Le marché du jeu vidéo explose avec l’émergence d’un nouveau type de jeux et de joueurs appelés occasionnels par opposition au jeu traditionnel sur console. Développeurs et éditeurs adaptent divers types de jeux au format court, simple et non technologique du casual game, mais qu’en est-il du jeu de rôle et d’action exigeant l’exposé et le traitement d’un récit long et complexe ? Après avoir esquissé les enjeux du casual game, nous montrons que seule la mobilisation d’un stéréotype mythique ou (...) légendaire permet l’appropriation d’un scénario à un jeu court : sans en avoir conscience, le joueur connaît scènes et personnages ; aussi peut-il s’immerger directement dans l’action. C’est là retrouver le procédé du « feuilleton-roman » d’aventures du XIXe siècle et pourvoir le casual game d’une ascendance culturelle. Ainsi pourrait-on élargir au jeu vidéo l’essai d’analyser les civilisations à travers leurs jeux comme le souhaitait Roger Caillois.The video games market has been booming since the emergence of “casual” gaming, as opposed to core gaming using consoles. Developers and publishers are adapting different types of games to the short, simple and non-technological casual game format, but how does this affect role-playing and action, which demand an exposé and treatment of long and complex narratives? After outlining the issues arising in casual gaming, we show that appropriating a short game scenario only works when it involves a mythical or legendary stereotype: the game player knows the scene and the characters without thinking about them and can therefore plunge directly into the action. The process harks back to the serial adventure story of the 19th century, which may thus be seen as the ancestor of “casual gaming”. Approaches to the analysis of civilisations through their games could there- fore be extended to encompass video games, as suggested by Roger Caillois. (shrink)

L'article traite du passage, dans le champ des «arts et traditions populaires» et/ou du «patrimoine ethnologique», de la notion de « culture populaire» au label de «patrimoine oral et immatériel » ou de «trésor vivant». Abordant à la fois les dimensions disciplinaires et institutionnelles, il invite à questionner ces passages notionnels tant dans leur inscription historique que dans leur complexité et ambiguïté définitionnelles ou encore dans leurs implications scientifiques et politiques. S'inspirant essentiellement de la situation institutionnelle de (...) la Communauté française de Belgique, les constats et les questions posées peuvent, mutatis mutandis, trouver un écho réflexif plus large.The article presents the passage, in the field of "arts and popular traditions" and/or of the "ethnological inheritance", of the concept of "popular culture" to the label of "oral and immaterial inheritance" or of "alive treasure". Approaching at the same time disciplinary and institutional dimensions, it invites to question these notional passages as well in their historical inscription as in their definitional complexity and ambiguity or in their scientific and political implications. Being inspired primarily by the institutional situation of the French Community of Belgium, the reports and the questions can, mutatis mutandis, find a reflexive echo broader. (shrink)

Fascism, modernism and modernity -- The Jew as anti-artist : Georges Sorel and the aesthetics of the anti- Enlightenment -- La Cité française : Georges Valois, Le Corbusier and fascist theories of urbanism -- Machine primitives : Philippe Lamour and the fascist cult of youth -- Classical violence : Thierry Maulnier and the legacy of the Cercle Proudhon.

Le mythe comme force de mobilisation dans une société guerrière. L’article se concentre sur le rôle mobilisateur des symboles et en particulier sur le fonctionnement du théâtre mythique. Le théâtre attique est compris comme une performance symbolique dans laquelle le genre comique et tragique représentaient des processus de ‘sur-distanciation’ et de ‘sous-distanciation’ respectivement. Au lieu de concevoir la tragédie seulement comme un medium esthétique ou critique, le genre tragique est vu comme une part d’un processus culturel etsocial complexe qui sert (...) de une force mobilisatrice autour des valeurs fondamentales de la polis, e.g. du guerrier et son hèbè. Quelques pratiques cultuelles sont discutées pour démontrer l’importance du symbolisme guerrier dans la société attique. En plus l’argument présenté est que la performance tragique ne présente pas une image positive et idéale, mais une violation de l’ordre social . Les enfants d’Héraklès et d’autres tragédies sont analysées pour illustrer cette manière de penser.This paper focuses on the mobilizing role of symbols and specifically on the workings of mythical theatre. Attic theatre is understood as a symbolic performance in which the comic and the tragic genres represented processes of ‘over-distancing’ and ‘under-distancing’, respectively. Instead of conceiving of tragedy as just an aesthetic or critical medium, the tragic genre is viewed as part of a complex cultural and social process that serves as a mobilizing force around the fundamental values of the polis, e.g. the warrior and his hebe. A number of cult practices are discussed in order to demonstrate the importance of warrior symbolism in Attic society. Furthermore, it is argued that the tragic performance does not present a positive and ideal image, but a violation of the social order . The Children of Herakles and other tragedies are analysed in order to illustrate the argument. (shrink)

Possessed of a long and honorable philosophical tradition of its own, Soviet Armenia provides an unequalled opportunity for examining the attempt to reconcile the new Soviet culture with long-standing cultural values. Unfortunately, a thorough examination of available sources provides no unambiguous conclusion. Some contemporary Armenian philosophers do manage to imbue their work with a definitely national stamp. On the other hand, Soviet Armenia — like other areas of the Soviet Union — has its share of centralists. However, what is (...) most interesting is that their existential situation has led them to fruitful pursuit of a philosophical elaboration of problems of culture. (shrink)

Possessed of a long and honorable philosophical tradition of its own, Soviet Armenia provides an unequalled opportunity for examining the attempt to reconcile the new Soviet culture with long-standing cultural values. Unfortunately, a thorough examination of available sources provides no unambiguous conclusion. Some contemporary Armenian philosophers do manage to imbue their work with a definitely national stamp. On the other hand, Soviet Armenia -- like other areas of the Soviet Union -- has its share of 'centralists'. However, what is (...) most interesting is that their existential situation has led them to fruitful pursuit of a philosophical elaboration of problems of culture. (shrink)

Against Meritocracy is a meticulous and much needed critique of meritocracy tracing the genealogies of the concept before presenting case studies that demonstrate its continuing ideological power. This review looks at Littler’s analysis within the context of wider understandings of meritocracy and social mobility. It concludes that Littler’s compelling argument of the damage, both ideological and material, caused by the workings of meritocracy needs to be heeded.

