The idea that what we perceive are tropes (abstract particulars) is anything but new. In fact, it was one of the reasons why the ontology of tropes was postulated in the first place. Still, the claim that we perceive tropes is invariably and purely based on pre-philosophical intuitions or, indirectly, as a supporting argument for the advantages of the content view when compared to the relational view of experience. In this paper, I take (...) the content view for granted and argue in favor of what is herein referred to as the trope-content view of experience. My defense is a case of inference to the best explanation. The trope-content view can meet all reasonable desiderata on the experience and its content without assuming gaps or making the ad hoc assumption that there are different layers of content, or so shall I argue. (shrink)

The idea that what we perceive are tropes is anything but new. In fact, it was one of the reasons why the ontology of tropes was postulated in the first place. Still, the claim that we perceive tropes is invariably and purely based on pre-philosophical intuitions or, indirectly, either as a supporting argument for the advantages of content view when compared to the relational view of experience, or as a supporting argument in favor (...) of the irreducible subjective character of experience. In this paper, I take the content view for granted and argue in favor of what is herein referred to as the trope-content view of experience. My defense is a case of inference to the best explanation. The trope-content view can meet all reasonable desiderata on the experience and its content without assuming gaps or making the ad hoc assumption that there are different layers of content, or so shall I argue. (shrink)

The idea that what we perceive are tropes (abstract particulars) is anything but new. In fact, it was one of the reasons why the ontology of tropes was postulated in the first place. Still, the claim that we perceive tropes is invariably and purely based on pre-philosophical intuitions or, indirectly, either as a supporting argument for the advantages of content view when compared to the relational view of experience, or as a supporting argument (...) in favor of the irreducible subjective character of experience. In this paper, I take the content view for granted and argue in favor of what is herein referred to as the trope-content view of experience. My defense is a case of inference to the best explanation. The trope-content view can meet all reasonable desiderata on the experience and its content without assuming gaps or making the ad hoc assumption that there are different layers of content, or so shall I argue. (shrink)

My aim is to defend a peculiar epistemic version of the particularity thesis, which results from a sui generis combination of what I call the ‘singular relational view’ and what I call the ‘relativistic content view.’ Particulars are not represented as part of putative singular content. Instead, we are perceptually acquainted with them in the relevant sense that experience puts us in direct perceptual contact with them. And the content of experience (...) is best modeled as a propositional function, that is, the content of a complex predicate that is true or false only relative to some circumstances of evaluation. (shrink)

Some have claimed that people with very different beliefs literally see the world differently. Thus Thomas Kuhn: ‘what a man sees depends both upon what he looks at and also upon what his previous visual—conceptual experience has taught him to see’ (Kuhn 1970, p. ll3). This view — call it ‘Perceptual Relativism’ — entails that a scientist and a child may look at a cathode ray tube and, in a sense, the first will see it while the second (...) won’t. The claim is not, of course, that the child’s experience is ‘empty’; but that, unlike the scientist, it does not see the tube as a cathode ray tube. One way of supporting this claim is to say that one cannot see something as an F unless one has the concept F. Since the child plainly lacks the concept of a cathode ray tube, it cannot see it as a cathode ray tube. Although Perceptual Relativism is hard to believe, this supporting suggestion is not so implausible. After all, when we see (and more generally, perceive) the world, the world is presented to us in a particular way; so how can we see it as being that way unless we have some idea or conception of the way it is presented? We need not be committed to a representative theory of perception to think that perceptions in some sense represent the world. We can express this by saying that perceptions have content. Now it is a commonplace that the contents of beliefs and the other propositional attitudes involve concepts. The belief that this thing is a cathode ray tube involves, in some sense, the concept cathode ray tube. So the line of thought behind Perceptual Relativism may be expressed thus: seeing an F as an F is a state with content. (shrink)

The view that the content of experience is conceptual is often felt to conflict with the empiricist intuition that experience precedes thought, rather than vice versa. This concern is explicitly articulated by Ayers as an objection both to McDowell and Davidson, and to the conceptualist view more generally. The paper aims to defuse the objection in its general form by presenting a version of conceptualism which is compatible with empiricism. It proposes an account of (...) observational concepts on which possession of such a concept involves more than the ability for perceptual discrimination, but less than the capacity to employ the concept in inferences: it consists in the capacity to perceptually discriminate objects with the awareness that one is discriminating as one ought. This understanding of concept-possession allows us make sense of experiences' having conceptual content without supposing that the subject must grasp the relevant concepts prior to having those experiences. (shrink)

The intentionalist about consciousness holds that the qualitative character of experience, “what it’s like,” is determined by the contents of a select group of special intentional states of the subject. Fred Dretske (1995), Mike Thau (2002), Michael Tye (1995) and many others have embraced intentionalism, but these philosophers have not generally appreciated that, since we are intimately familiar with the qualitative character of experience, we thereby have special access to the nature of these contents. In this paper, we (...) take advantage of this fact to show that intentionalism is incompatible with the idea that these contents are singular or general propositions, and thus that intentionalism is incompatible with one dominant trend in thinking about contents in general. In particular, there appear to be insoluble difficulties in explaining how the phenomenology of place and time can be explained by any intentionalist theory appealing to singular or general propositions. (shrink)

This paper examines the contents of perceptual experience, and focuses in particular on the relation between the representational aspects of an experience and its phenomenal character. It is argued that the Critical Realist two-component analysis of experience, advocated by Wilfrid Sellars, is preferable to the Intentionalist view. Experiences have different kinds of representational contents: both informational and intentional. An understanding of the essential navigational role of perception provides a principled way of explaining the nature of such (...) representational contents. Experiences also have a distinct phenomenal content, or character, which is not determined by representational content. (shrink)

This paper aims to offer a new metaphysical view of both the representational content and the phenomenal or conscious character of visual experience inspired by Kaplan’s semantics of demonstratives. In Kaplan’s famous account, the character or meaning of a demonstrative type is understood as the function of a particular token of that type (vehicle of content) in the context of the demonstration of the singular content in the context in question. By way of analogy, (...) I want to suggest that the phenomenal character of experience can be best modeled as a function from tokens of experience in the context of experiential contact to their singular contents: that is, the instantiation of properties with which the subject is in experiential contact in those contexts. Since the meaning of demonstratives can also be described by its token-reflexive rule (the object demonstrated by this token demonstrative in this context of demonstration), we can also think of the phenomenal character as a token-reflexive property of representing whatever is normally causally responsible for this token experience in the context of experiential contact. This is what I call Reflexionism, inspired by Tye’s Kaplanianism (Tye 2009, 113-4, 2014). For example, phenomenal yellowness is the token-reflexive property of representing whatever is causally responsible for the relevant brain pattern in the context of experiential contact under normal conditions. (shrink)

This thesis is a defense of the Content View on perceptual experience, of the idea that our perceptual experiences represent the world as being a certain way and so have representational content. Three main issues are addressed in this work. Firstly, I try to show that the Content View fits very well both with the logical behaviour of ordinary ascriptions of seeing-episodes and related experiential episodes, and with our pretheoretical intuitions about what perceiving and (...) experiencing ultimately are: that preliminary analysis speaks for the prima facie plausibility of such a view. Secondly, I put forward a detailed account of perceptual episodes in semantic terms, by articulating and arguing for a specific version of the Content View. I provide arguments for the following theses: Perceptual content is two-layered so it involves an iconic level and a discrete or proto-propositional level. Perceptual content is singular and object-dependent or de re, so it includes environmental objects as its semantic constituents. The phenomenal character of perceptual experience is co-determined by the represented properties together with the Mode, but not by the perceived objects: that is what I call an impure representationalism. Perceptual content is 'Russellian': it consists of worldly objects, properties and relations. Both perceptual content and phenomenal character are 'wide' or determined by environmental factors, thus there is no Fregean, narrow perceptual content. Thirdly, I show that such a version of the Content View can cope with the objections which are typically moved against the Content View as such by the advocates of disjunctivism. I myself put forward a moderately disjunctivist version of the Content View, according to which perceptual relations must be told apart from hallucinations as mental states of a different kind. Such a disjunctivism is 'moderate' insofar as it allows genuinely relational perceptual experiences and hallucinations to share a positive phenomenal character, contrary to what Radical Disjunctivism cum Naïve Realism holds. Showing that the Content View vindicates our pre-theoretical intuitions and does justice of our ordinary ascriptive practices, articulating a detailed and argued version of the Content View, and showing that such a version is not vulnerable to the standard objections recently moved to the Content View by the disjunctive part, all that can be considered as a big, multifaceted Argument for the Content View. (shrink)

Much of the philosophical work on perception has focused on vision. Recently, however, philosophers have been turning their attention to the ‘other modalities’. In a pair of entries, I consider olfaction—a sense modality that, along with gustation, has been largely overlooked by philosophers. In this first entry, I consider the challenge that olfactory experience presents to upholding a representational view of the sense modalities. It is common for philosophers to think that visual experience is world‐directed and, in (...) particular, that it is representational. World‐directed views contrast with subjectivist views—views according to which experiences are raw feels or mere sensations. Unlike visual experience, olfactory experience doesn't obviously support a representational view. Indeed, given its phenomenology, a subjectivist view of olfactory experience might seem unavoidable. But it is not. Once we begin to unravel ourselves from the dominant visual model of perception, we see that there is a representational view available that honors the phenomenology of olfactory experience. In turn, we learn that although there are some basic similarities between visual experience and olfactory experience, there are significant differences that prevent us from making easy generalizations from the visual case. (shrink)

