Heidegger claims that it is the ultimate job of philosophy to preserve the force of the “elemental words” in which human beings express themselves. Many of these elemental words are found in the various cosmogonies that have informed cultural ideologies around the world. Two of these “elemental words,” which shape the ideologies are the animal-model of the cosmos in Plato’s Timaeus and the mechanical models developed in the 17th-18th centuries in Europe. The paper argues that Daoism employs a third, and (...) neglected, plant-model of cosmogony and of human life that provides an illuminating contrast to the other more well-known models. First, Plato’s animal-model of the cosmos and, second, the alternative Daoist plant-model of the cosmos are discussed. Third, the paper replies to the objection that the organic model in general and the plant-model in particular cannot accommodate human freedom. Fourth, it is shown how the Daoist plant-model supports a novel account of the central Daoist notion of wu-wei. Fifth, the paper rebuts the objection that the Daoist plant-model of the cosmos and human life is fatally nihilistic. Sixth, the paper argues that the Daoist account of the origin of human religion, art and historical feeling cannot be properly understood apart from its plant-model of the cosmos and human life. (shrink)

There seems to have been a time at which sentient beings have not escaped from the dungeon of individuality. In the East, liberation was elaborated into a fine art, but it may be doubted whether more people may not have made their escape from solitary confinement outside the organized religions than by means of them. In the West reintegration was sporadic but in recent years it has become a widespread preoccupation. Unfortunately its technical dependence on oriental literature- sometimes translated by (...) scholars whose knowledge of the language was greater than their understanding of the subject-has proved a barrier which rendered full comprehension laborious and exceedingly long. There it appears to be essential that such teaching as may be transmissible shall be given in modern idiom and in accordance with out own processes of thought. Enlightenment and the Extinction of 'Me' It: On Realizing the Mind This Phenomenal Absence Potential Reality Potential Being Seeking the Seeker. (shrink)

Why Lazarus Laughed explicates the essential doctrine shared by the traditions of Zen Buddhism, Advaita, and Tantra. Wei Wu Wei has become an underground spiritual favorite whose fans anxiously await each reissued book.

This book presents a systematic account of the role of the personal spiritual ideal of wu-wei--literally "no doing," but better rendered as "effortless action"--in early Chinese thought. Edward Slingerland's analysis shows that wu-wei represents the most general of a set of conceptual metaphors having to do with a state of effortless ease and unself-consciousness. This concept of effortlessness, he contends, serves as a common ideal for both Daoist and Confucian thinkers. He also argues that this concept contains within itself a (...) conceptual tension that motivates the development of early Chinese thought: the so-called "paradox of wu-wei," or the question of how one can consciously "try not to try." Methodologically, this book represents a preliminary attempt to apply the contemporary theory of conceptual metaphor to the study of early Chinese thought. Although the focus is upon early China, both the subject matter and methodology have wider implications. The subject of wu-wei is relevant to anyone interested in later East Asian religious thought or in the so-called "virtue-ethics" tradition in the West. Moreover, the technique of conceptual metaphor analysis--along with the principle of "embodied realism" upon which it is based--provides an exciting new theoretical framework and methodological tool for the study of comparative thought, comparative religion, intellectual history, and even the humanities in general. Part of the purpose of this work is thus to help introduce scholars in the humanities and social sciences to this methodology, and provide an example of how it may be applied to a particular sub-field. (shrink)

This essay attempts to provide an alternative approach to the philosophy of religion through a new interpretation of Daoist philosophy in light of Husserl’s phenomenology. I argue that Lao-Zhuang’s wu-wei should be understood as a reduction of our existential and conceptual beliefs about the reality of this world. In Lao-Zhuang, wu-wei is related to the theme of decentering of the subject. In order to be a true self, we have to make space at the core of our being for Dao (...) to appear. The authentic selfhood is constituted in its correctrelation to Dao. In Daoist philosophy of religion, the center of gravity in the relation between Dao and the world (or worlds) is shifted from this world to Dao, and the problematic in the philosophy of religion is displaced from a truth-oriented issue to a receptivity issue. (shrink)

In this study, we attempt to explain the divergent results found in the relationships between supervisor–subordinate guanxi and employee work outcomes. Specifically, we propose that the relationships between supervisor–subordinate guanxi and participatory management, turnover intentions, and organizational commitment are mediated by job satisfaction. Based on the data collected from a sample of 196 employees of three local manufacturing firms in Zhejiang Province, China, we found that job satisfaction fully mediated the effects of supervisor–subordinate guanxi on participatory management and intentions to (...) leave, but partially mediated the relationship between supervisor–subordinate guanxi and organizational commitment. Theoretical and practical implications are discussed. (shrink)

An esssential work of this enigmatic sage, draws from the ancient traditions of Buddhism, Taosim, and Advaita Vedanta.

