In this brief response to Herbert De Vriese’s The Charm of Disenchantment, his attempt to link secularism and modernity is questioned. Criticism is leveled at De Vriese’s use of the correspondence between Voltaire and Frederick the Great without reference to the historical context, notably the confessional states that existed between roughly 1650 and 1800 in Europe. De Vriese’s apology for disenchantment and modernity is also questioned in the light of both modern religious and secular responses to modernity as exemplified by (...) the Dalai Lama and Bernard Stiegler. (shrink)

Cette édition numérique a été réalisée à partir d'un support physique, parfois ancien, conservé au sein du dépôt légal de la Bibliothèque nationale de France, conformément à la loi n° 2012-287 du 1er mars 2012 relative à l'exploitation des Livres indisponibles du XXe siècle. Pages de début Avant-propos I - Philosophie des droits de l'homme 2 - Kant et les droits de l'homme 3 - Fichte et les droits de l'homme 4 - Hegel et les droits de l'homme 5 - (...) Marx et les droits de l'homme Postface Références Pagesde fin. (shrink)

Addressed to historians of medieval and Byzantine thought, philosophers and theologians, Eriugena: East and West provides an in-depth study of how the great Irish scholar, John Scottus Eriugena, bridged the gap between Eastern, Greek-speaking Christianity and the Latin West. In these essays, selected from the Eighth International Colloquium of the Society for the Promotion of Eriugenian Studies, 12 scholars not only focus on one crucial exemplar of the history of Christian ecumenism, but also open a fruitful discussion about the contemporary (...) challenges that continue to divide Christian theology, East and West. (shrink)

For Bernard Williams, philosophy and history are importantly connected. His work exploits this connection in a number of directions: he believes that philosophy cannot ignore its own history the way science can; that even when engaging with philosophy’s history primarily to produce history, one needs to draw on philosophy; and that when doing the history of philosophy primarily to produce philosophy, one still needs a sense of how historically distant past philosophers are, because the point of reading them is (...) to confront something different from the present. But Williams also holds that systematic philosophy itself needs to be done historically, engaging not just with its own history, but with that of the concepts it seeks to understand. To explore these different ways in which philosophy and history intertwine, this volume assembles specially commissioned contributions by A. W. Moore, Terence Irwin, Sophie-Grace Chappell, Catherine Rowett, Marcel van Ackeren, John Cottingham, Gerald Lang, Lorenzo Greco, Paul Russell, Carla Bagnoli, Peter Kail, David Owen, Giuseppina D’Oro, James Connelly, Matthieu Queloz, Nikhil Krishnan, John Marenbon, Ralph Wedgwood, Garrett Cullity, Hans-Johann Glock, Geraldine Ng, Ilaria Cozzaglio, Amanda R. Greene, and Miranda Fricker. They critically appraise Williams’s work in and on the history of philosophy as well as his historicist turn and his use of genealogy. The resulting collection uniquely combines substantive discussions of historical figures from Homer to Wittgenstein with methodological discussions of how and why the history of philosophy should be done, and how and why philosophy should draw on history. (shrink)

Descartes has often been called the 'father of modern philosophy'. His attempts to find foundations for knowledge, and to reconcile the existence of the soul with the emerging science of his time, are among the most influential and widely studied in the history of philosophy. This is a classic and challenging introduction to Descartes by one of the most distinguished modern philosophers. Bernard Williams not only analyzes Descartes' project of founding knowledge on certainty, but uncovers the philosophical motives for (...) his search. With acute insight, he demonstrates how Descartes' _Meditations _are not merely a description but the very enactment of philosophical thought and discovery. Williams covers all of the key areas of Descartes' thought, including God, the will, the possibility of knowledge, and the mind and its place in nature. He also makes profound contributions to the theory of knowledge, metaphysics and philosophy generally. With a new foreword by John Cottingham. (shrink)

Descartes has often been called the 'father of modern philosophy'. His attempts to find foundations for knowledge, and to reconcile the existence of the soul with the emerging science of his time, are among the most influential and widely studied in the history of philosophy. This is a classic and challenging introduction to Descartes by one of the most distinguished modern philosophers. Bernard Williams not only analyzes Descartes' project of founding knowledge on certainty, but uncovers the philosophical motives for (...) his search. With acute insight, he demonstrates how Descartes' _Meditations _are not merely a description but the very enactment of philosophical thought and discovery. Williams covers all of the key areas of Descartes' thought, including God, the will, the possibility of knowledge, and the mind and its place in nature. He also makes profound contributions to the theory of knowledge, metaphysics and philosophy generally. With a new foreword by John Cottingham. (shrink)

In Morality Bernard Williams confronts the problems of writing moral philosophy, and offers a stimulating alternative to more systematic accounts which seem nevertheless to have left all the important issues somewhere off the page.

Musik als Zeit- und Raumkunst. Raum- und Zeittheorien in Wissenschaft und Kunst ; Immanente räumliche Aspekte des musikalischen Formbegriffs ; Die Partitur als räumliche Repräsentation des musikalischen Verlaufs -- Imaginäre, reale und virtuelle Räumlichkeit in der Neuen Musik. Aspekte imaginärer Räumlichkeit ; Aspekte realer Räumlichkeit ; Aspekte virtueller Räumlichkeit.

