Ruiping Fan; The Memoirs of a Pagan Sojourning in the Ruins of Christendom, Christian bioethics: Non-Ecumenical Studies in Medical Morality, Volume 5, Issue 3.

La disproportion est grande et ne cesse d'augmenter ces dix dernières années, entre la mémoire de la Shoah et celle du Goulag. La première, ponctuée par les commémorations internationales des 50 et 60 ans de la Libération d'Auschwitz ne cesse de cristalliser l'attention tandis que le regard porté sur le Goulag se tient, lui, nettement aux marges de la vie culturelle, médiatique et scolaire, du moins en Europe occidentale. Cette mémoire bancale a créé un litige qui semble se (...) normaliser, voire s'effacer. Cependant l'Europe demeure un paysage mémoriel fractionné, les différences entre les mémoires des camps en témoignent.There is an imbalance between memories of the Shoah and memories of the Gulag, and the gap has been steadily growing in the last ten years. The Shoah with international 50 and 60-year commemorations of the liberation of Auschwitz continues to focus attention, while reflections on the Gulag have remained very much on the sidelines in the spheres of culture, education and the media, at least in Western Europe. This lopsidedness has created an area of contention that seems to be straightening out, and even fading away. But European memory is still a fractured landscape, as evidenced by the differences between memories of the camps. (shrink)

Cet article est consacré à l’étude de la mémoire des animaux dans les commentaires latins au De memoria et reminiscentia d’Aristote de la fin du xiii e siècle. Il s’intéresse plus particulièrement au lien entre mémoire et mouvement chez les animaux supérieurs. Contre une approche mécaniste qui explique les mouvements des animaux comme une réponse à un stimulus extérieur, l’argument central consiste à montrer qu’il est possible de trouver le motif présidant à leurs mouvements dans leur expérience, et (...) qu’ainsi le rapport entre mémoire et mouvement devrait faire l’objet d’une réévaluation. Dans cet article, nous tâchons de défendre une approche intentionnelle du mouvement et de la mémoire animale, s’appuyant sur l’opération de l’estimative, et mettant en lumière la rationalité des comportements animaux. (shrink)

Dans les représentations dominantes, les formes et contenus de la mémoire empruntent largement à la culture et au style de vie des groupes dont l’existence, à travers l’héritage, la filiation, les biens et symboles accumulés, s’enracine loin dans le passé et obéit à un ensemble de codes et rituels précisément identifiés. Dès lors, s’intéresser à la mémoire des familles populaires et ouvrières implique un décentrement temporel et une attention à l’égard de productions symboliques dégagées des contraintes et références (...) ordinaires. Ainsi le temps des vacances apparaît comme un terrain d’analyse privilégié pour saisir ce qui, dans la perspective comme dans le souvenir, participe d’une construction identitaire et contribue à la formation et la valorisation d’une mémoire familiale. Souvent conçu et vécu en rapport à un devoir de réussite, le temps des vacances est aussi investi d’un devoir de mémoire qui témoigne de l’enjeu biographique de ce moment privilégié de l’existence individuelle et collective.It is generally admitted that the forms and objects of memory, in its prevailing representations, largely draw from the cultures of social groups whose existence is deeply rooted in the past through cultural heritage, lineage, goods and symbols collected over the years and whose lifestyles obey a set of specific and well defined codes and rituals. Therefore, studying memory in working-class families will require stepping back in time and focusing on symbolic artefacts removed from ordinary constraints and references. Holiday-time provides the ideal field for investigation to apprehend what, in prospects as well as in memories, is part and parcel of the construction of identity and contributes to the accretion and recognition of a « family memory ». Holiday-time is often planned and perceived with mandatory expectations of success and is also endowed with mandatory expectations of memories, a process which reveals the biographic value of this privileged moment of individual and collective existence. (shrink)

