This article seeks to examine the representation of masculinities and femininities in the renowned South Indian drama film The Great Indian Kitchen. The research construes the manner in which the two dominant genders promote and/or modify patriarchal norms within the institution of family. The functioning of women as ancillary members of patriarchy, the interplay between masculinities and femininities, their evolution in contemporary times, etc., are also critically engaged in the paper. The paper argues that the movie The Great Indian Kitchen (...) not only illustrates different masculinities and femininities but also reconstructs the patriarchal family structure which institutionalises gender inequality. It further argues that the movie proposes an alternative image of the family based on gender equality, where men and women live with mutual respect and complementation. (shrink)

The exploration and examination of the construction of masculinity is increasingly emerging as an integrated part of the study of gender in society in general, and in the Caribbean in particular. We are constantly in search for new sources of material which tell us about the ways in which men construct their masculinity in Caribbean society. In this paper I draw on the imagery and ideas provided by the literary text. I interrogate the novel The Dragon Can't Dance, written by (...) Trinidadian novelist Earl Lovelace. The writer uses the metaphor of the dragon, the costume donned by the main protagonist Aldrick in the yearly Carnival masquerade, as a mask which disguises the need for Aldrick to confront his own masculinity under poor, urban conditions in Trinidad. In the struggles and confrontations between urban working–class men and women in the community of Calvary in Trinidad, the novelist teases out the different constructions of masculinity in the various characters he portrays. I explore the novel, focusing particularly on the ways in which this construction is embedded in the struggles over issues of identity, ethnicity, reputation and honor. While the novelist is clearly able to read into the mind of the male in society, his renditions of the female are not so incisive. However, this is not a shortcoming as the women, though not as well-rounded characters in the novel, play key roles in the definition and shaping of masculinities. This reading of the novel illustrates that the literary text suggests itself as a critical site for further explorations of the illusive data on gender and especially that on masculinity. (shrink)

Near the middle of his first discussion with Lysis, Socrates asks an odd question—he asks if Lysis’ mother lets him play with her loom or touch her woolworking tools (208d1-e2). It is one of many odd questions, of course, but it is odd nonetheless. Odd, and also funny: it is the one of just two comments in the book that makes Lysis laugh. This question, I argue, reveals the profound depth of Socrates’ inquiry about Lysis’ views about himself and his (...) loved ones. Indeed, the challenge is so profound that at first the only response is laughter. One aspect is a challenge to certain ideals of masculinity, and so I briefly discuss Athenian conceptions of gender and masculinity, along with some Platonic questioning of these conceptions. Reading the Lysis through the lens of gender reveals not only the continued relevance of such a lens, but also the intensity of Socrates’ work, which calls into question basic social structures and markers of identity, like gender, in its pursuit of a liberatory turn to philosophy. We gain insight into his challenge to Athenian understanding of masculinity by observing the way that Socrates’ argumentation undermines much of it, and we more fully appreciate Socrates’ arguments if we see that they intend to subvert gendered expectations. The setting of the dialogue, the questions Socrates asks, and the responses from Lysis all reinforce that what is at stake in the text is Lysis’ character, including his masculinity. (shrink)

Ziel dieser philosophischen Forschung ist, die Begriffe Performativität und Performance in drei grundlegenden Büchern der queer feministischen Theorie zu analysieren. Es handelt sich um die folgenden Texte: Butlers Gender Trouble, die 1990 veröffentlicht wurde, Halberstams Female Masculinity, die 1998 herausgebracht wurde, und Preciados Testo Yonqui, die 2008 verlegt wurde. Die Analyse-Technik, die ich für das detaillierte Lesen der Texte angewendet habe, ist die so gennante Technik des hermeneutischen close reading, die auch im Laufe des Artikels zur Erklärung gebracht wird. Aus (...) diesem methodologischen Grund habe ich die drei Bücher auf die Muttersprache der Schrifteller_innen gelesen (Spanisch und Englisch). Darüber hinaus enthält dieser Artikel eine ausführliche Überprüfung der zur Philosophie und Theaterwissenschaften bezogenen Geschichte der Konzepte von Performativität und Performance, die in jedem Text sowohl getrennt als auch im Zusammenhang betracht werden. (shrink)

On the underwater environment and the mechanisms of deterioration of the materials likely to found on a shipwreck, and the theory and practice of conserving the artifacts recovered. Covers on-site storage, transport of artifacts, and requirements for exhibition after conservation treatment. Di Stefano (political science, U. of Washington) offers a new perspective on the dimension of gender in modern political thought in order to elucidate what is specifically masculine in political theory. Attempting to clear some conceptual space for feminist (...) political theory, she provides critical readings of Hobbes, Marx, and J.S. Mill. Annotation copyrighted by Book News, Inc., Portland, OR. (shrink)

