This history of Russian thought was first published in Polish in 1973 and subsequently appeared 2005 in a revised and expanded publication. The current volume begins with Enlightenment thought and Westernization in Russia in the 17<SUP>th century and moves to the religious-philosophical renaissance of first decade of the 20<SUP>th century. This book provides readers with an exhaustive account of relationships between various Russian thinkers with an examination of how those thinkers relate to a number of figures and (...) trends in Western philosophy and in the broader history of ideas. (shrink)

This volume explores the inherent pluralism of Hinduism through ethnographic and philosophical evidence as presented in the Journal of Anthropological Society of Bombay. The essays dated 1886-1936, represent a period that marked the emergence of a European-educated native intelligentsia with a rationalist outlook. The essays cover a wide range of topics from Tree Worship in Mohenjo Daro, the origin of the Hindu Trimurti, interpretation of Avestic and Vedic Texts; to a second set of more localized papers that cover the (...) Muhammadan Castes of Bengal, the Tenets and Practices of a Certain Class of Faqirs in Bengal, the Theoretical History of the Goddess Yellamma, and much more. Written during a particular historical as well as intellectual period that reflected certain key patterns - a period just following the Bengal Renaissance of the nineteenth century that ushered in the ideologies of a reformative Hinduism - this volume highlights how religions of all denominations have influenced each other and appear to have mingled beliefs and practices from multiple sources. It shows how tolerance and inclusiveness along with syncretism have been part of India's religious and social history. This book will be of interest to students and researchers of religions, history, anthropology, sociology, political science, and sociology of religion. It will also be useful to those interested in inter-religious dialogues and civil society. (shrink)

aspirations, the rise of western monasticism was the most note worthy event of the early centuries. The importance of monasteries cannot be overstressed as sources of spirituality, learning and auto nomy in the intensely masculinized, militarized feudal period. Drawing their members from the highest levels of society, women's monasteries provided an outlet for the energy and ambition of strong-willed women, as well as positions of considerable authority. Even from periods relatively inhospitable to learning of all kinds, the memory has been (...) preserved of a good number of women of education. Their often considerable achievements and influence, however, generally lie outside even an expanded definition of philo sophy. Among the most notable foremothers of this early period were several whose efforts signal the possibility of later philosophical work. Radegund, in the sixth century, established one of the first Frankish convents, thereby laying the foundations for women's spiritual and intellectual development. From these beginnings, women's monasteries increased rapidly in both number and in fluence both on the continent and in Anglo-Saxon England. Hilda (d. 680) is well known as the powerful abbsess of the double monastery of Whitby. She was eager for knowledge, and five Eng lish bishops were educated under her tutelage. She is also accounted the patron of Caedmon, the first Anglo-Saxon poet of religious verse. The Anglo-Saxon nun Lioba was versed in the liberal arts as well as Scripture and canon law. (shrink)

In the treatise “Suprematism. The World as Objectlessness or Eternal Peace” (1922), Kazimir Malevich positions himself as a “bookless philosopher” who did not consider theories of other philosophers. In fact, the treatise contains a large number of references to philosophers belonging to different traditions. A careful reading shows the extent to which Malevich’s theory is linked to the Russian religious philosophy of the early twentieth century. In my view, Nikolai Berdyaev, Sergei Bulgakov, Pavel Florensky—philosophers of “Religious Renaissance,” (...) as well as some other intellectuals—acquaint avant-gardists with Neoplatonic conceptions of apophasis. Malevich had access to ideas of fourteenth-century theologian Meister Eckhart, and I will refer to two sources to demonstrate this, including Margarita Sabashnikova’s translation of Eckhart and works of Sergei Bulgakov. Without any reference, Malevich retells the concepts of Dionysius the Areopagite, Meister Eckhart, and Gregory Palamas. I will demonstrate parallels between the treatise on Suprematism and Meister Eckhart’s Sermons concerning the concepts of apophaticism, Platonism, and Nothingness. I will also touch on the theme of Divine Light in the theology of Palamas (fourteenth century) to show the diversity of the avant-garde’s sources of inspiration. (shrink)

Public interest in the legacy of Russian religious philosophy, and above all in the legacy of V. S. Solovyov, reached its peak at the turn of the 1990s, after which it declined. As indirect evidence of this, we can note the remaining unrealized idea of installing a monument to the philosopher, slowing down the pace of work on the release of a complete collection of his works, and reducing the number of works dedicated to him. The year of the (...) centenary since the death of Solovyov was symptomatic, when the authoritative representatives of the Russian philosophical community, S.S. Khoruzhiy and P.P. Gaidenko made an ambiguous assessment of Solovyov's ideological heritage and its significance for the subsequent development of Russian socio-philosophical and religious-theological thought. In the article the statement that the genealogy of the critical interpretation of Solovyov's legacy goes back to the works of the philosopher and theologian G.V. Florovsky is substantiated. Florovsky influence in Russian studies, as well as in post-Soviet Russia in general is difficult to overestimate. In this regard, the author draws attention to the ideological evolution of Florovsky, which gives the key to his interpretation of Solovyov's philosophy. The analysis showed that Florovsky's critical reinterpretation of Solovyov's legacy had both a theoretical, theological, and doctrinal character, and was caused by certain socio-psychological factors related to the generational conflict between representatives and heirs of the Russian religious and philosophical Renaissance of the early XX century. It is demonstrated that the reception of Solovyov by Florovsky was very significant, influential and archetypal for Russian religious and philosophical thought, both in Russia and abroad. (shrink)