L’exposition d’art dans des paysages est devenu populaire au Japon, avec la multiplication récente de festivals d’art locaux. Dans ces festivals, qui attirent chacun des centaines de milliers de visiteurs, coexistent des œuvres hétérogènes. Certaines sont des sculptures autonomes, d’autres des installations qui se fondent dans le paysage, et d’autres encore sont des œuvres de type « art relationnel ». Bien que ces œuvres in situ affirment leur lien essentiel avec le site naturel rural et avec le corps du spectateur (...) — constituant un événement, une expérience, une rencontre éphémère —, les relations avec le site comme avec le visiteur sont complexes et ambigües. Il y a des œuvres in situ, mais parfois aussi in aliquo situ : des œuvres qui peuvent être installées n’importe où. Qu’est-ce qui attire les visiteurs dans ces expositions? Quels sont donc la nature et le mérite de leur localisation? Si les visiteurs apprécient de voir des œuvres dans ces paysages cela peut être en partie lié au principe japonais traditionnel d’expérience des lieux dit meisho-meguri, ou « pèlerinage vers des sites célèbres ». Cette pratique issue du Moyen Âge est associée historiquement au sacré. Aujourd’hui ce pèlerinage prend la forme du tourisme moderne mais conserve un sens traditionnel invisible car les visiteurs se déplacent à travers une série de lieux géographiques selon un jeu culturellement codé. Selon nous, dans le cas des visites d’œuvres d’art en zones rurales, l’appréciation des œuvres d’art participe à ce même jeu traditionnel de se déplacer physiquement dans une série de lieux. Cette dimension spirituelle implicite modifie à son tour la perception des œuvres. Ainsi on dira que la pratique japonaise de visiter ces expositions d’art in situ témoigne de la survivance d’une tradition, et constitue ainsi un système alternatif d’expérience esthétique. The installations of artwork in natural landscapes have become popular in Japan with the recent increase in local art festivals. In these art festivals where hundreds of thousands of visitors gather, heterogeneous installations coexist; some are autonomous sculptures, some are fused into the natural landscape, and some belong to “relational art”. Although most works assert the essential quality of their location, and the experience as “an event”, their relationships to the rural areas and to the body of the visitor are complex and ambiguous. Some works are really in situ, but some are in aliquo situ—that is, works that could be installed anywhere. What attracts visitors to these exhibitions? Hence what is the nature and merit of the location? What is the relation to the visitor’s bodily presence? If visitors enjoy the site-specificity of the artwork this may be linked to the traditional Japanese system of experiencing places as meisho-meguri—i.e. “a pilgrimage to a series of famous sites”. This practice comes from the Middle Ages and was by then spiritual. While today these pilgrimages appear as a form of modern tourism, they retain a culturally coded character because visitors’s journey is like “a game of visiting a series of geographical places”. According to me, in the case of the visit of artistic sites, the appreciation of the artwork participates in this same game of bodily displacement to a series of places. This implicit spiritual underpinning conversely modifies the visitor’s perception of the works. Thus I propose that visiting artistic sites in natural settings in Japan appears as informed by this Japanese particular tradition, and thus constitutes an alternative system of contemporary aesthetic experience. (shrink)

The Nazis' use and misuse of Nietzsche is well known. The Superman, the "will to power," Nietzsche's equation of bourgeois democracy and decadence, and his denigration of reason were staples of Nazi propaganda. Communists also used and misused Nietzsche, but that fact is largely unknown because Soviet propagandists invoked reason and labeled Nietzsche the "philosopher of fascism," even while covertly appropriating his ideas. In this pioneering book, Bernice Glatzer Rosenthal excavates the trail of long-obscured Nietzschean ideas that took root in (...) late Imperial Russia, intertwining with other elements in the culture to become a vital ingredient of Bolshevism and Stalinism. Nietzsche made a difference. He furnished intellectual ammunition for a prolonged conflict about culture, society, and politics that began around the turn of the century. His first Russian admirers were poets, philosophers, and political activists. They responded to the changes transforming their society by espousing new values and seeking a new faith by which to live and work. This response resulted in new aesthetic and political amalgams, such as Symbolism, Futurism, Nietzschean Christianity, and Nietzschean Marxism. The ensuing debates between and among their partisans reverberated throughout the wider culture and therefore also into Bolshevism, becoming the subject of an uninterrupted polemic between Bolsheviks and non-Bolsheviks, and among Bolsheviks, that continued into the 1930s. In Stalin's time, unacknowledged Nietzschean ideas were used to mobilize the masses for the great tasks of the first Five-Year Plan and the Cultural Revolution, which was intended to eradicate "bourgeois" values and attitudes from Soviet life and to construct a distinctly Socialist culture. Nietzsche's belief that people need illusions to shield them from reality underlay Socialist Realism, the official Soviet aesthetic from 1934 on. In the aftermath of de-Stalinization, the government cast Nietzsche as the personification of "bourgeois" nihilism and "bourgeois" individualism. Soviet intellectuals wishing to reappropriate their lost cultural heritage discovered the Nietzsche-influenced intellectuals of late Imperial Russia and reopened discussion on the issues they had posed. More than an exercise in historical rediscovery, _New Myth, New World_ offers a new interpretation of modern Russian history. By uncovering the buried influence of Nietzschean ideas on Soviet culture and politics, Rosenthal opens new avenues for understanding Soviet ideology and its influence on the twentieth century. (shrink)