The frontispiece of Hobbes's Leviathan is justly renowned as a powerful visual advertisement for his political philosophy. Consequently, its rich imagery has been the subject of extensive scholarly commentary. Surprisingly, then, its gendered dimensions have received relatively limited attention. This essay explores this neglected facet of the frontispiece. I argue that the image initially appears to present a hypermasculine sovereign. However, upon closer inspection, and considered alongside Hobbes's economic theory, it yields to a reading of the sovereign as an ambiguously (...) gendered figure. Reading the frontispiece through the prism of gender and the economy reveals not a static image of unwavering male power but rather one of an equivocally-sexed creature teeming with life, contradictions, and complexities worthy of continued examination. (shrink)

The aim of this essay is to investigate the intersections between masculinity, shame, art, anality, the abject and embodiment by focusing on a particular period of the British art duo Gilbert & George's work in the 1990s. In their series The Naked Shit Pictures, The Fundamental Pictures and The Rudimentary Pictures, the duo's artistic self-performance opens a scatological narrative territory where the male body encounters its own abject fluids strategically magnified. Situating itself within the boundary between queer theory and Lacanian (...) psychoanalysis with a particular focus on the phallus and the abject, this essay argues that Gilbert & George's art-works mentioned above could be regarded as visual commentaries on and queer interventions into bodily anxieties of normative masculinities. It thus reads the artists’ visual discourse of performative hypervisibility as a queer/ing one where the conventional male masculinity confronts simultaneously its ejaculatory bliss and its fear of anal penetration. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:MASCULINITY AS VIRILITY IN TAHAR BEN JELLOUN'S WORK Lahoucine Ouzgane University ofAlberta To be a woman is a natural infirmity and every woman gets used to it. To be a man is an illusion, an act of violence that requires no justification. (Ben Jelloun, The Sand Child, 70) Inthe last ten to fifteen years, scholarly attention to gender issues in.the Middle East and North Africa has been focused almost (...) exclusively, sometimes obsessively,1 on a quest to understand femininity: what it is and how it is made and regulated—with Muslim women's oppression, the everlasting question of the veil, and the practice of female genital mutilation receiving most of the scrutiny.2 But while this attention—by female and male scholars—to the Muslim woman is indeed a salutary one,3 masculinity in Islamic cultures has so far remained an 1 An international conference on Contemporary Issues in Islamic Studies (to be held in Virginia in November 1996) is soliciting papers in these categories: 1) Islamic Law: Theory and Practice; 2) Fundamentalism; 3) Women in Islam. 2As a parody ofthis preoccupation, Fedwa Malti-Douglas writes: "The Arab woman is a most fascinating creature. Is she veiled? Is she not veiled? Is she oppressed? Is she not oppressed? Were her rights greater before Islam? Are her rights greater after Islam? Does she have a voice? Does she not have a voice?" (3) 3 Some ofthe most significant literature on this subject includes LeilaAhmed's Women and Gender in Islam (1992), a study of the development of Islamic discourses on women and gender from the ancientworld to the present, Mamia Lazreg's The Eloquence ofSilence (1994), a detailed analysis ofthe gender relations in Algeria from the precolonial era to the present; The Veil and the Male Elite (more commonly known in French as Le Harempolitique, 1987) by 2 Lahoucine Ouzgane unrecognized and an unacknowledged category that secures its power by refusing to identify itself. There are as yet no studies that make Muslim men visible as gendered subjects and that show that masculinity (like femininity) has a history and clear defining characteristics that are incomprehensible apart from the totality of gender relations in Islamic cultures. In this essay, I wish to consider masculinity as it is depicted in some ofTahar Ben Jelloun's major fiction. With more than twenty novels, two plays, and three poetry collections produced in the last thirty years, Ben Jelloun is undoubtedly the most prolific contemporary francophone North African writer. Though he had earned several important literary awards before, his rise to literary and public prominence began when he became the first African Arab writer to be awarded Le Prix Goncourt, France's most prestigious literary prize, for his novel La nuit sacrée published in 1987. Ever since, some of his works have been translated into fifteen languages (Daoud 62) and The SacredNight has recently been made into a film. Some critics have even begun to refer to Ben Jelloun as a future Nobel Prize candidate (Ndiaye 48). I will argue that in a world where the social has taken precedence over the religious, in a world where transcendence has given way to what René Girard describes as "mimetic rivalry,"4 Ben Jelloun's characters are unable to know love as an "experience of transcendence" (Gans). As a consequence they inevitably reduce masculinity to virility, a fragile attribute sustained only through repeated acts of violence. It is indeed possible to read masculinity in such a setting as a set of distinctive practices which emerge from men's positioning within a variety of social structures. In short, masculinity in Ben Jelloun's fiction is perhaps best Fatima Mernissi, an indictment of the way in which numerous Hadiths (or sayings by the prophet) have been manipulated by a male elite to maintain male privileges; Fatna Sabbah's Woman in theMuslim Unconscious(1984), a critique ofthe seemingly contradictory messages which the Islamic legal and erotic discourses imprint on the female body; and Fedwa Malti-Douglas' Woman's Body, Woman's Word (1991), a mapping out of the relationship of woman's voice in Arabo-Islamic discourse to sexuality and the body. 4Central to Girard's thought is... (shrink)

