On the basis of careful textual exegesis and philosophical analysis, and contrary to the received view, Mark R. Wheeler demonstrates that Aristotle presents and systematically explicates his definition of the essence of the truth in the Metaphysics. Aristotle states the nominal definitions of the terms "truth" and "falsehood" as part of his arguments in defense of the logical axioms. These nominal definitions express conceptions of truth and falsehood his philosophical opponents would have recognized and accepted in the context (...) of dialectical argument. On the basis of these nominal definitions, Aristotle develops his definitions of the essences of truth and falsehood--his "real" definitions of truth and falsehood. Aristotle's methodical exposition of his essential definitions of truth and falsehood in the Metaphysics serves as a well-developed example of how his philosophical inquiry starts with nominal definitions and ends with real definitions. Wheeler also argues for the novel claim that Aristotle defines the most fundamental kind of truth in terms of accurate measurement. Aristotle's metrical conception of truth serves as the theoretical basis for specifying the truth conditions of various assertions, for identifying the sorts of beings implicated in these truth conditions, and for explaining the nature of approximate truth and falsehood. Far from offering us a minimal account of truth, Wheeler shows how Aristotle offers us a sophisticated and metrical theory of truth. (shrink)

Narratives are never meant to be neutral in their rhetorical intent. They have power not onlyto reveal realities and prevail worldviews but also to create new realities and new worldviewsby refuting illusions and falsehood, and affirming the truth. The Judith narrative is a goodexample for the exploration of this claim. This article contributes by employing the thematiclevel of analysis, the veridictory square in particular, of the Greimassian approach to narratives,to map out the possible illusions and affirming the truth within (...) the second temple Judaism.The study of the veridictory square as informed by the level of analysis, mentioned above,seems to persuade the reader by first, extracting the truth from illusion and thereafter exposingand shaming falsehood in Judith. Subsequently, the article asserts that Judith is not neutral in itsintent but was designed to deal with illusive ideas that might have been impacting the wellbeingof the second temple Judaism. (shrink)

"The Sophist seems to be concerned with two things: being and nonbeing, on the one hand, and true and false speech, on the other. If speech is either true or false speech, it seems not even plausible for being to be either being or nonbeing, since we would then be compelled to say that nonbeing is as much being as false speech is speech. If nonbeing, however, is being, then nonbeing cannot be nonbeing, for otherwise the falseness of false speech (...) would not consist in its saying 'nonbeing.' And, in turn, if nonbeing is nonbeing, the falseness of' false speech again cannot consist in its saying 'nonbeing,' for it would then not be saying anything. If we then say that nonbeing is appearing, and appearing is not unqualified nonbeing, being is being and appearing, and we want to distinguish between the strict identity which belongs to being and the likeness of' nonbeing to the strict identity of being. We say, then, 'Here is Socrates himself' and 'Here is a likeness of Socrates.' Everything in the likeness of Socrates that is a likeness of' Socrates himself will generate a true speech of Socrates identical to another speech true of Socrates himself. Everything, how ever, in the likeness of Socrates that is not a likeness of Socrates himself yields a false speech of Socrates. Among the false speeches of Socrates would be, for example, the paint on Socrates' portrait but not the color of the paint that is true of Socrates himself. The paint, then, without the color (per impossibile), is not true of Socrates, but it certainly is not a likeness of Socrates either. The paint must be together with its color in order for it to be both a likeness of Socrates and nonbeing, but it seems to be utterly mysterious how by being together it can be that and by being apart it ceases to be anything of the sort. If every thing then is just what it is and nothing else, it is impossible for there to be any speech, either true or false, for speech is impossible unless something can be put together with something else.. (shrink)

Current epistemological dogma has it that the twin goalsof believing truths and avoiding errors exhaust our cognitive aspirations.On such a view, (call it the TG view) the only evaluationsthat count as genuinely epistemological are those that evaluatesomething (a belief, believer, set of beliefs, a cognitivetrait or process, etc.) in terms of its connection to thesetwo goods. In particular, this view implies that all theepistemic value of knowledge must be derived from thevalue of the two goals cited in TG. I argue (...) thatthis implication is false, and thus that the TG view must be abandoned. I propose a candidate to replacethe TG view that makes better sense of the value ofknowledge. (shrink)

