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Richard Eldridge [105]Richard Thomas Eldridge [8]Richard P. Eldridge [1]
  1.  36
    The Company We Keep: An Ethics of Fiction.Richard Eldridge - 1991 - Journal of Aesthetics and Art Criticism 49 (1):98-100.
    In _The Company We Keep_, Wayne C. Booth argues for the relocation of ethics to the center of our engagement with literature. But the questions he asks are not confined to morality. Returning ethics to its root sense, Booth proposes that the ethical critic will be interested in any effect on the ethos, the total character or quality of tellers and listeners. Ethical criticism will risk talking about the quality of _this_ particular encounter with _this_ particular work. Yet it will (...)
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  2.  22
    Leading a Human Life: Wittgenstein, Intentionality, and Romanticism.Richard Thomas Eldridge - 1997 - Chicago, IL, USA: University of Chicago Press.
    In this provocative new study, Richard Eldridge presents a highly original and compelling account of Wittgenstein's _Philosophical Investigations_, one of the most enduring yet enigmatic works of the twentieth century. He does so by reading the text as a dramatization of what is perhaps life's central motivating struggle—the inescapable human need to pursue an ideal of expressive freedom within the difficult terms set by culture. Eldridge sees Wittgenstein as a Romantic protagonist, engaged in an ongoing internal dialogue over the nature (...)
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  3.  23
    (1 other version)An Introduction to the Philosophy of Art.Richard Thomas Eldridge - 2003 - New York: Cambridge University Press.
    An Introduction to the Philosophy of Art is a clear and compact survey of philosophical theories of the nature and value of art, including in its scope literature, painting, sculpture, music, dance, architecture, movies, conceptual art and performance art. This second edition incorporates significant new research on topics including pictorial depiction, musical expression, conceptual art, Hegel, and art and society. Drawing on classical and contemporary philosophy, literary theory and art criticism, Richard Eldridge explores the representational, formal and expressive dimensions of (...)
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  4.  15
    The persistence of romanticism: essays in philosophy and literature.Richard Thomas Eldridge - 2001 - New York: Cambridge University Press.
    These challenging essays defend Romanticism against its critics. They argue that Romantic thought, interpreted as the pursuit of freedom in concrete contexts, remains a central and exemplary form of both artistic work and philosophical understanding. Marshalling a wide range of texts from literature, philosophy and criticism, Richard Eldridge traces the central themes and stylistic features of Romantic thinking in the work of Kant, Hölderlin, Wordsworth, Hardy, Wittgenstein, Cavell and Updike. Through his analysis he shows that Romanticism is neither emptily literary (...)
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  5.  23
    Analytic Philosophy of Film.Richard Eldridge - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 237-258.
    This chapter contrasts the broadly empirical, pluralist, and construction device–oriented approaches to film study of analytic philosophy of film with the broadly socially hermeneutic, artistically and politically avant-gardist stances of Continental film theory. Analytic philosophy of film has tended to focus on classic Hollywood films and continuity editing, in order to explore the achievements of these films as art, while Continental film theory frequently finds such films to be regressive and technically uninteresting. I explore in detail the work of such (...)
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  6.  34
    Images of History: Kant, Benjamin, Freedom, and the Human Subject.Richard Eldridge - 2016 - New York, US: Oxford University Press USA.
    Developing work in the theories of action and explanation, Eldridge argues that moral and political philosophers require accounts of what is historically possible, while historians require rough philosophical understandings of ideals that merit reasonable endorsement. Both Immanuel Kant and Walter Benjamin recognize this fact. Each sees a special place for religious consciousness and critical practice in the articulation and revision of ideals that are to have cultural effect, but they differ sharply in the forms of religious-philosophical understanding, cultural criticism, and (...)
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  7. Form and content: An aesthetic theory of art.Richard Eldridge - 1985 - British Journal of Aesthetics 25 (4):303-316.
  8. Literature, Life, and Modernity.Richard Thomas Eldridge - 2008 - Cambridge University Press.
    In Literature, Life, and Modernity Richard Eldridge focuses on the question of a reader's or a viewer's response to a literary or dramatic work in a specific historical epoch ("modernity"). That is, in contrast with many other philosophical approaches to literature, he avoids fixing attention on any putative doctrinal (moral or political or diagnostic) claims in a literary work. Thereby, and in many other admirable ways, he avoids the danger of treating literature as philosophy manqué, concedes the distinctness of literary (...)
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  9. Wittgenstein on aspect-seeing, the nature of discursive consciousness, and the experience of agency.Richard Eldridge - 2010 - In William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew. Cambridge University Press.
     
