We encounter autonomy in virtually every area of philosophy: in its relation with rationality, personality, self-identity, authenticity, freedom, moral values and motivations, and forms of government, legal, and social institutions. At the same time, the notion of autonomy has been the subject of significant criticism. Some argue that autonomy outweighs or even endangers interpersonal or collective values, while others believe it alienates subjects who don’t possess a strong form of autonomy. These marginalized subjects and communities include persons with physical or (...) psychological disabilities, those in dire economic conditions, LGBTI persons, ethnic and religious minorities, and women in traditional communities or households. This volume illuminates possible patterns in these criticisms of autonomy by bringing to light and critically assessing the contribution of women throughout the history of philosophy on this important subject. The essays in this collection cover a wide range of historical periods and influential female philosophers and thinkers, from medieval philosophy through to contemporary debates. Important authors whose work is considered, among many others, include Hildegard of Bingen, Margaret Cavendish, Anne Conway, Mary Wollstonecraft, Susan Moller Okin, Hélène Cixous, Iris Marion Young, and Judith Jarvis Thomson. Women Philosophers on Autonomy will enlighten and inform contemporary debates on autonomy by bringing into the conversation previously neglected female perspectives from throughout history. (shrink)

This paper claims that Heidegger’s confrontation with poetry and with Hegel’s end of art thesis can be read as an attempt to restore the highest function of art by deconstructing the ‘modern’ conception of truth underlying Hegel’s thesis. First, I discuss Heidegger’s interpretation of art following his assessment of the failure of metaphysical language to ‘unconceal’ the truth of Being. Second, I analyse, with specific reference to his interpretation of Hölderlin, what I reckon to be the core thread of Heidegger’s (...) philosophy of art, namely his antisubjectivism. Third, I turn to Hegel’s end of art thesis, showing how for him, as well as for Heidegger, the highest function of art is necessarily connected to antisubjectivism, and hence, under the conditions of modernity, is a thing of the past. Finally, I address Heidegger’s reference to Hegel’s thesis, and claim that, while Hegel fully remains within the horizon of modernity, thus affirming the irreversible pastness of art, Heidegger envisages the possibility of abandoning the fundamental orientation of modernity, and hence of revoking the thesis of the pastness of art. (shrink)

Human Landscapes. Contributions to a Pragmatist Anthropology di Roberta Dreon coniuga metodologicamente l’orientamento all’efficacia e alla concretezza del pragmatismo classico con l’attenzione per testo e contesto propria della migliore storiografia filosofica italiana. È un libro “plurale” già a partire dal titolo. Pur soffermandosi su un tema totalizzante e divisivo come la “natura umana”, lo fa proponendo non rispecchiamenti di essenze ma “paesaggi”: un termine di per sé polisemico, di cu...

Both landscape and aesthetics are all too often considered disengaged categories associated with leisure and contemplation. This book establishes landscape as a key concept in contemporary thought and rethinks aesthetics in political and activist terms. In order to do so, it challenges the dualism of "the environment" as the space inhabited by humans and the province of the natural sciences about which philosophy has little to say. (This separation is evident even in the name of the recent field of environmental (...) humanities.) In a holistic view, landscapes are at the intersection of environment and human, place and people, and nature and culture, and aesthetics provide an immersive and engaged approach to them. Landscapes are ways of being in the world and aesthetics practical means of inhabiting them. Utilizing a pragmatist, antiessentialist lens, Alberto L. Siani characterizes landscapes (as opposed to environments and territories) as concrete, experienced habitats, performative ways of making sense of the world, while aesthetics (following Dewey) identify values and ordering criteria that permeate them. He addresses issues such as temporality, environmentalism, justice, education, and interdisciplinarity within this framework and in conversation with scientific positions. A coda gives three phenomenological accounts of intensely experienced and inhabited landscapes. (shrink)

