A collection of five essays of French philosopher Nancy, originally published in 1985-86: The Inoperative Community, Myth Interpreted, Literary Communism, Shattered Love, and Of Divine Places.

The aim of this article is to follow Honig's intention of thinking inoperativity as a form of refusal. It demonstrates that Agamben's inoperativity entails an intensification of use that can circumvent the pitfalls associated with the language of 'demands,' or the need to rescue the city as the space of the political par excellence, all while preserving its potential for instituting change. I claim that all destitution entails instituting practices and forms of experimentation that modify the subject, and (...) that, with the help of Agamben, subjects are nothing other than these modifications. The wager of this short intervention, therefore, is that a form of refusal that pays critical attention not only to the suspension but also to the intensification of use that this suspension inherently entails is attainable, all while acknowledging that the city is shaped by anti-blackness. (shrink)

Inoperative Learning draws upon the movement towards a weak philosophy that is currently gaining ground in educational philosophy: this weak philosophy does not offer a set of solutions or guidelines for improving educational outcomes, but rather renders assumptions about the theory-practice coupling that is so popular in contemporary education inoperative. By arguing that such logic reduces education to merely instrumental ends, which can only be assessed in terms of predefined measurement tools, this book presents a challenge to contemporary notions of (...) education as learning. There are various forms of inoperative education that temporarily suspend the goal-directedness of learning. From the perspective of learning, the neutralization of progress, growth, and maturity would usually be seen as obstacles needing to be overcome on the path toward set goals. Yet Lewis argues that a serious investigation of inoperativity opens up possibilities that would be otherwise unavailable in a world fixated on the question of learning. In dialogue with philosophers (Agamben, Benjamin, and Esposito), as well as authors (Kafka and Walser), and qualitative researchers (Lather), Lewis turns our collective attention to what remains when concepts such as learning, child development, teacher effectivity, and personal growth are left idle. Inoperative Learning presents a radical rewriting of educational possibilities. It should therefore be of great interest to educational researchers and educational philosophers concerned with the question of alternative logics of education beyond learning. The book may also be of interest to educational policy specialists who are looking for new and innovative forms of critique and analysis. (shrink)

Abstract:Giorgio Agamben has recently expanded upon the positive and immanent potential of his archaeology of biopolitics from the perspective of inoperativity rather than work as the fundamental ontologico-political problem today. In doing so, he teases out an inoperative praxis and poetics that consists in deactivating human institutions, functions, and operations based on the metaphysical paradigm of sovereignty, all the while opening them to new possible uses. Though Agamben insists on the uncharted trajectory of his research, I argue that it (...) closely resembles other approaches to inoperativity (or désœuvrement) undertaken by a loose filiation of French-language writers from which he departs, notably including Georges Bataille, Maurice Blanchot, Jean-Luc Nancy, and Achille Mbembe. Whereas Agamben's theory of inoperativity emphasizes a certain mode of destituent potential and use in view of the coming politics, these writers affirm the excess of finitude as a resource for refusal that animates literary and artistic creation at a distance from politics. Nevertheless, I contend that the effort of reading together the divergent formulations of inoperativity from Bataille to Agamben maps a more capacious theoretical and methodological framework for situating the dual tasks of abolishing sovereignty and improvising nonsovereign ways of doing and being in common. Their elucidations of the ethical and literary-aesthetic spheres of inoperativity in particular affirm the demands of freedom, resistance, and justice heard in nonsovereign forms of common life and shared finite existence. (shrink)

This essay argues that Kant's explanation of the purposiveness-without-a-purpose of beauty (in the third Critique) can help to make sense of Nancy's theory of the inoperative community.

In The Inoperative Community Jean-Luc Nancy suggests that his conception of speech as the cornerstone of community can be likened to the image of two Inuit women engaging in traditional vocal games (katajjaq). This article (1) elucidates this connection through the analysis of ethnographic and ethnomusicological data on katajjaq; (2) shows how the similarity of this image to that of two resonating lyres present in the works of the Renaissance philosopher Marsilio Ficino can be used to understand Nancy’s political philosophy (...) as a discussion with the (neo)platonic tradition of harmony, to which Nancy opposes his own concept of resonance. (shrink)