While globalization unifies the world, divisions re-emerge within it in the form of a spectacular separation between Islam and the West. How can it be that Huntingtonâes contested idea of a clash of civilizations became such a powerful political myth through which so many people look at the world? Bottici and Challand disentangle such a process of myth-making both in the West and in Muslim majority countries, and call for a renewed critical attitude towards it. By analysing a process of (...) elaboration of this myth that took place in academic books, arts and media, comics and Hollywood films, they show that the clash of civilizations has become a cognitive scheme through which people look at the world, a practical image on the basis of which they act on it, as well as a drama which mobilizes passions and emotions. Written in a concise and accessible way, this book is a timely and valuable contribution to the academic literature, and more generally, to the public debate. As such, it will be an important reference for scholars and students of political science, sociology, philosophy, cultural studies, Middle Eastern politics and Islam. (shrink)

The Nazis' use and misuse of Nietzsche is well known. The Superman, the "will to power," Nietzsche's equation of bourgeois democracy and decadence, and his denigration of reason were staples of Nazi propaganda. Communists also used and misused Nietzsche, but that fact is largely unknown because Soviet propagandists invoked reason and labeled Nietzsche the "philosopher of fascism," even while covertly appropriating his ideas. In this pioneering book, Bernice Glatzer Rosenthal excavates the trail of long-obscured Nietzschean ideas that took root in (...) late Imperial Russia, intertwining with other elements in the culture to become a vital ingredient of Bolshevism and Stalinism. Nietzsche made a difference. He furnished intellectual ammunition for a prolonged conflict about culture, society, and politics that began around the turn of the century. His first Russian admirers were poets, philosophers, and political activists. They responded to the changes transforming their society by espousing new values and seeking a new faith by which to live and work. This response resulted in new aesthetic and political amalgams, such as Symbolism, Futurism, Nietzschean Christianity, and Nietzschean Marxism. The ensuing debates between and among their partisans reverberated throughout the wider culture and therefore also into Bolshevism, becoming the subject of an uninterrupted polemic between Bolsheviks and non-Bolsheviks, and among Bolsheviks, that continued into the 1930s. In Stalin's time, unacknowledged Nietzschean ideas were used to mobilize the masses for the great tasks of the first Five-Year Plan and the Cultural Revolution, which was intended to eradicate "bourgeois" values and attitudes from Soviet life and to construct a distinctly Socialist culture. Nietzsche's belief that people need illusions to shield them from reality underlay Socialist Realism, the official Soviet aesthetic from 1934 on. In the aftermath of de-Stalinization, the government cast Nietzsche as the personification of "bourgeois" nihilism and "bourgeois" individualism. Soviet intellectuals wishing to reappropriate their lost cultural heritage discovered the Nietzsche-influenced intellectuals of late Imperial Russia and reopened discussion on the issues they had posed. More than an exercise in historical rediscovery, _New Myth, New World_ offers a new interpretation of modern Russian history. By uncovering the buried influence of Nietzschean ideas on Soviet culture and politics, Rosenthal opens new avenues for understanding Soviet ideology and its influence on the twentieth century. (shrink)

Huang and colleagues provide some intriguing insights into the attitudes about end of life care of practising Taiwanese neonatal doctors and nurses.1 There are some similarities with surveys from other parts of the world. Most Taiwanese neonatologists and nurses agreed that it was potentially appropriate to withhold or limit treatment for infants who were dying. A very high proportion was opposed to active euthanasia of such infants. But there were also some striking differences. Only 21% of Taiwanese doctors ‘agreed’ with (...) withdrawal of mechanical ventilation for dying newborn infants. This proportion is lower than reported in any European country.2 More than 90% of neonatologists surveyed in the UK, the USA, The Netherlands and Sweden found withdrawal of mechanical ventilation acceptable.2 ,3 Taiwanese doctors also seemed reluctant to give analgesia or sedatives to such infants, with almost 60% disagreeing with their use in dying infants where there was a risk of hastening death.1 In contrast, two-thirds or more of European neonatologists thought this was acceptable .2The results of the survey of Huang et al highlight three beliefs about end-of-life care that are widespread, but all of which are seriously mistaken1. None are new, but …. (shrink)

Résumé Culture transgénique et art global explore la dimension géopolitique de l’art et certains enjeux actuels de l’interdisciplinarité et de la mondialisation dans le projet « Al Grano » de Pat Badani. Partant de cette capsule complexe qu’est le grain maïs, symbole traditionnel de l’identité nationale mexicaine autant que source de macro-profits de l’industrie agroalimentaire, l’artiste élabore une œuvre étrange, comme génétiquement modifiée, qui constitue une représentation du monde actuel. Le texte analyse ce nouvel hybride que constitue « Al (...) Grano », une œuvre traitant du patrimoine matériel et des vertiges de l’immatérialité et du monde virtuel, dont les contours circonscrivent un environnement « neutralisé ». (shrink)

La pensée est un patrimoine discret et secret au point qu'elle n'est pas habituellement considérée comme un patrimoine au sens propre. Pourtant elle est à l'origine de tous les autres. Probablement sans l'exercice de cette faculté qui leur est propre, les êtres humains n'auraient jamais conçu leurs monuments extraordinaires ni leurs constructions admirables. Du plus petit phénomène jusqu'à la loi générale qui en coordonnerait les enchaînements, la recherche cultivée à l'intérieur de jardins divers et multiples tout le long (...) de l'histoire révèle un désir caché d'absolu. Comme si le jardinier dans l'aspiration d'élargir son horizon avait été amené à un certain moment à pousser les murs et à se retrouver chez le voisin, dans le monde et hors du monde par étapes successives. Un jeu de l'observation, de la mémoire et de l'imagination. En 2003, dans le cadre idéal de la Chartreuse de Valbonne, quelques représentants de disciplines diverses allaient reprendre ce jeu autour d'un thème aussi libre que contraignant tel que l'Espace Spirituel peut l'être. Quelques architectes, mathématiciens, musicologues, musiciens, et philosophes évoquent l'expression : Espace Spirituel chacun selon son angle de vue. L'idée d'Espace dans une cathédrale, dans le désert ou dans un chou fleur... Le Spirituel traverse les cultures du christianisme au judaïsme à l'indouisme. Le regard a l'écoulement du temps et les vignobles de la Chartreuse de Valbonne comme perspective. (shrink)

