Zizek: Political Philosophy

Sublime Žižek: Guarding Lenin’s Tomb (July 2002) - Žižek & Badiou: The Neo-Marxist Magicians (November 2003) - The Ruins of Thought: Five Scenarios Toward a Short Film (November 2005) - Slavoj Žižek at Jack Tilton Gallery, New York, New York, April 2009 (April 2009) - Questions for Žižek (April 2009).

This article interrogates a certain philosophical scene – one which constitutes itself through the position of what Jacques Derrida calls “the ethical instance of violence.” This scene supposes a certain “style” of writing or doing philosophy, and perhaps even a certain philosophical “genre” or “subgenre”: the philosophical discourse on violence. In the course of the essay, I analyze this quasi-juridical scene through readings of Aristotle, Walter Benjamin, Giorgio Agamben, Judith Butler, Slavoj Žižek, Werner Hamacher, Rodolphe Gasché, and Martin Hägglund among (...) others. The scene, built on texts on texts on violence, demands a logic of purity; it is wary of contaminations and equivocations. And yet it thrives on them. In analyzing the implications of text, writing, and trace for the philosophical discourse on violence, I follow Derrida “just to see” what could make the scene tremble. (shrink)

This article examines Alain Badiou’s and Slavoj Žižek’s advocacy for fidelity to revolutionary truths in light of complex system theory’s understanding of resiliency. It begins with a discussion of how Badiou and Žižek describe truth. Next, it looks at the features that make a complex system resilient. The article argues that if we understand neoliberalism as a resilient system, then the fidelity to revolutionary truths that Badiou and Žižek advocate is not enough, for it doesn’t realize how truths come from (...) the system as a whole. The article concludes by describing how this viewpoint alters discussions of political change. (shrink)

Le philosophe Alain Badiou, en dialogue avec Giovanbattista Tusa, propose ici d’abandonner la thèse heideggérienne d’une unité destinale de la philosophie, sous le nom de métaphysique. Plutôt que d’affirmer qu’il n’y a pas de vérité, il s’agirait alors de reconstruire une relation entre les vérités et un absolu non transcendant. En menant une critique radicale de la doctrine de la finitude, qui nous rappelle que l’être humain est mortel et qui affirme le relativisme culturel et le caractère inachevé de tout (...) accès au vrai, le philosophe entend ainsi montrer comment le concept d’infini serait la condition des vérités universelles. (shrink)

The ontologies of Slavoj Žižek and Gilles Deleuze are incommensurable. Rather than appropriate one at the expense of the other, this essay uses Žižek’s notion of parallax to think the two philosophers together, without mediation. Both Deleuze and Žižek provide mirrored philosophical images, with the point of divergence being absolute lack. Deleuze argues that lack, or the being of negation, is an error of representational understanding, while Žižek conceives his philosophy as being driven by absolute lack. A stark opponent of (...) Žižek’s precursor, Hegel, Deleuze rejects opposition as a constitutive feature of reality. However, Žižek mirrors Deleuze’s very concepts in his Lacanian reading of Hegel, while said concepts retain identical terms. For instance, Žižek calls l’objet petit a “difference,” while his term for absolute negation is “repetition,” and finally, he refers to his philosophical system as the “non-All”. These singular concepts in Žižek’s thought share an identical language with that of Deleuze. Deleuze’s philosophy is one of “difference,” while its mode of proliferation is “repetition,” and finally, he often refers to his philosophy as the “One-All”. Mapping these common terms that do not denote a common language, but incommensurable, inverse logics, it becomes evident that Deleuze and Žižek are mirror images of one another, infinitely fragmenting across the expanse of their respective positions. Thus, by triangulating ontology from their unique perspectives, a new ontological shift emerges—one that resists mediation and admixture. (shrink)

Critiques of Derrida from contemporary Marxist positions are nothing new, though the nature and force of their argumentation need to be further analyzed in order to conceive of what stake Derrida will continue to have in our understanding of any political inheritance within the coming decades. In this essay, I seek to advance the conversation between Derrida and his Hegelian-Marxist critics—with Slavoj Žižek’s unique reading of Derrida being here foremost among them—in order to ascertain more precisely the framework of debate (...) on dialectics and deconstruction that continues to define our realms of political representation. (shrink)