Os principais objetivos do artigo podem ser formulados da seguinte forma: a) Hegel tem uma noção forte de contingência. Contingência não é, para ele, a ausência simples de necessidade, tampouco subdeterminidade simples. Contingencia é uma noção original, que tem o mesmo peso e a mesma dignidade lógica e metafísica que a noção de necessidade; b) essa noção forte de contingência é decisiva para a concepção de Hegel de subjetividade na medida em que pode ser remetida a sua filosofia do real. (...) À diferença do que é assumido em muitas outras interpretações comuns de Hegel, sugiro que a possibilidade de ir da necessidade à contingência caracteriza uma parte essencial da liberdade subjetiva, tanto quanto a possibilidade de ir contingência à necessidade. Isso tem consequências importantes, especialmente na filosofia da história, que aparece não como apriorística ou dogmática, mas como aberta à contingencia ; e, c) consistentemente com o reconhecimento da irredutibilidade da contingencia à conceitos a priori, Hegel também reconhece a necessidade da narração não-filosófica da contingência e nos fornece algumas pistas importantes sobre isso e sobre sua relação com a filosofia. Ao longo da minha argumentação dessas três teses, espero fornecer evidências para a tese de que a construção dogmática na filosofia da história de Hegel pode ser atenuada pela referência ao entendimento de Hegel da contingência. Em uma escala geral, isso também mostra que o fundamento lógico da filosofia do real de Hegel não pode ser abandonado sem que se prejudique o potencial da filosofia de Hegel de contribuir aos debates filosóficos contemporâneos. Meu argumento estrutura-se como se segue. Eu irei, primeiramente, comentar algumas passagens da Ciência da Lógica de Hegel do começo da Lógica Subjetiva sobre a lógica da contingência e a presença da contingência na estrutura lógica da subjetividade. Eu irei, então, ilustrar, com referência a um caso específico, o papel desempenhado pela contingência na filosofia hegeliana da história. Na última seção, discutirei a relação entre verdade e contingência, por um lado, e filosofia e narratividade, por outro, tentando esboçar as principais linhas da narração da contingência sob bases hegelianas. (shrink)

This paper suggests that the understanding of the use and the concept of “landscape” can be facilitated by a comparison with Wittgenstein’s language games and that indeed “landscape” functions in a similar way to language games, understood in their intertwinement with forms of life. On this basis, I proceed to outline three fundamental elements of a pragmatist, anti-essentialist conception of landscape and develop two of them schematically. In conclusion, I reflect on some ramifications and possible developments of the proposed perspective.

This book reclaims Hegel's notion of the "end of art"-or, more precisely, of "art's past character"-not just as a piece of the history of philosophy but as a living critical and interpretive methodology. It addresses the presence of the past character of art both in Hegel and contemporary philosophy and aesthetics. The book's innovative contribution lies in unifying the Hegelian thesis with discussions of contemporary art and philosophy. The author not only offers a Hegelian exegesis but applies the idea of (...) the past character of art to themes that are both related to Hegel's philosophy, such as the French Revolution and the modern state, Kantian aesthetics, and religion and the sacred space disclosed for art, and going beyond Hegel, such as Celan's poetry, Gramsci's criticism of Croce, human rights, and even the grunge rock band Pearl Jam. Conversely, such non-Hegelian explorations will help enlighten what may look like a specific thread of Hegel's aesthetics, but can be used to shed light on some core motives of his philosophy. The author's interpretation of art's past character reclaims the full value, attractiveness, and philosophical soundness of Hegel's thesis, while rejecting its interpretation in terms of a complete dissolution of the aesthetic element into the philosophical one. Hegel and the Present of Art's Past Character will be of interest to scholars and advanced students working on Hegel, philosophy of art and aesthetics, history of philosophy, political philosophy, and art theory. (shrink)

