18 found
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Jan Baetens [23]Jan Dirk Baetens [1]
  1. Enough of This So-Called Minimalist Poetry.Jan Baetens & Scott Kushner - 2005 - Substance 34 (2):66-74.
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  2.  31
    Abstraction in Comics.Jan Baetens - 2011 - Substance 40 (1):94-113.
  3.  31
    Autographe/allographe (À propos d'une distinction de Nelson Goodman).Jan Baetens - 1988 - Revue Philosophique De Louvain 86 (2):192-199.
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  4.  6
    Censored field and optical metalepsis in a drawing by swarte, Joost.Jan Baetens - 1988 - Semiotica 68 (3-4):321-329.
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  5. Compte rendu La bataille de l'image.Jan Baetens - 1987 - Semiotica 67:127.
     
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  6. For king and country. A new reading of the murals of Henri Leys in Antwerp City hall.Jan Dirk Baetens - 2012 - Revue Belge de Philologie Et D’Histoire 90 (2).
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  7.  20
    IReworking or Making Up? A Note on Photonovels in Diarmuid Costello’s Approach to Medium Theory.Jan Baetens - 2014 - Critical Inquiry 41 (1):163-166.
  8.  34
    Jacques Derrida: Biography in Action.Jan Baetens - 2012 - Substance 41 (2):139-145.
  9.  19
    La culture populaire n'existe pas, ou les ambiguïtés des Cultural studies.Jan Baetens - 2005 - Hermes 42:70.
    Cet article fait le point sur la grande diversité de la manière dont la notion de populaire est perçue dans les «Cultural Studies». Grosso modo, les différences qui se manifestent tiennent d'abord au fait que les études culturelles ne constituent pas une discipline homogène: le poids des traditions nationales pèse en effet très fortement sur la manière dont le populaire est conçu et jugé en Grande-Bretagne et aux Etats-Unis . Elles sont liées ensuite au fait que le populaire en soi (...)
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  10.  18
    Les dessous d’une planche: Champ censuré et métalepse optique dans un dessin de Joost Swarte.Jan Baetens - 1988 - Semiotica 68 (3-4):321-330.
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  11.  43
    Novelization, a Contaminated Genre?Jan Baetens - 2005 - Critical Inquiry 32 (1):43.
  12.  26
    Pierre Alferi’s “Allofiction”: A Poetics of the Controlled Skid.Jan Baetens & Douglas Basford - 2010 - Substance 39 (3):66-77.
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  13.  23
    Realiteit en fictie in het debat over hoge en lage cultuur binnen cultural studies.Jan Baetens - 2002 - Krisis: Tijdschrift Voor Empirische Filosofie 3 (4):58-66.
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  14. Representing the unrepresentable-ricardou on the word and image problem.Jan Baetens - 1992 - Semiotica 88 (3-4):353-359.
     
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  15. Time and Temporality in European Modernism (1900‑1950).Jan Baetens, Sascha Bru, Dirk de Geest, David Martens & Robin Vogelzang (eds.) - 2016
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  16.  12
    The Intermediate Domain, or the Photographic Novel and the Problem of Value.Jan Baetens - 1989 - Critical Inquiry 15 (2):280-291.
    In recent years, the problem of value has been drastically pushed away towards the periphery of the discipline of literary studies. More and more, this fact has come to be experienced as a source of frustration and misunderstandings.1 In this article, I would like to show the great extent to which a value-oriented approach is in fact inevitable. By the same token, however, I will also indicate the disturbing ambiguities that the consideration of the value-dimension may reveal. The example I (...)
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  17.  9
    Europa! Europa?: The Avant-Garde, Modernism and the Fate of a Continent.Sascha Bru, Jan Baetens, Benedikt Hjartarson, Peter Nicholls, Tania Ørum & Hubert van den Berg (eds.) - 2009 - Walter de Gruyter.
    Biographical note: Sascha Bru, Genth University, Belgium; Peter Nicholls, University of Sussex, UK.
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  18.  21
    André Jolles. Simple Forms: Legend, Saga, Myth, Riddle, Saying, Case, Memorabile, Fairytale, Joke. Trans. Peter J. Schwartz. New York: Verso, 2017. 272 pp. [REVIEW]Jan Baetens - 2019 - Critical Inquiry 45 (4):991-992.
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