Slavoj Žižek is the most popular and discussed philosopher in the world today. His prolific writings – across philosophy, psychoanalysis, political and social theory, film, music and religion – always engage and provoke. The power of his ideas, the breadth of his references, his capacity for playfulness and confrontation, his willingness to change his mind and his refusal fundamentally to alter his argument – all have worked to build an extraordinary international readership as well as to elicit much critical reaction. (...) _The Žižek Dictionary _brings together leading Žižek commentators from across the world to present a companion and guide to Žižekian thought. Each of the 60 short essays examines a key term and, crucially, explores its development across Žižek’s work and how it fits in with other concepts and concerns. The dictionary will prove invaluable both to readers coming to Žižek for the first time and to those already embarked on the Žižekian journey. (shrink)

Slavoj Žižek often refers to an obscene excess-supplement that, depending on the subject’s pathological disposition, serves to either 1) sustain a conscious injunction by disavowing an unconscious “underside” or 2) instruct the subject to transgress the injunction. This supplemental excess is at work in neurotic and perverse belief but functions in significantly different modes depending on whether the supplement affects the ego or superego. This paper surveys and analyzes Žižek’s use of the obscene excess-supplement in his theological and political applications (...) of psychoanalytic theory. (shrink)

Organised around the themes of economy and politics; critical theory; and culture in order to offer an impressive range of thematic perspectives and critical angles, the book delves into the most pressing of today’s quandaries by combining stringent critical analysis with creative foresight. A rigorous examination of the current crisis of late-capitalist society, States of Crisis and Post-Capitalist scenarios develops paradigms that promise to rekindle the desire to move beyond capitalism towards a different social order.

Since the early 1970s, film, media, and cultural theorists have appealed to Lacanian psychoanalytic theory in order to discern processes of subjectivization, representation, and ideological interpellation. However, beginning with the work of theorists such as Jacqueline Rose, Joan Copjec, and Slavoj Žižek, a new approach to Lacan has been advanced, one which pays closer attention to concepts such as sexual difference, the 'objet petit a', fantasy, the Real, enjoyment, and the drive. Žižek in particular has advanced a political-philosophical re-interpretation of (...) Lacan that has spawned a whole new wave of film, media, and cultural theory that shows a marked difference from an early Lacanian approach. The contributors in this book take up a specifically Žižekian approach to studies of cinema and media, both old and new, raising questions about power, ideology, sexual difference, and enjoyment. Including chapters written by key figures in Žižekian film, media, and cultural theory such as Jodi Dean, Todd McGowan, Paul A. Taylor, and Fabio Vighi, it concludes with a response from Žižek himself. (shrink)

By simply watching news channels, visiting the internet, even watching diverse films, my observations led me to conclude that in today’s globalized world, different forms of subjective violence – or a kind of violence that has a clear and identifiable agent – are what commonly occupies our attention. However, it is crucial to note that in every form subjective violence, there is an objective background that invisibly sustains and overdetermines it. This objective frame, often imperceptible, contains a systemic and more (...) perilous violence, for it is, in fact, a violence that prolongs and generates the very subjective violence that we are fighting and responding against. Accordingly, I would argue that a reinvention of how we view a truly ethical act should necessitate itself in today’s globalized world. My claim is that the challenge for a truly globalized ethics is that it is not enough to simply respond to these different forms of subjective violence. Instead, what is more gripping to consider is to shamelessly question the objective violence upon which these different forms of subjective violence are inherent, reacting against, and being sustained in the first place – i.e. the inherent violence produced by the predominance of global capitalism. (shrink)