In the first part of the paper I try to explain why the disjunctive theory of perception can seem so counterintuitive by focusing on two of the standard arguments against the view-the argument from subjective indiscriminability and the causal argument. I suggest that by focusing on these arguments, and in particular the intuitions that lie behind them, we gain a clearer view of what the disjunctive theory is committed to and why. In light of this understanding, I then (...) present an argument for the disjunctive theory based on the claim that the content of experience is particular and not general. (shrink)

Suppose that Paul, while looking at a tree, sees that that thing over there is a red bird. Paul is having what we may call a ‘singular’ perceptual experience. How should we characterise the representational content of his perceptual experience? I will sketch an original answer to this question, building on the internalist accounts propounded by Searle (1983. Intentionality. Cambridge University Press. Ch. 2) and Recanati (2007. Perspectival Thought. Oxford University Press. Ch. 17). Pace Searle, the (...) content of Paul's experience is not a (general) proposition. Pace Recanati, whose account draws on Lewis’s (1979. “Attitudes De Dicto and De Se.” Philosophical Review 88 (4): 513–543) internalist view of de se attitudes, it is not a property of the perceiving subject. Instead, I submit, it is a property of the perceived object. The content is the property of being a red bird, which determines a set of centred worlds whose centre (an object taken at a time) is a red bird; the object (here, the bird) is part of the relevant situation of evaluation for the experience; and the experience is veridical only if the actual world centred on the object belongs to the set of centred worlds determined by that property. I will argue that this view retains the benefits of Searle's and Recanati's accounts while improving on them. (shrink)

My purpose is to take a close look at the nature of visual content. I discuss the view that visual experiences have only existential contents, the view that visual experiences have either singular or gappy contents, and the view that visual experiences have multiple contents. I also consider a proposal about visual content inspired by Kaplan's well known theory of indexicals. I draw out some consequences of my discussion for the thesis of intentionalism with (...) respect to the phenomenal character of visual experience. (shrink)

Representationalist theories of experience face the problem that two sets of compelling intuitions seem to support the contrary conclusions that we should ascribe, respectively, singular contents and general contents to experience. Susanna Schellenberg has, in a series of articles, argued that we can conserve both sets of intuitions if we award a central explanatory role to the notions of gappy-contents and content-schemas in our theory of experience. I argue that there is difficulty in seeing (...) how gappy-contents and content-schemas can fulfil the explanatory role envisioned for them by Schellenberg. The central problem is that both gappy-contents and contentschemas lack truth-conditions. Schellenberg attempts to support her view by suggesting an analogy between the role of content-schemas in our account of experience and the role of Kaplan’s notion of character in our account of demonstrative statements. However, I show that this analogy breaks down at crucial places when it is explored in detail. Hence, gappy-contents and content-schemas cannot fill the explanatory roles that the representationalist awards to fully truth-evaluable contents. Therefore, Schellenberg’s theory provides no way for the representationalist to conserve both sets of competing intuitions. (shrink)

This is a chapter from my introductory book *Perception* covering the representational view of experience. I use the Ramsey-Lewis method to define the theoretical term "experiential representation". I clarify and discuss various questions for representationalists, for instance, "how rich is the content of experience?" and "is the content of visual experience singular or general?" Finally, I address some objections to representationalism - in particular, that it cannot explain perceptual presence (John Campbell), and (...) that it cannot explain the "laws of appearance" (constraints on how things can appear). (shrink)

Perceptual experiences seem to in some sense have singular contents. For example, a perceptual experience of a dog as fluffy seems to represent some particular dog as being fluffy. There are important phenomenological, intuitive, and semantic considerations for thinking that perceptual experiences represent singular contents, but there are also important phenomenological, epistemic, and metaphysical considerations for thinking that they do not. This paper proposes a two-tier picture of the content of singular perceptual experiences that is (...) based on phenomenal intentionality theories of intentionality combined with self-ascriptivism about derived representation, a combination of views that allows mental states to have two types of contents: phenomenal contents and derived contents. On the proposed picture, singular perceptual experiences represent singular phenomenal contents, which do not involve worldly objects, as well as singular derived contents, which do involve worldly objects. This picture accommodates and reconciles the considerations for and against thinking that perceptual experiences have singular contents. (shrink)

My purpose is to take a close look at the nature of visual content. I discuss the view that visual experiences have only existential contents, the view that visual experiences have either singular or gappy contents, and the view that visual experiences have multiple contents. I also consider a proposal about visual content inspired by Kaplan's well known theory of indexicals. I draw out some consequences of my discussion for the thesis of intentionalism with (...) respect to the phenomenal character of visual experience. (shrink)

According to an influential variety of the representational view of perceptual experience—the singular content view—the contents of perceptual experiences include singular propositions partly composed of the particular physical object a given experience is about or of. The singular content view faces well-known difficulties accommodating hallucinations; I maintain that there is also an analogue of Frege's puzzle that poses a significant problem for this view. In fact, I believe that this (...) puzzle presents difficulties for the theory that are unique to perception in that strategies that have been developed to respond to Frege's puzzle in the case of belief cannot be employed successfully in the case of perception. Ultimately, I maintain that this perceptual analogue of Frege's puzzle provides a compelling reason to reject the singular content view of perceptual experience. (shrink)

Strong or Pure Intentionalism is the claim that the phenomenal character of any perceptual experience can be exhaustively characterized solely by reference to its Intentional content. Strong or Pure Anti-Intentionalism is the claim that the phenomenal character of any perceptual experience can be exhaustively characterized solely by reference to its non-Intentional properties. In Chapters One and Two, I consider how best to delineate the opposition between these positions. I reject various characterizations of the distinction, in particular, that (...) it can be captured in modal terms. Pure Intentionalist and Pure Anti-Intentionalist accounts can in fact share a modal profile. The most fundamental way of distinguishing Intentionalism from Anti-Intentionalism is in terms of the Intentionalist claim that experiences have contents with truth or satisfaction conditions. Characterized in this way, Intentionalism is committed to the claim that perceptual experience exhibits a certain kind of generality in that perceptual experiences essentially present their objects as being certain general ways. In contrast, the anti-Intentionalist denies that talk of seeing objects as certain kinds of object or as particular objects of those kinds provides a characterization of any aspect of the phenomenal character of perceptual experience. Anti-Intentionalist theories must, therefore, account for phenomenal character wholly in terms of particularist properties. In Chapters Three and Four, I argue that neither of these pure views of experience can do justice to the phenomenology of our ordinary perceptual encounters with the world. In Chapter Three, I contend that Pure Anti- Intentionalism, at least in the form of Bill Brewer’s Object View, fails to provide a satisfactory account of the phenomenology of aspect shifts and continuous aspect perception. Furthermore, I argue that the Object View’s accounts of perceptual illusion are ill-motivated and fundamentally unsatisfactory. In Chapter Four, I argue that Pure Intentionalism is inconsistent with the phenomenologically evident fact that experiences are durational events which unfold over time. Accordingly, the assumption that the phenomenal character of perceptual experience must be wholly characterized in terms of one kind of property, be it Intentionalist or non-Intentionalist, should be rejected. Any plausible theory of experience must appeal to different kinds of phenomenal property. In Chapter Five, I defend a view which does just this: the Catholic View of experience. The Catholic View claims that the phenomenal character of any mature human experience must be characterized in terms of both particularist and Intentional properties. I conclude by showing how this account avoids the most serious criticisms that have been levelled against the idea of non-representational, or ‘given’ elements in experience. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Theater of Nature: Jean Bodin and Renaissance Science by Ann BlairPeter DearAnn Blair. The Theater of Nature: Jean Bodin and Renaissance Science. Princeton: Princeton University Press, 1997. Pp. xiv + 382. Cloth, $45.00.Jean Bodin’s Universae naturae theatrum (1596) is the least celebrated of all the major publications by this outstanding figure of the French renaissance. It lacks the apparent political, historiographical, and philosophical relevance of Bodin’s (...) well-known earlier works (the Methodus ad facilem historiarum cognitionem of 1566, Les six livres de la République of 1576, and De la démonomanie des sorciers of 1580, all receiving much more attention then as now). Ann Blair focuses our attention on the Theatrum, as a text whose significance for her book exists on at least three interrelated levels: there is its relation to Bodin’s views in the more famous texts; its advantage as a treatise on natural philosophy about whose author we know much more (intellectually) than those of most such works; and in connection with the last, there is above all its value as a distinguished representative of a genre of natural philosophical writings that was prominent in the late sixteenth and early seventeenth centuries.It is the third consideration that motivates Blair’s book most centrally. She declares her wish to enrich our view of the history of science with works, like the Theatrum, that were not made by subsequently regarded stars such as Galileo or Descartes; the very typicality of its genre makes the Theatrum, she argues, a valuable window on contemporary understandings of what natural knowledge was and should be about. Bodin’s enterprise possessed a religious core: natural philosophy was for him a tool to be used in shoring up broadly irenical positions (of the kind associated with the Colloquium heptaplomeres, usually attributed, as here, to Bodin). This kind of “natural theology” avant la lettre characterized a good number of different thinkers and writers on natural philosophy in this period, many of them German (besides their discussion here, Blair is considering such people, and their project of pia philosophia, more fully in her current work). It is a subject that, more than anything, stands at the heart of her study.Bodin, rather conventionally, tried to establish a close liaison between natural philosophy and religious knowledge—that is, between those things to be inferred from experience of the natural world and the central dogmas of faith. Less conventionally, he attempted to demonstrate on occasion truths that were far from orthodox. Regardless of whether Bodin was “really” a Catholic or a Protestant (and Blair observes the great interest in the Theatrum shown by German Calvinists in the first few decades after its original publication), his general religious stance was one of accommodation. Thus good philosophizing could demonstrate (in the weak, rhetorical sense of that term) such doctrines as the existence and providence of God; contentious issues, such as the correct interpretation of the Eucharist, were left aside. Nonetheless, Bodin also argued, at such length and with such vigor as to have the propositions condemned by the Catholic church, that human souls and angels (as well as, more usually, demons) were corporeal beings. The importance to Bodin of this position stemmed from its sociopolitical implications: in particular, if human souls were incorporeal, it became unclear how rewards and punishments—necessary sanctions for restoring the social order threatened by the Wars of Religion—could be meted out after death. Curiously, such a view seems to imply that pleasure and pain are inextricably connected to bodies alone. [End Page 363]Among the historiographical strands informing Blair’s approach is recent literature on the “history of the book,” best known through the work of Roger Chartier. Accordingly, Blair discusses the vicissitudes of production of Bodin’s book in its various editions and emissions, and carefully considers, along with the likely reading practices by the aid of which Bodin came to compose it, the various uses to which its first readers put it. Her major interpretive trope is that of the commonplace book. While acknowledging the lack of direct material evidence for Bodin’s use of such a technique as his chief means of... (shrink)