The Viennese satirist Karl Kraus called progress a ‘standpoint that looks like movement’ and a ‘mobile decoration’: a politically useful slogan devoid of content. Despite his tendency to think in the revolutionary mode of the tabula rasa, Ludwig Wittgenstein was a cultural conservative, sceptical of progress. He shares this pessimistic scepticism with some, but not all, of the early twentieth-century Viennese writers he read enthusiastically. It would, however, be too simple to claim that Wittgenstein did not believe in the possibility (...) of progress. Rather, he thought it mistaken to confuse progress with continued movement in one direction. Georg Henrik von Wright, Wittgenstein's student and successor at Cambridge, has discussed the ‘myth of progress’ in Wittgenstinian terms; the relevance of these analyses of progress in contemporary political discourse is examined. (shrink)

In times of transition and transformation, legal images metastasize. This idea can be usefully related both to Winnicott’s theory of transitional objects and Barthes’ theory of myth. But each tell only part of the full story. Barthes fails to fully account for the stabilizing effect of the reassuring signifier; Winnicott fails to fully account for the ideological adaptability—and implications—of the shifting signified. The legal image unites the iterability of the signifier and the polysemy of the signified, harnessing the affective intensity (...) of the former to the cultural mobility of the latter. In this article, I propose to illustrate this insight by reflecting on two notable images of law that appeared at a moment of profound legal transformation, at the dawn of the early modern era. The images of ‘blind justice’ and ‘sol justitiae’ which the article discusses are both ‘transitional myths’, facilitating through modes of affect a legal journey into uncharted territory. Paying attention to these images and above all to their transformation over time, we can observe not only the process of legal transition at work, but the function of the image in its authorization and modalization. (shrink)

Cet article fait le point sur la grande diversité de la manière dont la notion de populaire est perçue dans les «Cultural Studies». Grosso modo, les différences qui se manifestent tiennent d'abord au fait que les études culturelles ne constituent pas une discipline homogène: le poids des traditions nationales pèse en effet très fortement sur la manière dont le populaire est conçu et jugé en Grande-Bretagne et aux Etats-Unis . Elles sont liées ensuite au fait que le populaire en soi (...) a fait l'objet d'évaluations très contrastées au cours du développement des études culturelles, qui se sont détachées progressivement de leur défense inconditionnelle de la culture ouvrière. L'émergence du populisme et ses rapports avec le néo-libéralisme s'avèrent décisifs dans les nouvelles évolutions du populaire.This article deals with the various ways in which the concept of "popular" has been dealt with in Cultural Studies. Roughly speaking, the dramatic variety of interpretations has to do first of all with the fact that Cultural Studies is not a homogeneous discipline: national traditions, for instance, continue to play a very important role, so that British Cultural Studies does not analyze the popular the same way as American Cultural Studies . Second, the differences within the field are explained by the fact that the interpretation of the popular has shifted dramatically during the decades in which Cultural Studies developed as an autonomous disciplinary field, progressively ceasing to be the sole study of working class culture. The emergence of populism and its relationships with neo-liberalism play a decisive role in this shifting appreciation. (shrink)

The paper analyzes the ways in which Kenneth Anger’s Scorpio Rising (1963) and Steven Spielberg’s Duel (1971) draw on and challenge selected road movie conventions by adhering to the genre’s traditional reliance on cultural critique revolving around the themes of rebellion, transgression and roguery. In particular, the films seem to confront the classic road movie format through their adoption of nomadic narrative structure and engagement in a mockery of subversion where the focus on social critique is intertwined with a deep (...) sense of alienation and existential loss “laden with psychological confusion and wayward angst” (Laderman 83). Following this trend, Spielberg’s film simultaneously depoliticizes the genre and maintains the tension between rebellion and tradition where the former shifts away from the conflict with conformist society to masculine anxiety, represented by middle class, bourgeois and capitalist values, the protagonist’s loss of innocence in the film’s finale, and the act of roguery itself. Meanwhile, Anger’s poetic take on the outlaw biker culture, burgeoning homosexuality, myth and ritual, and violence and death culture approaches the question of roguery by undermining the image of a dominant hypermasculinity with an ironic commentary on sacrilegious and sadomasochistic practices and initiation rites in the gay community. Moreover, both Duel’s demonization of the truck, seen as “an indictment of machines” or the mechanization of life (Spielberg qtd. in Crawley 26), and Scorpio Rising’s (homo)eroticization of a motorcycle posit elements of social critique, disobedience and nonconformity within a cynical and existential framework, hence merging the road movie’s traditional discourse with auteurism and modernism. (shrink)

Existe-t-il véritablement, du point de vue cognitif et épistémologique, une distance insurmontable entre grandes et petites mythologies, entre les récits fondateurs sur lesquels reposent nos références culturelles et littéraires et toutes ces métaphores qui façonnent et orientent en profondeur nos expressions langagières et les objets qui nous entourent et qui, elles aussi, racontent une histoire? Si aucune société ne peut vivre sans mythes, nul ne saurait vivre ni signifier sans métaphore. Et si Œdipe ou Philoctète sont des signifiants lourds de (...) sens capables de générer une pléiade de configurations poétiques sans cesse renouvelées, Levi’s, Coca-Cola ou Apple ne sont pas moins, bien qu’à une dimension et à un degré différent, des noms qui se sont progressivement érigés au statut de mythes contemporains grâce à une habile stratégie où image et récit fondateur se renforcent et se légitiment réciproquement. En tant que force qui harmonise l’ordre et le désordre, le chaos et le cosmos, la symétrie et la dissymétrie, la Loi et la dimension de la fête et du jeu, Apollon et Dionysos, la vie intérieure et l’expérience du monde ; bref, en tant que principe médiateur et réunificateur de l’univers, de la forme et du sens, la métaphore est ainsi l’un des noms possibles de l’imaginaire. L’autre nom, c’est évidemment l’Amour. En effet, du Moyen Âge à l’époque contemporaine, l’amour, en tant que construction à partir d’une image-écran médiatrice, est toujours une quête du sens, un acte de signification, c’est-à-dire un processus dynamique mettant en relation les éléments disjoints du monde et de notre expérience. From a cognitive and epistemological perspective, does an insurmountable distance really exist between big and small mythologies, between founding narratives on which our cultural and literary references are based, all of the metaphors that fashion and orient the depth of our linguistic expression, and the objects that surround us, which, in their own way, tell a story? A society cannot live without myths; nor would one know how to live or to signify without metaphors. If Oedipus or Philoctetus are heavily loaded with meaning and capable of generating a constellation of constantly renewing poetic configurations, Levi’s, Coca-Cola or Apple do no less. Despite being at a different dimension and degree, these names have been progressively built up to the status of contemporary myths by way of a clever strategy in which image and founding story provide reciprocal reinforcement and legitimization. As a harmonizing force of order and disorder, of chaos and cosmos, of symmetry and asymmetry, of the Law and the dimension of party and play, of Apollo and Dionysus, of interior life and the experience of the world, in short, as a mediating and reunifying principle of the universe, of form, and of meaning, metaphor is one possible name for the imaginary. Its other name is, obviously, Love. In fact, from the Middle Ages to contemporary times, love, as a construction growing forth from a mediating image-screen, has always been a quest for meaning, an act of signification, a dynamic process connecting the fractal elements of our world and of our experience. (shrink)