In Renaissance Italy, stones growing inside the kidneys, bladders and gallbladders of people with a reputation of holiness could evoke veneration. Not only did these stones test the saints’ endurance, they were also natural phenomena approaching the miraculous. Yet they never figured as juridically recognized miracles in the canonization proceedings of early modern saints. A medical historical perspective shows why internal stones fascinated contemporaries, but did not constitute formally recognized markers of sanctity. For natural philosophers internal stones were enigmatic (...) in themselves, eliciting awe, but precluding a definitive decision as to whether God intervened directly into the order of nature. (shrink)

Giordano Bruno’s visit to Elizabethan England in the 1580s left its imprint on many fields of contemporary culture, ranging from the newly-developing science, the philosophy of knowledge and language, to the extraordinary flowering of Elizabethan poetry and drama. This book explores Bruno's influence on English figures as different as the ninth Earl of Northumberland, Thomas Harriot, Christopher Marlowe and William Shakespeare. Originally published in 1989, it is of interest to students and teachers of history of ideas, cultural history, European drama (...) and renaissance England. Bruno's work had particular power and emphasis in the modern world due to his response to the cultural crisis which had developed - his impulse towards a new ‘faculty of knowing’ had a disruptive effect on existing orthodoxies – religious, scientific, philosophical, and political. (shrink)

The essay contrasts two recurring phenomena of European culture: renaissance and avant-garde. The author discusses the paradigmatic Renaissance of 15th and 16th centuries and the paradigmatic Avant-Garde of early 20th century from the point of view of a practicing artist, interested in philosophical, social, religious, and political involvements of artists and their creation. The author shows the artistic and social history of 20th century as a struggle between the Avant-Garde and the Renaissance ideals, which, as (...) he points out, found a fertile ground in in the 20 years that followed immediately the Second World War. (shrink)

The essay contrasts two recurring phenomena of European culture: renaissance and avant-garde. The author discusses the paradigmatic Renaissance of 15th and 16th centuries and the paradigmatic Avant-Garde of early 20th century from the point of view of a practicing artist, interested in philosophical, social, religious, and political involvements of artists and their creation. The author shows the artistic and social history of 20th century as a struggle between the Avant-Garde and the Renaissance ideals, which, as (...) he points out, found a fertile ground in in the 20 years that followed immediately the Second World War. (shrink)

It is known that antiquity understood man as an organic part of the cosmos, which occupies the highest place among natural beings. Instead, the Middle Ages led man beyond the limits of cosmic natural life, proclaiming, on the one hand, an invisible connection with the transcendent God, and, on the other, humiliating the complete dependence caused by his fall upon Divine grace. The Middle Ages are about the discovery of the "inner man", who in the cosmos does not meet anything (...) and know the depths of which can only be obtained by the supernatural light of grace [Haydenko P.P. Evolution of the concept of science.- M., 1980.- C. 409, 425]. Self-knowledge, like the knowledge of God, medieval philosophical thought subordinated the religious task of saving the soul. She transferred the center of gravity of ethics from the sphere of knowledge to the sphere of faith, giving priority to freedom rather than reason - which led to the assertion of man as an active subject of action as opposed to the objectively contemplative attitude of antiquity. Such activity of the subject, despite its purely religious orientation, subsequently played an important role in the formation of the identity of the Renaissance individual. (shrink)

In the tense religious climate of the late Renaissance (ca. 1550-1650), traditional charges of impiety directed against Aristotle carried new weight. Many turned to alternative philosophical authorities in the search for a truly pious philosophy. Another, "most pious" solution was to ground natural philosophy on a literal reading of the Bible, especially Genesis. I examine this kind of physics, often called Mosaic, or sacred, or Christian, through the example of Johann Amos Comenius and those whom he praises (...) as predecessors in his attempt to reform physics according to the "divine light" of Scripture. In analyzing the works of these authors, I conclude that what they shared most effectively was an agenda rather than a practice. They defended the single, universal truth of a "Christian philosophy" grounded in biblical literalism against the impious excesses of philosophical naturalism, on the one hand, and against the antiphilosophical attacks of extreme theologians, on the other hand. This peculiar strand of natural philosophy, neither traditional nor "modern," needs to be included in attempts to map the complex dynamics of contemporary debates and self-presentations. -/- . (shrink)

Rewriting the Self is an exploration of ideas of the self in the western cultural tradition from the Renaissance to the present. The contributors analyze different religious, philosophical, psychological, political, psychoanalytical and literary models of personal identity from a number of viewpoints, including the history of ideas, contemporary gender politics, and post-modernist literary theory. Challenging the received version of the "ascent of western man," they assess the discursive construction of the self in the light of political, technological (...) and social changes. Contributors include: Peter Burke, Roger Cardinal, Stephen Connor, Jonathan Dollimore, Terry Eagleton, Kate Flint, E.J. Hundert, John Mullan, Linda Nead, Daniel Pick, Nikolas Rose, Jonathan Sawday, Jane Shaw, Roger Smith, Sylvana Tomaselli and Carolyn D. Williams. (shrink)

The volume contains studies by eleven distinguished scholars, concerning changes in ethical and religious consciousness during this important era of Western ...