Embedded in the Daodejing and the Zhuangzi is a unique concept that lends itself to the formulation of a distinct system of ethics. The distinctiveness that wu-wei infuses into the realm of ethics resides in its principal constituent, spontaneity. Implicit in wu-wei is spontaneity and its dialectical opposite, the nonspontaneous elements that are essential to the integrity of any system of ethics. This paper attempts to bring to the fore this implicit dialectic of spontaneity and non spontaneity through wu-wei's relation (...) to the Dao as harmony of opposites, its imperative of enlightened response, and its congeniality to the case for libertarianism. (shrink)

Heterogeneous institutional investors' shareholding preferences have been driven to change by the deepening of ESG investment philosophy. Therefore, we examine the impact of corporate ESG performance on institutional investors' shareholding preferences and its mechanism of action. We conduct mixed OLS and mediation effect tests using data on ESG responsibility scores and institutional investors' shareholding ratios of A-share listed companies in China from 2010 to 2020 as samples. We find that corporate ESG performance can significantly and robustly increase institutional investors' shareholdings; (...) the mediation effect analysis shows that overall corporate ESG performance contributes to increases in corporate book and market values, thus encouraging institutional investors to increase their shareholdings. The heterogeneity analysis shows that independent institutional investors attach more importance to corporate ESG responsibility performance, and long-term institutional investors attach more importance to corporate environmental performance; moreover, institutional investors have more significant ESG shareholding preferences for Chinese SOEs. Our study can strengthen the encouragement of institutional investors to integrate ESG investment concepts from multiple perspectives, such as research and analysis, portfolio management, risk control, and due diligence management, to design and develop targeted ESG investment tools, give full play to the role of shareholders and guide the sound development of listed companies from the perspective of investment strategy objectives. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:On Wu-wei as a Unifying MetaphorChris FraserEffortless Action: Wu-wei as Conceptual Metaphor and Spiritual Ideal in Early China. By Edward Slingerland. New York: Oxford University Press, 2003. Pp. xii + 352. $60.00.This provocative work is the most ambitious general study of pre-Qin thought to appear in more than a decade. It deals with what is increasingly recognized as one of the period's key themes, the ethical ideal of perfected (...) action and the processes of cultivation, or uncultivation, by which it might be achieved. The book has two specific aims, one substantive, one methodological (p. vii). The substantive aim is to show that the notion of wu-wei, which Slingerland renders as "effortless action," functioned as a shared ideal and problematic for both Daoists and Confucians and that internal tensions in this ideal motivated much of the development of Warring States thought (p. 5). The methodological aim is to illustrate the fruitfulness of conceptual-metaphor theory, familiar from the work of Lakoff and Johnson, by employing it to articulate and support the book's substantive theses (p. vii).For Slingerland, wu-wei is "a state of personal harmony in which actions flow freely and instantly from one's spontaneous inclinations... and yet nonetheless accord perfectly with the dictates of the situation at hand, display an almost supernatural efficacy, and (in the Confucian context at least) harmonize with the demands of conventional morality" (p. 7). Slingerland expands on this characterization in various ways, without making it entirely clear how all the features he identifies fit together. On the one hand, he explains that wu-wei is a phenomenological feature of the agent's subjective mental state: "wu-wei properly refers not to what is actually happening (or not happening) in the realm of observable action but rather to... the phenomenological state of the doer" (p. 7), primarily one of effortlessness and unselfconsciousness (pp. 29-33). But wu-wei is also "action that... accords in every particular with the normative order of the cosmos" (p. 5), so beyond its phenomenological features, it must include an objective normative component as well. Another remark suggests that wu-wei fundamentally is not a phenomenological state after all, since "it represents not a transitory state but rather a set of dispositions" (p. 7). Probably these various statements are meant to emphasize that the crux of wu-wei is to achieve and sustain a certain sort of psychological state, which then reliably generates effortless, normatively appropriate, efficacious action.The phrase 'wu-wei' plays essentially no role in Confucian texts and is absent from large chunks of the Zhuangzi. So Slingerland's thesis that wu-wei is the joint [End Page 97] ideal of both Daoist and Confucian thought faces a daunting justificatory challenge, which he proposes to meet by applying conceptual metaphor theory (p. 10). On his interpretation, wu-wei is not to be understood literally, as "non-doing," since in the state denoted by wu-wei, the agent is not actually inactive, doing nothing at all (p. 11). This gap between literal meaning and actual reference indicates that the term 'wu-wei' functions metaphorically, referring to "a metaphorically conceived situation" in which an action occurs even though the agent exerts no effort (p. 11). Slingerland hypothesizes that wu-wei became a technical term for effortless action because it is the most general of a network of conceptual metaphors for effortlessness and unselfconsciousness, including families of metaphors for "following" (p. 29), "ease" (p. 30), and "forgetting" (p. 33). This network expresses a unified, "deeper conceptual structure," appeal to which justifies the claim that "apparently diverse ideals of perfected action" are in fact articulations and developments of a single metaphorically conceived ideal, though the term denoting it—'wu-wei'—may not appear in a particular text (p. 11).Once we have a grip on the conceptual structure of wu-wei through the families of metaphors that constitute it, we can identify wu-wei as a central problematic of pre-Qin thought and trace its development by examining the use of these metaphors in texts from the Book of Odes and the Book of History (chapter 1) through the Xunzi (chapter 7). Each... (shrink)