This article takes as its point of departure Maurice Blanchot's pairing of Marguerite Duras and Jean-Luc Nancy in The Unavowable Community, and reads India Song, a film by Duras, through Nancy's work on community. Just as Nancy articulates a thinking of community in terms of touch, so Duras develops her own filmic vocabulary of touch to examine questions of being-with, exposure, love and sacrifice against the background of a negative model of community. The article argues that the figure of touch (...) in India Song, both between bodies onscreen and between viewer and film, becomes central to the film's engagement with issues of community, finitude and the political. (shrink)

This essay compares the poetic and political theories of contemporary philosopher Giorgio Agamben with the poetry of Wallace Stevens in order to outline a dynamic of ‘inoperativity’ that foregrounds the intimate relationship between language, form and an existential expression of possibility. Through a reading of Stevens’s prose essays and poetry, I demonstrate how Agamben’s reconceptualization of potentiality as a power kept in a non-relational relationship towards its formal realization can be mapped onto the self-conscious articulations of Stevens’s poetic speakers (...) who employ poetic tropes and forms only to question and expose their claims to truth and foundationality. Rather than follow a tradition of poststructuralist readings of Stevens’s destabilizations, I argue for a framework of ‘inoperativity’ that preserves Stevens’s poetic attitude towards life, while showing how his emphasis on potentiality delineates an imaginative vigour that brings the poetic self into renewed attunement with his or her environment. (shrink)

The article presents a conception of the end of history, developed on the basis of Giorgio Agamben’s critical engagement with Alexandre Kojève’s reading of Hegel. Departing from Agamben’s concept of inoperosity as an originary feature of the human condition, we argue that the proper or ‘second’ end of history consists not in the fulfilment of its dialectical process but rather in the radical interruption of the dialectic that terminates the teleological dimension of social praxis. Introducing the figure of the ‘workless (...) slave’ into the scenario of the Master—Slave dialectic, the article demonstrates how the dialectic of history may be ended in a non-dialectical fashion through inoperative praxis that subtracts itself from the struggle for recognition. In the conclusion, the implication of this reading of the end of history for the understanding of Agamben’s ‘coming politics’ is addressed. (shrink)

_ Source: _Volume 47, Issue 1, pp 108 - 123 The following paper addresses itself to the question of ontology in the work of Jean-Luc Nancy. In so doing it attempts to read Nancy’s ontological project as a project of the deconstruction of structural forms of political violence. To this end, Nancy’s notion of “inoperative community” is brought into dialogue with Benjamin in order to show how, in Nancy’s work, ontology operates not as the refusal of critique, but as its (...) very condition. (shrink)

Within educational philosophy and theory, there has been an international re-turn to envision study as an alternative formation to disrupt the defining learning logic. As an enrichment, this paper articulates “Daoist onto-un-learning” as an Eastern form of study, drawing upon Roger Ames’s interpretation of the ancient Chinese correlative cosmology and relational personhood thinking. This articulation is to dialogue with the conceptualizations of study shared by Giorgio Agamben, Derek Ford, and Tyson Lewis, and unfolds in three steps. First, I examine how (...) their conceptualizations of study constrain the studier-doing-study logic as a commonsensical expression of “foundational individualism” and anthropocentric disordering. Second, re-invoking the ancient Chinese wisdom, I envision “Daoist onto-un-learning” as a non-individualistic and non-anthropocentric form of study, re-configuring study and learning no longer as two disparate, if not necessarily oppositional, formations but into a Daoist bipolar yin-yang movement. Finally, I story-tell my doctoral research experience as a Daoist onto-un-learning journey, a spiralling learning-study movement, to unpack the ways it suspends and overturns the modern-Western trap/trope of anthropocentric-foundational individualism. In so doing, this paper further internationalizes and supplements the current study scholarship in relation to learning in a way so-far hardly explored yet cross-culturally provocative. (shrink)

In this essay, I argue that the work of Giorgio Agamben provides us with a theory of studious play which cuts across many of the categories that polarize educational thought. Rather than either ritualized testing or constructivist playfulness, Agamben provides a model of what he refers to as studious play—a practice which suspends the logic of both ritual and play. In order to explore this notion of studious play, I first articulate Agamben’s fleeting remarks on the topic with an important (...) problematic found in his early, literary work: transmission. If ritual transmits cultural traditions to ensure continuity with the past, and play as constructivist invention makes such transmission impossible, then studious play transmits transmissibility itself as a pure potentiality. Studious play accomplishes this peculiar educational task by suspending without destroying traditional things: laws, signs, and so on. I end the essay with a consideration of the ontological status of suspended things, arguing that they are transformed into toys via the action of study. Finally, I give a literary example of studious play found in Robert Walser’s novel Jakob von Gunten in which the school itself is imagined to be a kind of toy. (shrink)