There is, currently, much resistance to so-maligned Cartesian or internalist theories of meaning and mental content in the philosophies of mind and language. Internalist semantics tend to view the meaning of psychological attitudes as primary and that of public language items as essentially derivative. Moreover, internalists regard meaning as determined by internal facts--mental representations, mental sentences, conceptual roles, cognitive procedures--to name the favourites. In opposition, externalists argue that meaning is determined by external causal and social factors. They claim (...) to provide a more naturalistic theory of meaning; one more amenable to the sciences. I shall argue, however, that externalism is, at present, deeply flawed. ;As an internalist, I am less concerned by social versions of externalism for as I argue in chapter 2, it is not obvious that the sociolinguistic hypothesis is incompatible with internalism. The focus of this thesis is on causal theories of meaning and mental content. ;In chapter 1, I demonstrate, by means of the Swampman thought experiment, some of the absurd consequences of holding both that causal interaction with objects is a necessary condition for being able to have thoughts about those objects, and that causal interaction, in general, is a necessary condition for thought at all. The topic for chapter 2 is: To what extent and how does the res itself contribute to the meaning of a referring term in a language? I argue that the only coherent form of causal externalism is one that presupposes the truth of essentialism. In chapter 3 the legitimacy of the connection between the causal theory of reference and essentialism is called into question. ;If semantic relations are primarily causal they ought to be ripe for naturalistic reduction. I examine three attempts to get such reductions underway, in chapter 4. In chapter 5, I deign to speak for Descartes, risky though that be, and try to defend him against his twentieth century adversaries' charge that he is the founder of individualism--the most extreme of internalisms for it claims that the notion of psychological content is essentially a syntactic notion. ;In chapter 6, I return to the swamp and argue for an internalist conception of psychological content. To the charge that internalists cannot answer questions of the form: What makes a thought about one thing rather than another?, I argue that we must reconceive the role of thought in locating us in the world. The externalists have it backward; it is not the world which fixes our thought but our thought which fixes our relation to the world. In the conclusion, chapter 7, I make some remarks about the two traditional problems which I see as having divided philosophers into internalists and externalists: the problem of synonymy and the singularity question. Externalists have often thought themselves to have the upper hand in answering the latter, whilst dismissing the former as a non-problem. I argue, on the one hand, that synonymy is a real problem and that internalists are more likely to be able to explain it. On the other hand, I argue that externalists do not fare as well on the singularity question as they like to think. (shrink)

The topic of this paper is the perception of properties. It is argued that the perception of properties allows for a distinction between the sense of the identity and the sense of the qualitative nature of a property. So, for example, we might perceive a property as being identical over time even though it is presented as more and more determinate. Thus, you might see an object first as red and then as crimson red. In this case, the property is (...) perceived as identical over time, even though the sense of the qualitative nature (the redness, the crimson redness) of the property is changing. The distinction between the sense of identity and the sense of quality is explicated in terms of perceiving a particular property, a trope, and perceiving it as an instance of a universal. It is subsequently argued that the perceived tropes cannot constitute the phenomenal character of the perceptual experience. (shrink)

If what we believe can directly modify our (visual) experience, our experience is doxastically variable. If so, the following seems possible: our false and irrational background beliefs can modify our experience such that in it, things look distorted, or that it conforms with and appears to confirm the false and irrational beliefs that helped bring it about in the first place. If experience is doxastically variable, it seems, its epistemic function can be undermined. However, in this (...) dissertation, I argue that we can devise accounts of (visual) experience that meet two requirements: they are fully compatible with all kinds of doxastic variation and on them, even doxastically variable experience serves to rationally constrain our beliefs. I begin with a novel interpretation of Hanson’s account of theory-laden observation—a valiant, yet ultimately unsuccessful attempt to meet both these requirements. Next, I analyze and reject various contemporary relationalist accounts of experience and the most sophisticated recent representationalist attempt to accommodate phenomena of doxastic variation: Siegel’s (Rich) Content View. Then, based on the lessons learned and drawing on Hanson’s and Gupta’s work, I show what shape a successful account may take. Ultimately, I argue for the following theses: 1) Neither of the two dominant accounts of experience—relationalism and standard representationalism—currently succeeds in satisfactorily meeting both requirements. 2) To arrive at accounts that do meet them, we should drop both the restrictive relationalist conception of experience as a relation to mind-independent items and the standard representationalist conception of experience as justifying beliefs. 3) We make progress by adopting both the general conception of experience as making rational transitions to beliefs, judgments, and actions and a (slightly) modified version of Gupta’s presentationalist account of experiential phenomenology. Finally, 4) the possibility of devising successful accounts is independent of a major issue dividing relationalists and representationalists: whether experience has content. In the final chapters, I address various follow-up questions concerning the nature of views, conceptual capacities, conceptual content, and linkages between a subject’s experience and her responses. In concluding, I show that the account of experience I recommend is widely applicable in philosophy and beyond. (shrink)

How does perceptual experience disclose the world to us? According to the content view (CV), visual perceptual consciousness entails representational content. According to pure relationalism, perception is a non‐representational relation between a subject and an object. In this article, I argue that CV‐theorists are implicitly committed to the claim that there is an element of generality in perception, and I show how pure relationalists would emphasize the particularity of perception, instead of its generality. But I also (...) argue that there are good epistemological and phenomenological reasons for thinking that there is generality in perception. In particular, I focus on Brewer's purely relationalist account and I argue that it either fails to satisfy important phenomenological and epistemological requirements, or it introduces generality in a way that makes it collapse into CV. I contend that construing the debate between CV and pure relationalism in light of particularity and generality advances our understanding of how perceptual experience discloses the world to us, as well as strengthening the standing of CV. (shrink)

Visual perception is widely taken to present properties such as redness, roundness, and so on. This in turn might be thought to give rise to accuracy conditions for experience, and so content, regardless of which metaphysical view of perception one endorses. An influential version of this argument—Susanna Siegel’s ’Argument from Appearing’—aims to establish the existence of content as common ground between representational and relational views of perception. This goes against proponents of ‘austere’ relationalism who deny that (...) content plays a substantive role in philosophical explanations of conscious perceptual experience. Though Siegel’s argument purports to be neutral with respect to the metaphysics of perception, it relies upon an equivocation between the presentation of property-types and property-instances. Consequently, the argument begs the question against the austere relational view, and so fails to establish the desired conclusion. So while relationalists can and should allow that experiences have accuracy conditions, it does not follow from this that they have contents of any philosophically interesting or significant kind. (shrink)