The book presents a thoroughly elaborated logical theory of generalized truth-values understood as subsets of some established set of truth values. After elucidating the importance of the very notion of a truth value in logic and philosophy, we examine some possible ways of generalizing this notion. The useful four-valued logic of first-degree entailment by Nuel Belnap and the notion of a bilattice constitute the basis for further generalizations. By doing so we elaborate the idea of a multilattice, and most notably, (...) a trilattice of truth values – a specific algebraic structure with information ordering and two distinct logical orderings, one for truth and another for falsity. Each logical order not only induces its own logical vocabulary, but determines also its own entailment relation. We consider both semantic and syntactic ways of formalizing these relations and construct various logical calculi. (shrink)

En un futuro transhumano o poshumano que ya no queda muy lejos, frente al Ss̕ifo consciente y en realidad infeliz de Camus el autor opta por el mundo de Matrix, porque, insiste, "Yo, como Cioran, querra̕ no haber nacido. Pero, ya que lo hice, querra̕ vivir felizmente en Matrix o en el mundo de Huxley".

The notion of more truth, or of more truth and less falsehood, is central to epistemology. Yet, I argue, we have no idea what this consists in, as the most natural or obvious thing to say—that more truth is a matter of a greater number of truths, and less falsehood is a matter of a lesser number of falsehoods—is ultimately implausible. The issue is important not merely because the notion of more truth and less falsehood is central (...) to epistemology, but because an implicit, false picture of what this consists in underpins and gives shape to much contemporary epistemology. (shrink)

What makes it true when we say that something is not the case? Truthmaker maximalists think that every truth has a truthmaker—some fact in the world—that makes it true. No such facts can be found for the socalled negative truths. If a proposition is true when it has a truthmaker, then it would be false when it has no truthmaker. I therefore argue that negative truths, such as t<p>, are best understood as falsehoods, f<p>.

A mime presented on videotape Adler’s six great ideas of truth, goodness, beauty, liberty, equality, and justice; their opposites; and the transitions from the positive or “good” concepts to their opposites. Using Johansson’s (1973) technique, the performer’s 12 joints were marked with points of light. Overall, the viewers had marginal success in identifying the concepts, but females were much more successful than males in identifying the “bad” ones of evil, slavery, falsehood, and ugliness, averaging 62% correct to the males’ (...) 23%. The results agree with Hall’s (1984) discussion of sex differences in the interpretation of nonverbal behavior. (shrink)

Current epistemological dogma has it that the twin goalsof believing truths and avoiding errors exhaust our cognitive aspirations. On such a view, (call it the "TG view") the only evaluations that count as genuinely epistemological are those that evaluate something (a belief, believer, set of beliefs, a cognitive trait or process, etc.) in terms of its connection to these two goods. In particular, this view implies that all the epistemic value of knowledge must be derived from the value of the (...) two goals cited in TG. I argue that this implication is false, and thus that the TG view must be abandoned. I propose a candidate to replace the TG view that makes better sense of the value of knowledge. (shrink)

Sophists and rhetoricians like Gorgias are often accused of disregarding truth and rationality: their speeches seem to aim only at effective persuasion, and be constrained by nothing but persuasiveness itself. In his extant texts Gorgias claims that language does not represent external objects or communicate internal states, but merely generates behavioural responses in people. It has been argued that this perspective erodes the possibility of rationally assessing speeches by making persuasiveness the only norm, and persuasive power the only virtue, of (...) speech. Against this view, I show how Gorgias’ texts support a robust normativity of language that goes well beyond persuasion while remaining non-representational. Gorgias’ claims that a speech can be persuasive and false, or true and unpersuasive, reveal pragmatic, epistemic, and agonistic constraints on the validity of speech that are neither representational nor reducible to sheer persuasiveness. (shrink)

CONTRASTING PREJUDICES TRUTH AND FALSEHOOD How can one say something false? How can one even think such a thing? Since, for example, all men are mortal, ...