In The Disavowed Community, Jean-Luc Nancy presents a critique of his seminal 1983 essay “The Inoperative Community.” According to Nancy, his error in attempting to derive a politics from Maurice Blanchot’s concept of unworking lay in conflating politics and ontology. This paper suggests that Nancy’s self-critique is only partially correct. The problem ultimately resides in the theory of unworking itself, I argue, not its misapplication. In pursuing this contention, I trace out the tacit response to the exchange between Nancy and (...) Blanchot developed in Jacques Rancière’s early writings on aesthetics. Rancière’s turn to aesthetics is best understood, I propose, as an intended corrective to Blanchot’s influence on post-Marxist theory. Focusing on Rancière’s critiques of Blanchot in Mallarmé: Politics of the Siren and Mute Speech, I show how Rancière’s rival account of modern art answers the question of non-identitarian left politics that Nancy posed in “The Inoperative Community.”. (shrink)

Jean-Luc Nancy’s conception of the ‘inoperative community’ is one of the most original attempts in recent memory to develop a theory of the political that addresses contemporary concerns for difference and singularity. In this paper, I will argue that despite the deep rapprochement between Nancy and Heidegger, Nancy’s insistence upon the connection between community and singularity allows him to twist free from the more duplicitous features of his Heideggerian heritage. In contrast with Heidegger, Nancy interprets the political significance of finitude (...) with reference not to the work of a people, but, instead, to the finitude of singular beings that we encounter in our exposure to the death of others. From Nancy’s interpretation emerges a view of community that resists, or, as he puts it, unworks all tendencies toward totalitarian politics. (shrink)

In the final volume of his Homo Sacer series, The use of bodies, Agamben claims that for Foucault ethics never escapes the horizon of governmentality and therefore his conception of ethics is ‘strategic.’ In light of this criticism, motivated by Agamben’s Pauline conception of ‘use,’ we reassess the status and function of ethics in Foucault’s late lectures. We investigate how Foucault’s approach to ethics develops from his treatment of liberal governmentality and also how its methodological foundation is developed in an (...) interpretation of truth-telling in Sophocles’ Oedipus Rex. Our interpretation emphasizes the ambiguous status of ethics in Foucault’s late work: on the one hand, Agamben is right that Foucault assigns an irreducible strategic function to ethics thereby connecting it intrinsically to governmentality. On the other hand, Agamben overlooks how Foucault’s interpretation of Sophocles implies a conception of governmentality which emphasizes how ethical practices cannot be captured solely in strategic terms. Foucault’s ‘anarcheological’ approach thus articulates a dimension of ethics that remains, using Agamben’s own terms, ‘ungovernable’ and therefore also genuinely creative. Even so, Foucault’s approach to ethics remains in Agamben’s perspective on the deepest level faced with an antinomy that Agamben seeks to mediate with his Pauline conception of ‘inoperativity.’. (shrink)

The purpose of this essay is to examine Giorgio Agamben’s important but underappreciated debts to the early German Romantics and to Hegel. While maintaining critical distance from these figures, Agamben develops crucial aspects of his approach to radical passivity with reference to them. The focus of this essay is on Agamben’s consideration of the early German Romantics’ notions of criticism and irony, Hegel’s notion of language, and the implications of this view of language for his notion of community.

Creation and salvation -- What is the contemporary? -- K. -- On the uses and disadvantages of living among specters -- On what we can not do -- Identity without the person -- Nudity -- The glorious body -- Hunger of an ox : considerations on the Sabbath, the feast, and inoperativity -- The last chapter in the history of the world.