This article argues that Stanley Cavell's notion of moral perfectionism must be understood, within the American cultural context, as deeply intertwined with myths of heroic American masculinity. It traces connections between Cavell's descriptions of moral perfectionism, the transcendentalist authors on whom he relies, and writings about the myth of the American frontier hero. When understood as a tradition of masculinity, it becomes possible to trace moral perfectionism across much wider areas of American cinematic culture than Cavell's reading suggests; Good Will (...) Hunting is used as an example which further illuminates the relationship between moral perfectionism and American masculinities. Psychoanalysis, a major feature of Good Will Hunting as well as an important aspect of Cavellian moral perfectionism, must also be revisited in terms of the differences in its popular mythologisation for men versus for women. (shrink)

The article offers a reading of the representation of the masculinity crisis at the end of the 20th century in selected British novels. The works by Irvine Welsh, Graham Swift, Niall Griffiths, and Ian McEwan are situated against the development of pro-feminist men’s writing and masculinity studies, as well as the mythopoetic men’s movement and Robert Bly’s bestselling Iron John: A Book About Men (1990). The article foregrounds the sense of an impasse that permeates the novels and that echoes the (...) general feeling of in-betweenness characteristic for the turn of the century. (shrink)

This work, first published in 1990, reissues the first thorough examination of the essentially masculine nature of Max Weber's social and political thinking. Through a detailed examination of his central texts, the author demonstrates Weber's masculine reading of 'social life' and shows how his work advocates a masculine form of life that poses a challenge to contemporary women and to feminism. In particular, she addresses the patriarchal implications of Weber's belief in the need to relegate the ethic (...) of brotherly love to a private sphere in order to make possible rational action and the achievement of greatness in the public sphere. (shrink)

This paper is interested in commodity fetishism as a signal of collapsing marital mandates in the genre of lad lit. Instead of focusing solely on its late twentieth-century moment of emergence as a response to chick lit, the paper proposes a longer historical view in order to understand the crisis of masculinity that lad lit lays bare in its protagonists’ inherently queer status as collectors. The analysis puts critical pressure on the collectible object by re-reading the “lad” through the literary (...) figure of the fop, who represents a recurring response to similar crises in gender from the seventeenth-century’s comedy of manners to the novels of Jane Austen. The fop’s overinvestment in style and consequent marginalization is considered in Nick Hornby’s novels High Fidelity and About a Boy, in which the protagonists’ obsessive collecting of objects can be understood as both a dominant feature of their masculinity and the roadblock to their participation in heteronormative rituals of romance. Instead of reading Hornby’s characters as straightforwardly queer, this paper focuses on the commodity as a signal of queerness, and in turn its central role in the creation of, and the challenge to, the lad’s masculinity. (shrink)

This essay examines the contemporary masculinity of straight, white men in the business classes of the United States as a category of identity. I argue that this form of masculine identity is currently in crisis, and, through a reading of the 1995 film Toy Story, develop an argument about the value of ‘downsizing’ masculinity in an era of diminished work expectations.

