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  1.  3
    Four Essays on Aesthetics: Toward a Global Perspective.Zehou Li & Jane Cauvel - 2006 - Lexington Books.
    Available for the first time in English, Li Zehou's philosophical aesthetics interpret the historical origins and evolution of aesthetic experience and their significance to the intellectual, emotional, and spiritual growth of human beings. Although LI's ideas have been debated in China for more than two decades, his conversations with Jane Cauvel will now allow Western students and philosophers to re-encounter Chinese and Western conceptions of aesthetics, and the way art shapes indiciduals, societies, technology, and the future of humankind.
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  2.  7
    After Virtue: A Study in Moral Theory. [REVIEW]Jane Cauvel - 1982 - Teaching Philosophy 5 (3):245-246.
  3.  30
    Art and Its Significance: An Anthology of Aesthetic Theory. [REVIEW]Jane Cauvel - 1985 - Teaching Philosophy 8 (1):82-83.
  4.  37
    After Virtue.Jane Cauvel - 1982 - Teaching Philosophy 5 (3):245-246.
  5. Truth and Falsehood in Visual Images.Jane Cauvel - 1984 - Journal of Aesthetics and Art Criticism 43 (1):107-110.
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  6.  26
    Philosophy Looks at the Arts: Contemporary Readings in Aesthetics, Third Edition. [REVIEW]Jane Cauvel - 1988 - Teaching Philosophy 11 (4):355-356.
  7.  30
    An Outlook on the Future.Jane Cauvel - 1965 - World Futures 4 (2):94-99.
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  8.  26
    Philosophical Issues in Art.Jane Cauvel - 1986 - Teaching Philosophy 9 (2):170-172.
  9.  27
    Philosophy of Art.Jane Cauvel - 1980 - Teaching Philosophy 3 (3):349-352.
  10.  9
    Perceiving Artworks.Jane Cauvel - 1983 - Journal of Aesthetic Education 17 (2):125.
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  11.  12
    J. Glenn Gray 1913-1977.Jane Cauvel - 1978 - Proceedings and Addresses of the American Philosophical Association 51 (5):578 - 579.
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  12.  33
    The Transformative Power of Art: Li Zehou's Aesthetic Theory.Jane Cauvel - 1999 - Philosophy East and West 49 (2):150-173.
    The power of the arts to transform animates Li Zehou's aesthetics, well known to Chinese aestheticians but little known in the West. Li believes his sedimentation theory combined with his reinterpretations of Marx and traditional Chinese thought overcome weaknesses in Western aesthetics. Ideas Li sees as fundamental to aesthetic development, the transforming powers of aesthetic experience, and goals Li sets for self-cultivation and creativity as artists confront contemporary global issues are examined. Perhaps overly sanguine to jaded Western readers, Li's confidence (...)
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