Sextus Empiricus ascribes to Epicurus a curious account of truth and falsehood, according to which these characteristics belong to things in the world about which one speaks, not to what one says about them. I propose an interpretation that takes this account seriously and explains the connection between truth and existence that the Epicureans also seem to recognise. I then examine a second Epicurean account of truth and falsehood and show how it is related to the first.

The logic with independent truth and falsehood operators TFL is proposed. In TFL(→) standard truth-conditions for the implication are adopted. Nevertheless the laws of classical logic are not valid. In this language more then 107 different binary connectives can be defined. So this logic can be treated as universal logic relatively to the class of sentential logics.

David Papineau’s _The Metaphysics of Sensory Experience_ is deep, insightful, refreshingly brisk, and very readable. In it, Papineau argues that sensory experiences are intrinsic and non-relational states of subjects; that they do not essentially involve relations to worldly facts, properties, or other items (though they do happen to correlate with worldly items); and that they do not have truth conditions simply in virtue of their conscious (i.e., phenomenal) features. I am in enthusiastic agreement with the picture as described so far. (...) But Papineau also argues that sensory experiences are in no interesting sense essentially representational and that what is responsible for their truth conditions is their correlations with the environment. Here, I disagree. Indeed, I think Papineau does not follow his arguments to their proper conclusions. For if sensory experiences are intrinsic, non-relational, and only contingently correlated with worldly conditions (as Papineau and I agree they are), then the phenomenal features of sensory states are representational in an important sense: they constitute what we think, perceptually experience, or otherwise entertain, making up how things seem to us from a first-person perspective. Because of this, the truth conditions of perceptual experiences cannot be entirely independent of their phenomenal features. They cannot merely be a matter of environmental correlations. If we follow Papineau’s arguments to their proper conclusions, we end up with a view much closer to a version of representationalism that Papineau dismisses, a view he calls “pure phenomenal intentionalism”. (shrink)

We discuss misinformation about “the liar antinomy” with special reference to Tarski’s 1933 truth-definition paper [1]. Lies are speech-acts, not merely sentences or propositions. Roughly, lies are statements of propositions not believed by their speakers. Speakers who state their false beliefs are often not lying. And speakers who state true propositions that they don’t believe are often lying—regardless of whether the non-belief is disbelief. Persons who state propositions on which they have no opinion are lying as much as those who (...) state propositions they believe to be false. Not all lies are statements of false propositions—some lies are true; some have no truth-value. People who only occasionally lie are not liars: roughly, liars repeatedly and habitually lie. Some half-truths are statements intended to mislead even though the speakers “interpret” the sentences used as expressing true propositions. Others are statements of propositions believed by the speakers to be questionable but without revealing their supposed problematic nature. The two “formulations” of “the antinomy of the liar” in [1], pp.157–8 and 161–2, have nothing to do with lying or liars. The first focuses on an “expression” Tarski calls ‘c’, namely the following. -/- c is not a true sentence -/- The second focuses on another “expression”, also called ‘c’, namely the following. -/- for all p, if c is identical with the sentence ‘p’, then not p -/- Without argumentation or even discussion, Tarski implies that these strange “expressions” are English sentences. [1] Alfred Tarski, The concept of truth in formalized languages, pp. 152–278, Logic, Semantics, Metamathematics, papers from 1923 to 1938, ed. John Corcoran, Hackett, Indianapolis 1983. -/- https://www.academia.edu/12525833/Sentence_Proposition_Judgment_Statement_and_Fact_Speaking_about_th e_Written_English_Used_in_Logic. (shrink)