In his work on Wu wei, Edward Slingerland argues that the classical Chinese ideal is an inherently paradoxical concept that is first and foremost spiritual and political only secondarily. Through a close reading of the Dao de Jing, the first major classical text to substantially deploy and develop the concept, I argue that Wu wei isn’t inherently paradoxical and that this is seen precisely when it is viewed in terms of its political primacy. On my reading, the emergence of Wu (...) wei in the Daoist canon is an equilibrating moment of political mediation between the highly intentionalized sphere of human pursuits and the purposeless fluidity and boundless flux of the natural world. Wu wei here takes on a different aspect—mystery rather than paradox—when considered within a form of political collectivity in which the intentional and the innate, purposive and natural are constantly juxtaposed and contending with one another. (shrink)

In classical Chinese philosophy, the best kind of life is a life lived in line with the Dao (the “Way”). A core feature of this kind of life is attaining the ideal of wu-wei. In early Daoist writings, wu-wei denotes an ideal way of acting. However, since wu-wei is normally translated as “no-action” these ancient texts give us a picture of the best kind of life that may appear paradoxical to many philosophers. In this paper, I suggest a way to (...) make sense of this classical ideal. I argue that by applying a Merleau-Pontyian framework of action we can arrive at a non-paradoxical reading of wu-wei. On this reading, wu-wei is essentially manifested in a specific way we are aware of what we are doing. (shrink)

John Searle’s “thesis of the Background” is an attempt to articulate the role of nonintentional capacities---know-how, skills, and abilities---in constituting intentional phenomena. This essay applies Searle’s notion of the Background to shed light on the Daoist notion of w’u-w’ei---“non-action” or non-intentional action---and to help clarify the sort of activity that might originally have inspired the w’u-w’ei ideal. I draw on Searle’s work and the original Chinese sources to develop a defensible conception of a w’u-w’ei-like state that may play an intrinsically (...) and instrumentally valuable role in the exercise of agency. At the same time, however, I argue that Searle’s view that “Intentionality rises to the level of the Background abilities” convincingly explains why the conception of w’u-w’ei presented in ancient texts is untenable. W’u-w’ei-like states can generally occur only as components of an intentional flow of activity, and thus they are not fundamentally nonintentional. (shrink)

The concept of wu-wei (nonaction) has undergone significant changes from Lao-zi to Zhuang-zi. This paper will argue that, while wu-wei in Lao-zi is a utilitarian principle, wu-wei of Zhuan-zi represents an aesthetic world-view. The aesthetic nature of the Daoist nonaction will be illustrated through Kant's concept of 'purposiveness without purpose'.

Tu (Chinese history and philosophy, Harvard U.) offers a panoramic view of the core values of Confucian intellectual thought that have kept it vital for more than two millennia, and underlie the recent resurgence in eastern Asia. Of interest to students of either China or religion and ethics. Paper edition (unseen), $14.95. Annotation copyright by Book News, Inc., Portland, OR.