:Geophilosophy is a placeholder for things we cannot yet do, things we hope to do, and things that we have failed to do so far. This issue of Angelaki aspires towards ways of doing philosophy, geography and gender studies that stray from the analytical comforts of philosophical reasoning, and from the sociological certainties that dominate the study of masculinity. In particular, it brings a sexed and gendered body to extant Deleuze-Guattarian scholarship, while prompting a thirst for creativity and ambivalence to (...) masculinity research. Each article explores the ways in which lived cultures of masculinity might be read across uneven political formations and aesthetic practices, while calling into question tacit understandings of where “masculinity” begins and ends. In doing so, the collection teases out the ethical and methodological implications of poststructuralist approaches to gender in a range of disciplines, including cultural geography, art criticism, sociology, and disability studies. (shrink)

The cooking show The Naked Chef (1999–2001) with Jamie Oliver has often been highlighted as an example of the cooking show genre's potential for reformulating masculine identity through cooking. Through a series of close readings of a selection of cooking shows from France, the UK and Denmark post-The Naked Chef and through a dialogue with other works on the subject, this article will attempt to identify the tendencies in the constructions and negotiations of masculinity in the cooking show (...) genre following The Naked Chef and to understand these in relation to a revision of masculine identity in contemporary culture. The article is informed by poststructural gender theory and understands ‘doing food’ and ‘doing masculinity’ as two mutually constituting practices. The analyses identify four new tendencies in the construction of masculinity in cooking shows at the beginning of the twenty-first century: 1) rechefisation, 2) the TV chef as a moral entrepreneur, 3) the TV chef and the revitalisation of the national myth and 4) cooking as masculine escapism. The article concludes that the innovation of the masculine identity that was launched in The Naked Chef has not continued; rather, the genre has become a platform for the revitalisation of traditional masculinity discourses. (shrink)

The lies about the reasons for the U.S. war against Iraq provoked no mass public outcry in the United States against the war. What is the process of justification for this war, a process that seems to need no reasons? Mann argues that the process of justification is not a process of rational deliberation but one of aesthetic self-constitution, of rebuilding a masculine national identity. Included is a feminist reading of the National Defense University document Shock and Awe.

In this re-reading of The Second Sex, the author argues that Beauvoir transgressively employs Sartre’s universal binary categories of Being and Nothingnessin her effort to account for the economic, political, cultural and psychological conditions of women’s situation. In doing so, she challenges Sartre’s theory of radical ontological freedom and concretizes his abstract philosophic voice, thereby avoiding their rationalist and voluntarist implications. Contesting Beauvoir’s feminist critics, who saw her as emotionally and philosophically dependent on Sartre and her work as an amalgam (...) of Sartrean existentialism and feminist insights, the author maintains that Beauvoir had her own independent project – to transform Sartrean existentialism to make it contextually sensitive. Distancing herself from Sartre’s theory of freedom and its valorization of masculine experience and disembodied consciousnesses, Beauvoir’s theory of situational freedom and embodied subjectivity draws her closer to the existentialism of Merleau-Ponty. (shrink)

: The lies about the reasons for the U.S. war against Iraq provoked no mass public outcry in the United States against the war. What is the process of justification for this war, a process that seems to need no reasons? Mann argues that the process of justification is not a process of rational deliberation but one of aesthetic self-constitution, of rebuilding a masculine national identity. Included is a feminist reading of the National Defense University document Shock and Awe.

This essay offers a political reading of the artistic choices made by seventeenth-century painters in their depictions of the heroines of Tasso’s Jerusalem Delivered. It discusses the political subtext of Tasso’s epic poem by exploring the roles Tasso assigns to his oriental heroines and their representation in seventeenth-century paintings. Painters and patrons alike were particularly enthusiastic about the love stories that developed around Jerusalem. But Tasso is promoting a crusade, and the visual focus of later painters on Tasso’s seductive female (...) protagonists and their submission to Christian warriors, suggests that their aim was to display the delights that await those who join a military expedition to conquer the Holy Land. (shrink)

:This article focuses on historical queer cultural geographies of masculinities and to do so it focuses on two cases/places. The first is an archival case/place: a partial assembly of documents of beats and their uses during and in the wake of Gay Liberation in Australia. The second is a literary case/place: Thomas Mann's Death in Venice, a canonical twentieth-century imbrication of male homosexuality and geography. This article will seek to rationalize the mobilization of these two asynchronous cases/places through the insights (...) that both afford, when brought together, for elaborating contributions that queer readings of Nietzsche can make to contemporary queer theories of space, time and masculinities. (shrink)