Cassirer’s Die Platonische Renaissance in England und die Schule von Cambridge, of which the present work is a translation, was first published in 1932; it therefore necessarily takes no account of the mass of work on the English Catholic humanists of the Renaissance, beginning with Chambers’s Thomas More, and on 17th-century English religious thought, which has appeared in the last 20 years. This may partly account for the rather old-fashioned impression which the book produces. Cassirer still understood (...) More, Colet, and Erasmus after the manner of Seebohm’s Oxford Reformers, a book which he frequently quotes. But the misunderstanding which, so it seems to the present reviewer, makes the picture given by the book as a whole a distorted one, goes rather deeper. The eminent neo-Kantian author appears to think that authentic Christian orthodoxy is Augustinianism, and Augustinianism interpreted in the manner of Jansenius or Calvin. Hence the philosophy of St. Thomas, to which he gives some fine and understanding pages, appears to him as a heroic but unsuccessful attempt to establish a Christian humanism on an Aristotelian basis which had little lasting effect ; he is led to represent such great and profoundly Catholic figures of the Renaissance as Cardinal Nicholas of Cusa and St. Thomas More as fundamentally unorthodox; in dealing with his main subject, the Cambridge Platonists, he presents ideas which any Catholic brought up in an enlightened Thomist tradition will naturally recognize as a normal part of his own religious and philosophical inheritance as if they were in the deepest disaccord with the teachings of orthodox Christianity; and he greatly exaggerates the opposition between the Cambridge Platonists and their Puritan contemporaries. (shrink)

This study explains how the myths of Greece and Rome were transmitted from antiquity to the Renaissance. Luc Brisson argues that philosophy was ironically responsible for saving myth from historical annihilation. Although philosophy was initially critical of myth because it could not be declared true or false and because it was inferior to argumentation, mythology was progressively reincorporated into philosophy through allegorical exegesis. Brisson shows to what degree allegory was employed among philosophers and how it enabled myth to take (...) on a number of different interpretive systems throughout the centuries: moral, physical, psychological, political, and even metaphysical. How Philosophers Saved Myths also describes how, during the first years of the modern era, allegory followed a more religious path, which was to assume a larger role in Neoplatonism. Ultimately, Brisson explains how this embrace of myth was carried forward by Byzantine thinkers and artists throughout the Middle Ages and Renaissance after the triumph of Chistianity, Brisson argues, myths no longer had to agree with just history and philosophy but the dogmas of the Church as well. (shrink)

In the modern world, provincialism in reflective thinking is dangerous, possibly tragic. If philosophy is to fulfill one of its main functions—that of guiding the leaders of mankind toward a better world—its perspective must become worldwide and comprehensive in fact as well as in theory. This, the motivating theme of the Second East-West Philosophers' Conference held at the University of Hawaii in the summer of 1949, is likewise the theme of this volume, the complete report of that Conference. The goal (...) of the eminent philosophers participating was the discovery of avenues of progress toward a synthesis of Oriental and Occidental thought. They attempted to reach tentative conclusions in the fields of methodology, metaphysics, and ethical theory. Conference activities consisted of meetings, lectures, discussions, undergraduate courses, and graduate seminars. As far as possible, the proceedings were limited to the study of East-West philosophy; extensive attention was not given to the strictly religious aspects of any philosophical tradition. Participants in the Conference were convinced that philosophy is now entering upon a new stage of development which will be characterized by trans-cultural cooperation and world perspective. This development can be of tremendous significance in world thought and eventually in the lives and actions of the people of the world. Twenty-three of the formal papers presented at the Conference comprise the substance of this book; a significant proposal for synthesis is stated or implied in almost every one. A comprehensive introduction by the editor, a summary of the results and conclusions of the Conference seminars, a who's who of contributors, and an exhaustive index round out the volume. (shrink)