En Australie, jeune nation et très vieux continent, la mémoire des origines reste un sujet sensible. Les années de gouvernement conservateur en Australie ont vu le retour d'un certain discours nationaliste à la recherche des héros du passé. La « guerre des histoires » éclate concernant notamment la question des relations entre indigènes et colons depuis le début de la colonisation britan­nique en 1788. Les institutions sont touchées : le nouveau Musée National est accusé d'avoir négligé les « aspects (...) positifs de la colonisation » ; le Sommet d'Histoire dresse le projet de « nationaliser » et de « centraliser » la mémoire du pays en introduisant un nouveau cursus dans les écoles. L'identité du pays est en jeu.Australia is both a "young nation" and an old continent, in which the subject of origins can still touch a raw nerve. The years of conservative government saw the return of a certain type of nationalist discourse seekingfor heroes of the pasto This period also saw the outbreak of the "history wars" , which brought in a clash of opposing about relationships between indigenous peoples and settlers during British colonisation. This debate also affected institutional life: the new National Museum of Australia was accused of having neglected the "positive aspects of colonisation", and the History Summit proposed a new curriculum in schools that would "nationalise" and "centralise" official memory. The nation's very identity is at stake. (shrink)

Normal 0 false false false EN-US JA X-NONE Il y a collision entre les durées et entre les mémoires quand les rythmes de fluence sont différents. Chez Bergson il y a différence des degrés de tension entre durées, mais le flux est unique. Ricœur distingue des degrés de passéité selon la proximité ou l’éloignement. Le Zauberberg de Thomas Mann en est un exemple. Oubli et pardon sont des formes de collision des durées. La distensio animi de saint Augustin signifie éparpillement; (...) Ricœur l’a comprise à tort comme l’intratemporalité phénoménologique, et il en reste au déchirement de l’âme éloignée de l’éternité. Normal 0 false false false EN-US JA X-NONE. (shrink)

Aron reflects with simplicity and depth on industrial society, communism, the future of democracy, peace and war, the nuclear age, and also Charles de Gaulle, Jean-Paul Sartre, Andre Malraux, Henry Kissinger and others.

La renaissance du bouddhisme dans la Chine contemporaine est d’abord un travail symbolique qui consiste essentiellement en la reconstitution d’une mémoire. Par l’observation d’un monastère reconstruit depuis 1988 en Chine du Nord, cet article analyse comment un appareil institutionnel religieux se légitime dans sa réimplantation en invoquant l’autorité de la tradition. Quatre stratégies de mémoire adoptées par le responsable du monastère sont discernées : le réaménagement de l’espace, l’encodage des objets, la commémoration des personnages historiques et l’inscription de (...) la généalogie.The revival of Buddhism in contemporary China is first of all a symbolic work which consists essentially in the reconstitution of memory. Through the observation of a monastery that has been rebuilt in Northern China since 1988, this article analyses how a religious institutional apparatus is legitimized in its reconstruction by invoking the authority of a tradition. Four strategies of memory adopted by the leadership of the monastery are brought to light : recomposition of spaces, encoding of objects, commemoration of historical personalities and inscription of a genealogy. (shrink)

Typescript of Passmore's autobiography Memoirs of a semi-detached Australian, published in 1997. Included are Passmore's handwritten corrections and amendments.

S’appuyant sur les biographies de sœur Jacinta – responsable de la fondation du premier couvent carmélite féminin de l’Amérique portugaise – et sur les lettres intimes qu’elle écrivit à ses confesseurs, cette étude examine la manière dont son image de religieuse exemplaire a été construite selon le modèle féminin de sainteté catholique qui dominait au XVIIIe siècle. On souligne aussi les différents procédés propres à l’hagiographie décelables dans ces écrits, ce qui suggère que les auteurs ont tenté de construire une (...) aura de sainteté autour de Jacinta. (shrink)

A tribute to one of the fathers of deconstruction as well as an extended essay on memory, death, and friendship.

An exploration of issues of vision, blindness, self-representation, and their relation to drawing, which offers detailed readings of a collection of images from the prints and drawings department of the Louvre. The works under consideration depict blindness--fictional, historical, and biblical.

PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this (...) book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing... (shrink)

Nous nous référerons dans cet article à la mémoire de l’homme, incarné et historique, déterminé par les médiations spatio-temporelles et exposé aux dilemmes éthiques que doit affronter l’ipséité dans sa capacité d’accueillir l’autre telle que la définit Ricœur. Notre réflexion vise la mémoire inquiétée par des médiations propres à la condition existentielle et corporelle du soi moderne, dans un contexte d’ébullition culturelle et technologique. Un tel contexte a en effet des conséquences qui affectent aussi bien l’identité personnelle et (...) collective, que l’exercice des capacités du soi agissant et souffrant – et tout spécialement celui de sa mémoire. Nous examinerons la dimension tant réceptive que dynamique de la mémoire exposée aux fragilisations qui affectent l’identité narrative humaine, en déterminant ses pouvoirs qui laissent des traces au niveau de la conscience et du corps. Nous terminerons enfin notre réflexion par une analyse des effets volontaires et involontaires qui mettent en question la capacité même de la mémoire, en influant sur l’imagination et sur la réponse éthique du soi. (shrink)

Memoir Ethics: Good Lives and the Virtues is a philosophical study of moral themes in memoirs. It explores how memoirists present and defend perspectives on good lives. Particular attention is paid to the interplay of the virtues, including their interplay with additional types of values in good lives. More generally, it explores the relevance of memoir to moral philosophy and, in turn, how moral philosophy enters into elucidating and critiquing memoirs.

Si l’héritage scientifique de William James est revendiqué aujourd’hui à la fois par certains tenants du béhaviorisme, du cognitivisme et des neurosciences, c’est que les Principles of Psychology (1890) eurent une portée très supérieure à l’influence directe exercée sur les propres élèves de James, ou au legs au fonctionnalisme américain. La dimension programmatique de l’œuvre peut être approchée par le traitement multiple qu’elle applique au problème de la mémoire. Les écrits sur la mémoire de James, sans doute moins (...) connus que ses écrits sur les émotions ou la conscience, se révèlent ainsi pertinents pour comprendre son ancrage historique et sa postérité comme psychologue. (shrink)

This article presents the outcomes of a semiotic and cognitive analysis. The activities’ tracks of dissertations’ writing and artefacts’ design made by undergraduate design students were observed. Although the requirements of the dissertations’ writing are ambiguous, the activity of writing “increases” the activity of design and consequently widens the design skill. Because they provide new knowledge reorganizing the scientific and pragmatic concepts of the design by a process of “creative conflict”, the kinds of produced operational texts contribute to the renewal (...) of the abstract inheritances of the design and to the transformation of the activity and the professional situations. (shrink)

In this brilliant essay, Jacques Derrida explores issues of vision, blindness, self-representation, and their relation to drawing, while offering detailed readings of an extraordinary collection of images. Selected by Derrida from the prints and drawings department of the Louvre, the works depict blindness—fictional, historical, and biblical. From Old and New Testament scenes to the myth of Perseus and the Gorgon and the blinding of Polyphemus, Derrida uncovers in these images rich, provocative layers of interpretation. For Derrida drawing is itself blind; (...) as an act rooted in memory and anticipation, drawing necessarily replaces one kind of seeing with another. Ultimately, he explains, the very lines which compose any drawing are themselves never fully visible to the viewer since they exist only in a tenuous state of multiple identities: as marks on a page, as indicators of a contour. Lacking a "pure" identity, the lines of a drawing summon the supplement of the word, of verbal discourse, and, in doing so, obscure the visual experience. Consequently, Derrida demonstrates, the very act of depicting a blind person undertakes multiple enactments and statements of blindness and sight. _Memoirs of the Blind_ is both a sophisticated philosophical argument and a series of detailed readings. Derrida provides compelling insights into famous and lesser known works, interweaving analyses of texts—including Diderot's _Lettres sur les aveugles_, the notion of mnemonic art in Baudelaire's _The Painter of Modern _ _Life_, and Merleau-Ponty's _The Visible and the _ _Invisible_. Along with engaging meditations on the history and philosophy of art, Derrida reveals the ways viewers approach philosophical ideas through art, and the ways art enriches philosophical reflection. An exploration of sight, representation, and art, _Memoirs of the Blind_ extends and deepens the meditation on vision and painting presented in _Truth and _ _Painting_. Readers of Derrida, both new and familiar, will profit from this powerful contribution to the study of the visual arts. (shrink)

