The article considers possibility of applying the concept of descriptive metaphysics to the project of Kant's transcendental philosophy. According to analytical philosophy, descriptive metaphysics is the description of structures of thinking about the world. The basis for describing acts of thinking about the world from Kant's point of view is the description of forms of intuition. Transcendental (descriptive) analysis of understanding must be preceded by transcendental (descriptive) aesthetics as an investigation of pure intuitions of (...) space and time. Phenomenon of time is considered as a condition for determining the concepts "judgment", "category of understanding", "pure understanding" and "object of knowledge". (shrink)

This paper has two main parts to it. First, it is an attempt to clarify certain metaphysical issues regarding play. Play scholars from any number of academic disciplines have created a vast body of literature on the topic that seems overwhelming. Therefore, I offer descriptions of four characteristics of play that seem most experientially prominent and most indicative of the many play descriptors that previous authors have used. Second, I make axiological claims that follow from the metaphysical descriptions. I argue (...) against many previous authors, as I assert that play is not different in kind from our normal workaday lives but instead is only different by degree. Play is a deeper engagement with the world than that which we normally experience. (shrink)

The classic, influential essay in 'descriptive metaphysics' by the distinguished English philosopher.

A discussion of the concept of Descriptive v Revisionary Metaphysics as it applies to the work of P.F. Strawson amongst others.

Since its publication in 1959, Individuals has become a modern philosophical classic. Bold in scope and ambition, it continues to influence debates in metaphysics, philosophy of logic and language, and epistemology. Peter Strawson's most famous work, it sets out to describe nothing less than the basic subject matter of our thought. It contains Strawson's now famous argument for descriptive metaphysics and his repudiation of revisionary metaphysics, in which reality is something beyond the world of appearances. Throughout, (...) Individuals advances some highly influential and controversial ideas, such as 'non-solipsistic consciousness' and the concept of a person a 'primitive concept'. (shrink)

Strawson described ‘descriptive metaphysics’, Bach described ‘natural language metaphysics’, Sapir and Whorf describe, well, Sapir-Whorfianism. And there are other views concerning the relation between correct semantic analysis of linguistic phenomena and the “reality” that is supposed to be thereby described. I think some considerations from the analyses of the mass-count distinction can shed some light on that very dark topic.

I have appropriated the terms ‘descriptive’ and ‘revisionary’ metaphysics from P.F. Strawson's Individuals . In the Introduction to that work he draws a broad general distinction between two types of metaphysics. Descriptive metaphysics is concerned to ‘describe the actual structure of our thought about the world’ while revisionary metaphysics is ‘concerned to produce a better structure’. They also differ in that revisionary metaphysics requires justification of some sort whereas descriptive metaphysics does (...) not. Strawson makes this point when he says, ‘Revisionary metaphysics is at the service of descriptive metaphysics’. Thus, the descriptivist has the sober, scientific task of elucidating our extant conceptual schema while the revisionist has the speculative, slightly literary job of inventing a new conceptual schema. (shrink)

Available from UMI in association with The British Library. ;A form of metaphysical inquiry is in this thesis both illustrated in detail and defended against the charge of issuing in statements which lack cognitive content. 'Categorial description' concerns the fundamental features of our conceptual scheme: the categories described are those of substance, accident, cause, space and time. ;Following Aristotle's distinction between primary and secondary substances, these two notions are addressed as equivalent to those individual or particular things and their kinds. (...) A particular thing is characterised as not being capable of occuring in the predicate position in a proposition; and as having criteria or principles of individuation and reidentification. Accidents or properties can appear in the predicate position and do not have criteria of identity. ;Secondary substances, or natural kinds, being a species of property, also fail to have criteria for individuation and reidentification. It follows that the recently revived Aristotelian essentialism, as exhibited in particular in the work of Kripke, fails to correctly characterise the category of natural kinds: in that theory, natural kinds have essential properties which enable individuation and reidentification across possible worlds. ;Efficient causation is described, against the background of the Locke-Hume dispute, as involving the concept of necessary connection between cause and effect. Rejecting the theory of Harre and Madden on causal powers, an approach by Mackie is defended whereby this connection is a reflection of our counterfactual thinking. The possible worlds essentialist approach of Lewis to counterfactuals is rejected too, as inadequate. ;Space and time, spatial and temporal relations, and places and moments in time are approached in terms of the other categories of particular and property. The obscurity of fit between these categories is identified as responsible for many philosophical puzzles concerning space and time: for example, McTaggart's 'proof' of the unreality of time; and the recent debate on the possibility of multiple times and multiple spaces. ;In the final chapter, the logical commitments of categorial description concerning conceptual relativism and the nature of reality in itself are explored. It is argued that, since categories are in large part responsible for the kinds of acts there are, a description of our categories is a description of reality itself. Since our categories do not involve the machinery of possible worlds offered by contemporary essentialist theories, those theories fail to describe reality. (shrink)