During the European Renaissance, scholars and members of the bourgeoisie showed a stronginterest in practical philosophy, namely ethics and politics. This shift was expressed in works that described ideal societies, also known as utopias. Meanwhile, the Renaissance philosophy of nature, influenced by Late Ancient philosophy and mysticism, imposed a new worldview, according to which nature was seen as a living entity. Renaissance political thinkers attempted to imbue their socio-political visions with a sense of natural philosophy. A principal (...) idea in utopian literature is the strong presence of science, a key factor in the transformation of nature. In its search for the ideal political order, humanity was not content with maximising nature’s benefits but envisioned creating a new nature, one that better served the socio-political ideals of the Renaissance and the early modern era. I would like to argue that the prominent role of technocracy in sixteenth- and seventeenth-century utopias led gradually to the disruption and perversion of nature. Despite of the intentions of the utopian thinkers, their views on nature –which range from the unconditional respect to nature to its advancement through science – encouraged finally the mastery of nature, because they connected the socio-political progress with the exploitation of nature and the control of natural forces. In particular, a discussion on the relationship between humanity, nature and science in Renaissance utopian thought can shed some light on how early technocracy progressively led to the ravaging of nature. Departing from the major Renaissance philosophers’ all-encompassing perspective, political philosophers of the time, especially those who contributed to utopian literature, predominantly viewed nature as an instrument at the disposal of humanity and its science – a playground for human inventiveness and resourcefulness. With their works, they provided a new rationale, non-religious this time that defended humanity’s full exploitation of nature. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Theater of Nature: Jean Bodin and Renaissance Science by Ann BlairPeter DearAnn Blair. The Theater of Nature: Jean Bodin and Renaissance Science. Princeton: Princeton University Press, 1997. Pp. xiv + 382. Cloth, $45.00.Jean Bodin’s Universae naturae theatrum (1596) is the least celebrated of all the major publications by this outstanding figure of the French renaissance. It lacks the apparent political, historiographical, and philosophical (...) relevance of Bodin’s well-known earlier works (the Methodus ad facilem historiarum cognitionem of 1566, Les six livres de la République of 1576, and De la démonomanie des sorciers of 1580, all receiving much more attention then as now). Ann Blair focuses our attention on the Theatrum, as a text whose significance for her book exists on at least three interrelated levels: there is its relation to Bodin’s views in the more famous texts; its advantage as a treatise on natural philosophy about whose author we know much more (intellectually) than those of most such works; and in connection with the last, there is above all its value as a distinguished representative of a genre of natural philosophical writings that was prominent in the late sixteenth and early seventeenth centuries.It is the third consideration that motivates Blair’s book most centrally. She declares her wish to enrich our view of the history of science with works, like the Theatrum, that were not made by subsequently regarded stars such as Galileo or Descartes; the very typicality of its genre makes the Theatrum, she argues, a valuable window on contemporary understandings of what natural knowledge was and should be about. Bodin’s enterprise possessed a religious core: natural philosophy was for him a tool to be used in shoring up broadly irenical positions (of the kind associated with the Colloquium heptaplomeres, usually attributed, as here, to Bodin). This kind of “natural theology” avant la lettre characterized a good number of different thinkers and writers on natural philosophy in this period, many of them German (besides their discussion here, Blair is considering such people, and their project of pia philosophia, more fully in her current work). It is a subject that, more than anything, stands at the heart of her study.Bodin, rather conventionally, tried to establish a close liaison between natural philosophy and religious knowledge—that is, between those things to be inferred from experience of the natural world and the central dogmas of faith. Less conventionally, he attempted to demonstrate on occasion truths that were far from orthodox. Regardless of whether Bodin was “really” a Catholic or a Protestant (and Blair observes the great interest in the Theatrum shown by German Calvinists in the first few decades after its original publication), his general religious stance was one of accommodation. Thus good philosophizing could demonstrate (in the weak, rhetorical sense of that term) such doctrines as the existence and providence of God; contentious issues, such as the correct interpretation of the Eucharist, were left aside. Nonetheless, Bodin also argued, at such length and with such vigor as to have the propositions condemned by the Catholic church, that human souls and angels (as well as, more usually, demons) were corporeal beings. The importance to Bodin of this position stemmed from its sociopolitical implications: in particular, if human souls were incorporeal, it became unclear how rewards and punishments—necessary sanctions for restoring the social order threatened by the Wars of Religion—could be meted out after death. Curiously, such a view seems to imply that pleasure and pain are inextricably connected to bodies alone. [End Page 363]Among the historiographical strands informing Blair’s approach is recent literature on the “history of the book,” best known through the work of Roger Chartier. Accordingly, Blair discusses the vicissitudes of production of Bodin’s book in its various editions and emissions, and carefully considers, along with the likely reading practices by the aid of which Bodin came to compose it, the various uses to which its first readers put it. Her major interpretive trope is that of the commonplace book. While acknowledging the lack of direct material evidence for Bodin’s use of such a technique as his chief means of... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 62.1 (2001) 17-35 [Access article in PDF] Late Antiquity and the Florentine Renaissance: Historiographical Parallels Christopher S. Celenza Aulus Gellius, at the end of the second century, shows us the type of writer who was destined to prevail, the compiler. In his Noctes Atticae he compiles without method or even without any definite end in view.... After him there is only barrenness. (...) The third century is a literary Sahara.... Thoughtless admiration for mathematics keeps up or reintroduces the mentality of magic.... In the fourth century ad Iamblichus had his brain almost turned by the science of numbers. 1 --Ferdinand Lot The rapid progress of humanism after the year 1400 paralyzed native impulses. Henceforth men looked only to antiquity for the solution of every problem, and consequently allowed literature to sink into mere quotation. 2 --Jacob Burckhardt Various aspects of late antiquity in western Europe and the Florentine Renaissance bear certain similarities which, if properly examined and contextualized, can lead to a deeper understanding of both periods--of their social as well as intellectual significance, of the manner in which politics relates to culture, and [End Page 17] of the relationship between urban life in a specific sort of milieu to the mechanisms of religious and philosophical dynamism. 3 The parallels are not always exact, but various underlying patterns are present. Here the main line of argument will be that a number of aspects of late ancient thought and of Renaissance thought (especially Renaissance Latin literature of all genres) went ignored by eighteenth- and nineteenth-century scholars, thanks to certain underlying assumptions concerning what was appropriate to investigate. These assumptions were themselves related to the combination of two major factors: romantic essentializing ideas about the nature of language, inherited from the Enlightenment, and the development in the nineteenth century of nationalist, evolutionary historiographies. The results of these developments persisted into the twentieth century and can be seen to an extent even today. Nationalist Historiographies and the Problem of Language "Gentlemen, nations are thoughts of God." So Leopold von Ranke (1795-1886) used to begin his history courses in Berlin, as Jacob Burckhardt (1818-97) later remembered. 4 While Ranke himself was concerned primarily with documentary history and the evolution of the modern state, he was also part of a larger trend in the German speaking world which sought to identify, in the study of the past, the spirit, or Geist, of a given era or people, a project which had been theorized by Hegel. Ranke and others, like Johann Gustav Droysen and August Böckh, taking their point of departure from Barthold Niebuhr and, more immediately, from Wilhelm von Humboldt, saw themselves as self-consciously transcending Hegel, basing their ideas on documentary sources as opposed to a priori theorizing. 5 But certain assumptions were similar, none more so than presuppositions relating to the Volksgeist. It is not that Ranke was relentlessly teleological; [End Page 18] history was made in the process of the unfolding of events. His primary mission was the documenting and understanding of modernity, a task which, despite their later divergences in practice, Burckhardt shared. 6 The goal was, following Niebuhr's approach in classical studies, to present history in an appealing way and in a manner useful to modernity. 7 This was bound up with a larger set of movements, encompassing the search for national identity and a tendency toward locating essential characteristics of a "people." 8 One of these characteristics was language, and a central preoccupation of scholars became the manner in which culture expressed itself through language, even as philology was becoming "the first historical discipline, the model for all other historical sciences" and the general view of scholarly fields as separate, specialized entities was growing. 9In their concern with language as a vehicle for cultural transmission and as a defining characteristic of a people, nineteenth-century scholars were the heirs of the Enlightenment. Ideas of a plurality of cultures had flourished; as it was put in the Encyclopédie, language expressed the "genius of a people." If... (shrink)