Despite having been underlined as contrary to established fact, the myth that there is a causal link between Protestantism and the emergence of capitalism persists in the popuar imagination as well as the academy. This article illustrates where Max Weber’s theory contradicts all the available historical evidence concerning the emergence of free economies in the West. It shows not only where Weber’s theory is unable to account for the emergence of capitalist practices and thinking before the Reformation, but also the (...) manner in which capitalism’s development in the post-reformation era contradicts Weber’s theory. It then turns to illustrating the ways in which medieval Catholicism contributed to the emergence of the cultural and institutional prerequisites of post- Reformation capitalism, and the manner in which post-Reformation political and religious developments contribute to the emergence of merchantilist and protectionist practices that inhibited economic liberty.Bien qu’ayant été considéré comme contraire au fait établi, le mythe selon lequel il y aurait un lien causal entre le Protestantisme et l’émergence du capitalisme persiste dans l’imagination populaire aussi bien que dans le corps académique. Cet article illustre où la théorie de Max Weber est en contradiction avec toutes les évidences historiques disponibles concernant l’émergence des économies capitalistes en Occident. Il montre non seulement où la théorie de Weber est incapable de prendre en compte l’émergence de pratiques capitalistes et des pensées avant la Réforme, mais aussi la manière dont le développement du capitalisme durant la période suivant la Réforme contredit la théorie de Weber. Il illustre ensuite les manières dont le catholicisme médiéval contribua à l’émergence des pré-requis culturels et institutionnels au capitalisme de l’ère qui suivit la Réforme, et la manière à travers laquelle les développements politiques et religieux postérieurs à la Réforme contribuèrent à l’émergence de pratiques mercantilistes et protectionnistes qui inhibèrent la liberté économique. (shrink)

Cet article présente une esquisse du paysage culturel de la téléphonie mobile en Corée et il évoque l'uniformisation croissante des comportements verbaux et gestuels provoqués par cette technologie. En introduction, la distinction entre trois niveaux d'analyse, l'anthropologique, le global et le local, permet de construire le cadre de l'étude. La section suivante décrit brièvement l'état actuel de l'usage de la téléphonie mobile dans le « Pays du matin calme » et elle fournit des hypothèses afin d'expliquer le goût des Coréens (...) pour la technologie. Dans la troisième section, trois traits culturels sont convoqués pour caractériser la téléphonie mobile en Corée: le féminisme, le techno-nationalisme et l'ambivalence des valeurs modernes et traditionnelles, en particulier la persistance de ces dernières.This article presents an outline of the cultural landscape of mobile telephony in Korea and it evokes the increasing uniformity of verbal behavior and gestures caused by this technology. In the introduction, the distinction between three levels of analysis, anthropological, global and local, can build the framework of the study. The following section briefly describes the current state of the use of mobile telephony in the "Land of the Morning Calm" and provides hypotheses to explain the taste of Koreans technology. In the third section, three cultural traits are called to characterize the mobile phone in Korea: feminism, techno-nationalism and ambivalence values ​​ modern and traditional, in particular the persistence of the latter. (shrink)

La frontière entre légitimité et illégitimité culturelles ne sépare pas seulement les pratiques des différentes classes sociales, mais divise plus ou moins fortement, dans toutes les classes, les différentes pratiques et préférences culturelles des mêmes individus. Les processus de distinction culturelle ne mettent donc pas seulement en jeu les classes sociales et leurs luttes symboliques pour le monopole de la définition légitime des goûts légitimes, mais concernent tout aussi bien la variation intra-individuelle des pratiques. La figure du «populaire» sert ainsi (...) fréquemment de repoussoir dans les luttes de soi contre soi que mènent tous ceux qui, étant donné la mixité de leurs pratiques culturelles, expriment une peur de la régression ou de la chute culturelles. Si le monde social est, sans conteste, un champ de luttes entre groupes ou classes, les individus aux profils culturels hétérogènes ou dissonants sont souvent eux-mêmes les arènes d'une lutte des classements.The boundary between "cultural legitimacy" and "cultural illegitimacy" separates not only the different social classes, but also the different cultural practices and preferences of the same individuals in all classes. The cultural distinction process bring into play not only social classes and their symbolic struggles for the monopoly of legitimate definition of legitimate tastes, but also the intra-individual variation of behaviours. The "popular" figure frequently serves also as a foil in the struggles of oneself against oneself {illegitimate) that lead all those who express a fear of cultural regression or fall because of their cultural practices mixity. If social world is, indisputably, a field of struggles between groups or classes, individuals characterized by heterogeneous or dissonant cultural profiles are themselves often the arenas of a classifications' struggle. (shrink)