In De Interpretatione 6-9, Aristotle considers three logical principles: the principle of bivalence, the law of excluded middle, and the rule of contradictory pairs (according to which of any contradictory pair of statements, exactly one is true and the other false). Surprisingly, Aristotle accepts none of these without qualification. I offer a coherent interpretation of these chapters as a whole, while focusing special attention on two sorts of statements that are of particular interest to Aristotle: universal statements not made universally (...) and future particular statements. With respect to the former, I argue that Aristotle takes them to be indeterminate and so to violate the rule of contradictory pairs. With respect to the latter, the subject of the much discussed ninth chapter, I argue that the rule of contradictory pairs, and not the principle of bivalence, is the focus of Aristotle's refutation. Nevertheless, Aristotle rejects bivalence for future particular statements. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Peter Lamarque TRUTH AND ART IN IRIS MURDOCH'S THE BLACK PRINCE "Art," writes Bradley Pearson, protagonist and narrator in The Black Prince, "is concerned not just primarily but absolutely with truth." Bradley Pearson is also concerned with truth. And understandably so, as he has just taken the rap, and been imprisoned, for a murder he claims he never committed. There are two rather different concerns here with truth: there (...) is the high-minded concern of the artist and there is the more pragmatic concern of the despised and falsely convicted man writing his "apologia." The careful juxtaposition of these two appeals to truth is a central theme in The Black Prince. The bulk of the novel purports to be a first-person narration of events in the later life of Bradley Pearson. Bradley is a writer who has been waiting patiently and silently for the inspiration, "the dark blaze," to produce a great work of art. This "dark blaze" eventually shows itself as the "black Eros," in a passionate but short-lived love affair with the youngJulian Baffin. Bradley is reflecting on these events from his prison cell, guided by his mentor and fellow prisoner, the "editor" P. Loxias (a witty reference to Apollo, god of truth). He sees his art and his love as stemming "from the same source" (p. 172) and, although sensitive to his shortcomings as an artist, he believes that through a divine inspiration he has attained a kind of Platonic tranquillity in the presence of truth and self-knowledge. However, through the device of "postscripts," purportedly written by other characters, we are presented with another picture of him rather different from his own. His former friends, more down to earth, though variously self-interested, depict him as a pitiful, even contemptible, charlatan lost in fantasy and delusion and a suitable case for psychoanalysis. What, then, is the real Bradley Pearson? Is he the pathetic, fantasy-ridden creature of the "postscripts"? Or is he, as he thinks, the great artist inspired by the gods and by Eros who has seen the revelation of truth? 209 2 1 0 Philosophy and Literature By forcing us to raise these questions about the novel, Iris Murdoch, I suggest, is inviting us to reflect on, and relate, two concerns we might have with truth in works of fiction. The first is with truth internal to the novel, truth-within-fiction, which informs us about the fictional characters and events. In The Black Prince, our attention is focused on unravelling and assessing the "truth" of Bradley's account. The second is with truth proper, as it might be revealed through fiction. This is truth not about the fictional world but about the non-fictional real world. It is often maintained that novels can instruct us in acquiring knowledge of the world. This, I suggest, is the type of truth that Bradley, so grandly and solemnly, and frequently, identifies with art. The nature of such truth is the main topic of this article. II What sense can we make of Bradley's repeated claims to the effect that "good art speaks truth" (p. xi)? One answer, reflecting an obvious feature of literary works, is that propositions about the world are often expressed, explicitly, within a fictional context; they might be uttered by one of the characters or directly by the author. The Black Prince offers many such propositions, some of which, on the nature of art, I shall be considering in detail. Examples are plentiful. Thus, Bradley remarks on marriage: "People who boast of happy marriages are, I submit, usually self-deceivers, if not actually liars. The human soul is not framed for continued proximity..." (p. 64). He meditates on love: "The foreverness of real love is one of the reasons why even unrequited love is a source of joy" (pp. 173-74) and discusses jealousy (p. 207). He also reflects on human consciousness and responsibility (p. 155) and on selfishness and goodness: "The burden of genuine goodness is instinctively appreciated as intolerable, and a desire for it would put out of focus the other and ordinary wishes by which one lives" (p. 149). Such explicit propositions carry us beyond the... (shrink)

In Philosophical Logic, the Liar Paradox has been used to motivate the introduction of both truth value gaps and truth value gluts. Moreover, in the light of “revenge Liar” arguments, also higher-order combinations of generalized truth values have been suggested to account for so-called hyper-contradictions. In the present paper, Graham Priest's treatment of generalized truth values is scrutinized and compared with another strategy of generalizing the set of classical truth values and defining an entailment relation on the resulting sets of (...) higher-order values. This method is based on the concept of a multilattice. If the method is applied to the set of truth values of Belnap's “useful four-valued logic”, one obtains a trilattice, and, more generally, structures here called Belnap-trilattices. As in Priest's case, it is shown that the generalized truth values motivated by hyper-contradictions have no effect on the logic. Whereas Priest's construction in terms of designated truth values always results in his Logic of Paradox, the present construction in terms of truth and falsity orderings always results in First Degree Entailment. However, it is observed that applying the multilattice-approach to Priest's initial set of truth values leads to an interesting algebraic structure of a “bi-and-a-half” lattice which determines seven-valued logics different from Priest's Logic of Paradox. (shrink)