How has psychoanalysis developed in France in the years since Lacan so dramatically polarized the field? In this book, Dana Birksted-Breen and Sara Flanders of the British Psychoanalytical Society, and Alain Gibeault of the Paris Psychoanalytical Society provide an overview of how French psychoanalysis has developed since Lacan. Focusing primarily on the work of psychoanalysts from the French Psychoanalytical Association and from the Paris Psychoanalytical Society, the two British psychoanalysts view the evolution of theory as it appears to them from (...) the outside, while the French psychoanalyst explains and elaborates from inside the French psychoanalytic discourse. Seminal and representative papers have been chosen to illuminate what is special about French thinking. A substantial general introduction argues in favour of the specificity of 'French psychoanalysis', tracing its early influences and highlighting specific contemporary developments. Sections are made up of introductory material by Alain Gibeault, followed by illustrative papers in the following categories: the history of psychoanalysis in France the pioneers and their legacy the setting and the process of psychoanalysis phantasy and representation the body and the drives masculine and feminine sexuality psychosis. An excellent introduction to French psychoanalytical debate, _Reading French Psychoanalysis_ sheds a complementary light on thinking that has evolved differently in England and North America. It will be ideal reading for beginners and advanced students of clinical theory as well as experienced psychoanalysts wanting to know more about French Psychoanalytic theory, and how it has developed. (shrink)

The lies about the reasons for the U.S. war against Iraq provoked no mass public outcry in the United States against the war. What is the process of justification for this war, a process that seems to need no reasons? Mann argues that the process of justification is not a process of rational deliberation but one of aesthetic self-constitution, of rebuilding a masculine national identity. Included is a feminist reading of the National Defense University document Shock and Awe.

Little scholarly attention has been paid to the torture scenes in Ian Fleming’s canon of Bond novels and short stories (1953–1966), despite the fact that they represent some of the most potent sites of the negotiations of masculinity, nationhood, violence and the body for which Fleming’s texts are critically renowned. This article is an intersectional feminist reading of Fleming’s canon, which stresses the interpenetrations of homophobia, anticommunism and misogyny that are present in Fleming’s representation of torture. Drawing on close (...) class='Hi'>readings of Fleming’s novels and theoretical discussions of heteronormativity, homophobia and national identity, this article argues that Fleming’s representations of torture are sites of literary meaning in which the boundaries of hegemonic masculinity are policed and reinforced. This policing is achieved, this article argues, through the associations of the perpetration of torture with homosexuality and Communism, and the survival of torture with post-imperial British hegemonic masculinity. Fleming’s torture scenes frequently represent set pieces in which Bond must reject or endure the unsolicited intimacy of other men; he must resist their seductions and persuasions and remain ideologically undefiled. Bond’s survival of torture is a metonymy for Britain’s survival of post-Second World War social and political upheaval. Further, the horror of torture, for Fleming, is the horror of a hierarchy of hegemonic masculinity in disarray: Bond’s survival represents the regrounding of normative heterosexual masculinity through the rejection of homosexuality and Communism. (shrink)

This book contains readings of canonical Western philosophical texts from the viewpoint of current feminist thinking. The contributors focus specifically on the ways in which modern Western philosophy constructs genders and analyzes gender relations. They provide a detailed analysis of modern philosophers’ conceptions of masculinity and femininity and call attention to the intertwining of gender with conceptual schema and networks.

Inspirée d’un cadre poststructuraliste, cette étude qualitative de « réception d’un médium » nous a permis de mettre en lumière les « lectures » que font une vingtaine de consommateurs de pornographie des notions de masculinité, de race et ethnicité, du milieu gai et du genre en lien avec la pornographie qu’ils consomment. Les résultats qui émergent de notre analyse critique de discours sont à l’effet que les lectures des consommateurs sont majoritairement dominantes, reproduisant ainsi les stéréotypes présents en société (...) et qui sont re/produits et véhiculés dans la pornographie qu’ils consomment. Les récits des participants attestent du fait que ces derniers remettent peu en question ce qu’ils voient dans le matériel pornographique ; matériel pouvant avoir certaines répercussions sur des indicateurs de santé mentale en accentuant et perpétuant certaines formes de stigmatisation chez certains groupes sociaux. Inspired by a poststructuralist perspective, our qualitative exploratory media reception study offers a critical discourse analysis of 20 male pornography consumers, focusing on their readings of masculinity, race/ethnicity, the gay world, and gender in relation to the pornography they consume. For the most part, results show dominant readings of these categories, which suggests that social stereotypes are produced, reproduced, and transmitted through the medium of pornography. Participant narratives reveal individuals who rarely question what is shown in pornographic material; the latter having potential implications for certain mental health indicators, as well as perpetuating and accentuating forms of stigmatization among specific social groups. (shrink)