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  10.  52
    Love's Knowledge, by Martha C. Nussbaum. [REVIEW]Richard Eldridge - 1992 - Philosophy and Phenomenological Research 52 (2):485-488.
  11.  44
    Kant, Cavell, and the Circumstances of Philosophy.Richard Eldridge - 2014 - Journal of Aesthetic Education 48 (3):73-86.
    It is a pleasure to respond to Paul Guyer’s rich, imaginative, and sound paper on perfectionist themes in Kant and Cavell in relation to moral and aesthetic education, just as it was instructive and pleasurable to read it. Overall, it is one of the best and most useful things I have read on Cavell, especially in deepening and enriching the insights of both Kant and Cavell by juxtaposing them against each other, rather than simply repeating the terminology of either alone. (...)
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  12.  14
    Truth in poetry : particulars and universals.Richard Eldridge - 2007 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Malden, MA: Wiley-Blackwell. pp. 385–398.
  13. The Oxford handbook of philosophy and literature.Richard Thomas Eldridge (ed.) - 2009 - New York: Oxford University Press.
    The Oxford Handbook of Philosophy and Literature contains 23 newly commissioned essays by major philosophers and literary scholars that investigate literature ...
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  14.  11
    OTHELLO and the Problem of Knowledge: Reading Shakespeare through Wittgenstein, by Richard Gaskin.Richard Eldridge - forthcoming - Mind.
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  15.  21
    Nancy Yousef, The Aesthetic Commonplace: Wordsworth, Eliot, Wittgenstein and the Language of Everyday Life.Richard Eldridge - 2023 - Nordic Wittgenstein Review 12.
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  16. Hegel on music.Richard Eldridge - 2007 - In Stephen Houlgate (ed.), Hegel and the Arts. Northwestern University Press.
     
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  17. Aesthetics and Ethics.Richard Eldridge - 2003 - In Jerrold Levinson (ed.), The Oxford handbook of aesthetics. New York: Oxford University Press.
     
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  18. Between Acknowledgment and Avoidance.Richard Eldridge - 2003 - In Richard Thomas Eldridge (ed.), Stanley Cavell. New York: Cambridge University Press. pp. 1--14.
  19. The Normal and the Normative: Wittgenstein’s Legacy, Kripke, and Cavell.Richard Eldridge - 1986 - Philosophy and Phenomenological Research 46 (4):555-575.
  20.  55
    Hypotheses, Criterial Claims, and Perspicuous Representations: Wittgenstein's 'Remarks on Frazer's The Golden Bough'.Richard Eldridge - 1987 - Philosophical Investigations 10 (3):226-245.
  21. Cavell on American philosophy and the idea of America.Richard Eldridge - 2003 - In Richard Thomas Eldridge (ed.), Stanley Cavell. New York: Cambridge University Press. pp. 172--190.
  22.  30
    Hegel’s Account of the Unconscious and Why It Matters.Richard Eldridge - 2014 - Review of Metaphysics 67 (3):491-515.
    Hegel’s account of the unconscious and his broader philosophy of mind offer us a well worked out form of non-dualist, non-reductionist, non-eliminativist, non-representationalist naturalism. Hegel describes the development of discursively structured thought (and responsiveness to norms) in ethological terms as emerging from initial somatic-sensory states, from states and processes of bodily activity on the part of a feeling soul, and from structured habituation in relation to other subjects. Importantly, earlier, less organized states of sensory awareness and feeling persist as residues (...)
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  23.  49
    How can tragedy matter for us?Richard Eldridge - 1994 - Journal of Aesthetics and Art Criticism 52 (3):287-298.
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  24. The Persistence of Romanticism: Essays in Philosophy and Literature.Richard Eldridge - 2004 - Journal of Aesthetics and Art Criticism 62 (4):401-402.
     