abstract Mou Zongsan used to say that in Western philosophy there exist three different traditions. The first is the tradition of Plato and Aristoteles, the second is the tradition of Kant and Hegel, and the last is the tradition of Leibniz and Russell. I am afraid, however, that this kind of interpretation is already outdated and incapable of encompassing the rich variegations of Western philosophy as a whole. In my view, the various options would have been exhausted by supplementing the (...) preceding list with the tradition founded by Husserl and Heidegger and the one set up by Whitehead. All of these traditions together encapsulate the most important domains of philosophy, such as ontology, epistemology, and axiology. In this article I closely investigate the epistemological thought of Bertrand Russell in order to find out whether it contains any aspects from which we can borrow and learn. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.3 (2003) 409-410 [Access article in PDF] Christoph Riedweg. Pythagoras: Leben, Lehre, Nachwirkung. Munich: Beck, 2002. Pp. 206. Cloth, € 19.90.Another book about Pythagoras? Hasn't it been shown that we do not have any precise information about him, especially about his contributions as a scholar and a philosopher? Maybe we have been overly skeptical about the information transmitted about Pythagoras. In Pythagoras: Leben, (...) Lehre, Nachwirkung, Christoph Riedweg suggests we should take a different perspective, and he shows what we might gain if we loosen our standards on what counts as information about Pythagoras's contribution to the history of philosophy and science. We can reconstruct a cluster of ideas, motifs, and motivations relevant for early Pythagoreanism. This will give us an idea of the factors influencing Pythagoras and those influenced in turn by him. Even if we will not know what exactly he claimed or achieved (whether he did or did not use the Pythagorean psephoi, for example), we can still get a reasonably informative (if somewhat fuzzy) picture of Pythagoras's contribution and his significance. Riedweg's book outlines the terrain for such an approach. It is what it announces to be: an introduction (Einführung). It does not promise, nor does it offer, any radically new theories on Pythagoras.I will focus on chapters 2 and 3 (61-149) of the book. After a survey of ancient reports and legends about Pythagoras (chapter 1), Riedweg approaches the historical Pythagoras through a sketch of the cultural setting in which he lived and worked, and through the reactions of his contemporaries and near contemporaries (chapter 2, sections 1-2). Unfortunately, a reference to the socio-political sphere is missing. This is a serious gap, given the poignancy of the socio-political changes in the sixth-century Ionian poleis, and given Pythagoras's cooperation with the local aristocratic elites, for political purposes. One is, however, provided with a sketch of the contemporary cultural setting in which Pythagoras put forth his religious and his philosophical teachings—philosophy, art, technology, contacts (chapter 2, section 1). Apparently (Riedweg documents this conclusively), Pythagoras provoked extreme reactions from the very beginning, even from people that lived far away. Riedweg's label "Charismatiker"—a borrowing from Weberian sociology of religion—seems fitting. The sixth- and fifth-century "outside" testimonies (chapter 2, section 2) are predominantly polemical. In the religious sphere, Pythagoras comes across as a mystic, with a guru-attitude. But he also constructed a sophia, using the writings and ideas of others. The contents of this sophia remain unclear. The witnesses accuse Pythagoras of foul trickery and plagiarism. Nevertheless, he must have produced some sort of systematic explanatory account of the world, its origin and its meaning. From the very beginning, both the "guru" and the "scholar" aspect are thus attested for Pythagoras. The content of the religious teachings is much more concrete than the content of Pythagoras's own philosophical and scientific doctrines. This trend continues as Riedweg examines later sources for the reconstruction of Pythagoras's ideas (chapter 2, section 3). As is already known, we get a relatively accurate picture of Pythagoras's position regarding rituals, lifestyle, and beliefs about the nature of the human soul (chapter 2, section 3, a-f), i.e., his ethical and religious [End Page 409] teachings. With regard to his contributions to science and philosophy, however, we are faced with the problem that we are no longer in the position to differentiate between early Pythagoreanism and Pythagoras himself—even if we leave the Platonic and the Platonist tradition out of the picture, and even where we can reconstruct details. Riedweg bases his outline predominantly on Aristotle's reports on pre-Platonic Pythagoreanism.Though Aristotle's evaluation rests mostly on Philolaus, the picture he develops for early Pythagoreanism throws some light also on Pythagoras himself. Riedweg thus uses Aristotle for an elucidation of a context for Pythagoras's contributions as a philosopher and scientist (chapter II, section 3, i). Another source of indirect information consists in comparisons with Orphic texts. Riedweg succeeds... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:On Wu-wei as a Unifying MetaphorChris FraserEffortless Action: Wu-wei as Conceptual Metaphor and Spiritual Ideal in Early China. By Edward Slingerland. New York: Oxford University Press, 2003. Pp. xii + 352. $60.00.This provocative work is the most ambitious general study of pre-Qin thought to appear in more than a decade. It deals with what is increasingly recognized as one of the period's key themes, the ethical ideal of perfected (...) action and the processes of cultivation, or uncultivation, by which it might be achieved. The book has two specific aims, one substantive, one methodological (p. vii). The substantive aim is to show that the notion of wu-wei, which Slingerland renders as "effortless action," functioned as a shared ideal and problematic for both Daoists and Confucians and that internal tensions in this ideal motivated much of the development of Warring States thought (p. 5). The methodological aim is to illustrate the fruitfulness of conceptual-metaphor theory, familiar from the work of Lakoff and Johnson, by employing it to articulate and support the book's substantive theses (p. vii).For Slingerland, wu-wei is "a state of personal harmony in which actions flow freely and instantly from one's spontaneous inclinations... and yet nonetheless accord perfectly with the dictates of the situation at hand, display an almost supernatural efficacy, and (in the Confucian context at least) harmonize with the demands of conventional morality" (p. 7). Slingerland expands on this characterization in various ways, without making it entirely clear how all the features he identifies fit together. On the one hand, he explains that wu-wei is a phenomenological feature of the agent's subjective mental state: "wu-wei properly refers not to what is actually happening (or not happening) in the realm of observable action but rather to... the phenomenological state of the doer" (p. 7), primarily one of effortlessness and unselfconsciousness (pp. 29-33). But wu-wei is also "action that... accords in every particular with the normative order of the cosmos" (p. 5), so beyond its phenomenological features, it must include an objective normative component as well. Another remark suggests that wu-wei fundamentally is not a phenomenological state after all, since "it represents not a transitory state but rather a set of dispositions" (p. 7). Probably these various statements are meant to emphasize that the crux of wu-wei is to achieve and sustain a certain sort of psychological state, which then reliably generates effortless, normatively appropriate, efficacious action.The phrase 'wu-wei' plays essentially no role in Confucian texts and is absent from large chunks of the Zhuangzi. So Slingerland's thesis that wu-wei is the joint [End Page 97] ideal of both Daoist and Confucian thought faces a daunting justificatory challenge, which he proposes to meet by applying conceptual metaphor theory (p. 10). On his interpretation, wu-wei is not to be understood literally, as "non-doing," since in the state denoted by wu-wei, the agent is not actually inactive, doing nothing at all (p. 11). This gap between literal meaning and actual reference indicates that the term 'wu-wei' functions metaphorically, referring to "a metaphorically conceived situation" in which an action occurs even though the agent exerts no effort (p. 11). Slingerland hypothesizes that wu-wei became a technical term for effortless action because it is the most general of a network of conceptual metaphors for effortlessness and unselfconsciousness, including families of metaphors for "following" (p. 29), "ease" (p. 30), and "forgetting" (p. 33). This network expresses a unified, "deeper conceptual structure," appeal to which justifies the claim that "apparently diverse ideals of perfected action" are in fact articulations and developments of a single metaphorically conceived ideal, though the term denoting it—'wu-wei'—may not appear in a particular text (p. 11).Once we have a grip on the conceptual structure of wu-wei through the families of metaphors that constitute it, we can identify wu-wei as a central problematic of pre-Qin thought and trace its development by examining the use of these metaphors in texts from the Book of Odes and the Book of History (chapter 1) through the Xunzi (chapter 7). Each... (shrink)