Comme l'a écrit Jean Claude Passeron, quand la sociologie française s'attaque à la notion de populaire, «la morale s'en mêle»: le populaire conduit aux deux dérives symétriques et opposées du populisme et du légitimisme. Cette formulation du débat sur le populaire apparaît être spécifique à la France, et en partie due au fait que les échanges avec les sociologies de la culture anglo-saxonne sont restés faibles. À partir de quelques publications-clés dans chacune des traditions, cet article examine les divergences (...) entre les travaux en sociologie de la culture française, l'école anglaise des Cultural Studies, et les recherches américaines inspirées par l'interactionnisme. Il propose aussi de relier le parcours des recherches en sociologie des médias en France à travers cette histoire plus générale du sous-traitement de la catégorie du populaire dans la sociologie de la culture hexagonale.As Jean Claude Fasseron wrote, when French sociology tackles the concept of popular, "morals interferes himself: the popular one led to the two symmetrical and opposed drifts populism and legitimism. This formulation of the debate on the popular one appears being specific to France, and partly due to the fact that the exchanges with sociologies of the Anglo-Saxon culture remained weak. From some key publications in each tradition, this article examines the divergences between work in sociology of the French culture, the English school of Cultural Studies, and the American researches inspired by interactionnism. It also proposes to connect the map of research in sociology of media in France through this more general history of the under-processing of the category of popular in sociology of the hexagonal culture. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 30.1 (2000) 106-123 [Access article in PDF] The (Mis)Uses of Cannibalism in Contemporary Cultural Critique C. Richard King At least since 1979, when W. Arens demystified what he termed "the man-eating myth," cannibalism, once a fundamental feature of the anthropological imagination and a primary trope for interpreting cultural difference, has become subject to serious debate and lingering doubt [see Osborne]. Even as some anthropologists have sought to recuperate (...) anthropophagy as a tangible symbolic, ideological, and ritual complex [Brown and Tuzin; Conklin, "'Thus are our Bodies'"; Forsyth; Harris, Good to Eat 199-234; Sanday], a constellation of scholarly projects and popular works has complicated cannibalism by relocating it in the West. Perhaps most visibly, Hollywood cinema has reclaimed cannibalism. Although a handful of films have revived well-worn clichés of dark-skinned savages preparing to consume Westerners, as in King Solomon's Mines and Crocodile Dundee, others have cast the Western subject as cannibal to grapple with the horrors of reluctant cannibalism, as in Alive! [see Fiddes 121-31], to work through the transgressive and terrifying desires associated with psychopathic cannibalism, as in The Silence of the Lambs [Fuss; Halberstam], and importantly to parody the normative beliefs and behaviors of white, middle-class, heterosexual EuroAmericans, as in Eating Raoul and Parents. At the same time, an array of scholars, artists, and activists have invoked cannibalism to fashion critical perspectives on Western cultural practices. In his film Cannibal Tours (1987), Dennis O'Rourke encourages his audiences to think critically about tourists who travel to the Sepik River Valley to encounter reformed cannibals, asking implicitly who the cannibals are, the Melanesians who formerly (were thought to/claim to have) practiced anthropophagy or the tourists who travel to New Guinea to consume them [see Bruner]. Others have pushed the metaphor. Michael Ames, borrowing explicitly from O'Rourke, uses the cannibal to reframe ethnographic museums and their practices. Similarly, Jane Tompkins asserts that "Museums are a form of cannibalism made safe for polite society" [533]. More generally, Crystal Bartolovich playfully glosses consumerism as the cultural logic of the late cannibalism; bell hooks speaks of the EuroAmerican desires for and incorporation of things ethnic as "eating the other"; and Rosalind Morris suggests that cannibalism is the essential metaphor for late capitalism. More telling, however, are a set of overlapping critical projects that offer detailed theorizations [End Page 106] [Begin Page 108] of contemporary anthropophagy. Here, I will examine three that have had an important impact on discussions of tourism, museums, cultural appropriation, and consumption. Dean MacCannell, in an exciting exploratory review of the documentary Cannibal Tours, makes explicit what O'Rourke left unsaid: we are cannibals, and contemporary capitalism is neocannibalism. Perhaps more radically, Jack Forbes argues that Western civilization fosters cannibalism as an embodied, psychosocial condition or psychosis rooted in exploitation and consumption. Inspired at least in part by Forbes, Deborah Root rethinks Western civilization as cannibal culture.Although I am terribly sympathetic with these perspectives, particularly their political commitments and theoretical creativity, I am disturbed by the practices and effects that animate them. Indeed, as powerful as this critical field promises to be, it is at the same time troubling and dangerous. Although it defamiliarizes practices of cultural production and consumption, it does not enhance understanding of the contexts in which individuals and institutions deploy them and does less to effectively challenge or undermine them. In reframing beliefs and behaviors to accentuate productivity and power, it reinstates and reaffirms binaries and, worse, often turns on the same forms of appropriation.* * *Arguably, flesh eating has always promoted the elaborations of differences. Works central to the Western canon mobilize cannibalism to make (sense of) the world. Herodotus offers an early anthropophagic distinction:These Scythian husbandmen then occupy the country eastward for three days' journey.... Beyond this region the country is desert for a great distance; and beyond the desert Androphagi dwell.... The Androphagi have the most savage customs of all men; they pay no regard to justice, nor make use of any established law. They are nomads and wear a dress like a Scythian; they... (shrink)

Dans Le sabbat des sorcières Ginzburg, s’efforçant d’expliciter la « méthode morphologique » à l’œuvre dans cet ouvrage, affirme reprendre à son compte certaines « questions » formulées par Frazer dans Le Rameau d’or – soit un comparatisme élargi –, sans en « accepter les réponses ». « Mon Frazer a lu Wittgenstein » ajoute-t-il dans une boutade. Dans cet article, on se demandera en quel sens la morphologie de Ginzburg diffère d’une approche « transculturelle » et on analysera comment (...) cette démarche morphologique se fraie une voie dans un dialogue entre histoire et anthropologie. (shrink)

Résumé de la thèse de doctorat de Laure Garrabé qui a été soutenue le 7 décembre 2010 à l'Université de Paris 8 Ce travail propose une contribution à une anthropologie esthétique où l'esthétique est interrogée entre sa compétence socialisante et sa compétence individuante. Dans une perspective interdisciplinaire et une épistémologie de la complémentarité, il s'appuie en particulier sur les appareils théoriques et méthodologiques de - Anthropologie – Nouvel article.