This paper develops an account of accuracy and truth in pictorial assertion. It argues that there are two ways in which pictorial assertions can be indirect: with respect to their content and with respect to their target. This twofold indirectness explains how accurate, unedited pictures can be used to make false pictorial assertions. It captures the fishiness of true pictorial assertions involving target-indirectness, such as true pictorial assertions involving outdated pictures. And it raises the question whether target-indirectness may (...) also arise in linguistic assertion. (shrink)

Judgments of the rationality of beliefs must take the costs of acquiring and possessing beliefs into consideration. In that case, certain false beliefs, especially those that are associated with the benefits of a cohesive community, can be seen to be useful for an agent and perhaps instrumentally rational to hold. A distinction should be made between excusable misbeliefs, which a rational agent should tolerate, and misbeliefs that are defensible in their own right because they confer benefits on the agent. Likely (...) candidates for such misbeliefs are to be found in the realm of nationalism and religion, where the possession costs of true beliefs are high, and where collective beliefs in falsehoods may allow for a cohesive community. We discuss the paradoxes of reflective awareness involved in the idea of deliberately embracing falsehoods. More rigorous, fully reflective concepts of rationality would still disallow false beliefs, but such demanding versions of rationality would commit agents to pay large costs, thereby weakening the motivation for acquiring true beliefs. (shrink)

Postmodernism, globalism & the New Age -- Who are the traditionalists? -- What is the New Age? -- New Age authorities : a divided house -- The shadows of God -- The war against love -- Ufos & traditional metaphysics : a postmodern demonology -- Vigilance at the eleventh hour : a refutation of The only tradition -- Comparative eschatology -- Facing apocalypse.

Our linguistic communication is, in part, the exchange of truths. It is an empirical fact that in daily conversation we aim at truths, not falsehoods. This fact may lead us to assume that ordinary, assertion-based communication is the only possible communicative system for truth-apt information exchange, or at least has priority over any alternatives. This assumption is underwritten in three traditional doctrines: that assertion is a basic notion, in terms of which we define denial; that to predicate truth of a (...) sentence is to assert the content it expresses; and that one should, in the context of radical interpretation, try to maximize the truth of what foreigners believe or utter. However, I challenge this assumption via a thought experiment: imagine a language game in which everyone aims to exchange only falsehoods. I argue that information exchange is possible in this game, and so truth-guided communication and falsity-guided communication are conceptually on a par. As a consequence, we should reject the three doctrines, based as they are on the conceptual priority of assertion-based communication. (shrink)

Our linguistic communication is, in part, the exchange of truths. It is an empirical fact that in daily conversation we aim at truths, not falsehoods. This fact may lead us to assume that ordinary, assertion-based communication is the only possible communicative system for truth-apt information exchange, or at least has priority over any alternatives. This assumption is underwritten in three traditional doctrines: that assertion is a basic notion, in terms of which we define denial; that to predicate truth of a (...) sentence is to assert the content it expresses; and that one should, in the context of radical interpretation, try to maximize the truth of what foreigners believe or utter. However, I challenge this assumption via a thought experiment: imagine a language game in which everyone aims to exchange only falsehoods. I argue that information exchange is possible in this game, and so truth-guided communication and falsity-guided communication are conceptually on a par. As a consequence, we should reject the three doctrines, based as they are on the conceptual priority of assertion-based communication. (shrink)