AbstractFor the later Heidegger, the poet is the messenger of Being, insofar as he speaks after the Saying (Sage) of Being. But only when the poet takes the risk of being mad, can he hear the message of Being and bring it out. As such, the poet does not need any human art of poetry. Heidegger calls this kind of bringing-out “techne” in its original sense – but not in the ordinary sense of human technique. This paper tries to discover (...) how the poet in the state of madness without using any human art can still convey the message of Being. I try to answer this question at first with the help of two dialogues from Plato, i.e. Ion and Phaedrus. I then take two Chinese classical poets, Li Bai (李白) and Du Fu (杜甫), as examples to illustrate such interpretation of Heidegger’s concept of the poet. (shrink)

This article sheds light on the relationship between religious philosophy and music to emphasize the formulation of religious emotions in art songs. This study's theoretical framework is based on the "Theory of Religious Philosophy and Music" Using these concepts, this paper explores the religious feelings associated with German and Austrian Art Songs by Bach and Gounod's "Ave Maria." The religious emotions of connectedness with God, serenity and love, faith in the heavens and angels, and the assistance of Christ and the (...) Virgin Mary in "Ave Maria" are ultimately a means of bridging music and religious philosophy. (shrink)

This paper investigates the sites of intersection between artistic expression and religious philosophy from artistic and philosophical perspectives. Incorporating theoretical perspectives related to the Theory of art and religion, the first section of the paper introduces the topic and formulates the framework. The second section examines the confluence of artistic expression and religious philosophy in "Joseph and the Amazing Technicolor Dreamcoat." Based on evidence, it has been established that Joseph's musical tale is a remarkable depiction of artistic expression and religious (...) philosophy. (shrink)