We encounter autonomy in virtually every area of philosophy: in its relation with rationality, personality, self-identity, authenticity, freedom, moral values and motivations, and forms of government, legal, and social institutions. At the same time, the notion of autonomy has been the subject of significant criticism. Some argue that autonomy outweighs or even endangers interpersonal or collective values, while others believe it alienates subjects who don't possess a strong form of autonomy. These marginalized subjects and communities include persons with physical or (...) psychological disabilities, those in dire economic conditions, LGBTI persons, ethnic and religious minorities, and women in traditional communities or households. This volume illuminates possible patterns in these criticisms of autonomy by bringing to light and critically assessing the contribution of women throughout the history of philosophy on this important subject. The essays in this collection cover a wide range of historical periods and influential female philosophers and thinkers, from medieval philosophy through to contemporary debates. Important authors whose work is considered, among many others, include Hildegard of Bingen, Margaret Cavendish, Anne Conway, Mary Wollstonecraft, Susan Moller Okin, Hélène Cixous, Iris Marion Young, and Judith Jarvis Thomson. Women Philosophers on Autonomy will enlighten and inform contemporary debates on autonomy by bringing into the conversation previously neglected female perspectives from throughout history. (shrink)

Cultural evolution studies are characterized by the notion that culture evolves accordingly to broadly Darwinian principles. Yet how far the analogy between cultural and genetic evolution should be pushed is open to debate. Here, we examine a recent disagreement that concerns the extent to which cultural transmission should be considered a preservative mechanism allowing selection among different variants, or a transformative process in which individuals recreate variants each time they are transmitted. The latter is associated with the notion of “cultural (...) attraction”. This issue has generated much misunderstanding and confusion. We first clarify the respective positions, noting that there is in fact no substantive incompatibility between cultural attraction and standard cultural evolution approaches, beyond a difference in focus. Whether cultural transmission should be considered a preservative or reconstructive process is ultimately an empirical question, and we examine how both preservative and reconstructive cultural transmission has been studied in recent experimental research in cultural evolution. Finally, we discuss how the relative importance of preservative and reconstructive processes may depend on the granularity of analysis and the domain being studied. (shrink)

The first half of this article follows Mario Bunge’s early realist moves, his efforts to articulate the achievements of theoretical physics as gains in the quest for objective truth and understanding, particularly in the context of the fights against the idealist and subjectivist interpretations of quantum mechanics that, at least until the mid-1970s, prevailed in physics. Bunge’s answers to the problems of quantum mechanics provide a good angle for understanding how his realist positions grew on the “battlefield.” The second half (...) discusses Bunge’s general conception of the scientific realist stance and confronts it with some current approaches to realism in the mainstream literature. (shrink)

The aim of this chapter is to analyse the concept of love —understood in the broad and Christian-inspired sense of love as agape-charis love— in relation to the animes Dragon Ball and Dragon Ball Z. I first comment on the character of Piccolo —and how his friendship with Son Gohan— leads to him losing all his original villainous traits. I argue that the evolution of the character of Piccolo through his friendship with Son Gohan illustrates the philosophical claim that a (...) loving and giving of oneself to the other —far from being a sign of weakness— is a courageous and self-affirming exercise. The result may move the individual to an inner transformative experience that leads to the enjoyment of a renewed and authentic life that is worth living. I then argue that Son Goku’s respectful attitude towards his opponents is ultimately a loving attitude. Last, I argue that it is the inspiring and loving example of Son Goku that ultimately explains why characters such as Vegeta —who are at first presented as villains— end up losing their villainous traits after fighting against Son Goku. (shrink)

Introduction: Jai Mata Di (praise the mother goddess) -- Sutra 1: Samadhi, or yogic ecstasy -- Sutra 2: realization, or the practice of yoga -- Sutra 3: the Siddhis, or the magical powers -- Sutra 4: absolute freedom.