This paper defines what is and what is not science. These novel science definitions demonstrate that illustrations, like mathematics, can be scaler, real, not real, valid, and invalid. These definitions identify non-inertial reference frame logic inconsistencies, emphasizing the continued search for relative movement definitions. This search leads to Aristotle’s primary circular and secondary rectilinear movement concepts defining the at-rest reference frame, motion, and relative movement. These three novel movement definitions are confirmed using Ptolemy’s dropped ball observation, Michelson-Morley’s null result, (...) a dropped ball on a rotating platform Coriolis effect, and light’s Doppler shift. The novel relative movement definitions demonstrate Ptolemy’s dropped ball and Michel-son-Morley’s reflected light represent motion in an at-rest reference frame. The novel relative movement definition reveals the Coriolis effect and light’s Doppler shift describe the same physical process. Two future experiments are suggested to confirm the novel movement definitions. Developing the novel relative movement concepts will require applying mathematics to circular movement velocity concepts, such as rotational inertia and angular velocity. (shrink)

I show that Wittgenstein's critique of G.H. Hardy's mathematical realism naturally extends to Paul Benacerraf's influential paper, ‘Mathematical Truth’. Wittgenstein accuses Hardy of hastily analogizing mathematical and empirical propositions, thus leading to a picture of mathematical reality that is somehow akin to empirical reality despite the many puzzles this creates. Since Benacerraf relies on that very same analogy to raise problems about mathematical ‘truth’ and the alleged ‘reality’ to which it corresponds, his major argument falls prey to the same critique. (...) The problematic pictures of mathematical reality suggested by Hardy and Benacerraf can be avoided, according to Wittgenstein, by disrupting the analogy that gives rise to them. I show why Tarskian updates to our conception of ‘truth’ discussed by Benacerraf do not answer Wittgenstein's concerns. That is, because they merely presuppose what Wittgenstein puts into question, namely, the essential uniformity of ‘truth’ and ‘proposition’ in ordinary discourse. (shrink)

Nietzsche often gives the impression that all human beliefs are false. Some scholars, like Maudemarie Clark, believe that such a “falsification thesis” is unacceptable and try to limit Nietzsche's commitment to it, claiming that he abandons it in his very last works. Others, like Lanier Anderson and Nadeem Hussain, take it in ways that make it true and locate it in all. I argue that the view that is common to both approaches—that Nietzsche held that thesis in the first place—is (...) unjustified. To that end, I interpret the texts where these scholars claim to find the thesis in a way that shows that they do not commit Nietzsche to it, and I offer some reasons for thinking that this is a more fruitful way of interpreting his views on the importance of truth—and falsehood—and their function in the economy of human life. (shrink)

Offers a thorough, multidisciplinary picture of the informational challenges of our media ecosystem, as well as collaborative strategies for addressing them.

James A. Diefenbeck, Wayward Reflections on the History ofPhilosophyThomas R. Flynn Sartre, Foucault and Historical Reason. Volume 1:Toward an Existential Theory of HistoryMark Golden and Peter Toohey Inventing Ancient Culture:Historicism, Periodization and the Ancient WorldZenonas Norkus Istorika: Istorinis IvadasEverett Zimmerman The Boundaries of Fiction: History and theEighteenth‐Century British Novel.

Denyer sets out to explain a puzzle about early Greek philosophers: Why are these early thinkers so worried about the possibility of false statement and false judgment? Denyer begins by pointing out that modern philosophers are more worried by truth: for them the problem is to explain how we can make true judgments, not how false ones are possible.

ABSTRACT The advent of Covid-19, a new and highly contagious form of Corona virus, in late 2019 cast a harsh light on human vulnerabilities and on the provocations (and opportunities) facing humanity. Although many of the more drastic measures applied within educational settings have since ceased to apply, at least for the time being, we are not yet ‘past Covid’: many of the challenges that are discussed here still exist. As we faced unprecedented disruption to economies, societies and education systems, (...) the global health pandemic drew attention to existing inequalities and presented a clear picture of steps required for addressing the education of close to one billion students whose learning was hampered due to school closures. The magnitude of this challenge was and still is starkly manifest with the digital divide on the African continen. Democratization of education has been perceived to include facilitation of both formal and epistemic access (including allocation of new technologies for teaching and learning), reconceptualization of knowledge, truth and learning, recognition of ‘other standpoints for knowledge’ and ‘very different knowledge registers,’ recovery of ‘lost knowledge resources’ and connection of ‘multiple ways of knowing,’ and respectful engagement ‘with indigenous and local knowledges,’ idea that merit critical interrogation. (shrink)