This paper argues that the diagnostic import of Adorno's culture industry writings lie in their psychoanalytically rooted claim that contemporary culture is losing its ability to negate and reconfigure experience, due to the modern subject's instrumentalized relationship to culture. Adorno uses psychoanalytic ideas—namely, modified and historicized versions of Freud's theory of the instincts, ego formation, the reality principle, and the superego—to show that changes in the social organization of the psyche, which track the transition from myth to (...) enlightenment, put the ego in a precarious position, torn between a primal fear of nature that drives it to submit to society, and internalized fear of its own internal nature, as well as of losing itself in society. This explains how culture becomes a resource capable of being mobilized by the ego's defense mechanisms of identification and introjection to shore up its own sense of solidity, thereby negating culture's potential for transcendence or transformation. This paper concludes with a coda that suggests that, while rejecting Adorno's metacritique of the reason is not sufficient grounds for rejecting the culture industry, critical theorists like Habermas and Honneth may have other tools at their disposal for contesting its conclusions. (shrink)

Der Aufsatz behandelt das Problem der sozialpsychologischen Folgen, wenn der Zusammenstoss zweier Kulturen eine Verarmung der einen Kultur mit sich bringt. Die nordamerikanischen Indianer bieten ein gutes Beispiel zum Studium dieses Problems und unter ihnen besonders die Taosin- dianer, die trotz der Berührung mit fremden Kulturen verhältnismässig wenig Mischehen auf weisen. Der Verfasser sieht als die Hauptmöglichkeiten der Reaktion auf eine kulturelle Verarmung an : neue Objektbeziehungen, Anpassung des Denkens, autistische und körperliche Reaktionen. Der Peyote-Kult der ungefähr 1909-10 in Taos (...) eingeführt wurde, wird als eine typisch autistische Reaktion aufgefasst und erklärt. Während im allgemeinen die Kultur der Pueblo-Indianer auf Mässigung und Sachlichkeit aufgebaut ist, ruft der berauschende Genuss des mexikanischen Kaktus, der im Mittelpunkt des Peyote-Kults steht, Visionen hervor, die einen Widerspruch zur traditionellen psychischen Haltung der Pueblo-Indianer bilden. Verfasser schildert die wichtigsten Züge der Glan-Organisation und der religiösen Erziehung, wie sie sich aus seinen Erfahrungen und Beobachtungen in Taos ergeben haben. Die individualistischen Strebungen werden in der Pueblo-Erziehung unterdrückt, beziehungsweise auf die Gemeinschaft projiziert. Der Zusammenstoss mit individualistischen Kulturen, wie die der Nomaden-Indianer, der Mexikaner und Amerikaner, bedeutet deshalb eine schwer zu bewältigende Aufgabe für die Mitglieder des Pueblo. Der Peyote-Kult mildert den intensiven Kollektivismus der Pueblo-Kultur und erleichtert damit dem Individuum die Auseinandersetzung mit den fremden Kulturen. Er kann diese Aufgabe besonders gut erfüllen, weil er als indianische Religion gilt und so keinen Widerspruch mit indianischen Gebräuchen darstellt. Der Verfasser kommt zu dem Schluss, dass in einer Situation, in der eine apollinisch-kollektivistische Kultur auf eine dionysisch-individualistische auftrifft und durch sie eingeschränkt wird, die erstere durch eine Verstärkung des kollektiven Autismus reagiert. L’article étudie le problème des conséquences psychologiques et sociales du choc de deux cultures, lorsque ce choc amène un appauvrissement de l’une d’elles. Les Indiens de l’Amérique du nord offrent un exemple favorable à l’étude de ce problème et, parmi eux particulièrement les Indiens du Taos qui, en dépit du contact avec les cultures étrangères, ont peu connu de mariages „mixtes“. L’auteur considère comme principales réactions possibles à un appauvrissement culturel les réactions suivantes : nouveaux rapports d’objets, adaptation de la pensée, réaction autistique et corporelle. Le culte du peyote qui a été introduit dans le Taos vers 1909-10 est conçu et expliqué comme une réaction typiquement autistique. Alors que, en général, la culture des Indiens pueblos est fondée sur la mesure et l’objectivité, dans le culte du peyote on utilise avant tout le cactus mexicain qui enivre et amène des visions qui sont en opposition avec l’attitude psychique traditionnelle des Indiens pueblos. L’auteur décrit les traits les plus importants de l’organisation de clans et de l’éducation religieuse telles qu’elles lui sont apparues au cours de ses expériences et observations dans le Taos. Les tendances individualistes sont réprimées dans l’éducation pueblo ou projetées sur la communauté. Aussi le choc avec une culture individualiste comme celle des Indiens nomades, des Mexicains et des Américains, impose au membre de la communauté pueblo une tâche difficile à accomplir. Le culte du peyote facilite à l’individu une explication avec les cultures étrangères. Il joue ce rôle tout particulièrement parce qu’il passe pour une religion indienne et ne présente pas de contradiction avec les coutumes indiennes. L’auteur arrive à la conclusion que, dam le cas où une culture apollinienne-collective se heurte à une culture dyoni- sienne-individualiste et se trouve refoulée par elle, la première réagit par un renforcement de l’autisme collectif. Les transformations dans le Taos sont un exemple des relations entre culture collective et culture individualiste et les échanges se terminent en ce cas par l’adaptation de traits individualistes par la culture collectiviste dominée. (shrink)