In Ethics and the Autonomy of Philosophy, Bernard Walker sets out with two objectives. First, Walker argues that ethics is autonomous as a discipline. Oftentimes ethics books, from a Christian perspective, lean toward grounding ethics in theology or in biblical proof texting. Walker departs from this tradition. Ethics grounded in theology entails a limited scope for those doing ethics in that the Christian God must be assumed for both Christian and non-Christian when at the table of ethical dialogue. For (...) the non-Christian, this loads the dice and shuts down ethical consensus and dialogue, if not ethical truth. With that said, this book does not depart from Christian ethical views on such issues as the sanctity of life, antiracism, the death penalty, the objectivity of ethics, and the importance of integrating faith into ethics; however, Walker does so from a common denominator of philosophy rather than theology. Second, Walker ventures into the streets and engages the man/woman on the streets approach to ethics and ethical decision-making. He points out the shortcomings of the ubiquitous views of the man/woman on the streets, viz., cultural relativism, skepticism, and the attitude that ethics is merely a matter of personal choice. (shrink)

"Quelles sont les origines de l'esthétique contemporaine, les raisons qui l'ont installée si durablement dans le paysage artistique et celles qui l'ont amenée à séduire un public toujours plus nombreux? Après avoir souligné l'incompréhension initiale du public, nous montrerons que le surgissement de mouvements artistiques comme Fluxus et, surtout, l'adoption par l'avant-garde artistique américaine de concepts de la philosophie analytique, ont été déterminants dans son avènement. L'insistance de cette nouvelle esthétique sur les objets et le langage a rencontré les fondamentaux (...) de notre "société du spectacle". Ainsi les intérêts industriels et artistiques ont-ils fusionné en un marché global de l'esthétique qui consolide leurs intérêts communs. Enfin, notre société individualiste a dénié toute autorité aux institutions pour juger de l'art. L'individu est maintenant souverain juge. C'est en cédant son privilège d'unique représentant de l'esthétique postmoderne que l'art contemporain a trouvé sa rédemption aux yeux du public.". (shrink)

Bd. 1: Grundlegung der Ästhetik. Bd. 2: Die ästhetischen Grundgestalten. Bd. 3: Kunstphilosophie und Metaphysik der Ästhetik Bd. 1 , XII- 560, Bd. 2 , XX-602 und Bd. 3 : XX-600.

Johann Liborius Zimmermann (1702 – 1734) studierte Philosophie und theologische Moral an der Universität Jena. Dort wurde er 1725 mit einer philosophischen Dissertation promoviert und lehrte anschließend alle Gebiete dieses Fachs. Nach einer kurzen Tätigkeit als Hofprediger des Grafen von Wernigerode wechselte er 1731 zur Universität Halle, wo er bis zu seinem Tode praktische Theologie lehrte. Zimmermann greift im vorliegenden Traktat, der sich methodisch strenger, an Wolffs Methodenideal anknüpfender Prinzipien bedient, einerseits sehr frei – eklektisch – auf Wolffs Topoi in (...) dessen Metaphysik zurück und bleibt andererseits Grundüberzeugungen treu, die sich der Tradition des Thomasianismus verdanken, insbesondere was die praktische Ausrichtung und Nützlichleit der Philosophie betrifft; darüberhinaus wird gerade diese Ausrichtung unter pietistischem Einfluss noch theologisch überhöht. Dies verleiht insgesamt seiner Metaphysik eine singuläre Gestalt. Johann Liborius Zimmermann (1702-1734) studied theology and theological morals at the University of Jena. In 1725 he gained his doctorate in philosophy and went on to teach in all areas of this subject. After a short period as court preacher to the Count of Wernigerode, he moved in 1731 to the University of Halle where he taught practical theology until his death. In this treatise Zimmermann, who uses stricter principles based on Wolff’s ideal method, in part refers very freely – eclectically – to the topoi in Wolff’s metaphysics and in part remains true to basic convictions from the tradition of Thomasianism, especially where the practical orientation and usefulness of philosophy are concerned; in addition, this very orientation, influenced by Pietism, is elevated in theological terms. All of this lends his metaphysics a singular character. (shrink)

Cosmology was central to many intellectual currents in late antiquity. Inspired by classical texts, notably Plato's Timaeus and Aristotle's Physics, thinkers of the period pondered questions about the world's origin and its physical constitution. This volume, with contributions from an interdisciplinary group of scholars, illustrates the range and diversity of these reflections. Fascination for cosmology connected Plato and Proclus with Origen and Gregory of Nyssa. For readers interested in ancient philosophy, early Christian theology, and the history of science, this volume (...) provides a unique insight into a history that is still too often neglected. L'intérêt évident pour la cosmologie platonicienne, en particulier pour le Timée, et, en parallèle, l'attention renouvelée pour toute une tradition commentariste aristotélicienne, influencent profondément la façon de comprendre et de formuler certaines questions liées à l'origine du monde et à sa constitution physique à la fin de l'Antiquité. Grâce aux contributions d'un groupe interdisciplinaire d'universitaires, ce volume illustre la grande diversité de ces réflexions. Pour les lecteurs intéressés par la philosophie ancienne, la théologie paléochrétienne et l'histoire des sciences, ce volume offre un aperçu unique d'une histoire encore trop souvent négligée. (shrink)

The book examines the discourse on attention emerging in the European Enlightenment (1650-1780) with a focus on German philosophy and literature. It argues that this discourse influenced the formation of aesthetic philosophy in the eighteenth century. Notable figures discussed include René Descartes, G.W.F. Leibniz, Christian Wolff, and Alexander Baumgarten.