Michael Haneke’s film Caché explores the psychological and social effects of the intrusion of the immigrant Other into privileged Western capitalist society. Caché allegorises the intrusion of the immigrant Other through a series of intrusive and threatening non-diegetic surveillance tapes delivered to a wealthy Parisian family’s home, the subject of the surveillance. Haneke’s film undertakes a significant critique of the increasing right-wing anti-immigrant sentiment driving neo-liberal politics and ideology in the capitalist West. Here, Caché confronts the viewer with their complicity (...) in the disavowal and subjugation of the immigrant Other within their own social edifice. The significance of Caché is the film’s potential to facilitate the viewers’ confrontation with the disavowed and repressed truth of the social edifice. This confrontation enables the viewer to assume an emancipatory subjectivity which extends beyond Caché’s cinematic frame into the viewers’ own social edifice. I argue that Haneke’s film has the potential to radically alter the way viewers relate to the diegetic reality and, through the figuration of cinema, to their own social edifice. Ultimately, Caché brings to the fore the disavowed truth of both capitalist society and of privileged subjectivities, demanding a new politics based on the excluded immigrant Other. (shrink)

En la última década, Slavoj Žižek ha llegado a convertirse en uno de los principales referentes de la filosofía política contemporánea. Su obra posee una gran capacidad para renovar argumentos filosóficos que la crítica había dado por agotados: la lucha de clases, el idealismo trascendental, la violencia revolucionaria, el materialismo dialéctico o la ideología. El objetivo de Žižek es disolver un conjunto de aporías que se presentan no como un desafío intelectual sino más bien como oclusión de las condiciones de (...) posibilidad del propio programa filosófico.La intervención de Žižek está explícitamente dirigida contra el punto muerto epistemológico y político característico de las postrimerías del corto siglo XX, una época caracterizada por tensiones no exentas de congruencia: globalización, postmodernidad, multiculturalismo, neoliberalismo…Este texto analiza algunos puntos clave de la filosofía política zizekiana, con especial atención a su teoría de la ideología, su crítica del sujeto y su rehabilitación del marxismo clásico. (shrink)

Slavoj Žižek's philosophy spans over more than three decades, which is confirmed by the numerous books he published since the late 1980s. Since his thinking about the idea of logos is no exception, this article focuses on what can be termed Žižek's early philosophy, and especially that depicted in his The sublime object of ideology (1989) and The metastases of enjoyment (1994). Whilst the former underlines the psychological aspects of the logos, the latter focuses more on theories about being, as (...) well as on theological considerations. This is why, three uses of the logos were identified in Žižek's thought: psychological, ontological and theological, all three with a clear focus on the human being as conceived in modern thought, which for Žižek seems to be utterly opposed to traditional thinking about man and his relationship with God. It is clear from Žižek that whilst the notion of God does appear in this thought, it only refers to the human being which encapsulates the essence of Žižek's philosophy to the point that the logos itself is a fundamental feature of the human being's material existence in the natural world. Regardless of whether the logos points to psychology, ontology or divinity (theology), it always emerges as an idea which centres on the human being, with a special interest in how it exists as well as how it works in the world. (shrink)

Although trauma is by nature a pathological experience found in the lives of some traumatised human beings, I argue that it does not necessarily referring to the past memory. This article aims to revisit trauma by shifting trauma from intermingled with a disturbed memory the individuals might have towards the past to the new hypothesis that trauma is a contemporaneity where the relationships among the pathological subjects, the mental disorders, and the structural violence are coexistent - proved by the subject’s (...) historical awareness drawn from colonialism and capitalist epochs. (shrink)

Although some psychoanalysts in the clinical field have criticised Žižek for corrupting Lacan’s teachings, through playing down the importance of the clinical, there is no doubt that Žižek’s scholarship and contribution to psychoanalysis displays mastery of Lacanian theory. Moreover, Žižek has applied this mastery to push theoretical ideas about the subject and social worlds, into public and intellectual debate. For Žižek, Lacan is a master from whom social knowledge as well as knowledge of the social is developed and critiqued. In (...) keeping with Žižek’s ontology, an examination of the intersection of belief with desire reveals the importance of a critical return to ideology that cannot be overlooked, particularly when examining how present social conditions structure an intersection of desire and belief. For Žižek, the contemporary subject believes now more than ever. Žižek positions modern social conditions together with the practices and organisations which maintain ideologies, as structuring the contours of belief. Capitalism, the supposed master of the 20th century, has presented as not so reliable. Might belief be the 21st century master, stepping in to support those ideological forces which intensify the scaffolding of a failing capitalist system? (shrink)