The scope of Russian studies in Poland has grown considerably since 1989. Many texts in this field published in the present decade are pioneer works on such writers as V. Solov’ev and K. Leont’ev, others present synthetic results of recent and current research, such as A History of Russian Thought from Enlightenment to Marxism , Russian Religious - Philosophical Renaissance. An Attempt at a Synthesis . Research centers publish regular series: “Jagiellońskie studia z filozofii rosyjskiej,” “Almanach myśli (...) rosyjskiej,” “Idee w Rosji”. A multi-volume Russian–Polish–English dictionary “Idee w Rosji,” fruit of research by Polish scholars has enjoyed considerable interest. (shrink)

In 1484, humanist philosopher and theologian Marsilio Ficino published the first complete Latin translation of Plato's extant works. Students of Plato now had access to the entire range of the dialogues, which revealed to Renaissance audiences the rich ancient landscape of myths, allegories, philosophical arguments, etymologies, fragments of poetry, other works of philosophy, aspects of ancient pagan religious practices, concepts of mathematics and natural philosophy, and the dialogic nature of the Platonic corpus's interlocutors. By and large, (...) class='Hi'>Renaissance readers in the Latin West encountered Plato's text through Ficino's translations and interpretation. -/- In Plato's Persona, Denis J.-J. Robichaud provides the first synthetic study of Ficino's interpretation of the Platonic corpus. Robichaud analyzes Plato's works in their original Greek and in Ficino's Latin translations, as well as Ficino's non-Platonic writings and correspondence, in the process uncovering new aspects of Ficino's intellectual work habits. In his letters and works, Ficino self-consciously imitated a Platonic style of prose, in effect devising a persona for himself as a Platonic philosopher. Plato's dialogues are populated with a wealth of literary characters with whom Plato interacts and against whom Plato refines his own philosophies. Reading through Ficino's translations, Robichaud finds that the Renaissance philosopher seeks an understanding of Plato's persona(e) among all the dialogues' interlocutors. In effect, Ficino assumed the role of Plato's Latin spokesperson in the Renaissance. -/- Plato's Persona is grounded in an extensive study of scholarship in Renaissance humanism, classics, philosophy, and intellectual history, and contextualizes Ficino's intellectual achievements within the contemporary Christian orthodox view of Platonism. Ficino was an influential figure in the early Italian Renaissance: the key intermediary between Greek and Latin, and between manuscript and print, giving voice to Plato and access to the ancient frameworks needed to interpret his dialogues. (shrink)

Divine Nature and Human Language is a collection of twelve essays in philosophical theology by William P. Alston, one of the leading figures in the current renaissance in the philosophy of religion. Using the equipment of contemporary analytical philosophy, Alston explores, partly refashions, and defends a largely traditional conception of God and His work in the world a conception that finds its origins in medieval philosophical theology. These essays fall into two groups: those concerned with theological language (...) and those that deal with the nature, status, and activity of God. In Part 1, Alston develops a conceptual scheme for discussing the topic of theological language. He also argues that there is a core of literal talk about God and even a core of predicates univocally applicable to God and creatures. Furthermore, he shows that God can be referred to directly as well as descriptively. In Parts II and III, the author sketches out a middle way between a classical conception of God exemplified by Aquinas and the more recent “process” or “panentheist” conception exemplified by Hartshorne. Alston argues that such a God can act so as to have real effects in the world and can enter into genuine dialogue and otherwise interact with human beings. In addition, he defends the idea that God provides a foundation for morality. The first collection of Alston's ground breaking work in the philosophy of religion, Divine Nature and Human Language will be welcomed by scholars and students of the philosophy of religion, metaphysics, theology, and religious studies. (shrink)

This paper analyzes the problem of Western perceptions of one of the most original branches of the Russian Philosophical Renaissance that occurred at the beginning of the 20th century: namely, the so called Russian Religious Philosophy. This problem still possesses contemporary relevance, owing to the fact that Russian philosophy continues to be engaged in a search for self-identification in respect of Western philosophical contexts. The paper shows that “Russian Religious Philosophy” is perceived by Western thinkers (...) not only as “an exotic cultural phenomenon,” but also as an equal partner in a dialogue: it is considered a significant philosophical achievement, meeting all generally accepted criteria of philosophical creativity. The German Catholic philosopher Peter Ehlen’s monograph on the subject of the religious philosophy of Semyon Lyudvigovich Frank will furnish us, here, with an example of just such an approach. The author of the monograph approaches his subject as something which he himself stands in an essential connection to—something which he, as a researcher, is in a peculiar spiritual communion with. A common spiritual experience of the religious perception of reality determines both Ehlen’s interest in Frank and the specific character of the research undertaken by him. The position of researcher, expected to maintain a certain distance from his or her subject matter, is replaced by that of a co-thinker, engaged in co-experiencing and understanding in depth the ideas of the particular philosopher under examination. The result of this approach is a new synthesis created by Ehlen on the basis of Frank’s philosophy. (shrink)