Existing evidence suggests that children from around the age of 8 years strategically alter their public image in accordance with known values and preferences of peers, through the self-descriptive information they convey. However, an important but neglected aspect of this 'self-presentation' is the medium through which such information is communicated: the voice itself. The present study explored peer audience effects on children's vocal productions. Fifty-six children were presented with vignettes where a fictional child, matched to the participant's age and sex, (...) is trying to make friends with a group of same-sex peers with stereotypically masculine or feminine interests. Participants were asked to impersonate the child in that situation and, as the child, to read out loud masculine, feminine and gender-neutral self-descriptive statements to these hypothetical audiences. They also had to decide which of those self-descriptive statements would be most helpful for making friends. In line with previous research, boys and girls preferentially selected masculine or feminine self-descriptive statements depending on the audience interests. Crucially, acoustic analyses of fundamental frequency and formant frequency spacing revealed that children also spontaneously altered their vocal productions: they feminized their voices when speaking to members of the ballet club, while they masculinized their voices when speaking to members of the rugby club. Both sexes also feminized their voices when uttering feminine sentences, compared to when uttering masculine and gender-neutral sentences. Implications for the hitherto neglected role of acoustic qualities of children's vocal behaviour in peer interactions are discussed. This article is part of the theme issue 'Voice modulation: from origin and mechanism to social impact '. (shrink)

The central question concerning the future of masculinity is whether the current matrix of distributions of roles and status, praxes and practices, will remain intact or whether a shift to a new configuration will occur. This essay briefly examines thinking on masculinity in two French attempts to theorize the future of relations between men and women: that of Auguste Comte, at the beginning of sociology, and Jean Baudrillard at the end of sociology. Both have, in their time, predicted radical gender (...) futures. The essay considers these theories against changes in social structures and the effectivity social movements. (shrink)

This study presents a reconsideration of Levinas’s concept of the feminine. This reconsideration facilitated by a philosophically informed analysis of Levinas’s Talmudic readings on that subject. The innovation of this research is based on the methodology which combined the two corpuses of Levinas’ writings as important parts of his thought. Two main phenomena are derived from Levinas’ Talmudic readings and arouse main principles of his ethics. In the hearth of the discussion on Eros stated the differentiation of feminine (...) and masculine in Levinas’ thought, and its implication of gender and Ethics of otherness. In the center of Levinas’ terminology of maternity stated his phenomenology of pregnancy, and its ethical implication on responsibility to the other. The extreme responsibility committed to the subject since there is a immanent conflict between parents and their child. The characters of Leivnas’ discussion which described here are obligating the reconsideration of the philosophical question: are Levinas’ concepts of the feminine exclusive to the women? -/- The subjects of Levinas’s exploration of the feminine, in this view, emerge from his Talmudic readings, but his phenomenological analysis of those very subjects goes beyond what can be found in those readings. Analyzing the meaning of the difference between the sexes—the topic of one of the Talmudic readings—leads Levinas to a wider phenomenological treatment of the status of woman that does not bypass the feminine voice. Delving into the Talmudic concept of rodef (persecutor) as applied to the relationship of fetus and mother leads Levinas to a phenomenological analysis of the concept of maternity and readiness to accept responsibility (even suffering) for the Other. Those two discussions lead us to a rereading of Levinas’s essay “Phenomenology of Eros” and enable us to rebut the charge that in that essay Levinas presents only a masculine voice. Levinas’s concept of “responsibility” will be seen to resemble the feminist psychologist Carol Gilligan’s concept of “care.” We must then reconsider whether Levinas’s concept of the feminine is exclusively the domain of women. -/- . (shrink)

"This book is based on new work relating gendered assumptions about rationality to men's mental health. It offers the reader a theoretical exploration of a topically and politically sensitive issue and provides a valuable critique of postmodern theory and theorists. It is relevant to practitioners and activists in the mental health field, will be of interest to profeminist theorists, and is essential reading for academics and students of sociology and allied disciplines."--Jacket.

Is logic masculine? Is women's lack of interest in the "hard core" philosophical disciplines of formal logic and semantics symptomatic of an inadequacy linked to sex? Is the failure of women to excel in pure mathematics and mathematical science a function of their inability to think rationally? Andrea Nye undermines the assumptions that inform these questions, assumptions such as: logic is unitary, logic is independenet of concrete human relations, and logic transcends historical circumstances as well as gender. In a (...) series of studies of the logics of historical figures--Parmenides, Plato, Aristotle, Zeno, Abelard, Ockham, and Frege--she traces the changing interrelationships between logical innovation and oppressive speech strategies, showing that logic is not transcendent truth but abstract forms of language spoken by men, whether Greek ruling citizens, or scientists. (shrink)