While some argue that the only way to make a place for Philosophy for Children in today's strict, standardised classroom is to measure its efficacy in promoting reasoning, we believe that this must be avoided in order to safeguard what is truly unique in P4C dialogue. When P4C acquiesces to the very same quantitative measures that define the rest of learning, then the philosophical dimension drops out and P4C becomes yet another progressive curriculum and pedagogy for enhancing argumentation skills that (...) can easily be appropriated by any content area. What we want to offer in this article is a reevaluation of P4C that remains faithful to a radical kernel that we find when we do philosophy with children and young adults. To theorise the potential for P4C, we draw heavily on Agamben's work, and in particular his reflections on speech and infancy. We propose that the redemption of P4C necessitates a shift from a community of inquiry to a community of infancy. Such a community is not a community that operates according to predefined rules or standardised assessment protocols but rather is an inoperative community that is defined by letting ends idle. On our account, a community of infancy is an example of dialogic studious play that is neither ritual nor just play, thus avoiding the extreme polarities of the ritualised classrooms of high-stakes testing and the ‘ludic’ postmodern classroom of free play. What is at stake here is to preserve the last vestige of freedom within the school. (shrink)

Friedrich Hayek’s defense of neoliberal free market capitalism hinges on the distinction between economies and catallaxies. The former are orders instituted via planning, whereas the latter are spontaneous competitive orders resulting from human action without human design. I argue that this distinction is based on an incomplete semantic history of “economy.” By looking at the meaning of “oikonomia” in medieval providential theology as explained by Giorgio Agamben and Joseph Vogl, I argue how Hayek’s science of catallactics is itself a secularization (...) of providential theology. This exposes Hayek to three criticisms: he unjustifiably neglects the possibility of tendencies toward spontaneous disorder in free markets, he condemns the “losers” of neoliberal competition to being providential waste on the road to general prosperity, and he imposes on people the duty to consent to a neoliberal order that hinders them from cultivating their inoperativity. (shrink)

This book explores the relationship between the works of Agamben and Jacques Derrida. Arthur Willemse explains how Agamben’s thought renders Derridean terminology inoperative—by suspending the suspense of signification. He argues that this is Agamben’s way of undoing a theological structure of thought that philosophy has unknowingly appropriated.

Tracing how the logic of inoperativity works in the domains of language, law, history and humanity, 'Agamben and Politics' systematically introduces the fundamental concepts of Agamben's political thought and a critically interprets his insights in the wider context of contemporary philosophy.

Among the most controversial aspects of Aristotle’s philosophy is his endorsement of slavery. Natural slaves are excluded from political citizenship on ontological grounds and are thus constitutively unable to achieve the good life, identified with the collective cultivation of logos in the polis. Aristotle explicitly acknowledges their humanity, yet frequently emphasizes their proximity to animals. It is the latter that makes them purportedly unfit for the polis. I propose to use Agamben’s theory of the anthropological machine to make sense of (...) this enigmatic exclusion and suggest a new conception of the good life and community detached from political rule. Aristotle’s distinction between humans and animals condemns slaves to bare life, but also reveals an opportunity for an inoperative form-of-life. (shrink)

Jean-Luc Nancy's phenomenology of listening makes a series of claims about the sonic/auditory nature of the subject. First among these is the claim that the subject is a subject to the extent that it is listening, that it is all ears. The subject emerges on the back of the resonance of timbre in the body and the body's becoming-rhythmic. These claims are phrased often in musical terms, or making use of terms and rhetoric from the domains of music theory and (...) music psychology. This article explores the role of music in Nancy's phenomenology with a particular view to the nature of listening in the contemporary world: both how listening is figured as a part of what Nancy terms the inoperative community and how listening figures the cognitive and phenomenological constitution of the subject. (shrink)

Este ensayo aborda la importancia del "origen" y de los "principios" en relación a la atención que Vico presta al cuerpo y a la corporeidad en los inicios. El cuerpo es, por tanto, a la vez un principio y trámite de humanidad; pero también es como chispa y origen de conocimiento, como la puerta a través de la que entramos en contacto con el mundo, y entonces como el primer y esencial criterio de valoración a través del cual donamos sentido (...) a las cosas del mundo mismo. La "sabiduría poética" de la Scienza nuova abre así la posibilidad de un nuevo saber centrado propiamente en el cuerpo, que, sin embargo, no puede ser pensado como pasiva e instintiva sensitividad, sino como creativa y activa sabiduría del sentido.This paper is concerned with the importance of the "origin" and the "principles" in connection with particular attention Vico pays to the body. The body is both a principle and a source of knowledge, an open door through which we keep contact with the world. From this view it appears also as an essential criterion in terms of which we understand and make sense of the many different things which make the world up for us. The Scienza nuova´s poetical knowledge gives rise to a new type of wisdom rooted in the body, which, far from being inoperative or instintive, is a wholly creative faculty. (shrink)