This paper observes that P. F. Strawson’s distinction between descriptive and revisionary metaphysics is a baffling one from the perspective of traditional metaphysics. If one thinks of metaphysics as the study of the fundamental nature of reality, it is bewildering to divide up metaphysics in this way. The paper then tries to show how the distinction is no longer bewildering if we deny that such study is possible.

P.F. Strawson is famous for his contribution to the Kant-scholarship (especially for his book The Bounds of Sense). On the other hand, Strawson is recognized as an independent and origional philosopher. This text presents an analysysis of the intersection of these two themes: I present an analysis of Strawson's conception of descriptive mataphysics and aplly its results to the Kant's critical philosophy and to Strawson's interpretation of it. It gives me an opportunity to show that some aspects of Kant's (...) view on method and subject matter of philosophy is genuenly Strowsonian. However, on the other hand, some other Kant's intentions show that even if it is posiible to consider Kantian approach as descriptive metaphysics, it would be another, un-Strawsonian approach. (shrink)

I have appropriated the terms ‘descriptive’ and ‘revisionary’ metaphysics from P.F. Strawson's Individuals. In the Introduction to that work he draws a broad general distinction between two types of metaphysics. Descriptive metaphysics is concerned to ‘describe the actual structure of our thought about the world’ while revisionary metaphysics is ‘concerned to produce a better structure’. They also differ in that revisionary metaphysics requires justification of some sort whereas descriptive metaphysics does not. (...) Strawson makes this point when he says, ‘Revisionary metaphysics is at the service of descriptive metaphysics’. Thus, the descriptivist has the sober, scientific task of elucidating our extant conceptual schema while the revisionist has the speculative, slightly literary job of inventing a new conceptual schema. (shrink)

This paper examines some aspects of Strawson’s conception of descriptive metaphysics, as it is developed in Individuals. Descriptive metaphysics sets out to describe ”the actual structure of our thought about the world”. Three specific problems for this project are discussed. First, isn’t the description of our actual thought about the world mainly an empirical task? Second, how determinate and consistent is the stuff we find, how determinate and consistent is our conceptual scheme? Third, who are “we” (...) here? Answers to these sets of questions are mainly negative in spirit. But all this will probably not mean that there will be no place for metaphysics, descriptive or revisionary, as a subject. The whole enterprise is perhaps more fraught with difficulties than Strawson thought, however. (shrink)

O objetivo deste artigo é o de explorar as relações entre psicologia, metafísica e literatura, a partir do exame do Ensaio sobre os dados imediatos da consciência; mais exatamente, a partir da compreensão dos "sentimentos profundos", que representa, no Ensaio, o momento privilegiado para apreender a estrutura temporal da consciência. Porém, o presente estudo não abordará unicamente o texto de Bergson, suas descrições dos sentimentos profundos (como as emoções estéticas e morais), o que muito provavelmente seria repetitivo. O uso de (...) um exemplo extraído da própria literatura (no caso, o romance Grande sertão: veredas, de Guimarães Rosa) será imprescindível aqui para compreender a possibilidade de uma descrição qualitativa do "fluxo da consciência", revelando sua estrutura temporal. A partir disso, espera-se determinar com um pouco mais de clareza as interações entre psicologia, metafísica e literatura, na filosofia de Bergson. This paper aims to explore the relation between psychology, metaphysics and literature, through an examination of Bergon's Time and Free Will: An Essay on the Immediate Data of Consciousness, or, more precisely, through the description of "deep feelings", which represent in the Essay a privileged moment for understanding the temporal structure of consciousness. However, this study will not be restricted only to Bergson's text and its descriptions of deep feelings (such as aesthetic and moral emotions), which would probably be repetitive. Instead, we shall use a work of literature (Guimarães Rosa's novel, Grande sertão: veredas) to exemplify the possibility of a qualitative description of "stream of consciousness", revealing its temporal structure. We hope in this way to clarify the interaction between psychology, metaphysics and literature in the philosophy of Bergson. (shrink)

The classical arguments against metaphysics provided by Immanuel Kant, neopositivists and recently by analytical philosophers focus on the problem of meaning. In my paper I would like to shed a little bit of light on different dimensions of this problem in the metaphysical discourse and make a proposition how to overcome the difficulties that arise from this kind of discourse.