In this paper, I compare the philosophy of Augustine with the philosophy of relevant African traditions: Donatists, Manichees, and African traditional religions. I try to demonstrate that Augustine’s religious thought was partly influenced by local African religions or movements, but also differed from them substantially. I will carry out this comparative work looking at two important issues: the problem of evil and the existence of other supernatural entities, such as ancestors, and their relationship with humans. These comparisons lead to a (...) new understanding of evil in Augustine’s thought; namely, evil as an inevitable world phenomenon. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.3 (2003) 409-410 [Access article in PDF] Christoph Riedweg. Pythagoras: Leben, Lehre, Nachwirkung. Munich: Beck, 2002. Pp. 206. Cloth, € 19.90.Another book about Pythagoras? Hasn't it been shown that we do not have any precise information about him, especially about his contributions as a scholar and a philosopher? Maybe we have been overly skeptical about the information transmitted about Pythagoras. In Pythagoras: Leben, (...) Lehre, Nachwirkung, Christoph Riedweg suggests we should take a different perspective, and he shows what we might gain if we loosen our standards on what counts as information about Pythagoras's contribution to the history of philosophy and science. We can reconstruct a cluster of ideas, motifs, and motivations relevant for early Pythagoreanism. This will give us an idea of the factors influencing Pythagoras and those influenced in turn by him. Even if we will not know what exactly he claimed or achieved (whether he did or did not use the Pythagorean psephoi, for example), we can still get a reasonably informative (if somewhat fuzzy) picture of Pythagoras's contribution and his significance. Riedweg's book outlines the terrain for such an approach. It is what it announces to be: an introduction (Einführung). It does not promise, nor does it offer, any radically new theories on Pythagoras.I will focus on chapters 2 and 3 (61-149) of the book. After a survey of ancient reports and legends about Pythagoras (chapter 1), Riedweg approaches the historical Pythagoras through a sketch of the cultural setting in which he lived and worked, and through the reactions of his contemporaries and near contemporaries (chapter 2, sections 1-2). Unfortunately, a reference to the socio-political sphere is missing. This is a serious gap, given the poignancy of the socio-political changes in the sixth-century Ionian poleis, and given Pythagoras's cooperation with the local aristocratic elites, for political purposes. One is, however, provided with a sketch of the contemporary cultural setting in which Pythagoras put forth his religious and his philosophical teachings—philosophy, art, technology, contacts (chapter 2, section 1). Apparently (Riedweg documents this conclusively), Pythagoras provoked extreme reactions from the very beginning, even from people that lived far away. Riedweg's label "Charismatiker"—a borrowing from Weberian sociology of religion—seems fitting. The sixth- and fifth-century "outside" testimonies (chapter 2, section 2) are predominantly polemical. In the religious sphere, Pythagoras comes across as a mystic, with a guru-attitude. But he also constructed a sophia, using the writings and ideas of others. The contents of this sophia remain unclear. The witnesses accuse Pythagoras of foul trickery and plagiarism. Nevertheless, he must have produced some sort of systematic explanatory account of the world, its origin and its meaning. From the very beginning, both the "guru" and the "scholar" aspect are thus attested for Pythagoras. The content of the religious teachings is much more concrete than the content of Pythagoras's own philosophical and scientific doctrines. This trend continues as Riedweg examines later sources for the reconstruction of Pythagoras's ideas (chapter 2, section 3). As is already known, we get a relatively accurate picture of Pythagoras's position regarding rituals, lifestyle, and beliefs about the nature of the human soul (chapter 2, section 3, a-f), i.e., his ethical and religious [End Page 409] teachings. With regard to his contributions to science and philosophy, however, we are faced with the problem that we are no longer in the position to differentiate between early Pythagoreanism and Pythagoras himself—even if we leave the Platonic and the Platonist tradition out of the picture, and even where we can reconstruct details. Riedweg bases his outline predominantly on Aristotle's reports on pre-Platonic Pythagoreanism.Though Aristotle's evaluation rests mostly on Philolaus, the picture he develops for early Pythagoreanism throws some light also on Pythagoras himself. Riedweg thus uses Aristotle for an elucidation of a context for Pythagoras's contributions as a philosopher and scientist (chapter II, section 3, i). Another source of indirect information consists in comparisons with Orphic texts. Riedweg succeeds... (shrink)

Literature from the United Kingdom and the United States represents the cultural expression of those peoples' lived experiences. Reading British and American literature may also aid in our understanding of the values, worldview, and ideological underpinnings of western civilization. Therefore, this thesis examines the mythological and religious themes in British and American literature using literary works from both countries. Greek Myth is the source and soil of ancient Greek literature. Ancient Greek and Roman literature is a rich treasure for later (...) generations to understand myths, providing creative materials for later British and American writers. It can be said that myths and religious ideas gave birth to great literary works and some immortal poets. Among them, "_Wuthering Heights_" is the main representative work of 19 th -century literature and occupies an important position in British and American literary history. Based on this, this paper discusses British and American literature's religious and cultural characteristics in "_Wuthering Heights_", mainly from the perspective of environment description and plot shaping. I hope this research can play a role in attracting jade. (shrink)