Early in the year 2000, Paul Mendes-Flohr suggested to me that we invite Paul Ricœur to Jerusalem to engage in discussions with the researchers of the Rosenzweig Centre. At the time, Paul Mendes-Flohr, Maria Diemling, and I were participating in a Sonderforschungsbereich on Jewish and Christian thought, in collaboration with Bonn University. We considered that Ricœur's work on hermeneutics and his studies of history and memory coupled with his interest in the philosophy of religion had much in common with our (...) research. After corresponding with Ricœur, I traveled to Paris, to Ricœur's residence in the community of the Murs Blancs in order to prepare the symposium. Ricœur had just finished his book La mémoire, l'histoire, l'oubli and he suggested that we base our work in the planned meeting in Jerusalem on the second section of the book. He said that he was exhausted and felt empty, after completing the manuscript. Nonetheless, his conversation was animated, touching on geo-political aspects of the war in what was formerly Yugoslavia and speculating on the reasons why armed conflict often originated and spread from the Balkans. Ricœur had given a paper to the research group of the Rosenzweig Centre, at the invitation of Stéphane Mosès, in December 1994. He was excited about coming to Jerusalem. I returned to Jerusalem with a typescript of the section of the book we were to discuss, and we prepared for the meeting in regular sessions of the research group. (shrink)

Ugo Spirito's Memoirs of the Twentieth Century is the intellectual autobiography of one of the most original and anticonformist contemporary Italian philosophers. In it, Spirito makes an evaluation of his long career (spanning from the decade of the 20's to that of the 70's of the twentieth century) as a thinker who was never satisfied with any theoretical or philosophical system, while constantly aiming at finding a definitive truth: the "incontrovertible" or absolute. The various stages of his search deal with (...) different philosophical and scientific systems - from positivism to actual idealism, from problematicism to omnicentrism, from scientism to neoproblematicism - revealing at the same time an inherent antinomic procedure that does not permit him to take any truth for granted. At the end of his life, Spirito realized that he could only be sure of his present state of "unawareness," thus challenging the validity of his lifelong investigative activity. "Man cannot know himself," Spirito wrote. Confronted with the manifestations of life and universe, he could not help but feel a sense of "surprise and astonishment." Throughout his life, he was only a spectator of his destiny, not the conscious creator of it, as he believed in the early stage of his career. Consequently, he reached a position of negating any value system, bordering on skepticism and nihilism. Within this context, he offered a post-modern interpretation of life. This interpretation was also Spirito's conclusion, and as such, implied a rethinking about other faiths, both political and ideological, that for more than fifty years would develop parallel to philosophical faith. Consequently, he revisited some of the most important philosophical and political personalities who interpreted or materialized those faiths, from Benedetto Croce to Gentile, from Benito Mussolini to Giovanni Bottai, from Togliatti to Pope Paul VI. Spirito was not a thinker who remained secluded within the ivory tower of pure investigation, but in an effort to modify society according to principle of the identification of philosophy with life, he tried to act upon it by following thoughts with action. Memoirs of the Twentieth Century is divided in two parts: one purely autobiographical and theoretical, and the other more historical, where Spirito narrates his relationship with the above-mentioned personalities, as a way of testing the validity of his beliefs. Indeed, one can perceive his moment of adherence to each of the different approaches expounded, only to subsequently detach himself from them. For the English-speaking reader, the second part will appear more interesting and poignant, since Spirito's involvement with history foretells the intellectual fate of a nation. Memoirs of the Twentieth Century is a reflection on life, in which personal history serves as a vehicle for judgment upon an entire century. (shrink)

First published in 1924, Memoirs of a Positivist is both an autobiography of the author and a history of the English Positivist movement in the nineteenth and twentieth centuries. It especially elaborates on the influence of the Positivist movement in the religious life of people and the manners in which scientific reasons were sought for religious beliefs. This book will be of interest to students of philosophy, religion and history.