According to Schellenberg, our perceptual experiences have the epistemic force they do because they are exercises of certain sorts of capacity, namely capacities to discriminate particulars—objects, property-instances and events—in a sensory mode. She calls her account the “capacity view.” In this paper, I will raise three concerns about Schellenberg’s capacity view. The first is whether we might do better to leave capacities out of our epistemology and take content properties as the fundamental epistemically relevant features of experiences. (...) I argue we would. The second is whether Schellenberg’s appeal to factive and phenomenal evidence accommodates the intuitive verdicts about the bad case that she claims it does. I argue it does not. The third is whether Schellenberg’s account of factive evidence is adequate to capture nuances concerning the justification for singular but nondemonstrative perceptual beliefs, such as the belief that’s NN, where NN is a proper name. I argue it is not. If I am right, these points suggest a mental-state-first account of perceptual justification, rather than a capacity-first account, and one which treats the good and bad cases alike in respect of justification and complicates the relation between perceptual content and what one is justified in believing. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Scriptural AuthorityA Buddhist PerspectiveShi ZhiruLike gold that is melted, cut, and polished, So should monks and scholars Analyze my words [before] accepting them; They should not do so out of respect.1As other papers in this volume have already noted, there is a crisis of authority in modern religion, particularly in the West. One defining characteristic of modernity is a deep sense of rupture from the old, from the (...) traditional, which is compounded by a heightened awareness of the subjectivity of self.2 Therefore, in the age of modernity, or postmodernity, critical and skeptical questioning of forms of religious authority is almost inevitable. While the crisis of religious authority is certainly enhanced in modernity, I would argue that the crisis of authority has always been part and parcel of religious innovation and transmission in Buddhist history. Critical self-reflection and skepticism of scriptural authority were present already in early Buddhism; at various junctures throughout Buddhist history, attitudes toward scriptural authority were often renegotiated in connection with major religious changes that in turn were usually prompted by larger social and historical changes. As the critical theorist Jürgen Habermas points out, “the term ‘modern’ again and again expresses the consciousness of an epoch that relates itself to the past of antiquity, in order to view itself as the result of a transition from the old to the new.” 3 Defined in this manner, the bridging of the “modern” and the past is not unique to the so-called epoch of modernity or postmodernity, but has occurred repeatedly throughout different historical periods.This paper discusses different junctures in Buddhist history when scriptural authority was problematized as part of self-reflection and criticism of the “tradition.” Rethinking the authority of scriptures often involves juxtaposing it against the authority of religious experience, and such reconsideration typically took place as part of religious change that unfolded in different sociocultural and geographical environments. It is tempting to immediately equate “religious experience” in the early Buddhist texts to the prevalent understanding of this term in the modern world, but one must caution that modern definitions and discourse on the topic are largely shaped [End Page 85] by post-Enlightenment ideals and rhetoric in Western religious history, which may not be applicable to traditional Buddhist cultures.4 Hence, it is necessary to unpack the range of premodern Buddhist understanding of “religious experience” according to its contextual references, and not hasten to assume a necessary polarity between the unmediated experience and scriptural exegesis that is generally assumed in modern discourse. Rather than a singular voice for the Buddhist position on scriptural authority, it is important to acknowledge the polyphony of voices and perspectives, sometimes even contradicting one another, in different forms of Buddhism. It is thus critical to contextualize the multiple voices within the different historical and religious circumstances that engendered a particular perspective.It should be noted that my discussion is hardly intended to be a comprehensive survey, but focuses on three examples: early Buddhism, early Mahāyāna, and Chan Buddhism. They are chosen because they aptly illustrate how Buddhists reconceived scriptural or textual authority as part of a critical rethinking of Buddhist thought and practice. Moreover, while religious experience was regularly invoked to undermine the normative scriptural authority of the time, nevertheless, in all the examples considered in this paper, the undermining of “old” scriptural authority gave way to new scriptural or literary authorities. This prioritization of religious experience in reality rarely excludes scriptural or textual authorities, but was often adopted for polemical and rhetorical purposes. The paper concludes with an attempt to broaden the understanding of Buddhist scriptural authority by highlighting the authority of scriptures as material objects, a perspective that has been largely neglected in comparative cross-cultural studies of scriptures.5 On a cautionary note, I am using the word “scripture” in a broad sense to mean the body of sacred texts accepted as the authority by a given religious tradition. As historians of religion have noted, it is necessary to dissociate sacred texts (particularly those of Asian religions) from the concept of “scripture,” which in its literal sense, as used to discuss Abrahamic religions, means the “written word... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ethics CommentaryNeil Pickering, Senior LecturerA doctor whose practice may threaten the well-being of his patients must surely be reported to the proper authorities. But the case of Dr. G opens up some deeper issues. Dr. G can legitimately be understood as a clear case of mental illness, but there is another possible view of what is going on, that he has had a religious experience. With (...) respect to Dr. G’s fitness to practice, psychiatrists will have rather different responsibilities depending on which of these views of his experiences they take. A difficulty that has to be faced in cases like that of Dr. G is how to make the distinction between mental illness and religious experience, and beyond that, to what extent society can make room for both.It is understandable that the psychiatrist and other health workers who come into contact with this patient would think he has a psychosis and would want him to take anti-psychotic medication. What else are they to think of this man who hears voices (one of the possible diagnostic criteria for schizophrenia), which have become more frequent and insistent over time, and now seem to be exercising control over his actions (another of the possible diagnostic criteria for schizophrenia) — commanding him to walk along the expressway and telling him that he will one day be a saint? This pattern of behaviour must surely be very familiar to them, from their textbooks and to some extent in their day-to-day practice, though no doubt the details vary from patient to patient.In Dr. G’s case, much about what has happened — and perhaps ought to happen — fits in with the practices of major societal institutions such as the police and the health authorities, and fits well with patterns [End Page 245] of behaviour witnessed before and which professionals have been trained to recognise and to respond to. Moreover, the “mental health” response is a well-practised one, and one which, I would venture to say, has done much good in the lives of many, and may perhaps do much good in the life of Dr. G, for example by enabling him to return to his usual life and practise as a doctor.But are these the only possible reactions in Dr. G’s case — and are they the right ones? One need not subscribe to any kind of scepticism in general about mental illness to raise questions about the standard reactions of police and health services in a case such as this. To understand Dr. G’s actions, one could appeal, instead, to another familiar enough pattern — though it is perhaps rather weakly represented in more secular forms of modern thinking — into which Dr. G’s sort of behaviour may also fit. The idea of someone receiving a revelation from God and altering their whole life is a common enough trope of religious teaching. In the Christian tradition, Jesus’ disciples were plucked, as it were, from their various ordinary lives — fishermen becoming fishers of men — and seemingly overnight they took on a new life. There was something in the voice of Jesus which called to them, and which convinced them of its authority.An interesting case, with some parallels to that of Dr. G, is reported by Maurice O’Connor Drury. From 1947, Drury practised as a psychiatrist (Danger of Words: xxviii),1 but had earlier been a philosophy student of Wittgenstein, and retained a strong relationship with him up until the philosopher’s death in 1951. Here is the case as he introduces it:Mr. D was sixty-seven years of age, a retired civil servant, a man of great piety who devoted his retirement to prayer and works of charity. His wife had no sympathy for what she regarded as a morbid religiousness. One morning at Mass he heard the words of the Gospel: ‘Go and sell all that thou hast and give to the poor and thou shalt have treasure in heaven, and come and follow me.’ These words spoke to him like a command. And straightaway he left the church, putting all the money that was on him into the poor-box at the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Kant's DogDavid E. Johnson (bio)In a certain way, it is always too late to pose the question of time.—Jacques Derrida, Margins of PhilosophyIt is well known that Kant was notorious in Königsberg for his strict adherence to routine; he was so regular, Ernst Cassirer reports, that the citizens of Königsberg were able to set their clocks by his movements.1 The most public articulation of this regularity was his (...) daily walk through the city. It is doubtful Kant took a dog along on his constitutional; nevertheless, at the moment in the Critique of Pure Reason that he determines the possibility of the conceptualization of sense perception, which Heidegger considered the very heart of Kant's critical project and which ultimately turns on the regulation of the synthesis of time,2 Kant trots out man's best friend. Although he needs this dog in order to demonstrate the trick of temporal synthesis that makes any sensible conceptuality possible, it is also clear that he needs to keep this dog on a tight leash; he cannot afford to let it run off or go astray. On one reading, then, the Critique of Pure Reason institutes a sort of philosophical leash law. Indeed, Kant holds the dog so tightly that it is always already a dead dog—philosophical roadkill.In literature there is perhaps no more memorable instance of the problem of conceptuality than Jorge Luis Borges's "Funes el memorioso." Within that text, the key moment is the unforgettable example of Ireneo Funes's particular observation of the manifold that others reduce to a dog: "Not only was it difficult for him to see that the generic symbol 'dog' took in all the dissimilar individuals of all shapes and sizes, it irritated him that the 'dog' of three-fourteen in the afternoon, seen in profile, should be indicated by the same noun as the dog at three-fifteen, seen frontally" [Collected Fictions [End Page 19] 136].3 For Funes the inability to synthesize the manifold of experience under a general concept also contaminates the possibility of self-recognition: "His own face in the mirror, his own hands, surprised him every time he saw them" [Collected Fictions 136].4 His surprise at his face and hands as much as his frustration at the generic concept "dog" must be read within the context of Funes's rejection of Locke's suggestion of a rigorously particular language: "In the seventeenth century, Locke postulated (and condemned) an impossible language in which each individual thing—every stone, every bird, every branch—would have its own name; Funes once contemplated a similar language, but discarded the idea as too general, too ambiguous" [Collected Fictions 136].5 In Funes's account, the untenability of Locke's language does not lie in the impossibility of a language grounded upon absolute singularity; he does not argue, for example, that even the most radical empiricism must ultimately depend upon the possibility of ideality. Rather, he argues that insofar as it does not account for the temporal difference of the same from itself, such a language is always already too general.6 In short, "every individual thing, every rock, every bird, every branch," in Funes's eyes, are each and every one more than one. The dog at 3:14 seen in profile is not the same dog when seen at 3:15 in full frontal view. For Funes, the possibility of identity conceived as self-identity and, accordingly, as self-possession over time, is suspended. My face and hands are always different from themselves; they always surprise me; thus they are not mine. In Signs of Borges Sylvia Molloy remarks that Funes's attempt to construct a rigorously particular language can only be "sustained by Funes' attention" and that the words of such a language "finally make sense only to him. Indeed, all that holds them together... is Funes himself" [118, emphasis added]. On Molloy's account, the singularity of Funes's language, grounded as it is only in Funes himself, explains "the narrator's inability to reproduce" it [118]. Yet, Molloy fails to read the maximal effect of Funes's radical empiricism: namely, the... (shrink)

