to answer this question claiming that the reading protocol of deconstruction meets these conditions showing us at the same time the ethical conditions of scientific discourse in general, beyond any scientific claim of objectivity. (shrink)

Vitale plantea un razonamiento en torno a la existencia y naturaleza de los llamados «derechos colectivos». Tomando al antiguo filósofo Carnéades como pretexto y simple inspiración, el autor explora los argumentos tanto a favor como en contra de la existencia de comunidades homogéneas y de los derechos atribuibles a colectivos. Según Vitale, en ninguno de los dos casos la existencia o inexistencia de derechos colectivos obtie-ne un fundamento sólido. En el fondo, el multiculturalismo no logra evitar la contradic-ción (...) que consiste en el hecho de que los derechos particulares reivindicados por cada una de las comunidades terminan por ser totalmente incompatibles con aquellos igualmente particulares reivindicados por las otras comunidades. (shrink)

Deliberative democracy has assumed a central role in the debate about deepening democratic practices in complex contemporary societies. By acknowledging the citizens as the main actors in the political process, political deliberation entails a strong ideal of participation that has not, however, been properly clarified. The main purpose of this article is to discuss, through Jürgen Habermas’ analysis of modernity, reason and democracy, whether and to what extent deliberative democracy and participatory democracy are compatible and how they can, either separately (...) or together, enhance democratic practices. Further exploration of this relationship will permit a better understanding of the possibilities and limits of institutionalizing both discourses, as well as of developing democracy in a more substantive dimension. (shrink)

Current theories suggest that the brain is the sole source of mental illness. However, affective disorders, and major depressive disorder (MDD) in particular, may be better conceptualized as brain-body disorders that involve peripheral systems as well. This perspective emphasizes the embodied, multifaceted physiology of well-being, and suggests that afferent signals from the body may contribute to cognitive and emotional states. In this review, we focus on evidence from preclinical and clinical studies suggesting that afferent thermosensory signals contribute to well-being and (...) depression. Although thermoregulatory systems have traditionally been conceptualized as serving primarily homeostatic functions, increasing evidence suggests neural pathways responsible for regulating body temperature may be linked more closely with emotional states than previously recognized, an affective warmth hypothesis. Human studies indicate that increasing physical warmth activates brain circuits associated with cognitive and affective functions, promotes interpersonal warmth and prosocial behavior, and has antidepressant effects. Consistent with these effects, preclinical studies in rodents demonstrate that physical warmth activates brain serotonergic neurons implicated in antidepressant-like effects. Together, these studies suggest that (1) thermosensory pathways interact with brain systems that control affective function, (2) these pathways are dysregulated in affective disorders, and (3) activating warm thermosensory pathways promotes a sense of well-being and has therapeutic potential in the treatment of affective disorders. (shrink)

I develop a theodicy that begins with the recognition that we owe our existence to great and varied evils. I develop two versions of this theodicy, with the result that some version is available to the theist regardless of her assumptions about the existence and nature of free will. My defense of Non-Identity Theodicy is aided by an analogy between divine creation and human procreation. I argue that if one affirms the morality of voluntary human procreation, one should affirm the (...) morality of divine creation; conversely, denying the morality of divine creation commits one to denying the morality of human procreation. (shrink)

This paper intends to verify the extent and effectiveness of the transforming appropriation of the Derridean concept of ‘differance’ by Stiegler with respect to the problems that, according to Stiegler, make this creative critical operation necessary; in particular with respect to the most recent question concerning the possibility of thinking about and putting into practice a ‘neganthropological différance’ capable of facing the ecological crisis that today seems to threaten the very existence of life on earth. The paper goes back to (...) Technics and Time 1. to analyze the distinction between ‘vital difference’ and ‘noetic difference’ that constitutes the condition of possibility of the ‘neganthropological différance.’ In this perspective, the distinction proposed by Stiegler seems to re-propose the hierarchically oriented oppositional structure that characterizes metaphysical thought and in particular the opposition between man and animal, attributing to the human being the ability to free himself from the constraints of his biological-natural condition. Finally, the paper attempts to account for the repercussions of this approach on the very possibility of an effective response to the ecological crisis, concluding with a provocation regarding the role that theory can and must play with regard to such an urgent and far-reaching problem. (shrink)

This book develops Non-Identity Theodicy as an original response to the problem of evil. It constructs an ethical framework for theodicy by sketching four cases of human action where horrendous evils are either caused, permitted, or risked, either for pure benefit or for harm avoidance.

The author proposes to read Documentalità constantly referring to Jacques Derrida’s work, which is one of its main sources. This comparative reading develops through a double move: on the one hand, it attempts to explain Derrida’s famous sentence “there is nothing outside the text” taking into account the criticism elaborated in Ferraris’ work. On the other hand, it suggests an understanding of the theory of document as a development of Derrida’s project of a “Grammatology as a positive science”. The articulation (...) of this twofold movement is found in Derrida’s theory of archiwriting, to which Ferraris refers: the liberation of the theory of writing from the linear phonetic-alphabetic ideal in view of a multidimensional writing, which can explain the functioning of our thinking and its articulation with the systems of inscription that the new technologies have made available. (shrink)

Este trabajo está dedicado al análisis de dos legados fundamentales de Thomas Hobbes al pensamiento político moderno, en la lectura que de ello ha ofrecido Norberto Bobbio. El primero es un legado de carácter metodológico, que consiste en dar prioridad a la demostratio por encima de cualquier forma de interpretatio. El segundo es el individualismo, cuyas diferentes declinaciones son decisivas para fundar, medir y valorar las diversas fórmulas políticas que el Leviatán, en cuanto esencia del Estado moderno, puede albergar. El (...) trabajo se cierra con un tercer nivel de comparación sobre la fortuna de Hobbes y de Bobbio entre sus contemporáneos y en nuestros días. (shrink)