Branka Arsić's essay analyzes the complex relations among law, writing, and marriage described by Melville in Pierre, "The Paradise of Bachelors and the Tartarus of Maids," and Bartleby, the Scrivener. The major argument of the essay is that Melville conceives of both writing and marriage as "celibatory machines," cut in two by the power of the law, which explains the obsessive return to the question of the law in his writing. The celibatory machine functions to divide the same in two (...) such that any future fusion of, or even encounter between, the parts becomes impossible. The law in Melville is also such a severing blade that hollows the subject within itself, making it, as it were, empty and so rendering it inoperative. That accounts for the overwhelming presence of "passive" characters in Melville's work. However, since the law also imposes its power upon itself, it is emptied of its own lawfulness and thus deactivated. Hence everything in Melville happens within the space of the law, yet nothing ever functions lawfully. (shrink)

O artigo procura mostrar que sem uma comunidade civil democratizante de justificação, em lugar do atual sistema internacional, as normas da justiça global não passam de uma ficção, uma mera expressão do imperialismo cultural e político, um instrumento de controle e dominação dos povos em escala mundial, segundo um modelo colonizador ampliado que torna as declarações dos direitos humanos inoperantes. PALAVRAS-CHAVE – Direitos humanos. Ética. Habermas. Justiça global. Normas internacionais. Rawls. ABSTRACT The article seeks to show that without a civil, (...) democratizing community of justification, replacing the current international system, the norms of global justice remain a fiction, a mere expression of cultural and political imperialism, an instrument of control and domination of the peoples worldwide, according to an enlarged colonizing model which render the declarations of human rights inoperative. KEY WORDS – Ethics. Global justice. Habermas. Human rights. International norms. Rawls. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Community and the “Absolutely Feminine”Sheri I. Hoem (bio)I’ve emphasized the importance of the moment of dissent in the process of constructing knowledge, lying at the heart of the community of thought.—Jean-François Lyotard, The Postmodern ExplainedMaurice Blanchot’s The Unavowable Community places side by side a “community” of writers who confront the very possibility of community as it comes to be inscribed in politico-philosophical and literary modes. His “little book” [56], (...) as he calls it, takes up these modes of discourse separately, in two parts. The first section of his text, “The Negative Community,” constitutes an analytical defense of Bataille’s theoretical concepts of community as they have been interpreted by Jean-Luc Nancy in The Inoperative Community. Blanchot engages the question of community, communion, and communism not simply to contest or continue Nancy’s text, but to restore Bataille to a brotherhood, or “fraternity” [26] of friends and scholars who have come to think in terms of an “unworking” [23] or “negative” community. The second section of Blanchot’s text, “The Community of Lovers,” performs a critical reading of Marguerite Duras’s fictional work The Malady of Death.In The Inoperative Community—the pretext, at least in part, for part one of Blanchot’s little book—Nancy credits Bataille as having “gone farthest into the crucial experience of the modern destiny of community” [16] in that Bataille’s thinking reveals the experience of discerning communism’s failure, followed by a fascination with fascism, and finally a “withdrawal from communitarian enterprises” [16–17] altogether. According to Nancy, at the juncture of the historical and theoretical failings of community, Bataille abandons all forms of community other than “an accursed isolation of lovers and of the artist” [24]. Admitting that he is dealing only with ‘“themes’” rather than with Bataille’s “writing” itself, Nancy nevertheless asserts that Bataille’s thinking on community has always been limited by “the theme of the sovereignty of the subject” [23], even in his community of lovers:Bataille’s lovers are also, at the limit, a subject and an object—where the subject, moreover, is always the man, and the object always the woman, due no doubt to a very classical manipulation of sexual difference in an appropriation of self by self. (However, on another register and in another reading of Bataille’s text, it is not certain that love and jouissance do not pertain essentially to the woman—and to the woman in man. To discuss this it would be necessary to consider Bataille’s writing... something I cannot do here, inasmuch as I am for the moment considering only its “themes.”).[24]Nancy’s reading of Bataille thus clears a space for Nancy’s own investigation into the possibility of community after or beyond the subject, so to speak. Instead of a subject described as an (undivided) individual, Nancy speaks of a “singular being” who is always already othered. Singular beings as such are “constituted by... sharing that makes them [End Page 49] others: other for one another... ‘“communicating’ by not ‘communing’” [25]. For Nancy, it is the very experience of the limits of communication that allows each being to discover a certain singularity in common.Blanchot too reflects on the “theme” of community in Bataille’s works without examining Bataille’s “writing” as such, but he reads Bataille differently. Blanchot demonstrates how Bataille’s thinking gives the effect of “mutation” [4], that Bataille comes to an understanding of self-difference beyond the subject, beyond the limits imposed by Nancy’s reading, beyond the classical construct of subject/object discourse. Blanchot’s “Negative Community” establishes Bataille as one who experienced stages of thought: his thought exhibited its own infidelity.Blanchot turns to certain of Bataille’s terms, particularly “sacrifice,” “ecstasy,” and “inner experience,” to present an alternative to Nancy’s reading. According to Blanchot, the “inner experience” (l’expérience intérieure) is a concept in Bataille that does the opposite of what one might expect. The “inner experience,” Blanchot explains, is amovement of contestation that, coming from the subject, devastates it, but has as a deeper origin the relationship with the other which is community itself... (shrink)