A fundamental cognitive function found across a wide range of species and necessary for survival is the ability to navigate complex environments. It has been suggested that mobility may play an important role in the development of spatial skills. Despite evolutionary arguments offering logical explanations for why sex/gender differences in spatial abilities and mobility might exist, thus far there has been limited sampling from nonindustrialized and subsistence-based societies. This lack of sampling diversity has left many unanswered questions regarding the effects (...) that environmental variation and cultural norms may have in shaping mobility patterns during childhood and the development of spatial competencies that may be associated with it. Here we examine variation in mobility, performance on large-scale spatial skills, and performance on small-scale spatial skills among Twa forager/pastoralist children whose daily lives have been dramatically altered since settlement and the introduction of government-funded boarding schools. Unlike in previous findings among Twa adults, boys and girls show similar patterns of travel on all measures of mobility. We also find no significant differences in spatial task performance by gender for large- or small-scale spatial skills. Further, children performed as well as adults did on mental rotation, and they outperformed adults on the water-level task. We discuss how children’s early learning environments may influence the development of both large- and small-scale spatial skills. (shrink)

The concept of philosophy as a philosophical problem.--Critical idealism as a philosophy of culture.--Descartes, Leibniz, and Vico.--Hegel's theory of the State.--The philosophy of history.--Language and art I.--Language and art II.--The educational value of art.--Philosophy and politics.--Judaism and the modern political myths.--The technique of our modern political myths.--Reflections on the concept of group and the theory of perception.

This study investigated the relationship between cultural value orientations and country-specific changes in mobility during the Covid-19 pandemic. The aim was to understand how cultural values relate to mobility behavior during the initial stages of the pandemic. The aggregated data include Schwartz's cultural orientations, Gross Domestic Product (GDP) per capita, number of Covid-19 cases per million, and mobility change during the Covid-19 pandemic (Google Mobility Reports; percentage decrease in retail and recreation mobility, transit station mobility, workplace mobility and percentage mobility (...) increase in residential areas). Regression analyses showed that, after controlling for economy and severity of disease, hierarchy was the primary factor reducing mobility, such as staying at home, and mobility in public spaces, such as avoiding retail and recreation sites (marginally significant). The results are discussed in the light of previous literature and the implications for social distancing measures. (shrink)

This article examines the relationship between religion, tradition and identity as seen from the myth about eclipses in a village in Central Java. Javanese people in rural areas still hold beliefs passed down from their ancestors about eclipses, both lunar and solar eclipses. Using a qualitative approach, the results of the study showed that the villagers believe that eclipses occur because of evil giants called buto named Batara Kala who try to devour the sun or the moon. This natural phenomenon (...) is believed to bring disaster to pregnant women and livestock. To fight the disaster, they must perform certain ceremonies or rituals. Based on ethnographic studies, this research provides an overview of eclipse mythology for Javanese locals and analyses it from identity theory. This shows that mythical rituals reflect a continuous identity formation. Although the traditions associated with these myths to some extent transcend the boundaries of the Islamic religion, they remain unchallenged. CONTRIBUTION: This research suggests that myths play an important role in the life and identity of the people who believe in them and perform the rituals associated with them. (shrink)

Since the dawn of Romanticism, artists and intellectuals in Germany have maintained an abiding interest in the gods and myths of antiquity while calling for a new mythology suitable to the modern age. In this study, George S. Williamson examines the factors that gave rise to this distinct and profound longing for myth. In doing so, he demonstrates the entanglement of aesthetic and philosophical ambitions in Germany with some of the major religious conflicts of the nineteenth century. Through readings of (...) key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond. A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy. (shrink)

Following aluminum as part of a material culture of speed and lightness, this article examines how assemblages of energy and metals connect built environments, ways of life, and ideologies of acceleration. Aluminum can be theorized as a circulatory matrix that forms an energy culture. Through a discussion of speed and social justice, the history of aluminium-based socioecologies reveals how the materiality of energy forms assemblages of objects, infrastructures, and practices. The article then traces the aluminum industry’s involvement in (...) the production and distribution of energy itself both at the national scale of power grids and in the emergence of transnational transfers of energy, such as hydropowered smelters in Iceland. Finally, this analysis of deeply embedded energy cultures calls for a transnational approach to the accelerated socioecologies of aluminum production and consumption; and for energy transition theories to pay closer attention to the figured worlds and figuring work of the military-industrial complex. (shrink)

The ethical and social implications of data mining, algorithmic curation and automation in the context of social media have been of heightened concern for a range of researchers with interests in digital media in recent years, with particular concerns about privacy arising in the context of mobile and locative media. Despite their wide adoption and economic importance, mobile dating apps have received little scholarly attention from this perspective – but they are intense sites of data generation, algorithmic processing, and cross-platform (...) data-sharing; bound up with competing cultures of production, exploitation and use. In this paper, we describe the ways various forms of data are incorporated into, and emerge from, hook-up apps’ business logics, socio-technical arrangements, and cultures of use to produce multiple and intersecting data cultures. We propose a multi-layered research agenda for critical and empirical inquiry into this field, and suggest appropriate conceptual and methodological frameworks for exploring the social and political challenges of data cultures. (shrink)

L’article part d’un constat élémentaire : les phénomènes de patrimonialisation se démultiplient et recouvrent toute sorte de réalités. Dans ce contexte, à côté de la recherche traditionnelle sur les questions de patrimoine, ils invitent à développer ce que dans le monde anglo-saxon de la recherche, on dénomme les heritage studies en mettant tout particulièrement l’accent sur la dimension critique de la recherche. Cette dernière ne doit plus chercher à établir, à consolider ou à préserver des patrimoines existants mais à (...) interroger ce qui fait patrimoine et les raisons pour lesquelles des acteurs se mobilisent et tendent à imposer une valeur symbolique à un objet, à une pratique ou à une coutume, non sans en tirer profit. (shrink)

L’article part d’un constat élémentaire : les phénomènes de patrimonialisation se démultiplient et recouvrent toute sorte de réalités. Dans ce contexte, à côté de la recherche traditionnelle sur les questions de patrimoine, ils invitent à développer ce que dans le monde anglo-saxon de la recherche, on dénomme les heritage studies en mettant tout particulièrement l’accent sur la dimension critique de la recherche. Cette dernière ne doit plus chercher à établir, à consolider ou à préserver des patrimoines existants mais à (...) interroger ce qui fait patrimoine et les raisons pour lesquelles des acteurs se mobilisent et tendent à imposer une valeur symbolique à un objet, à une pratique ou à une coutume, non sans en tirer profit. (shrink)