This essay offers two novel thinking-modes, “body thinking” and “story thinking,” both intrinsically interrelated, as alternative reasoning to usual analytical logic, and claims that they facilitate understanding “religion” as our ultimate living in the Beyond. Thus body thinking, story thinking, and religion naturally gather into a threefold thinking synonymy. This essay adumbrates in story-thinking way this synonymy in four theme-stages, one, appreciating body thinking primal at our root, to, two, go through story-thinking that expresses body thinking to catalyze religion, to, (...) three, reach religious living in holistic nisus to the Beyond. But then, four, religion is surprisingly harder than expected; we require a strange adult detour to come back home to body thinking in story thinking. These four themes are body-thought through many stories, some of which are argumentative. Thus this essay itself body thinks in story thinking. (shrink)

At the end Zhuangzi 7, Hundun (the Middle Sea) invites his two neighbours, the North Sea and South Sea, to visit him. They repay his kindness by drilling seven holes (for seeing, hearing, breathing and eating) in his face to make him more ‘human’ but Hundun dies. This essay pursues Daoist, Derridean and Levinasian readings of the parable which foreground issues of non-duality and the absolute priority yet impossibility of unconditional hospitality or infinite openness to others (or to the Other). (...) Key concepts include selflessness, non-duality and/or the relativity of opposites in Laozi and Zhuangzi, conditional and unconditional hospitality and the aporia of gift-giving in Derrida and in Levinas the ontological priority of infinity to totality, that of the face of the other or neighbour to the self or subject, and that of ‘saying’ to ‘the said’. (shrink)

Contrary to its self-proclamation, philosophy started not with wonder, but with time thrown out of joint. It started when the past has become a problem. Such was the historical situation facing Athens when Plato composed his Socratic dialogues. For the philosopher of fifth century BCE, both the immediate past and the past as the Homeric tradition handed down to the citizens had been turned into problematicity itself. In this essay, I will examine the use of philosophy as memory theatre in (...) Plato's Republic. I shall do so by interpreting Book X of the Republic as Plato's “odyssey” and suggest that such Platonic odyssey amounts to an attempt to re-inherit the collapsed spatial and temporal order of the fallen Athenian maritime empire. In my reading, the Odysseus in the Myth of Er comes forth for Plato as the exemplary Soldier-Citizen-Philosopher who must steer between the Scylla of ossified political principles and the whirling nihilism of devalued historical values, personified by Charybdis. I shall further suggest that Plato’s memory theatre also constitutes a device of amnesia and forgetting. The post-Iliadic Odysseus must drink of forgetfulness from the river Lethe, so that the revenant soldier, Er, and those who inherited the broken historical present during and after the Peloponnesian War, would be enabled to remember in a particular way. Such remembrance, I shall conclude, may be what Plato means by philosophy, a memory theatre of psychic regulation and moral economy that sets itself decidedly apart from earlier tragic and comic catharsis. (shrink)

Art and philosophy are the two major elements of the human world. The existence of art and philosophy can expand the spiritual world of human beings to a greater extent and enrich their spiritual life, thus supporting the construction of the material world. And music, as an aural art, has also been given a philosophical meaning in the evolution of history because of its birth and development. Therefore, when studying music, one should first study the history of music. The philosophy (...) of music history education is not only profound and contains world culture and philosophy, but also carries history and economy. Music history education is also a vivid art form of philosophy, where teachers create an artistic beauty to attract students and achieve the purpose of imparting knowledge by optimizing their educational philosophy. To develop the philosophy of education to its fullest extent, teachers must adhere to the concepts associated with the philosophy of art. To explain this process in greater depth, this paper provides a brief review of the aesthetic philosophy and historical evolution of Chinese. (shrink)

This book is based on the study of the traditional Chinese philosophy, and explores the relationship between philosophy and people's fate. The book points out that heaven is an eternal topic in Chinese philosophy. The concept of heaven contains religious implications and reflects the principles the Chinese people believed in and by which they govern their lives. The traditional Chinese philosophy of fate is conceptualized into the "unification of Heaven and man". Different interpretations of the inter-relationships between Heaven, man and (...) their unification mark different schools of the traditional Chinese philosophy. This book identifies 14 different schools of theories in this regard. And by analyzing these schools and theories, it summarizes the basic characteristics of traditional Chinese philosophy, compares the Chinese philosophy of fate with the Western one, and discusses the relationship between philosophy and man's fate. (shrink)

法学是春秋战国时期的一个主要学派。“法者,编著之图藉, 设之于官府, 而布之于百姓者也。”法家主张法、术、势的结合。法、指法律制度 ; 术, 指君王驾御群臣、掌握政权、推行法令的政策和手段 ; 势 ; 指君王的权势.