This paper analyzes the problem of Western perceptions of one of the most original branches of the Russian Philosophical Renaissance that occurred at the beginning of the 20th century: namely, the so called Russian Religious Philosophy. This problem still possesses contemporary relevance, owing to the fact that Russian philosophy continues to be engaged in a search for self-identification in respect of Western philosophical contexts. The paper shows that “Russian Religious Philosophy” is perceived by Western thinkers (...) not only as “an exotic cultural phenomenon,” but also as an equal partner in a dialogue: it is considered a significant philosophical achievement, meeting all generally accepted criteria of philosophical creativity. The German Catholic philosopher Peter Ehlen’s monograph on the subject of the religious philosophy of Semyon Lyudvigovich Frank will furnish us, here, with an example of just such an approach. The author of the monograph approaches his subject as something which he himself stands in an essential connection to—something which he, as a researcher, is in a peculiar spiritual communion with. A common spiritual experience of the religious perception of reality determines both Ehlen’s interest in Frank and the specific character of the research undertaken by him. The position of researcher, expected to maintain a certain distance from his or her subject matter, is replaced by that of a co-thinker, engaged in co-experiencing and understanding in depth the ideas of the particular philosopher under examination. The result of this approach is a new synthesis created by Ehlen on the basis of Frank’s philosophy. (shrink)

The article is devoted to a comparative analysis of the political views of the philosophers of Montaigne circle. The ideas put forward by Charron and La Boétie were important not only for the period of religious wars of the 16th century, but also for various aspects of the genesis of modern philosophy. If autocracy is unacceptable in principle for La Boétie, then Charron is a supporter of a monarchical state structure, although he condemns tyrannical rule. La Boétie justifies his (...) position with references to the need to protect political free­dom. Autocracy, he believes, is inseparable from arbitrariness, illegal and gross violation of the interests of the country’s residents. People can refuse freedom only voluntarily, from force of habit of obeying tyrannical power, once established by deception or violence. He considers it possible to end religious strife by a revival of the Church and a moral re­newal. La Boétie’s political ideal is a republic. Charron, by contrast, considers the king a true sovereign. But rulers often have both shortcomings and vices, sometimes giving rise to tyranny, expressed in disregard for the laws and traditions of the country. Charron, like La Boétie, sees the reason for the religious wars in the damage of morals. He also sees a compromise as the best solution; to withdraw compatriots from the state of civil con­frontation is possible peacefully. For Charron, as for La Boétie, social inequality, class hi­erarchy seems to be an invariable condition of social existence. For both, violence is an unacceptable form of implementing social improvements. Both see religion as an im­portant pillar of social life. In the coordinate system of the two thinkers of the Montaigne circle, religious considerations are not taken beyond the general contours of their political reflections. It is noteworthy that for the philosophical landscape of the late Renaissance, the problem of religious confrontation turns out to be closely associated with the question of the best form of social structure. Discussions about it continue in our time. (shrink)

This book is the first comprehensive study of Schopenhauer's philosophy of religion. It develops a contextual account of Schopenhauer's relation to the religions of India by placing his interpretation of their main doctrines within the perspective of his diagnosis of the religious situation in nineteenth-century Europe, and his revised conception of the proper content and methods of metaphysical philosophy in the wake of Kant. It shows that Schopenhauer's encounter with the religions of India was the stimulus for his formulation (...) of a novel theory of a revitalised modern Christianity. The possibility of an oriental renaissance prompted Schopenhauer to argue that Christianity's immanent or ethical teachings needed to be severed from its supernatural or metaphysical doctrines, so that European culture could continue to satisfy the human need for a metaphysical interpretation of the world and life. This book will be of interest to philosophers, theologians, students of religion and modern intellectual history. (shrink)

In this imaginative and comprehensive study, Edward Casey, one of the most incisive interpreters of the Continental philosophical tradition, offers a philosophical history of the evolving conceptualizations of place and space in Western thought. Not merely a presentation of the ideas of other philosophers, _The Fate of Place_ is acutely sensitive to silences, absences, and missed opportunities in the complex history of philosophical approaches to space and place. A central theme is the increasing neglect of place in (...) favor of space from the seventh century A.D. onward, amounting to the virtual exclusion of place by the end of the eighteenth century. Casey begins with mythological and religious creation stories and the theories of Plato and Aristotle and then explores the heritage of Neoplatonic, medieval, and Renaissance speculations about space. He presents an impressive history of the birth of modern spatial conceptions in the writings of Newton, Descartes, Leibniz, and Kant and delineates the evolution of twentieth-century phenomenological approaches in the work of Husserl, Merleau-Ponty, Bachelard, and Heidegger. In the book's final section, Casey explores the postmodern theories of Foucault, Derrida, Tschumi, Deleuze and Guattari, and Irigaray. (shrink)

This study explains how the myths of Greece and Rome were transmitted from antiquity to the Renaissance. Luc Brisson argues that philosophy was ironically responsible for saving myth from historical annihilation. Although philosophy was initially critical of myth because it could not be declared true or false and because it was inferior to argumentation, mythology was progressively reincorporated into philosophy through allegorical exegesis. Brisson shows to what degree allegory was employed among philosophers and how it enabled myth to take (...) on a number of different interpretive systems throughout the centuries: moral, physical, psychological, political, and even metaphysical. _How Philosophers Saved Myths_ also describes how, during the first years of the modern era, allegory followed a more religious path, which was to assume a larger role in Neoplatonism. Ultimately, Brisson explains how this embrace of myth was carried forward by Byzantine thinkers and artists throughout the Middle Ages and Renaissance; after the triumph of Chistianity, Brisson argues, myths no longer had to agree with just history and philosophy but the dogmas of the Church as well. (shrink)

Silence is not simply the absence of noise. It is within us, in the inner citadel that great writers, thinkers, scholars and people of faith have cultivated over the centuries. It characterizes our most intimate and sacred spaces, from private bedrooms to grand cathedrals – those vast reservoirs of silence. Philosophers and novelists have long sought solitude and inspiration in mountains and forests. Yet despite the centrality of silence to some of our most intense experiences, the transformations of the twentieth (...) century have gradually diminished its value. Today, raucous urban spaces and a continual bombardment from different media pressure us into constant activity. We are losing a sense of our inner selves, a process that is changing the very nature of the individual. This book rediscovers the wonder of silence and, with this, a richer experience of life. With his predilection for the elusive, Corbin calls us to listen to another history. (shrink)