What do we know about Hegel? What do we know about Marx? What do we know about democracy and totalitarianism? Communism and psychoanalysis? What do we know that isn't a platitude that we've heard a thousand times - or a self-satisfied certainty? Through his brilliant reading of Hegel, Slavoj Zizek - one of the most provocative and widely-read thinkers of our time - upends our traditional understanding, dynamites every cliché and undermines every conviction in order to clear the ground for (...) new ways of answering these questions. When Lacan described Hegel as the ‘most sublime hysteric’, he was referring to the way that the hysteric asks questions because he experiences his own desire as if it were the Other's desire. In the dialectical process, the question asked of the Other is resolved through a reflexive turn in which the question begins to function as its own answer. We had made Hegel into the theorist of abstraction and reaction, but by reading Hegel with Lacan, Zizek unveils a Hegel of the concrete and of revolution - his own, and the one to come. This early and dazzlingly original work by Zizek offers a unique insight into the ideas which have since become hallmarks of his mature thought. It will be of great interest to anyone interested in critical theory, philosophy and contemporary social thought. (shrink)

: The problem of violence presupposes a multiplicity of possible relevant entries. This article aims to highlight some lines that can interrogate certain points that often are put in brackets with regard to ideological naturalization of violence - trace intensely radical in the contemporary context. To help along the way, hangs a series of raids for a fruitful dialogue from some clues placed in the work of the philosopher and psychoanalyst Slavoj Žižek.

Cormac McCarthy’s No Country for Old Men, and Joel and Ethan Coen’s film adaptation of the same name, deliver two separate critiques of sacrificial violence through their particular renderings of Carla Jean Moss’s death scene, as they correspond, respectively, to the theories of René Girard and Slavoj Žižek. In both film and novel, the chase narrative offers a concrete representation of runaway acquisitive mimesis engendering resentment and cathartic violence. This violence is symbolically manifest in the character of Anton Chigurh. An (...) assassin whose killings often employ a ritual of chance, Chigurh is a symbol for both the violence foundational to culture and the fascinating draw such violence continues to have .. (shrink)

In this article it is suggested that the discourse entailing the realization of a dystopia of totalitarian surveillance, far from being a grounded fact, on the contrary, works as a screen sheltering us from the fact that we are reaching a point where we are nothing more than depersonalized, emptied forms of interest neither to corporations nor to each other; instead, we are moving towards the liquification of subjectivity as such. When our user data is “taken hostage” we are emptied (...) of personal features, submitted to a process of dissolution rather than prying surveillance. It is tempting to suggest that the various repetitions of the Orwellian theme is a basic fantasy protecting us from the ever increasing gaps in the global virtual order; working to cover up the real of digital capitalism following a desperate logic by which only nightmares suffice. What if the furthering of the digital paradigm, with its potential to add yet another layer of virtuality to experience leads, not to an increase of (Orwellian) control, but on the contrary overturns the house of cards of (symbolic) reality, exposing the core of the illusions of the self and the subject? (shrink)

Recent philosophy has witnessed a number of prominent and ambivalent encounters with Christianity. Alongside the retrievals of Paul and political theology, thinkers such as Žižek and Negri argue that in our era of imperial sovereignty and advanced global capitalism, the most appropriate politics is one of love. These attempts to reinvigorate progressive materialism are often characterised as a break with the relativist tendencies of French philosophy, moving from the negativity and disconnection of postmodern suspicion to a new, constructive politics of (...) creativity and fraternity. Deconstructive critiques have insisted on the exclusions necessary to any such politics of love. Foucault’s genealogy of Christianity—specifically, of the emergence from pastoral power of modern governmentality and biopolitics—sketches a further significant dimension of love’s suffocating history and contemporary risks. (shrink)

Following Zizek's insight that the blockbuster can constitute the ideal terrain for mapping out the ideological and political dilemmas of our conjuncture, this piece takes a Zizekian look awry at two recent depictions of revolutionary crowds/movements in "The Dark Knight Rises" and "Argo". Viewed through the genealogical lens of representations of the “people” in philosophy and literature, what we find in both films is a (distorted, dispersed) staging not only of our own time and situation, a strange figuration of capital (...) and an ultimately justified revolutionary struggle over the city (or, surplus). (shrink)