Bradwardine’s solution to the the logical paradoxes depends on the idea that every sentence signifies many things, and its truth depends on things’ being wholly as it signifies. This idea is underpinned by his claim that a sentence signifies everything that follows from what it signifies. But the idea that signification is closed under entailment appears too strong, just as logical omniscience is unacceptable in the logic of knowledge. What is needed is a more restricted closure principle. A clue can (...) be found in speech act pluralism, whereby indirect speech reports are closed under intersubstitutivity of co-referential terms. The conclusion is that solving the semantic paradoxes does not require revision of logic, thus saving logic from paradox. (shrink)

This article investigates a short Greek Christian homily, from the 4th century CE, by an anonymous Cappadocian preacher on the narrative of Susanna in Dan 13 LXX. The homily is simply titled, On Susanna (CPG 4567), and has been erroneously transmitted as a work of John Chrysostom. The purpose of this article is to examine more closely the construction of Susanna in the homily, with specific reference to the use of masculinity, psychic typology and finally, the construction of early Christian (...) salvation history. After addressing, in brief, some matters of canonicity, a close reading of On Susanna is given. It is demonstrated that the Cappadocian strategically constructs Susanna like a virginal Christian martyr and ascetic, with the aim of highlighting her masculine steadfastness and dominance in her contest ( agōn ) against the elders. A significant second move that is made in the homily is to position the masculine Susanna as a type for the soul of the individual, which should also be guarded against the onslaught of sin and the passions. Contribution: This Christian reconstruction of Susanna brings the subjectivity of the individual listener in the audience, and the character of Susanna, in close proximity to one another. In effect, by internalising the narrative of Susanna into the realm of the soul, the anonymous Cappadocian preacher is able to utilise a layered biblical salvation history that incorporates not only narratives from the Bible, but also the audience member’s own individual narrative and struggles into the grander scheme of salvation history. (shrink)

This paper argues that AI follows classical versions of epistemology in assuming that the identity of the knowing subject is not important. In other words this serves to `delete the subject''. This disguises an implicit hierarchy of knowers involved in the representation of knowledge in AI which privileges the perspective of those who design and build the systems over alternative perspectives. The privileged position reflects Western, professional masculinity. Alternative perspectives, denied a voice, belong to less powerful groups including women. Feminist (...) epistemology can be used to approach this from new directions, in particular, to show how women''s knowledge may be left out of consideration by AI''s focus on masculine subjects. The paper uncovers the tacitly assumed Western professional male subjects in two flagship AI systems, Cyc and Soar. (shrink)

This study presents a reconsideration of Levinas's concept of the feminine. This reconsideration is facilitated by a philosophically informed analysis of Levinas's Talmudic readings on that subject.The innovation of this research is in its methodology, which combines the two corpora of Levinas' writings as important components of an integrated system of thought. Two main phenomena are derived here from Levinas' Talmudic readings and raise main principles of his ethics. In the heart of the discussion on Eros we find (...) a statement of the differentiation between feminine and masculine in Levinas's thought, and its implication for gender and for the ethics of otherness. In the center of Levinas's terminology of maternity we uncover his phenomenology of pregnancy, and its ethical implication regarding responsibility to the other. The extreme responsibility committed to the other since there is a immanent conflict between parents and their child. (shrink)

This present volume is the twenty-ninth in the Re-Reading the Canon series, the title of each of which volumes begins Feminist Interpretations of . . . . Surprisingly, the volume on Augustine has appeared relatively late in the series. The editor has collected eleven essays plus a poem on feminist interpretations of the bishop of Hippo, who has certainly exerted a powerful influence on the view of women in the Western Christian churches of all major denominations. Besides the essays, Stark (...) has provided a substantial introduction to the volume in which she touches upon the principal events of Augustine's life and briefly sketches the main points of each essay.The feminist interpretations of Augustine included in the volume represent a broad spectrum running from quite radical to fairly moderate or even tame approaches. In "Augustine, Sexuality, Gender, and Women," Rosemary Radford Ruether presents a call to critique the views of Augustine from which women and men have suffered for over 1500 years in Western Christianity. Anne-Marie Bowery argues in "Monica: The Feminine Face of Christ" that Augustine's portrait of Monica allows us to "reframe the masculine image of the divinity" that is. (shrink)

Following Žižek's hermeneutics of Hegelo-Lacanian theory, this paper provides a Žižekian reading of the early American novel: The Female American. Viewed through the dialectical lenses of Hegel's concrete universality, and, homologous to the latter, Lacan's formulae of sexuation, the overall aim of this paper is to refute the predominating critiques of The Female American currently in circulation; that the text is not a proto-feminist subversion of the standard, masculine-oriented castaway novel. Rather, the novel itself operates precisely as a "re-marking" (...) of the masculist ideology of its time. By providing a detailed explication of the complex nature of Žižek's rendition of Hegel's concrete universality à la Lacan's formulae of sexuation, this paper presents the following argument: The Female American functions as a point de capiton, creating a new space into which the old elements of the universal ideology of its time get reinscribed; therefore weakening today's leading commentary on the matter that The Female American is a feminist text. (shrink)

Models of cultural evolution need to address not only the organizational aspects of human societies, but also the complexity and structure of cultural idea systems that frame their systems of organization. These cultural idea systems determine a framework within which behaviors take place and provide mutually understood meanings for behavior from the perspective of both agent and recipient that are critical for the coherence of human systems of social organization.