Memoir and the Re-reading of Fiction: Rudy Wiebe's of this earth and Peace Shall Destroy Many Canadian novelist Rudy Wiebe's award-winning memoir, of this earth: A Mennonite Boyhood in the Boreal Forest, invites readers into a warm subjective realm in which a meditative Wiebe recounts his growing-up years from birth to age thirteen. As self-reflexive "rememberer," Wiebe explores the sensate freshness of a boy's ways of seeing, touching, and, not least, hearing the world. The young Wiebe lives with his parents (...) and siblings and neighbours in an emotionally warm Christian community of 1920s immigrants to Canada who have fled from the Soviet Union in the wake of the 1917 Revolution and who struggle for economic survival in a remote corner of rural Saskatchewan during the 1930s and 1940s. But Wiebe's memoir of childhood is not only autobiography and social history; it is also a linguistic text that subtly invites readers to look beyond its textual boundaries to his earlier work. In particular, it has the effect of carrying alert readers back to the setting—at least physically and geographically if not altogether socially and culturally—of Wiebe's first novel, Peace Shall Destroy Many. That early novel was a caustic work notoriously controversial especially among Mennonite readers in Canada when it appeared almost a half-century ago. The 2006 memoir—with intertextual allusion—invites readers to recall especially one layer of that early novel barely noticed by readers, a layer eclipsed and partially hidden by the dominant narrative. Specifically, it invites readers to see the virtually sinless and prelapsarian world of the idealistic young Hal Wiens whose idyllic life in the fictional spaces of Peace Shall Destroy Many goes unnoticed because it is so very much in the shadow of the doubts and tensions that inform the much larger world of his spiritually troubled older brother, nineteen-year old Thom Wiens. The memoir pushes readers into re-thinking the reception of that novel, and into finding anew beneath its severe and satiric treatment of the austere adult world the linguistic and spiritual joy of life given shape in the playful perceptions of the young Hal. The memoir becomes a stimulus for a transformational re-reading of the novel. This essay explores the two works in light of each other and of conventions that govern the two respective genres. It attempts, also, to account for the reading strategies that Wiebe's 2006 memoir proposes to readers of his first novel, and for key influences informing the two respective works. (shrink)

P. Ricœur entrelace trois thèmes: mémoire, histoire, oubli. Il souligne aussi bien les ressources que les faiblesses de la mémoire, ainsi que l’abus qu’on peut en faire. Il propose ensuite une épistémologie de l’entreprise historienne et une analyse de la condition historique de l’être humain. Il étudie enfin le statut de l’oubli, sa fonction bienfaisante comme ses dérives pathologiques. Il consacre un épilogue au pardon, qu’il qualifie de difficile.

The ArgumentAgainst the idea that modern historiography developed in the eighteenth century as a completely new way of looking at the past, this paper argues that modern historical science borrowed its sense of experience from seventeenth-century memoirs. However, seventeenth-century rnemorialists made very different as sumptions than modern historians about the relations between time, memory, and history. One consequence of their introduction of lived subjectivity into the depiction of the past was a debate in early eighteenth-century France about the relations between (...) history and fiction, some arguing that fiction is a better way of grasping the subjective truth of the past. These debates about the relations between history and memory and between history and fiction have resurfaced recently. The historical moods that are one context for paradigm shifts share common motifs, such as a sense of defeat, of distance between the present and the immediate past, and a need for consolation through the elaboration of a new mode of experiencing the past. (shrink)

Au sujet de la mémoire on a couramment deux présupposés. En parlant de la mémoire, on semble la considérer comme une faculté unifiée. Et on a l’habitude de la penser comme une faculté conservatrice. C’est pourtant une image bien différente qui émerge de la recherche contemporaine. Dans ce texte, nous proposons une histoire de l’émergence de l’hypothèse d’une dimension constructive de la mémoire épisodique, en dégageant trois dimensions de la construction : une dimension culturelle, une dimension intersubjective, (...) et une dimension individuelle. Le souvenir se (re)construit à l’intérieur et en fonction de cadres culturels, de relations à autrui, et de projections dans le temps. (shrink)

Memoir of Hungary 1944–1948. By Sándor Márai. Translated with an introduction and notes by Albert Tezla 427 pp. £11.99 paper.