In this imaginative and comprehensive study, Edward Casey, one of the most incisive interpreters of the Continental philosophical tradition, offers a philosophical history of the evolving conceptualizations of place and space in Western thought. Not merely a presentation of the ideas of other philosophers, _The Fate of Place_ is acutely sensitive to silences, absences, and missed opportunities in the complex history of philosophical approaches to space and place. A central theme is the increasing neglect of place in (...) favor of space from the seventh century A.D. onward, amounting to the virtual exclusion of place by the end of the eighteenth century. Casey begins with mythological and religious creation stories and the theories of Plato and Aristotle and then explores the heritage of Neoplatonic, medieval, and Renaissance speculations about space. He presents an impressive history of the birth of modern spatial conceptions in the writings of Newton, Descartes, Leibniz, and Kant and delineates the evolution of twentieth-century phenomenological approaches in the work of Husserl, Merleau-Ponty, Bachelard, and Heidegger. In the book's final section, Casey explores the postmodern theories of Foucault, Derrida, Tschumi, Deleuze and Guattari, and Irigaray. (shrink)

Pre-Socratics, physiologists, sages and sophists -- Platonists, Cyrenaics, Aristotelians and cynics -- Sceptics, stoics and epicureans -- Classical Chinese philosophers -- Romans (serious and ridiculous) and neoplatonists -- The deaths of Christian saints -- Medieval philosophers: Christian, Islamic, and Judaic -- Philosophy in the Latin Middle Ages -- Renaissance, Reformation and scientific revolution -- Rationalists (material and immaterial), empiricists and religious dissenters -- Philosophes, materialists and sentimentalists -- Many Germans and some non-Germans -- The masters of suspicion and (...) some unsuspicious Americans -- The long twentieth century I: philosophy in wartime -- The long twentieth century II: analytics, continentals, a few moribunds and a near-death experience. (shrink)

Le silence n'est pas la simple absence de bruit. Il réside en nous, dans cette citadelle intérieure que de grands écrivains, penseurs, savants, femmes et hommes de foi, ont cultivée durant des siècles. A l'heure où le bruit envahit tous les espaces, Alain Corbin revient sur l'histoire de cet âge où la parole était rare et précieuse. Condition du recueillement, de la rêverie, de l'oraison, le silence est le lieu intime d'où la parole émerge. Les moines ont imaginé mille techniques (...) pour l'exalter, jusqu'aux chartreux qui vivent sans parler. Philosophes et romanciers ont dit combien la nature et le monde ne sont pas distraction vaine. Une rupture s'est produite, pourtant, aux confins des années 1950, et le silence a perdu sa valeur éducative. L'hypermédiatisation du XXIe siècle nous contraint à être partie du tout plutôt que de se tenir à l'écoute de soi, modifiant la structure même de l'individu. Redécouvrir l'école du silence, tel est l'enjeu de ce livre dont chaque citation est une invitation à la méditation, au retour sur soi. Avec ce goût pour l'insaisissable qui a donné naissance à ses plus grands livres, (Le miasme et la jonquille, Les cloches de la terre...), Alain Corbin nous invite à entendre une autre Histoire. (shrink)

By way of essays and a selection of primary sources in parallel text, Biography, Historiography, and Modes of Philosophizing provides an introduction to a vast, significant, but neglected corpus of early modern literature: collective biography. It focuses especially on the various related strands of political, philosophical, and intellectual and cultural biography as well as on the intersection between biography, historiography, and philosophy. Individual texts from the fifteenth to the eighteenth century are presented as examples of how the ancient collective (...) biographical tradition--as represented above all by Plutarch, Suetonius, Diogenes Laertius, and Jerome--was received and transformed in the Renaissance and beyond in accordance with the needs of humanism, religious controversy, politics, and the development of modern philosophy and science"--Provided by publisehr. (shrink)