The classical arguments against metaphysics provided by Immanuel Kant, neopositivists and recently by analytical philosophers focus on the problem of meaning. In my paper I would like to shed a little bit of light on different dimensions of this problem in the metaphysical discourse and make a proposition how to overcome the difficulties that arise from this kind of discourse.

The article discusses the features of Kant's project of descriptive metaphysics and its development in Husserl's transcendental phenomenology. Kant's project of descriptive metaphysics can be seen in three senses: as a transcendental philosophy in General, which deals with the study of cognition, as a metaphysics of experience, aimed at studying the first principles of world experience, and as revealing the structure of our thinking about the world. All these variants of descriptive metaphysics were (...) developed in Husserl's transcendental phenomenology. The author pays special attention to the analysis of the phenomenological doctrine of consciousness, since in Husserl's approach one can see the development of the project of descriptive metaphysics in all three senses Husserl understands consciousness as cognizing consciousness, that is, as cognition; the phenomenological understanding of consciousness also includes a mode of thinking about the world; consciousness is considered by Husserl as a real everyday experience. (shrink)

Strawson's descriptive metaphysics was the first explicit and elaborate rehabilitation of metaphysics within the analytic tradition. This chapter discusses Strawson's contributions to metaphysics with a particular view to his conception of the nature of metaphysics-cum-ontology. This chapter first dwells on the background of Strawson's metaphysics. Next it introduces Strawson's idea of descriptive metaphysics and of connective analysis. Sections 3–8 discuss Strawson's main claims: self-conscious experience presupposes a distinction between experience and its mind-independent (...) objects, objective particulars must be situated in a spatio-temporal framework, material bodies are ontologically prior because they sustain this framework, experience and discourse revolve around a fundamental distinction between reference and predication, both particulars and universals are among our objects of reference. This chapter tries to reconstruct the main lines of argument by combining ideas from Individuals and Bounds of Sense. Sections 9–11 defend Strawson's modest conception of metaphysics as a second-order description of our conceptual scheme. (shrink)

The focus of this article is the examination of potential applications of linguistic philosophy, particularly the philosophy of natural language, to elucidate certain aspects of cosmology. Using the foundational principles of Strawson’s descriptive metaphysics as a guide, the article suggests plausible strategies for employing the tools of linguistic philosophers in analyzing key concepts within, for example, Chinese cosmology. The vast majority of researchers of Chinese cosmology used one of the two most common approaches – historical or philosophical. The (...) historical approach involved the analysis of the cosmological concept of crises through the prism of the history of the development of socio-cultural and political factors, as well as through the analysis of the historical development of the main ideas and texts. The philosophical approach considered the cosmological concept as a “philosophical school”, tending to consider cosmology in the context of comparison with the Western tradition of philosophy and science. Both approaches have significant limitations. Strawson is not a classic representative of linguistic philosophy, because his approach to using the methodology of the school of everyday language is original and allows returning metaphysics to the field of view of analytical philosophy. His metaphysical essay on the model of the relationship between language and the world does not raise questions about the criteria of existence. This is important because Chinese cosmology is closely related to cultural factors and rituals. It is the analysis of cosmology as a complete system that should become the main task of the researcher. The methodology of the school of everyday language in Strawson’s interpretation is seen as promising for providing an original interpretation and clarification of some main points of non-European cosmology. The goal is to assess whether the methodology of Ordinary Language Philosophy remains relevant for advancing cosmological and metaphysical accounts. (shrink)

A critique of Strawson's distinction between descriptive and revisionary metaphysics.