In Ockhamist branching-time logic [Prior 67], formulas are meant to be evaluated on a specified branch, or history, passing through the moment at hand. The linguistic counterpart of the manifoldness of future is a possibility operator which is read as `at some branch, or history (passing through the moment at hand)'. Both the bundled-trees semantics [Burgess 79] and the $\langle moment, history\rangle$ semantics [Thomason 84] for the possibility operator involve a quantification over sets of moments. The Ockhamist frames are (3-modal) (...) Kripke structures in which this second-order quantification is represented by a first-order quantification. The aim of the present paper is to investigate the notions of modal definability, validity, and axiomatizability concerning 3-modal frames which can be viewed as generalizations of Ockhamist frames. (shrink)

A completeness theorem is established for logics with congruence endowed with general semantics (in the style of general frames). As a corollary, completeness is shown to be preserved by fibring logics with congruence provided that congruence is retained in the resulting logic. The class of logics with equivalence is shown to be closed under fibring and to be included in the class of logics with congruence. Thus, completeness is shown to be preserved by fibring logics with equivalence and general semantics. (...) An example is provided showing that completeness is not always preserved by fibring ligics endowed with standard (non general) semantics. A categorial characterization of fibring is provided using coproducts and cocartesian liftings. (shrink)

This major publication is a history of the semantic tradition in philosophy from the early nineteenth century through its incarnation in the work of the Vienna Circle, the group of logical positivists that emerged in the years 1925-1935 in Vienna who were characterised by a strong commitment to empiricism, a high regard for science, and a conviction that modern logic is the primary tool of analytic philosophy. In the first part of the book, Alberto Coffa traces the roots of (...) logical positivism in a semantic tradition that arose in opposition to Kant's theory that a priori knowledge is based on pure intuition and the constitutive powers of the mind. In Part II, Coffa chronicles the development of this tradition by members and associates of the Vienna Circle. Much of Coffa's analysis draws on the unpublished notes and correspondence of many philosophers. The book, however, is not merely a history of the semantic tradition from Kant 'to the Vienna Station'. Coffa also critically reassesses the role of semantic notions in understanding the ground of a priori knowledge and its relation to empirical knowledge and questions the turn the tradition has taken since Vienna. (shrink)

People’s awareness of tactile stimuli has been investigated in far less detail than their awareness of stimuli in other sensory modalities. In an attempt to fill this gap, we provide an overview of studies that are pertinent to the topic of tactile consciousness. We discuss the results of research that has investigated phenomena such as “change blindness”, phantom limb sensations, and numerosity judgments in tactile perception, together with the results obtained from the study of patients affected by deficits that can (...) adversely affect tactile perception such as neglect, extinction, and numbsense. The similarities as well as some of the important differences that have emerged when visual and tactile conscious information processing have been compared using similar experimental procedures are highlighted. We suggest that conscious information processing in the tactile modality cannot be separated completely from the more general processing of spatial information in the brain. Finally, the importance of considering tactile consciousness within the larger framework of multisensory information processing is also discussed. (shrink)

The aim of this chapter is to analyze the movie Fight Club, directed by David Fincher, written by Jim Uhls, and first released in the fall of 1999. The movie is based on the homonym novel by Chuck Palahniuk, published in 1996. I will argue that Fight Club is to be understood in primarily existentialist, nonethical, and nonevidential terms, showing the struggle felt by each and every one of us to find a convincing answer to the question of what (if (...) anything) counts as an authentic life that is worth living. Moreover, I will argue that the movie does not merely illustrate the struggle and the existential angst it engenders; it also advances, if not strictly speaking a theoretical answer grounded in an indisputable philosophical reasoning, then at least a practical way to face it. It is only after positively endorsing the claim that absolutely nothing (whatever it may be) externally imposed on a person can give their life ultimate meaning that a person is free to engage in a conscious, laborious, and exhausting attempt at self-affirmation, a full and positive endorsement of one’s own authenticity. (shrink)

In just the last decade, many conference proceedings have been published on Plato’s Timaeus and its influence on the history of philosophy. The present vo­lume, which is the result of a symposium held at Seoul National University in September 2011, testifies to the enduring and widespread interest the Platonic dia­logue is able to elicit. The nine studies here collected by Euree Song center on the figure of the demiurge as maker of the world and they all deal with authors who, (...) while having di... (shrink)