John McDowell is one of the most widely read philosophers in recent years. His engagement with a philosophy of language, mind and ethics and with philosophers ranging from Aristotle and Wittgenstein to Hegel and Gadamer make him one of the most original and outstanding philosophical thinkers of the post-war period. In this clear and engaging book Tim Thornton introduces and examines the full range of McDowell's thought. After a helpful introduction setting out McDowell's general view of philosophy Thornton (...) introduces and explains the following topics: • Wittgenstein on philosophy, normativity and understanding • value judgements • theories of meaning and sense • singular thought and Cartesianism • experience, knowledge and openness to the world • Mind and World and idealism • action and the debate with Hubert Dreyfus on conceptual content and skilled coping. This second edition has been significantly revised and expanded to include new sections on: McDowell's work on disjunctivism and criticisms of it; a new chapter on McDowell's modification of his account of perceptual experience and conceptual content and criticisms by Charles Travis; and a new chapter on action and McDowell's engagement with Hubert Dreyfus and the debate concerning skilled coping and mindedness. The addition of a glossary makes John McDowell, second edition essential reading for those studying McDowell, philosophy of language, philosophy of mind, ethics and epistemology, as well as for students of the recent history of analytical philosophy generally. Tim Thornton is Professor of Philosophy and Mental Health at University of Central Lancashire, UK. He is author of Essential Philosophy of Psychiatry (2007), Wittgenstein on Language and Thought (1998), co-author of the Oxford Textbook of Philosophy and Psychiatry (2006), and Tacit Knowledge (2013) and co-editor of the Oxford Handbook of Philosophy and Psychiatry (2013). (shrink)

According to a number of popular intentionalist theories in philosophy of mind, phenomenology is essentially and intrinsically intentional: phenomenal properties are identical to intentional properties of a certain type, or at least, the phenomenal character of an experience necessarily fixes a type of intentional content. These views are attractive, but it is questionable whether the reasons for accepting them generalize from sensory-perceptual experience to other kinds of experience: for example, agentive, moral, aesthetic, or cognitive experience. (...) Meanwhile, a number of philosophers have argued for the existence of a proprietary phenomenology of thought, so-called cognitive phenomenology. There are different ways of understanding the relevant sense of “proprietary,” but on one natural interpretation, phenomenology is proprietary to thought just in case enjoying an experience with that phenomenal character is inseparable from thinking an occurrent, conscious thought. While one may have instances of thought without CP experience, one will never find CP independent of thought. So the former justifiably can be said to “belong to” the latter. The purpose of this paper is to argue that these intentionalist and cognitive phenomenology views make surprisingly uncomfortable bedfellows. I contend that the combination of the two views is incompatible with our best theories of how our concepts are structured. So cognitive phenomenology cannot determine the contents of our thoughts. (shrink)

In this paper I will discuss the intentionalist view of perception, and present some arguments to support the view that, contrary to Michael Martin’s criticism, intentionalists do not need to conceive the content of perception as either singular or general, because this is not the way that it should be thought. The right way to conceive the representational content of perception is by considering it as informational and functional.

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 42.2 (2004) 232-233 [Access article in PDF] Giuseppina D'Oro. Collingwood and the Metaphysics of Experience. New York: Routledge, 2002. Pp. xi + 179. Cloth, $80.00. There is a resurgence of interest in Collingwood among philosophers and political theorists in the English-speaking world. One of the scholars leading this resurgence is Giuseppina D'Oro, whose fine monograph on Collingwood's metaphysics and epistemology appears (...) in the series "Routledge Studies in Twentieth-Century Philosophy." D'Oro's prose is lucid and tightly argued: her analyses of the problems that concerned Collingwood, as well as her reinterpretations and supporting arguments, are a thoughtful model of clarity.Collingwood is generally ignored except by philosophers of art and history; D'Oro aims to reassess Collingwood's important metaphysical and epistemological views and raise awareness of them. Arguing that, when not ignored, these aspects of Collingwood's philosophy often have been misinterpreted, D'Oro supplies a reconstruction and defense of Collingwood's conception of philosophical thought. Admirably and insightfully, she contextualizes his concerns within the past three centuries of philosophy and also within influential contemporary discussions (addressing, for example, relationships to Locke, Hume, Kant, Prichard, Russell, Ryle, Ayer, James, Rorty, and Quine). D'Oro demonstrates that Collingwood provides crucial contributions to both the history of philosophy and contemporary debates.For D'Oro, Collingwood's key text is his An Essay on Philosophical Method (1933), which is concerned with the proper subject matter, method, and task of philosophy. This work, [End Page 232] with its distinction between philosophical and empirical concepts, introduces into Collingwood's metaphysics the Kantian element that D'Oro emphasizes to support her original interpretation. Collingwood's metaphysics, like Kant's, is described as a "descriptive metaphysics" or "metaphysics of experience" (2-3) which was intended to reform, not jettison, metaphysics. Conceptual rather than ontological, Collingwood's metaphysics is an epistemological project that reveals not the "structure of reality," but the "structure of experience" (2). According to Collingwood, all knowledge is based on presuppositions and conditioned by them; thus, metaphysics cannot be a presuppositionless "study of pure being" (3) or things-in-themselves. Rather, Collingwood's Kantian metaphysics aims to uncover the absolute presuppositions behind various aspects of experience, presuppositions that ground or make possible diverse forms of knowledge and that structure different domains of inquiry. D'Oro here argues intriguingly against a view of much Collingwood scholarship: that for the later Collingwood of An Essay on Metaphysics (1940), metaphysics is the study of the historically relative presuppositions adopted by diverse people of different historical eras or epochs, i.e., metaphysics entails historical relativism. Instead, D'Oro contends, metaphysics for Collingwood is the second-order study of the absolute presuppositons that provide the conditions for the possibility of disciplinary knowledge. Furthermore, she argues, this metaphysical view is consistent with An Essay on Philosophical Method. Contra some commentators, there is no "early" and "late" Collingwood, and the notion that he ultimately experienced a "radical conversion" (79) to historical relativism is false.Collingwood's metaphysics of experience entails that domains of inquiry such as art, religion, natural science, and history are governed by distinct presuppositions or a priori principles and thus provide complementary, not competing, accounts of reality. Hence, history deals with actions and presupposes that their causes are freely chosen reasons or motives; natural science deals with events and presupposes that they are caused by empirical regularities in nature. These presuppositional distinctions are philosophical and conceptual rather than empirical, and different areas of knowledge may address the same empirical objects in different ways.This truncated summary hardly does justice to the rich totality of D'Oro's book, much of which provocatively works out the implications of her reinterpretation. Among other things, she defends Collingwood against metaphysical realism, neo-empiricism, and logical positivism; addresses his idiosyncratic "'rehabilitation' of the ontological proof" (67); argues against the common view that his philosophy of history promotes "re-enactment" as a methodological procedure for historical practice; and explores his non-dualist and non-physicalist resolution of the mind/body problem.Perhaps... (shrink)

Almost every case of visual experience is as of a unified state of affairs and as of one or more specific particulars. I argue that a view on which the content of visual experience is a singular proposition does a better job at explaining these two features of visual experience than three popular theories: the Complex Property Theory, Generalism, and Fregean Particularism. The defended view, however, entails that there are no visual hallucinations traditionally (...) understood. I make the case for the plausibility of this consequence. (shrink)