The publication of The Use of Bodies, the final volume in Giorgio Agamben’s Homo Sacer series, makes it possible to take stock of Agamben’s project as a whole. Having started with a powerful critique of the biopolitical sovereignty as the essence of modern politics, Agamben concludes his project with an affirmative vision of inoperative politics of form-of-life, in which life is not negated or sacrificed to the privileged form it must attain, but rather remains inseparable from the form that does (...) nothing but express it. The article begins by reconstituting the non-relational logic that Agamben develops in order to render inoperative the existing apparatuses of ontology, ethics and politics. We then address the dimension of lifestyle as a new key domain of Agamben’s work, in which biopolitics may be recast in an affirmative key of form-of-life. While Agamben is better known for sceptical and scornful statements about contemporary liberal democracies, we shall argue that his affirmative biopolitics, characterized by destituent power, resonates with Claude Lefort’s understanding of democracy as structured around the ontological void and epistemic indeterminacy. In the conclusion we question the viability of this biopolitical democracy, focusing on Agamben’s example of the Nocturnal Council in Plato’s Laws. (shrink)

This book proposes a philosophical exploration of the educational role that media plays in university study practices, with a focus on the practices of lecturing and academic writing. Are the media employed in university study practices mere accessories, or rather constitutive of these practices? While this seems to be a purely theoretical question, its practical implications are wide and concern whether such a thing as a ‘digital university’ is possible. The 'digital university' has been, for a long time, a theoretical (...) construct. However, in the aftermath of the Covid-19 pandemic, moving the university into the digital realm has become a necessity. The difficulties in transitioning to an online university during the 2020 pandemic showed the increased urgency of the questions explored in this book. -/- The book describes lecturing and academic writing through the lens of a phenomenology of gestures and arrives at a description of the experience of university thinking as expanding the subject’s range of experiences about the world and about one’s modes of thinking about the world. The media configuration characteristic for university study practices is a movement of rendering inoperative one medium through another medium so that thinking can emerge, a movement called ‘mediatic displacement’. The question of the digital university becomes then a question whether mediatic displacement is possible on a digital screen. Although this is conceivable, digital technologies are still relatively new, and we are not used to playing with them in a profanatory way as the book discusses through the example of videoconferencing and MOOCs. The promise of the digital university seems to remain utopian until we figure out how to enact the techniques of mediatic displacement currently flourishing at the physical university. (shrink)

Jean-Luc Nancy’s The Inoperative Community, a collection of writings first published in 1985 and 1986, suggests an understanding of community as irreducibly linked to finitude. Alongside this, he advocates a redefinition of the project of revolutionary communism. This endeavor draws equally on the writings on communication of Georges Bataille and the insistence on finitude found in Martin Heidegger. First, we should recapitulate Nancy’s argument in order to determine his presentation of a novel politics as well as the links and disjunctions (...) of his predecessors. More than this, I would like to suggest that a reading of Alphonso Lingis’s The Community of Those Who Have Nothing in Common, published almost a decade later, suggests an intriguing and promising extension or modification of Nancy’s argument. In particular, Lingis suggests an understanding of revolution that appears somewhat closer to the Marxist tradition. I argue that this is partly a result of an inheritance from Emmanuel Levinas, and in particular his account of ethical subjectivity, which, surprisingly, can be productively allied with the political thought of Jean-Paul Sartre. This friendship between the ethics of Levinas and the politics of Sartre suggests the best groundwork for Lingis’s development of Nancy’s insights. (shrink)