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  25.  31
    T. S. Eliot and the Philosophy of Criticism.Richard Eldridge - 1988 - Journal of Aesthetics and Art Criticism 46 (4):529-531.
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  26.  27
    The Threat of Solipsism: Wittgenstein and Cavell on Meaning, Skepticism, and Finitude by Jônadas Techio.Richard Eldridge - 2021 - Review of Metaphysics 74 (4):640-642.
  27.  23
    Red Sea – Red Square – Red Thread: A Philosophical Detective Story by Lydia Goehr.Richard Eldridge - forthcoming - Estetika: The European Journal of Aesthetics 59 (2):172-177.
    A book review of Lydia Goehr, _Red Sea – Red Square – Red Thread: A Philosophical Detective Story_. Oxford: Oxford University Press, 2022, xlii + 677 pp. ISBN 9780197572443.
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  28.  14
    Adorno as a Modernist Writer.Richard Eldridge - 2019 - In Peter Eli Gordon (ed.), A companion to Adorno. Hoboken: Wiley. pp. 383–395.
    Like other major modernist writers, Adorno sets himself against modern social formations, understood as deadening and evacuated of meaning. In Minima Moralia, he makes emphatic use of distinctively modernist literary techniques within philosophy as a form of writing. In focusing on particular circumstances of trauma and epiphany, he seeks to disclose in images the hollowness of modern life and to gesture toward life otherwise.
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  29.  16
    Critical Notice.G. P. Baker, P. M. S. Hacker, Basil Blackwell & Richard Eldridge - 1986 - Philosophical Investigations 9 (3):229-244.
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  30.  33
    Halsall, Francis, Jansen, Julia & O'Connor, Tony.Noel Carroll, Lester H. Hunt, Richard Eldridge, Carl Plantinga, Stephen Prickett, Benami Scharfstein, Terry Smith, Okwui Enwezor & Nancy Condee - 2009 - British Journal of Aesthetics 49 (3):315.
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  31.  60
    Authority and estrangement: An essay on self-knowledge.Richard Eldridge - 2003 - Philosophical Investigations 26 (4):360–368.
    Richard Moran, Authority and Estrangement: An Essay on Self Knowledge.
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  32. Althusser and Ideological Criticism of the Arts.Richard Eldridge - 1993 - In Salim Kemal & Ivan Gaskell (eds.), Explanation and Value in the Arts. New York: Cambridge University Press. pp. 165--88.
  33.  8
    Aus Lyrik über Leben lernen: Literatur, Ethik und Emotion.Richard Eldridge - 2012 - In Ottmar Ette (ed.), Wissensformen und Wissensnormen des ZusammenLebens: Literatur - Kultur - Geschichte - Medien. De Gruyter. pp. 76-86.
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  34.  19
    Abrams, M.H. Doing Things With Texts: Essays in Criticism and Critical Theory.Richard Eldridge - 1991 - Journal of Aesthetics and Art Criticism 49 (2):173-174.
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  35.  44
    After the Beautiful: Hegel and the Philosophy of Pictorial Modernism, by Robert B. Pippin.Richard Eldridge - 2015 - Mind 124 (493):380-384.
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  36.  8
    Acknowledging the Moral Law.Richard Eldridge - 2015 - In Beatrix Himmelmann (ed.), Why Be Moral? An Argument from the Human Condition in Response to Hobbes and Nietzsche. pp. 199-216.
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  37.  19
    Beyond Representation: Philosophy and Poetic Imagination.Richard Thomas Eldridge (ed.) - 1996 - New York: Cambridge University Press.
    The essays in this 1996 volume explore the ways in which traditional philosophical problems about self-knowledge, self-identity, and value have migrated into literature since the Romantic and Idealist periods. How do so-called literary works take up these problems in a new way? What conception of the subject is involved in this literary practice? How are the lines of demarcation between philosophy and literature problematised? The contributors examine these issues with reference both to Romantic and Idealist writers and to some of (...)
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  38. Classical Articles in Non-Classical Periodicals.Richard P. Eldridge - 1934 - Classical Weekly 28:192.
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  39.  25
    Conceptual Analysis, Practical Commitment, and Ordinary Language.Richard Eldridge - 2018 - Graduate Faculty Philosophy Journal 39 (2):341-363.
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  40.  24
    Cavell and the American Jeremiad.Richard Eldridge - 2014 - Journal of Philosophical Research 39:377-391.
    Building on remarks by Dewey, Brandom, and Wittgenstein among others, this paper characterizes and defends a general style of philosophy as elucidatory analysis of concepts in circulation within a culture. The presence of this general style is then traced briefly in Quine and Beardsley. I then raise the question whether there is anything distinctively American about this general style. Drawing on work by Sacvan Bercovitch, I argue that use of this style is motivated by America’s distinctive religious history and that (...)
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  41. Cora Diamond, The Realistic Spirit: Wittgenstein, Philosophy, and the Mind Reviewed by.Richard Eldridge - 1994 - Philosophy in Review 14 (1):15-18.
     