Nowadays, it is frequently seen that theology education is criticized over secularism or piety concerns. In fact, it has recently been observed that those who have opposed the existence of the theology faculties within the university system for religious reasons have tried to make their voices heard on different platforms, especially on social media. The discussions conducted on different platforms mostly run without a scientific basis. The aim of this study is to determine the views of theology faculty students with (...) regard to the studying on campus and to contribute to the structure of the evaluations on higher religious education-university dilemma on a scientific basis. Metaphor technique was used for data collection. Data were collected in April 2019 using open-ended questions from 228 sophomore, junior, or senior students at Faculty of Theology in Zonguldak Bülent Ecevit University. Content analysis and chi-square technique were used in the data analysis. The research revealed that the majority of students (%73, 2) produced positive metaphors for studying theology on campus. Students mostly explain the positive experience of studying on campus through the possibility of growing up as a well-equipped theologian, recognizing real-life, and representing religion. It was also determined that the students who completed the associate degree and continued theology faculty highlighted the positive aspects of theology education on campus.Summary: While higher education throughout history has been undertaken by madrasas in the East and monastic schools in the West, it has been represented by the modern university in the last two centuries. The madrasas and monastic schools were religious institutions in terms of aims, epistemological and pedagogical understanding, institutional structures, and the lifestyle they produced. The aim of these institutions, which are subordinate to religious authority, was to educate the man on behalf of God while giving this education in accordance with the religion. The university, which replaces madrasas and monastic schools, was not different from the tradition of madrasas and monastic schools when it was first established. The first universities and colleges that were accepted as the ancestors of the well-established universities in the West were schools established for religious purposes. Indeed, many of the western universities established in the past for religious purposes continue their administrative and financial ties with the church. On the other hand, after enlightenment, education has ceased to be a business of religious institutions, and national states have established modern universities to train people suitable for their own needs. The modern university that is positivist and rationalist reveals information to educate people and to perfect society in the name of the state and the economy, not for the God. Research shows that both universities that maintain their ties with the church and state universities participate in the secularization process deeply. Nevertheless, religion continues to exist in different forms at universities, which is much more intense at universities that continue their connection with the church. In addition to the theology and religious studies programs, religion finds a place in the modern university campus through accredited student organizations, campus priests and preachers, social organizations, etc.When Darülfünun (Dār al-Fünūn) the first example of a modern university was established in Turkey in 1900, theology faculty became one of the three faculties. However, whether a modern university is a suitable place for higher religious education has been a controversial issue. In 1915, theology faculty was removed from the university system, then re-established in the university again in 1924, and in 1933, theology education was terminated due to the discussions of modernization. In 1949, the theology faculty was reintroduced at the university; and after 1959, High Islamic Institutes were established under the Ministry of National Education. The inclusion of religious education in the university has been one of the issues that frequently occupy the agenda until 1982, when all higher religious education institutions were included in the university system. In these discussions, the interesting thing is that religious people insist on being included in the university system although various groups oppose in the name of secularism principle. Even more interesting is that there are still demands for higher religious education outside the university, although the number of theology faculties has increased in recent years. In order to make the madrasas to be function as an alternative or complement to theology faculty, they claim that the theology degree completion program or open theology program must be expanded. In fact, it has recently been observed that those who have opposed the existence of the theology faculties within the university system for religious reasons have tried to make their voices heard on different platforms, especially on social media. Those who make such claims, claim that the university is not a suitable place for religious education in terms of epistemology, pedagogy, and social life.This study aims to determine the views of theology faculty students with regarding to the studying on campus and to contribute to the structure of the evaluations on higher religious education-university dilemma on a scientific basis. Within this framework, three basic questions were investigated: (i) Do students highlight positive or negative aspects of theology education on campus? (ii) What kind of experiences are reflected on the positive or negative aspects of theology education on campus from the metaphors? (iii) Is there any difference among the metaphors of the students according to the gender and enrolling types to the faculty (university entrance exam or vertical transfer exam and non-exam enrolling system)? Metaphor technique was used for data collection. Data were collected in April 2019 using open-ended questions from 228 sophomore, junior, or senior students at Faculty of Theology in Zonguldak Bülent Ecevit University. Content analysis and chi-square technique were used in the data analysis.The research revealed that the majority of students (%73, 2) produced positive metaphors for theology education on campus. Students mostly explain the positive experience depending on the possibility of growing up as a well-equipped theologian, experiencing real-life, and representing religion. Among the reasons of the negative metaphor producers, the degenerative effect of the campus environment, the exclusion, and the desire to study in a religious environment come to the fore. It was also determined that the students who completed the associate degree and continued theology faculty highlighted the positive aspects of theology education on campus. Consequently, results show strong student support for theology education at university.In our opinion, it is possible to interpret the recent debates on the inclusion of theology faculties within the university system through the general tendencies of religious people who encounter modernism. In this regard, the results provide important clues. Religious people who encounter modernism generally preferred one of the following three ways: ghetto closure, conflict with the modern, seeking a consensus-based way to continue to touch the life of modern people with the message of religion over time and space. While those who prefer ghettos and conflict reject everything that is modern, those who are accommodating seek ways to keep religion together with modern people and institutions despite some risks. Results show that most of the theology students consider the university as a place that offers opportunities for religious education despite the secular and sometimes challenging environment of the campus. This means that they have a strong self-confidence in the beauty that religion can bring to modern life and modern people. (shrink)

This dissertation is an investigation into the degree to which the mathematics used in physical theories can be constructivized. The techniques of recursive function theory and classical logic are used to separate out the algorithmic content of mathematical theories rather than attempting to reformulate them in terms of "intuitionistic" logic. The guiding question is: are there experimentally testable predictions in physics which are not computable from the data? ;The nature of Church's thesis, that the class of effectively calculable functions (...) on the natural numbers is identical to the class of general recursive functions, is discussed. It is argued that this thesis is an example of an explication of the very notion of an effectively calculable function. This is contrary to a view of the thesis as a hypothesis about the limitations of the human mind. ;The extension to functions of a real variable of the notion of effective calculability is discussed, and it is argued that a function of a real variable must be continuous in order to be considered effectively calculable . The relation between continuity and computability is significant for the problem at hand. The results of a well-designed experiment do not depend critically upon the precise values of the relevant parameters. Accordingly, if the solution to a problem in mathematical physics depends discontinuously upon the data, it cannot be regarded as an experimentally testable prediction of the theory. The principle that the testable predictions of a physical theory cannot be singular is known as the principle of regularity. This principle is significant, because discontinuities generate non-computability, but they also disqualify a prediction from being experimentally testable. ;A mathematical framework is set up for discussing computability in physical theories. This framework is then applied to the case of quantum mechanics. It is found that, due to the use of unbounded operators in the theory, noncomputable objects appear, but predictions which satisfy the principle of regularity are nevertheless computable functions of the data. (shrink)

This is an essay on Kant's neglected late tract On a Recently Adopted Prominent Tone in Philosophy (RTP) and Derrida's oblique commentary on this work in his D'un ton apocalyptique adopté naguère en philosophie. The theme of the essay is metaphilosophical and considers issues concerning the nature of critical philosophy, fanaticism (Schwärmerei), and the use of religious tropes in philosophy. I am primarily interested in the ways in which RTP thematises the legitimacy of speaking in an exalted, quasi-religious tone (...) apropos of the authority of Reason as a self-legitimising capacity in philosophical speech. An important additional reason for taking a closer look at this text is because the late Jacques Derrida (1930–2004) took a great interest in this work of Kant’s and, indeed, emphasised, rightly I think, that despite its prima facie rhetorically charged, polemical nature this work—which might at first be taken to be merely a lampoon—is anything but insignificant in Kant’s œuvre. Derrida’s On a Recently Adopted Apocalyptic Tone in Philosophy, originally published in 1983, is an oblique commentary on Kant’s RTP, and aims to expose to view the alleged hidden underpinnings of Kant’s polemic against exaltation or fanaticism (Schwärmerei) in philosophy. Derrida tries to show that Kant’s appeal for tonal moderation in philosophy, for a measured speech, which should rein in exalted modes of speech, is itself not neutral and rather fundamentally biased against an exalted, quasi-religious, manner of thought. It is evident that, as he himself notes early on in RTP, Kant is predisposed towards a more Aristotelian, academic kind of philosophy, which adopts a “proper” tone or pitch in philosophical debate, but Derrida claims that Kant himself raises his voice precisely in lampooning exalted thinkers. I am particularly interested in the extent to which Derrida’s critique manifests a fundamental misapprehension of the Kantian mode of moderating critique. By expounding this misapprehension, Kant’s own reasons for his philippic against religious or quasi-religious talk in philosophy are foregrounded, thus showing the nature of properly critical thought. At the same time, I shall show how Derrida underestimates the self-reflexivity, and hence properly critical, self-authorising mode of thinking, underlying his own oblique references to the adieu as a trope for quasi-transcendental intentionality towards the so-called ‘Other’. (shrink)

This book is not aimed at exhuming Kant, but resurrecting him. It is inspired by the Critique of Pure Reason , yet is not about it: perhaps over-ambitiously, it tries to delineate not Kant's metaphysics of experience but the truth of the matter. The author shows rather than says where he agrees and disagrees with the first Critique , in so far as he understood that profound but obscure, over-systematic yet carelessly written, inspiring and infuriating, magnificent but flawed masterpiece. (...) The book attempts a highly systematic presentation, in which the very form of the work reflects the content of the arguments. Kant is often derided for the extent to which he allows his penchant for architectonic structure to distort his insights, but it is argued that he had the right instinct in assuming that there must be some systematic way in which the necessary conditions for experience fit together. The contemporary trend in analytical philosophy seems to be towards ever more specialized, jargon-infested work, and there is a need to draw things together into a wider view that can be more generally appreciated. (shrink)