In physics, one is often misled in thinking that the mathematical model of a system is part of or is that system itself. Think of expressions commonly used in physics like “point” particle, motion “on the line”, “smooth” observables, wave function, and even “going to infinity”, without forgetting perplexing phrases like “classical world” versus “quantum world”.... On the other hand, when a mathematical model becomes really inoperative in regard with correct predictions, one is forced to replace it with a new (...) one. It is precisely what happened with the emergence of quantum physics. Classical models were superseded by quantum ones through quantization prescriptions. These procedures appear often as ad hoc recipes. In the present paper, well defined quantizations, based on integral calculus and Weyl–Heisenberg symmetry, are described in simple terms through one of the most basic examples of mechanics. Starting from probability distribution on the Euclidean plane viewed as the phase space for the motion of a point particle on the line, i.e., its classical model, we will show how to build corresponding quantum model and associated probabilities or quasi-probabilities distributions. We highlight the regularizing rôle of such procedures with the familiar example of the motion of a particle with a variable mass and submitted to a step potential. (shrink)

Three contemporary acts—corporate theft, sexual abuse of minors, and abortion—when done by generally moral people whose consciences at times seems to be inoperative, all share the same dynamic of harming an innocent person entrusted to them. Drawingupon philosophical anthropology, I argue that these acts reveal a mislocation of conscience in the emotions, imagination, memory, theoretical intellect, or will as defended by Hume, James, Freud, Kant, Nietzsche, or Hegel. In this article Aquinas and certain contemporary Catholic philosophers engage these erroneous views (...) about conscience. They defend the position that conscience is found in a person’s exercise of the practical intellect as integrated with, but not supplanted by, these other operations. Throughout the analysis Christine Gudorf’s existential reflection on the relation of her conscience to abortion is analyzed. I argue that many generallymoral people today have in one area either disengaged, locked tight, or transferred their conscience by what Robert Lifton calls “The Faustian Bargain of Doubling.”. (shrink)

Through myths that pattern and repeat we figure the world to ourselves. The desire to be done with myth, to surpass mythic thinking in favor of a “more” rational way of thinking, is but one way of perpetrating violence in the guise of similitude. The rejection of muthos by logos is itself a form of violence, with significant ramifications. The following analysis will explore the work of Luce Irigaray’s Speculum of the Other Woman, and Jean-Luc Nancy’s Inoperative Community, focusing on (...) the ways in which myth becomes mythology, and the inescapable question of violence that attends this operation. This paper, although touching upon the matter, is not an attempt to answer the larger question of what myth is. The scope of this analysis is constrained to a discussion of both Nancy and Irigaray’s understanding of myth as foundational, as well as interrogating the nature of the violence of representation. I will briefly touch upon the long and elaborate conversation surrounding the muthos–logos divide. (shrink)

During nearly two centuries, American storytellers have celebrated comic figures, ebullient showoffs who turned up on one frontier after another—in the old South, in Kentucky and Tennessee, along the great inland rivers, in the mountains and the mines and on the prairies. Often, the stories went, when these characters engaged in a favorite pastime—playfully bragging about their strength, their skill and their exploits—they used animal metaphors such as Opossum, Screamer, Half-Horse Half-Alligator, the Big Bear of Arkansas or Gamecock of the (...) Wilderness to furnish nicknames. Often they were also identified as fictional or real frontiersmen—Mike Fink, Nimrod Wildfire, Jim Doggett, Pecos Bill—and tall tales clustered around them. Explaining a metaphor and a nickname, an Ohio newspaper in 1830 cited the most famous braggart of this sort: "Ring-tailed roarer—A most vicious fellow—a Crockett." . . . The stories did not have to have roots in reality and often were not new. The real Crockett was well built, handsome, ruddy-cheeked. But traditional jokes made ugliness a funny quality. Falstaff claimed Bardolph's crimson proboscis glowed with a flame that made torches inoperative. The Spectator in 1711 told about "Spectator's" election to England's Ugly Club. Joke 177 in Joe Miller's Jests was about the British kingdom's champion ugly man. When Gus Longstreet entered law school in Litchfield, Connecticut, in 1813, a student welcomed him: "Here, sir, is a knife always given to the ugliest student. . . . Until now it has been mine, but beyond doubt, sir, since you are here, I have now no right to it any longer." Andy Jackson—"Old Hickory"—won a like award. Lore had it that Davy was so repulsive looking that if he grinned at a raccoon, it tumbled from its tree. Once, worried because he grinned and grinned without bringing down his victim, he was relieved when a close look showed he had mistaken a knot for a beast. All the same, he had grinned all the bark off the branch. Walter Blair is professor emeritus in the department of English at the University of Chicago. His many influential works include Native American Humor and Horse Sense in American Humor. "Americanized Comic Braggarts" appears in a slightly different version in the book America's Humor from Poor Richard to Doonesbury. (shrink)