Lies and deception are often used in the care for demented elderly and often with the best intentions. However, there is a strong moral presumption against all forms of lying and deceiving. The goal of this article is to examine and evaluate concrete examples of deception and lies in dementia care, while addressing some fundamental issues in the process.It is argued that because dementia slowly diminishes the capacities one needs to distinguish between truths and falsehoods, the ability to be lied (...) to also disappears. When the moral reasons to reject lying are explored, it becomes clear that most of them also hold where demented patients are concerned, though this also depends on the capacities of the patient. Lying, though prima facie wrong, can sometimes be justified with an appeal to well-being. The relationship between well-being and the truth is further explored. Two examples of deceiving demented patients for reasons of beneficence are discussed, from which it can be concluded that although in some cases beneficent lies or deception will not enhance patients’ well-being, there are circumstances in which they do. In general, methods that enhance the well-being of the patient without deception or lies should be favored above options that use deceit, and methods of getting the truth across without hurting the patient should be favored above blunt honesty. Finally, it is important to note that not only the patient but also the nursing and medical staff can be affected by the use of lies and deception. (shrink)

Bringing together Deleuze, Blanchot, and Foucault, this book provides a detailed and original exploration of the ideas that influenced Deleuze's thought leading up to and throughout his cinema volumes and, as a result, proposes a new definition of art. Examining Blanchot's suggestion that art and dream are "outside" of power, as imagination has neither reality nor truth, and Foucault's theory that power forms knowledge by valuing life, Eugene Brent Young relates these to both Deleuze's philosophy of time and his work (...) with Guattari on art. In doing so, he uses case studies from literature and popular film, including Kafka's Castle, Villeneuve's Arrival, and Kubrick's Eyes Wide Shut. Providing important new insights for those working in literary and cinematic studies, this book advances a new definition of art as that which reverses the realities and truths of power to express obscure ideas and values beyond both our exterior and interior worlds. (shrink)

In this paper, I provide an interpretation of the symploke ton eidon at Soph. 259e. My goal is to show that the specific metaphysical view expressed by the interweaving of forms best accounts for Plato’s explanation of truth and falsehood. In the first section, I introduce the fundamentals of the interpretation of the greatest kinds and their functions. After that, I propose an interpretation of the assertion at 259e, the upshot of which is that the interweaving of forms only (...) deals with extra-linguistic items, that it is related to both truth and meaning of linguistic items, in a very complex way which I aim to explain throughout the paper, and that it never involves sensible particulars. In the second section, I put forward my reading of the Stranger’s description of how logoi are structured and how they work. I pay particular attention to the view that words reveal being when they intertwine to form a statement. In the third section, I interpret the statements concerning Theaetetus. My goal is to advance a new reading of the specific role that kinds and their interweaving play with regard to the truth and falsehood of the statements concerning Theaetetus. The result is the very specific view that the kinds, which are the separated ontological cause of what happens in space and time, are the grounds of both the truth and the meaning of statements. (shrink)

A COMPANION TO MOTION PICTURES AND PUBLIC VALUE A Companion to Motion Pictures and Public Value brings together original essays by world-renowned scholars investigating the varied intersections of the moving image and the public good. Covering a wide range of types and genres of cinema, this unprecedented volume explores the past, present, and possible future contributions of motion pictures to public value. With a cross-disciplinary approach, the text presents original conceptual work, global perspectives, philosophical (...) arguments, historical discussion, empirical research, and specific case studies of the direct and indirect public value developed through motion pictures. Organized into seven thematic sections, this Companion identifies and discusses the various kinds of values that motion pictures can deliver, including artistic and aesthetic, ethical and moral, spiritual and religious, cultural, environmental, political, and cognitive. Throughout the text, readers are provided with deep insight into the issue of public value as it relates to cinema and its positive impact on human life and society. A Companion to Motion Pictures and Public Value is an ideal textbook for advanced undergraduate and graduate courses in Film, Media, and Cultural Studies, and is a valuable resource for scholars across a variety of disciplines. (shrink)