Some philosophers have argued recently that introspective evidence provides direct support for an intentionalist theory of visual experience. An intentionalist theory of visual experience treats experience as an intentional state, a state with an intentional content. (I shall use the word ’state’ in a general way, for any kind of mental phenomenon, and here I shall not distinguish states proper from events, though the distinction is important.) Intentionalist theories characteristically say that the phenomenal character of (...) an experience, what it is like to have the experience, is exhausted by its intentional content. Visual experience, and on some views sense-experience generally, does not involve the awareness of ’qualia’, intrinsic, non-intentional features of the experience. According to Gilbert Harman and Michael Tye, support for this view comes from introspecting on experience. Tye describes his ’argument from introspection’ as follows: Standing on the beach in Santa Barbara a couple of summers ago on a bright sunny day, I found myself transfixed by the intense blue of the Pacific Ocean. Was I not here delighting in the phenomenal aspects of my visual experience? And if I was, doesn’t this show that there are visual qualia? I am not convinced. It seems to me that what I found so pleasing in the above instance, what I was focusing on, as it were, were a certain shade and intensity of the colour blue. I experienced blue as a property of the ocean not as a property of my experience. My experience itself certainly wasn’t blue. Rather, it was an experience which represented the ocean as blue. What I was really delighting in, then, were specific aspects of the content of the experience. Tye goes on to suggest that this might have been the sort of thing Moore meant when he said that the sensation of blue is ’diaphanous’, and glosses this as follows: When one tries to focus on it in introspection one cannot help but see right through it so that what one actually ends up attending to is the real colour blue. 1An early version of this paper was presented at the conference, Mental Phenomena III in Dubrovnik, Croatia.. (shrink)

Scholarly debate over faux-snuff’s content has predominantly focused on realism and affect. This paper seeks to offer an alternative interpretation, examining what faux-snuff’s form reveals about self. Faux-snuff is typically presented from a first-person perspective, and as such is foundationally invested in the killer’s experiences as they record their murder spree. First then, I propose that the simulated-snuff form reifies self-experience in numerous ways. Faux-snuff’s characteristic formal attributes capture the self’s limited, fractured qualities, for example. Second, I contend (...) that the faux-snuff film’s singular focus lays bare the killer-self. The killer’s identity is principally constituted by the murders they commit. Resultantly, faux-snuff’s victims necessarily affirm the killer qua killer in the moment of murder. However, homicide eradicates the victim. Victims thus vanish in the moment they become the killer’s counter-identity. Consequently, the mock-snuff film centralises not only killing, but also the killer’s self-abnegation. Simulated-snuff’s repeated murders are a compulsive process of becoming in which the killer-self is both reified and erased. Despite presenting events through the killer’s eyes then, the simulated-snuff film can never provide access to the killer. The killer is an absent-presence that also acts as a constant reminder that the viewer is profoundly distanced from the action depicted, despite its apparent immediacy. In sum, faux-snuff commonly combines first-person form with relentless violent content. That melding leads me to scrutinize the apparently absolute binary oppositions at the heart of self-conception. By nature of their approach, these films routinely expose the tipping points between victim/killer, self/other, and life/death. In doing so, simulated-snuff catalyses questions about the self in general, and about our own selves in particular. (shrink)

This article presents a dual purpose: to carefully consider objections against the existentialist conception of the content of visual experience and to develop and defend a version of it that avoids such objections, specifically addressing the so-called "problem of particularity." The main thesis is that the existential content of visual experience should be understood as relativized, being incomplete content (rather than classical, complete propositions), modeled as a function of the sextuple of the object, agent, time, (...) place, causal relation, and world to absolute values. (shrink)

Scholarly debate over faux-snuff’s content has predominantly focused on realism and affect. This paper seeks to offer an alternative interpretation, examining what faux-snuff’s form reveals about self. Faux-snuff is typically presented from a first-person perspective, and as such is foundationally invested in the killer’s experiences as they record their murder spree. First then, I propose that the simulated-snuff form reifies self-experience in numerous ways. Faux-snuff’s characteristic formal attributes capture the self’s limited, fractured qualities, for example. Second, I contend (...) that the faux-snuff film’s singular focus lays bare the killer-self. The killer’s identity is principally constituted by the murders they commit. Resultantly, faux-snuff’s victims necessarily affirm the killer qua killer in the moment of murder. However, homicide eradicates the victim. Victims thus vanish in the moment they become the killer’s counter-identity. Consequently, the mock-snuff film centralises not only killing, but also the killer’s self-abnegation. Simulated-snuff’s repeated murders are a compulsive process of becoming in which the killer-self is both reified and erased. Despite presenting events through the killer’s eyes then, the simulated-snuff film can never provide access to the killer. The killer is an absent-presence that also acts as a constant reminder that the viewer is profoundly distanced from the action depicted, despite its apparent immediacy. In sum, faux-snuff commonly combines first-person form with relentless violent content. That melding leads me to scrutinize the apparently absolute binary oppositions at the heart of self-conception. By nature of their approach, these films routinely expose the tipping points between victim/killer, self/other, and life/death. In doing so, simulated-snuff catalyses questions about the self in general, and about our own selves in particular. (shrink)

An increasing number of epistemologists defend the notion that some perceptual experiences can immediately justify some beliefs and do so in virtue of (some of) their phenomenal properties. But this view, which we may call phenomenal dogmatism, is also the target of various objections. Here I want to consider an objection that may be put as follows: what is so special about perceptual phenomenology that only it can immediately justify beliefs, while other kinds of phenomenology—including quite similar ones—remain ‘epistemically (...) inert’? I will argue that, to overcome this objection, the phenomenal dogmatist should incorporate into her view a general principle—I call it the ‘experiential attitude/doxastic content link’ principle—that essentially extends the view from the perceptual case to other phenomenal states. (shrink)

Many readers will be familiar with the power of stories to stimulate rich, ethically-focussed philosophical enquiry with communities of children and young people. This paper presents a view of the relationship between ethics and narrative that attempts to explain why this is the case. It is not an accident that moral matters are illuminated in stories, nor is the explanation for this fitness for purpose merely pragmatic, or a matter of convention. Narrative is at the heart of learning how (...) to live a good live and living that life. Unlike other forms of organising human experience, such as mathematics or science, narrative represents ethical experience particularly well. This is possible because of the logical structures of human experience that narrative successfully communicates and because of the human faculties that it successfully engages , which are the faculties we use in ethical life. Understood in this way, narrative is both a source, and a method of ethical knowledge and understanding. The implication of this claim is that narrative is is not only useful as a stimulus for ethical enquiry in the way in which delegates may be familiar. According to my account, telling and being told stories and exploring narrative features such as character and setting constitute a form of ethical enquiry in their own right. These activities require us to engage the same faculties at work in ethical life and in doing so, we gain ethically relevant experiences that reinforce, challenge and enlarge what we know and understand about the ethical world. However, we do not strive to grasp propositional knowledge through engaging with narratives as a source and method of knowledge and understanding. Books, plays and films on my account, do not have ‘a moral of the story’ that must be grasped and then internalised. What we learn through engagement with narrative is ethical perceptiveness. Perceptiveness in this sense, is knowing how to read and respond to the ethically salient features of a text or an everyday experience. It is a function of the use of our emotion and imagination in conjunction with the intellect. In light of these claims, I advocate ‘Narrative Ethical Enquiry’, a pedagogy that aims at three things I consider to be constitutive of perceptiveness: Ethical awareness: The active and self-conscious identification of the ethical content in stories. Narrative competence: The encouragement of sophisticated acts of giving and receiving stories, as an integral part of ethics education and not just as the basis for an exploration of issues in some other gear e.g. philosophical, legal, scientific, religious etc. Self-conscious enquiry: The recognition – by learners and teachers – of the potential of narratives and active use of narrative to gain ethical knowledge and understanding. Although ethical enquiry in PwC often begins with a story, this does not mean that narrative has been optimised in that educational encounter. Often in a PwC class that begins with a story, there is a hasty move made from an exploration of the detailed content of the story to the identification of one or two ethical concepts followed by the pursuit of understanding through conceptual analysis, the construction of prima facie axioms, principles and other theoretical constructs. All of which operate at a suitably high level of generality and abstraction. This is what philosophy does well, but in in doing so in ethical enquiry, it overlooks narrative features of a stimulus that can offer ethical illumination. Features such as the time and place in which the story takes place; the intentional and emotional states of certain characters; the contingency of certain events and the necessity of others; the uniqueness of the story as a singular whole including its particular details and simultaneously, the generic patterns of tragedy or parody that it assumes. An intellectualistic philosophical engagement with a story will typically neglect the faculties of emotion and imagination that enable us to fully access the ethical dimension of a story and in turn allow us to navigate the ethical dimension of every day life. I propose an approach to ethical enquiry that draws on the self-conscious and systematic clarity of philosophy and the richness, complexity and immediacy of narrative. Philosophical and narrative modes of understanding can - and often do - complement one another in PwC. In proposing Narrative Ethical Enquiry I simply advocate that this be acknowledged, understood and capitalised upon. (shrink)