The article brings together three short texts by Giorgio Agamben: “What is a people?” from Means without Ends from 1996, the third chapter from The Time that Remains from 2000 and the oral presentation “What is a movement?” from 2005. It analyzes Agamben’s idea of the people as internally divided. Through a juxtaposition with Marx’ notion of the proletariat, the article discusses Agamben’s attempt to develop a inoperative, but nonetheless revolutionary counter-paradigm to the biopolitical power paradigm of the West.

Thirty years ago, a number of human inborn errors in carbohydrate metabolism were explored with specific enzymatic tests on blood samples (hemolysates). Hereditary galactosemia was the first example. When the inoperative step in galactose metabolism was specified, the basis for the diet therapy used on the galactosemic infants, namely galactose‐free diet, could be shown to be securely founded.As far as galactose metabolism is concerned, the cells of the infant are faced with two problems: (i) the conversion of dietary lactose (galactosyl (...) glucose) to glucose and its catabolites involved in energy metabolism, and (ii) the conversion of dietary glucose or lactose to galactosyl units of glycolipids and glycoprotein cell structures.Subsequent studies on microorganisms revealed several types of hereditary defect in galactose metabolism. One type which permits the bacteria to develop a normal carbohydrate pattern in their cell walls includes an enzyme defect, like that described in the cells of the galactosemic infant. Two other types, with the inability to synthesize UDPGlc or UDPGal from glucose, do not permit the bacteria to build the fabric of the normal bacterial cell wall. This is the subject for discussion. (shrink)

This book looks at the affective-cognitive roots of how the human mind inquires into the workings of nature and, more generally, how the mind confronts reality. Reality is an infinitely complex system, in virtue of which the mind can comprehend it only in bits and pieces, by making up interpretations of the myriads of signals received from the world by way of integrating those with information stored from the past. This constitutes a piecemeal interpretation by which we assemble our phenomenal (...) reality. In perceiving the complex world and responding to it, the mind invokes the logic of affect and the logic of reason, the former mostly innate and implicit, and the latter generated consciously in explicit terms with reference to mind-independent relations between entities in nature. It is a strange combination of affect and reason that enables us to make decisions and inferences, --- the latter mostly of the inductive type --- thereby making possible the development of theories. Theories are our tool-kits for explaining and predicting phenomena, guiding us along in our journey in life. Theories, however, are defeasible, and need to be constantly updated, at times even radically. In this, the self and the soul are of enormous relevance. The former is the affect-based psychological engine driving all our mental processes, while the latter is the capacity of the conscious mind to examine and reconstruct the self by modulating repressed conflicts. If the soul remains inoperative, all our theories become misdirected and a rot spreads inexorably all around us. (shrink)

Ways of Being Free: Introduction -- War Is Everything's Father: History and Death as Causes of Existential Angst -- Introduction: Causes of Existential Angst -- Change and Changelessness in Midnight's Children -- The Road of Existential Struggle in The Famished Road -- History and the "Nervous Condition" in The English Patient -- Death as a Drive to Meaningful Existence in Midnight's Children -- Becoming Dead-to-the-World in The English Patient -- Ideological Re-appropriation through Death in The Famished Road -- Authenticity -- (...) Authenticity: Introduction -- From Self-Sufficiency to Inoperative Community in The English Patient -- Revolution Revisited in The Famished Road -- From Communalism to the Comic Absurd in Midnight's Children. (shrink)