The goal of formal ontological inquiry is to reveal the categorial structure of the mind-independent reality. In the first part of this article, I criticize two popular ways to study the categorial structure, Strong and Weak Modelling. In the second part of the article, I present my positive account. The systematic description of the different kinds of entities assumed by our commonsense conceptions forms a starting-point of the study of the categorial structure of the world. However, it is the task (...) of Revisionary Metaphysics to seek for the best conception of the categorial structure. Revisionary Metaphysics proceeds as testing alternative conceptions of the categorial structure. The main new contribution of the article is to propose certain general principles for the comparison of such alternative conceptions. (shrink)

The main aim of this paper is to characterize Maurizio Ferraris’ New Realism as a metaphilosophical account that develops Peter Strawson’s project of a descriptive metaphysics. The paper consists of two sections. The former outlines Strawson’s descriptive metaphysics by highlighting its realist commitments. The latter characterizes New Realism as a way of turning Strawson’s metaphysics into a metaphilosophy. New Realism moves from Strawson’s metaphysical description of the world we share through our experience to the metaphilosophical (...) claim that philosophy should primarily consist in this kind of description. (shrink)

P. F. 스트로슨은 역사적으로 형이상학에는 두 가지 종류가 있어 왔다고 주장하는데, 기술적 형이상학과 수정적 형이상학이 그것이다. 그에 따르면 기술적 형이상학은 세계에 대한 ‘우리의 실제 사고 구조를 기술’하고자 하며, 수정적 형이상학은 ‘보다 나은 구조를 제시’하는 데 관심이 있다. 스트로슨은 아리스토텔레스와 칸트를 전자에 업적을 남긴 철학자들로 분류하고, 데카르트와 라이프니츠 등을 후자에 종사한 철학자들로 분류한다. 스트로슨의 이러한 구분은 “철학이란 과연 어떤 학문이며, 그것은 어떤 방법으로 탐구되어야 하는가” 라는 근본적 문제에 대해 흥미와 관심을 불러일으킨다. 이 글에서 필자는 스트로슨이 말하는 기술(記述)은 엄밀히 말해 기술이 아니라 (...) 설명(說明)이며, 이에 따라 형이상학적 탐구를 하는 방법도 〈기술적 방법〉과 〈설명적 방법〉 두 가지로 새롭게 구분될 수 있음을 제안하고자 한다. 이와 더불어 필자는 철학적 탐구의 바람직한 방법은 설명에 있기 보다는 기술에 있음을 주장하고자 한다. 우선 기술과 설명이 어떻게 다른지 밝힌 다음, 기술적 형이상학(철학)과 설명적 형이상학(철학)에 각각 해당하는 대표적인 사례들을 들고자 한다. 이러한 시론(試論)적 작업을 통하여 철학적 탐구의 상이한 방법에 대한 논의를 촉발하는 것이 이 논문의 주된 목표다. (shrink)

How should one respond to scepticism? Should one seek to refute it? Or should scepticism be ignored? This paper argues that descriptive metaphysics occupies an intermediate logical space between truth-directed transcendental arguments aimed at refuting the sceptic and the quietist stance of the Humean naturalist who declines to take up the sceptical challenge. Descriptive metaphysics is neither quietist nor confrontational. It seeks to show, rather, that the sceptic is not a genuine partner in conversation.

It will be useful to consider briefly how the ideas surrounding “form” work in practice. Such ideas rapidly developed to a high stage of sophistication, subtlety, and complexity, but they did not, I believe, stray from the foundations I have tried to indicate for them. Let us consider the example of Wilhelm Worringer, who, like Alois Riegl, found it preferable to discuss ornament rather than images because ornament is a purer expression of form and therefore provides a less encumbered view (...) into form’s spiritual meaning. Concerning interlace ornament of the first millennium in Northern Europe, Worringer wrote that it is “impossible to mistake the restless life contained in this tangle of lines”; it is “the decisive formula for the whole medieval North.” The “need for empathy of this inharmonious people” requires the “uncanny pathos which attaches to the animation of the inorganic”; the “inner disharmony and unclarity of these peoples … could have borne no clearer fruit.”4 Here forms—mostly lines and edges and their relations—are compared to a natural outgrowth, a fruit, and are interpreted in such a way as to permit the characterization of all peoples among whom artifacts with such forms were made and used. The range of formal style becomes coextensive with the range of the deep principles of the worldview of races, nations, and epochs.It is not necessary to follow the ideas of form and expression to quite the hypertrophied consequences Worringer did, although many authors have done so and many more have done so less systematically. The important thing for my purposes is the pattern of inference from form to historical statements and conclusion. 4. Wilhelm Worringer,ion and Empathy: A Contribution to the Psychology of Style, trans. Michael Bullock , p. 77. David Summers is William R. Kenan, Jr. Professor of the History of Art at the University of Virginia. The author of Michelangelo and the Language of Art and The Judgment of Sense: Renaissance Naturalism and the Rise of Aesthetics , he is currently writing a book to be titled The Defect of Distance: Toward a University History of Art. (shrink)