Machine generated contents note: 1 The Cartesian legacy -- The dominant paradigm -- Cartesian dualism -- The secret life of the body -- The Cartesian theatre -- The domain of reason -- The causal relevance of the mind -- Conclusion -- Further reading --2 Reductionism and the road to functionalism -- Causation, scientific realism, and physicalism -- Reductionism and central state materialism -- Problems with central state materialism -- Modified ontological physicalism: supervenience -- Modified explanatory physicalism: the disunity of -- (...) science picture -- Supervenient causation -- Functionalism -- Further reading --3 Computational models of mind -- Intentionality -- Rationality: the calculative account -- The computational model of mind -- Objections to the language of thought (1) -- Objections to the language of thought (2) -- Conclusion -- Further reading --4 The content of thought -- The internalist picture -- Externalism -- Singular thoughts -- Dual component theories -- Naturalistic externalism -- Teleological theories -- Conclusion -- Further reading --5 Anti-reductionist alternatives -- Interpretationalism -- Real patterns -- Direct interpretationalism -- Psychological causalism -- Modified psychological causalism -- Third-personalism and perspectivity -- The world from the point of view of the subject -- Context and culture -- Conclusion -- Further reading --6 The content of experience -- Consciousness -- The knowledge argument -- Absent qualia and inverted spectra -- Functionalist responses -- Internal monitoring -- Intentionalism -- Form and content -- The private language argument -- Further reading -- 7 Subjects of experience -- Subjectivity -- The subjective viewpoint -- Intersubjectivity -- Simulation theory -- Normativity and normality -- Expression -- Self-knowledge -- Conclusion -- Further reading --8 The embodied subject -- Mentality -- Desire -- Beyond the Cartesian body -- Metaphysical questions: multiple narratives -- Further reading -- Notes -- Bibliography -- Index. (shrink)

Diachronic perceptual atomism is the view that the contents of experience do not involve temporal relations between non-simultaneous events, such as motion, succession, or duration, but only 'snapshots' of the world. Traditionally, atomism has not been a very popular view. Indeed, many philosophers think that it is obviously false and that the main debate about time consciousness takes place between models which reject atomistic commitments. This antiatomistic sentiment can be traced back to William James's slogan that 'a (...) succession of feelings, in and of itself, is not a feeling of succession'. In this paper I argue, first, that the arguments typically launched against atomism in the spirit of James's slogan fail; and second, that the viability of atomism depends on what the conditions for a mental event's being an experience are. In particular, I argue that if a mental event is an experience only if it fulfils certain downstream conditions, which concern the role of the event in the subject's cognitive life, then atomism fails. Otherwise, it is in fact a viable and in many ways attractive view. It follows from my discussion that, contrary to popular belief, atomism is by no means obviously false. Rather, its viability depends on one's further views about the relationship between experience and cognition. (shrink)

Forthcoming (2011) in K. Hawley and F. Macpherson (eds.) The Admissible Contents of Experience, Wiley‐Blackwell. The Admissible Contents of Experience Fiona Macpherson This essay provides an overview of the debate concerning the admissible contents of experience, together with an introduction to the papers in this volume. The debate is one that takes place among advocates of a certain way of thinking of perceptual experiences: that they are states that represent the world. For to say that a state (...) has content is to say that it represents; and its content is usually taken to be that which is represented. One should not be tempted to think that the debate is therefore marginal or esoteric, for this view of perceptual experience has been by far the dominant view of perceptual experience in recent years in philosophy (and in psychology and neuroscience). The debate is about what answer to give to a fundamental question about the nature of perceptual experience, namely: what objects and properties can it represent? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Reconception of Performance Study in the Philosophy of Music EducationValerie L. TrollingerThe actual place of performance in music education has been the subject of numerous debates over the years. Most debates have revolved within the paradigm of the performance ability of the teacher and consequently the performance ability of the students. Is the level to be attained that of a winning concert band/marching band/choir? Or, is the (...) level to be attained the level at which the students and teacher feel the most comfortable and pleased? Most of this debate, along with the development of various assessments (including the Watkins-Farnum Test) and various rubrics to score music performance competitions, has emphasized characteristics of performance pertaining to accuracy of notes, precision of rhythm, and attendance to musicianship, style, and interpretation. On the other hand, the aesthetic value of performance has also been questioned in that the value of music in the schools should not be assessed solely by the importance placed on the attainment of performance skills by the students, suggesting that it is only through performance that one may know music. For example, in a recent article in the Music Educator's Journal,1 Bennett Reimer promotes the [End Page 193] position that time spent in either performance studies and active performance in music education (both at the K-12 and college teacher training levels) is not vital to the reconception of the National Standards (USA) for music education and, by extension, the field of music education itself. In the MEJ article, Reimer wrote:there is no reason to believe that highly developed performers make the best general music teachers, just as there is no reason to believe the reverse. We must get over the outdated and unrealistic assumption that performance is the one, singular, royal road to being musical and being an effective music educator.... [T]eachers cannot be expected to do what performance specialists do, and their teacher education curriculum must reflect that fact.2This position has also been recently supported by sociological publications3 and the following statement—echoed by several colleagues of mine—by a music teacher-training specialist,There is one big misconception among many music education students. Many graduates view themselves as musicians who are going into teaching. I attribute my own success to the realization that I am a teacher at heart. My first responsibility is teaching children. The vehicle through which I connect to them is music.4It is likely within the previous paradigm in which these respected authors positioned their arguments for the place of performance in the music curriculum and in that regard these assertions are unquestionably valid. What this particular paradigm concerns is the quantity and quality of performance based on purely musical attributes. The omission is that it does not include the quality of performance in relationship to health-based music education, a growing area of concern in the performing arts medicine field and, by extension, music educators who are concerned about this particular aspect of performance.5 The reason for the concern and hence this paper calling to the philosophical community to re-think the place and quality of performance in music education is that these viewpoints have had a great impact upon the validity of music education, in that they ignore a growing body of research from the performance and medical fields. While it must be made clear for the purposes of this paper that the writers of the above quotes have framed their ideas gracefully within their individual philosophical structures of music education, it must be pointed out that current research and knowledge in performance arts, in its conception as a physical human activity, needs to be incorporated into a revised philosophy of music education and curriculum. Music performance in music education has traditionally been viewed as a cognitive and emotional experience. However, it [End Page 194] is also a psychomotor experience, involving all sorts of soft body tissues, bones, and cartilages, which can enhance or detract from the total musical experience. Many music educators do not get enough instruction in college on how to teach voice or instruments healthfully and this is the reason for the concern... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Reconception of Performance Study in the Philosophy of Music EducationValerie L. TrollingerThe actual place of performance in music education has been the subject of numerous debates over the years. Most debates have revolved within the paradigm of the performance ability of the teacher and consequently the performance ability of the students. Is the level to be attained that of a winning concert band/marching band/choir? Or, is the (...) level to be attained the level at which the students and teacher feel the most comfortable and pleased? Most of this debate, along with the development of various assessments (including the Watkins-Farnum Test) and various rubrics to score music performance competitions, has emphasized characteristics of performance pertaining to accuracy of notes, precision of rhythm, and attendance to musicianship, style, and interpretation. On the other hand, the aesthetic value of performance has also been questioned in that the value of music in the schools should not be assessed solely by the importance placed on the attainment of performance skills by the students, suggesting that it is only through performance that one may know music. For example, in a recent article in the Music Educator's Journal,1 Bennett Reimer promotes the [End Page 193] position that time spent in either performance studies and active performance in music education (both at the K-12 and college teacher training levels) is not vital to the reconception of the National Standards (USA) for music education and, by extension, the field of music education itself. In the MEJ article, Reimer wrote:there is no reason to believe that highly developed performers make the best general music teachers, just as there is no reason to believe the reverse. We must get over the outdated and unrealistic assumption that performance is the one, singular, royal road to being musical and being an effective music educator.... [T]eachers cannot be expected to do what performance specialists do, and their teacher education curriculum must reflect that fact.2This position has also been recently supported by sociological publications3 and the following statement—echoed by several colleagues of mine—by a music teacher-training specialist,There is one big misconception among many music education students. Many graduates view themselves as musicians who are going into teaching. I attribute my own success to the realization that I am a teacher at heart. My first responsibility is teaching children. The vehicle through which I connect to them is music.4It is likely within the previous paradigm in which these respected authors positioned their arguments for the place of performance in the music curriculum and in that regard these assertions are unquestionably valid. What this particular paradigm concerns is the quantity and quality of performance based on purely musical attributes. The omission is that it does not include the quality of performance in relationship to health-based music education, a growing area of concern in the performing arts medicine field and, by extension, music educators who are concerned about this particular aspect of performance.5 The reason for the concern and hence this paper calling to the philosophical community to re-think the place and quality of performance in music education is that these viewpoints have had a great impact upon the validity of music education, in that they ignore a growing body of research from the performance and medical fields. While it must be made clear for the purposes of this paper that the writers of the above quotes have framed their ideas gracefully within their individual philosophical structures of music education, it must be pointed out that current research and knowledge in performance arts, in its conception as a physical human activity, needs to be incorporated into a revised philosophy of music education and curriculum. Music performance in music education has traditionally been viewed as a cognitive and emotional experience. However, it [End Page 194] is also a psychomotor experience, involving all sorts of soft body tissues, bones, and cartilages, which can enhance or detract from the total musical experience. Many music educators do not get enough instruction in college on how to teach voice or instruments healthfully and this is the reason for the concern... (shrink)