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  42. (1 other version)CG Prado, The Limits of Pragmatism Reviewed by.Richard Eldridge - 1989 - Philosophy in Review 9 (8):328-330.
     
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  43. Dewey's aesthetics.Richard Eldridge - 2010 - In Molly Cochran (ed.), The Cambridge Companion to Dewey. New York: Cambridge University Press.
     
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  44.  30
    Deconstruction and its alternatives.Richard Eldridge - 1985 - Man and World 18 (2):147-170.
  45. (1 other version)David Best, Feelings and Reason in the Arts Reviewed by.Richard Eldridge - 1986 - Philosophy in Review 6 (7):329-332.
     
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  46. Dieter Henrich, The Course of Remembrance and Other Essays on Hölderlin Reviewed by.Richard Eldridge - 1998 - Philosophy in Review 18 (2):110-113.
  47. (1 other version)Frank Lentricchia, After the New Criticism Reviewed by.Richard Eldridge - 1982 - Philosophy in Review 2 (5):230-232.
     
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  48.  45
    Frege's Realist Theory of Knowledge: The Construction of an Ideal Language and the Transformation of the Subject.Richard Eldridge - 1982 - Review of Metaphysics 35 (3):483 - 508.
    BY THE middle of the nineteenth century, serious difficulties in carrying out the Cartesian project of explaining through attention to our ideas how we may know things as they really are had become evident. A satisfactory account of the connection between occurrences of ideas in us and the properties of things apart from our ideas of them, an account promised by Descartes in the Meditations, had not been forthcoming. Descartes' claim that God's omnipotence guarantees that the members of some recognizable (...)
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  49.  59
    (1 other version)How Movies Think: Cavell on Film as a Medium of Art.Richard Eldridge - 2014 - Estetika: The European Journal of Aesthetics 51 (1):3-20.
    Stanley Cavell’s writing about movies, from the more theoretical and general The World Viewed (1971) to the later works on specific genres (Pursuits of Happiness, Contesting Tears), has a unifying theme: some movies as (successful) art investigate conditions of accomplished selfhood and interest in experience in medium-specific ways. This claim is explained and defended by explicating the details of the medium-specificity of the moving photographic image (and its history of uses) and by focusing on Michael Verhoeven’s film The Nasty Girl (...)
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  50.  7
    3. “Hidden Secrets of the Self ”: E. T. A. Hoffmann’s Reading of Don Giovanni.Richard Eldridge - 2006 - In Lydia Goehr & Daniel Alan Herwitz (eds.), The Don Giovanni Moment: Essays on the Legacy of an Opera. Columbia University Press. pp. 33-46.
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