The essence of Marxist philosophy is a philosophical criticism of society, and its development is driven by its philosophical criticism of social phenomena. Examining and criticizing music from a philosophical perspective can provide us with a brand new theoretical framework for music philosophy, exploring and applying new philosophical theories to analyze the fusion of ethnic elements in modern music composition, thereby expanding the philosophical field of music. This paper first introduces the concept and development of Marx's philosophy and philosophical view (...) of music, then analyzes the characteristics and current situation of the fusion of ethnic elements in modern music composition and discusses the criticality and practicality of the fusion of ethnic elements in modern music composition under the perspective of Marx's philosophical view. Finally, it is pointed out that the fusion of ethnic elements in modern music composition has the philosophical basis of combining formal analysis with meaning interpretation, technical rationality with musical aesthetics, and intersubjectivity. From the perspective of Marxist philosophy, exploring the philosophical foundation of the combination of modern music composition and ethnic factors helps to deeply analyze the philosophical connotations of modern music composition and ethnic elements, seek dialogue and understanding between modern music and ethnic elements, and reshape human sensory understanding. (shrink)

Globalization consists of global interculture strengthening local cultures as it depends on them. Globality and locality are interdependent, and “universal” must be replaced by “inter-versal” as existence inter-exists. Chinese thinking thus must be Chinese, not Western, as Western thinking must be Western, not “universal”; China must help the West be Western, as the West must help China be Chinese. As Mrs. Tu speaks English in Chinese syntax, so “sinologists” logicize in Chinese phrases. English speakers parse her to realize the distinctness (...) of English; Chinese thinkers parse Western “sinologists” to realize the distinctness of China. Inter-versal parsing toward cultural inter-enrichment occurs in three stages. This is intercultural globalization. (shrink)

Philosophy in Taiwan can be traced to the age of discovery, when Dutch colonists preached the monotheism of Calvinism.1 This was followed by the introduction of Neo-Confucianism by Koxinga's regime. Buddhism and Daoism, and, later, Scottish Presbyterianism, were imported during the Manchu Qing period. Starting in 1895, Japan significantly modernized its first colony in Taiwan, bringing in European philosophy and the Kyoto School. When the communists took over China in 1949, the best liberal and Confucian scholars fled to Taiwan, which (...) has imported analytic philosophy since the 1960s. Recently, epistemology and environmental ethics based on Austronesian... (shrink)

Anscombe ends her seminal 1958 essay “Modern Moral Philosophy” with a presentation of five characters, each answering an ancient (and contemporary) question as to “whether one might ever need to commit injustice, or whether it won’t be the best thing to do?” Her fifth character is the execrated consequentialist who “shows a corrupt mind.” But who are the first four characters? Do they “show a mind”? And what precisely is the significance (if any) of her presenting those five just then? (...) In this paper, we interpret Anscombe’s essay with an eye to making sense of her character presentation. We argue that the first four characters can be seen to embody the chief negative and positive doctrines of the essay and to thereby represent and charter a pluralistic school of anti-consequentialist ethics. The upshot is something exegetically interesting yet of broader philosophical importance. (shrink)

Dai Zhen’s philosophy of language took the opportunity of a transition in Chinese philosophy to develop a form of humanist positivism, which was different from both the Song and Ming dynasties’ School of Principles and the early Qing dynasty’s philosophical forms. His philosophy of language had four primary manifestations: (1) It differentiated between names pointing at entities and real events and names describing summum bonum and perfection ; (2) In discussing the metaphysical issue of the Dao, it was the first (...) to introduce a syntax analysis of linguistics, clearly differentiating between the different roles of predicate verbs zhi wei and wei zhi in Classical Chinese; (3) In criticizing Confucian thought during the Song and Ming dynasties, it adopted specific philological skills such as the analysis of phraseology, the meaning of sentences and the thread of words in texts; and (4) It re-interpreted the meaning of Confucian classics by studying characters and language, adopting a positivist and philological manner to seek metaphysical sense in philosophy. In this way, his philosophy was different from the scholars of the School of Principles during the Song and Ming dynasties and from the goal of Western linguistic philosophy in the 20th century, which refuted metaphysics. Accordingly, it helped to develop 18th century Chinese philosophy as it turned towards linguistic philology. (shrink)