This volume explores the tremendous influence of Plato's Phaedrus on the philosophical, religious, scientific and literary discussions in the first two millennia of the dialogue's reception history. It will appeal to readers interested in the Ph.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Michel de Montaigne: Accidental PhilosopherZahi ZallouaMichel de Montaigne: Accidental Philosopher, by Ann Hartle ; 303 pp. Cambridge: Cambridge University Press, 2003. $60.00.Ann Hartle's new book is arguably the clearest and most compelling interpretation of Montaigne as a genuine philosopher since Hugo Friedrich's masterful Montaigne (1949). Her study is indeed an emphatic response to Friedrich's call to read Montaigne philosophically. Hartle derives her almost oxymoronic title from Montaigne's own (...) self-description as "a new figure: an unpremeditated and accidental philosopher." Taking Montaigne's moment of self-discovery à la lettre, Hartle systematically proceeds to elucidate the full meaning of Montaigne's observation. What emerges from her reading is a radical thinker who breaks with ancient philosophy and medieval theology. Her Montaigne, however, does not disavow the past but ultimately enriches it, building upon prior models. In this respect, the essayist practices the Renaissance art of imitation—creative imitation that repeats but also alters its exemplary model in a move to rival it. While Hartle exhibits an outstanding knowledge of the history of philosophy—from Plato to Heidegger, passing through Machiavelli, Hume, and Rousseau—her book is not itself a historical study nor a work in the history of ideas: she insists that her interpretation is conceptual rather than historical.What is accidental philosophy? It is foremost a non-authoritative, thoroughly human philosophy, one which takes as a sine qua non the recognition of the world's contingency—an awareness that things might have been radically different. Accidental philosophy thus represents nothing short of a displacement and transformation of reason, a calling into question of its traditional sovereign and divine-like status. (One thinks here of Aristotle's notion of the active intellect [nous poetikos], which he considers to be divine in man in Book X of the Nicomachean Ethics.) Rejecting the belief in an autonomous reason, Montaigne renders problematic the possibility of "deliberative philosophy" (accidental philosophy's counterpart): "the exercise of reason as rule within the soul, a place and function that reason claims for itself on the basis of its superiority with the hierarchy of nature." In his critique of reason—most eloquently displayed in the "Apology for Raymond Sebond," chapter 12 of [End Page 441] Book II of the Essays—Montaigne might be seen as proto-postmodernist, occupying a similar position as Nietzsche in a history of counter-Enlightenment thought. But such an interpretation, argues Hartle, is on the whole inaccurate, given Montaigne's commitment to truth.As would be expected in a book about Montaigne's philosophy, skepticism plays a major role in Hartle's positive assessment of the essayist. Skepticism has traditionally been interpreted in Montaigne scholarship either as a stage in the evolution of the essayist's thought, or as an expression of his fideism. The evolutionary reading was first championed by Pierre Villey in Les Sources et l'évolution des "Essais" de Montaigne (1933), in which he argued that Montaigne's thought evolved through three stages: Stoicism, Skepticism, and Naturalism (or Epicureanism). This now unpopular view was nevertheless recently reaffirmed by David Quint in his well-received Montaigne and the Quality of Mercy (1998). The essayist's fideism, on the other hand, is more readily accepted in Montaigne circles. It is commonly accepted that Montaigne's skepticism functions in a way that undermines reason's authority while leaving room for faith in religious matters. Hartle's understanding of Montaigne's skepticism differs in a major way from both of these accounts. She asks: "Does skepticism provide us with a complete and adequate understanding of Montaigne's philosophical activity?" Hartle offers a seemingly definitive answer: "Montaigne is not a skeptic" (p. 15). Yet, she makes her response more nuanced in several passage of her study, arguing again not for a clean break with ancient skep-ticism but with a profound transformation of this dominant philosophical school.What we have, then, is a "skeptical moment" rather than a full-fledged skeptical suspension of judgment. And it is in this moment that an openness to the possible—such as the discovery of the strange in the familiar—is made manifest. Hartle rightly points to Montaigne's discovery of his own... (shrink)

In the development of modern philosophical thought there is the so-called "neo-religious Renaissance." He appears as a search for the religious factors necessary to construct a social being. The well-known representative of the Ukrainian diaspora, Lev Silenko, the founder of the Russian Orthodox Church, which he considers the national religion of the Ukrainian people, contributes to the postmodernist tendency of modern religious philosophy. The main provisions of which he laid out in the fundamental work of (...) "Mage Faith". (shrink)

The total ideology of the revolutionary-political themes of Ukrainian consciousness of the twentieth century, the poetization of the absurdly inverted hierarchy of values, was opposed by the new generation of artists with their philosophical and ethical orientation of their creativity. As I.Franko notes, they "... sought a completely modern European way to portray the peculiarity of the life of the Ukrainian people," revealing the unique collisionality of human existence, the diversity of psychological types, ideological orientations, and the human experience (...) of its existence on the background of this difficult time. However, Ukrainian writersphilosophers who talently laid the foundations of national culture, but are now returning to the generations of the Shattered Renaissance, filling black and bloody spots of troubled history of Ukraine. Among them are V. Pidmogylny, B. Antonovenko-Davidovich, G. Kosinka, D. Falkivsky, M.Ivchenko, T.Osmachka, E.Pluzhnik. This is a non-exhaustive list of the leading figures of the post-revolutionary period who were removed from the creative field, whose works are the golden fund of Ukrainian culture. (shrink)

Much recent work has been done on Plato’s notion of the female Guardian, but examples are limited. Jane Duran argues that aristocratic women of the sixteenth and seventeenth centuries are indeed exemplary and embody the concept of Guardianship.

The aim of this paper is to explore the interaction between a tradition that belongs originally to the realm of orthodox contemplative monasticism (i.e., hesychasm) and nineteenth-and early twentieth-century Russian intellectuals. In the first part, this paper will explore how hesychasm gradually penetrated nineteenthcentury secular culture; a special focus will be on the hermitage of Optina Pustyn' and its renowned elders, as well as their appeal to members of the Optina-intelligentsia, especially Fëdor Dostoevskij. Then, attention will shift to the imjaslavie (...) controversy at the beginning of the twentieth century, which flared up initially as a dispute between Athonite monks and reached a sad culmination in 1912-1913 with a manu militari intervention by troops of the Russian Holy Synod. However, the debate was taken up by some prominent intellectuals of the Russian religious renaissance, such as Pavel Florenskij, Nikolaj Berdjaev, and Sergej Bulgakov, who explicitly sided with the imjaslavcy ("Glorifiers of the Name") and actively stepped into the debate. (shrink)

The paper deals with some religious and philosophical ideas of the Austrian philosopher Gerhard Oberhammer, who analyses the religious text of vishishta-advaita tradition from the point of Levinas’ philosophy. In the final fragment of his article Oberhammer analyses the formula of Ramanuja parabhaktiparajVAnaparamabhakti, which is understood in the works of the later thinkers of vishishta-advaita as prapatti. Meanwhile this formula for Ramanuja himself means only the meditative God-vision in the form of the steady remembering of God and (...) vision of Him in the images of the Vishnu religion. (shrink)