Scientific realism is the view that our best scientific theories give approximately true descriptions of both observable and unobservable aspects of a mind-independent world. Debates between realists and their critics are at the very heart of the philosophy of science. Anjan Chakravartty traces the contemporary evolution of realism by examining the most promising strategies adopted by its proponents in response to the forceful challenges of antirealist sceptics, resulting in a positive proposal for scientific realism today. He examines the core principles (...) of the realist position, and sheds light on topics including the varieties of metaphysical commitment required, and the nature of the conflict between realism and its empiricist rivals. By illuminating the connections between realist interpretations of scientific knowledge and the metaphysical foundations supporting them, his book offers a compelling vision of how realism can provide an internally consistent and coherent account of scientific knowledge. (shrink)

The paper discusses the Strawsonian concept of descriptive metaphysics and its various implementations in conceptions of I. Kant, R.G. Collingwood and P.F. Strawson, their similarities and differences. Particular attention is paid to the analysis of Kant's transcendental philosophy (resp. transcendental idealism), or its metaphysics of appearance as a pioneer version of descriptive metaphysics and its comparison with the version of descriptive metaphysics of P. Strawson himself.

When philosophers talk about descriptions, usually they have in mind singular definite descriptions such as ‘the finest Greek poet’ or ‘the positive square root of nine’, phrases formed with the definite article ‘the’. English also contains indefinite descriptions such as ‘a fine Greek poet’ or ‘a square root of nine’, phrases formed with the indefinite article ‘a’ (or ‘an’); and demonstrative descriptions (also known as complex demonstratives) such as ‘this Greek poet’ and ‘that tall woman’, formed with the demonstrative articles (...) ‘this’ and ‘that’. Following the custom in philosophy, in this chapter often we use ‘description’ as short for ‘definite description’; and following the custom in linguistics, often we use ‘definite’, ‘indefinite’, and ‘demonstrative’ as shorthand nouns. For the most part we focus on definite and indefinites, although a few words about demonstratives are called for. At the centre of debates about descriptions is the matter of whether they are devices of reference or of predication (simple or higher-order), and much discussion focuses on how various proposals are to be incorporated into broader theories of the semantics of natural language. But philosophical interest goes beyond the confines of linguistics, logic, and the philosophy of language because choices made about the semantics of descriptions have repercussions elsewhere, particularly in epistemology and metaphysics. A simple match of form and meaning appears to fail.1 First, many occurrences of expressions of both forms ‘the φ’ and ‘a φ’ appear to be used to talk about particular individuals. Consider (1). (shrink)

This paper presents an 'internal' criticism of Winch's seminal 'Understanding a Primitive Society'. It distinguishes between two contrasting approaches to critical social understanding: (1) the metaphysical approach, central to the whole tradition of critical philosophy and critical social theory from Kant, through Marx to the Frankfurt School and contemporary theorists such as Habermas and Searle; (2) the descriptive approach, advocated by Winch, and which derives from Wittgenstein's critique of philosophical theory. It is argued, against a long tradition of 'critical (...) theory' depicting Wittgenstein's philosophy as irredeemably 'conservative', that the descriptive approach is perfectly apt for generating a critical understanding of central Western institutions. Rather than seeking to provide an explanatory theory through which to discern what allegedly is imperceptible to theoretically unaided perception (i.e. the metaphysical approach), the descriptive approach aims for a 'perspicuous presentation' of our everyday practices and institutions in such a way as to see their 'irrational' and 'alienating' dimensions. Winch's basic position in 'Understanding a Primitive Society' is endorsed, but it is argued that ultimately he fails in his descriptive intent. In place of the Christian prayer analogy that Winch invokes in order to make sense of Zande witchcraft, it is proposed that Western commodity production and exchange provide a more appropriate, instructive, and critical comparison. (shrink)