The article explores the textual construction of gender categories in the political discourse of Simón Bolívar by means of a close critical reading of his seminal writings made public between 1812 and 1820. The historical and political processes known as Latin American independence constitute a moment of radical transformation. It was during this period that the questions of political rights, nationality and citizenship were most open to debate throughout the continent. The article shows how the category woman is constructed ambiguously (...) in Independence/anti-colonial discourse, how gender is employed to create hierarchical systems of social organization to legitimate the exercise of power by an elite of white creole men and how myth is deployed in order to reinforce gender hegemonies. It will be shown that in Bolívar's writings colonial relations are recast as family relations and political independence from Spain legitimated in terms of sexual difference and masculine domination. (shrink)

The logician's central concern is with the validity of argument. A logical theory ought, therefore, to provide a general criterion of validity. This book sets out to find such a criterion, and to describe the philosophical basis and the formal theory of a logic in which the premises of a valid argument are relevant to its conclusion. The notion of relevance required for this theory is obtained by an analysis of the grounds for asserting a formula in a proof.

In this book, Stephen Read sets out to rescue logic from its undeserved reputation as an inflexible, dogmatic discipline by demonstrating that its technicalities and processes are founded on assumptions which are themselves amenable to philosophical investigation. He examines the fundamental principles of consequence, logical truth and correct inference within the context of logic, and shows that the principles by which we delineate consequences are themselves not guaranteed free from error. Central to the notion of truth is the beguiling issue (...) of paradox. Its philosophical value, Read shows, lies in exposing the invalid assumption on which the paradox is built. Thinking About Logic also discusses logical puzzles which introduce questions relating to language, the world, and their relationship. (shrink)

The first truly introductory text on Lyotard, this book situates Lyotard's interventions in the postmodern debate in the wider context of his rethinking of the politics of representation. Bill Readings examines Lyotard's relationship to structuralism, Marxism and semiotics, and contrasts his work with the literary deconstruction of Paul de Man; he positions Lyotard's work so as to draw out the implications of poststructurlaism's attention to _difference_ in reading. Lyotard's willingness to question the political and examine the relationship between art (...) and politics is shown to undermine the charge that deconstruction abdicates political and social articulation. (shrink)

We approach the physics of \emph{minimal coupling} in general relativity, demonstrating that in certain circumstances this leads to violations of the \emph{strong equivalence principle}, which states that, in general relativity, the dynamical laws of special relativity can be recovered at a point. We then assess the consequences of this result for the \emph{dynamical perspective on relativity}, finding that potential difficulties presented by such apparent violations of the strong equivalence principle can be overcome. Next, we draw upon our discussion of the (...) dynamical perspective in order to make explicit two `miracles' in the foundations of relativity theory. We close by arguing that the above results afford us insights into the nature of special relativity, and its relation to general relativity. (shrink)

There exists a common view that for theories related by a ‘duality’, dual models typically may be taken ab initio to represent the same physical state of affairs, i.e. to correspond to the same possible world. We question this view, by drawing a parallel with the distinction between ‘interpretational’ and ‘motivational’ approaches to symmetries.

Inferentialism claims that expressions are meaningful by virtue of rules governing their use. In particular, logical expressions are autonomous if given meaning by their introduction-rules, rules specifying the grounds for assertion of propositions containing them. If the elimination-rules do no more, and no less, than is justified by the introduction-rules, the rules satisfy what Prawitz, following Lorenzen, called an inversion principle. This connection between rules leads to a general form of elimination-rule, and when the rules have this form, they may (...) be said to exhibit “general-elimination” harmony. Ge-harmony ensures that the meaning of a logical expression is clearly visible in its I-rule, and that the I- and E-rules are coherent, in encapsulating the same meaning. However, it does not ensure that the resulting logical system is normalizable, nor that it satisfies the conservative extension property, nor that it is consistent. Thus harmony should not be identified with any of these notions. (shrink)