En los últimos dos años hemos presenciado como el modelo neoliberal chileno se encuentra en amplio cuestionamiento. Los movimientos y las movilizaciones sociales, han marcado la agenda política del gobierno del Presidente de Chile Sebastián Piñera, exhibiendo un alto índice de conflictividad y protesta social, acompañada de la emergencia de distintos actores sociales y activistas de distintas esferas sociales, que han configurado un escenario histórico de organización de la sociedad civil. En ésta crisis de la matriz de dominación neoliberal el (...) estado ha desarrollado estrategias de construcción de verdad, como forma de sobrellevar una creciente paranoia política y un sádico goce del poder que se resiste a la redefinición de la relación entre Estado-Mercado-Sociedad. (shrink)

Zizek insisted on the ‘temporal gap between the production of value and its actualization’ (Zizek, 2009b [2006], p. 52): ‘the temporality here is that of the futur antérieur: value “is” not immediately, it only “will have been,” it is retroactively actualized, performatively enacted’ (ibid.). His use of the word ‘gap’ calls to mind the psychoanalytic literature on which Zizek draws, which provides a way to understand the 2007 Global Financial Crisis (GFC) and its aftermath. This paper presents three key ideas (...) about the GFC. First, the GFC was a traumatic encounter with lack, in which global capitalism confronted a gap at the centre of its chain of signifiers. Whether the financial system is seen as a series of promises or a system for allocating and hedging risk, a gap or lack remained at the origin of its chain of signifiers. Secondly, many explanations of the crisis focus on ‘getting back to fundamentals’, which can be read as an attempt to paper over the lack. Finally, in the panic to re-establish the master signifier, global finance tossed aside core justifications for capitalism, and it is not yet clear what the results will be: re-establishment of the old regime, a return to a Primal Father, or a turn to the analyst’s discourse. (shrink)

Arguably the most prolific and most widely read philosopher of our time, Slavoj Zizek has made indelible interventions into many disciplines of the so-called human sciences that have transformed the terms of discussion in these fields. Although his work has been the subject of many volumes of searching criticism and commentary, there is no assessment to date of the value of his work for the development of these disciplines. _Zizek Now_ brings together distinguished critics to explore the utility and far-ranging (...) implications of Zizek's thought and provide an evaluation of the difference his work makes or promises to make in their chosen fields. As such, the volume offers chapters on quantum physics and Zizek's transcendentalist materialist theory of the subject, Hegel's absolute, materialist Christianity, postcolonial violence, eco-politics, ceremonial acts, and the postcolonial revolutionary subject. Contributors to the volume include Adrian Johnston, Ian Parker, Todd McGowan, Bruno Bosteels, Erik Vogt, Verena Conley, Joshua Ramey, Jamil Khader, and Zizek himself. (shrink)

This paper will bring Žižek’s divine violence as an Act, a means without end, into conversation with Derrida’s divine violence, différance and auto-deconstruction as the impossible possibility of justice. Although Žižek has, in his later works, conceded to his indebtedness to Derrida, there are certain important differences between the two thinkers. The paper will focus on their respective interpretations of divine violence and the link to minimal difference (Žižek) or différance (Derrida). Their respective interpretations of divine violence will be further (...) explored with regards to Derrida’s auto-deconstruction as a kind of Heideggerian Gelassenheit and Žižek’s interpretation of the Lacanian Act. Critchley criticises Žižek for being too Gelassen in his dream of patiently waiting for an absolute, divine, cataclysmic revolutionary act of divine violence. This patient waiting or non-violent violence will be read within the context of Derrida’s auto-deconstruction: a means (an Act/Event) without specific end. The second part of the paper will explore a re-reading or inter-textual reading of John’s Gospel within the context of the above conversation. The reading will specifically focus on the Christ-event, creating an alternative community to the Roman Empire as it transverses the primal fantasy of this empire. This will be translated into the context of the contemporary neo-liberal fantasy, namely John’s alternative Christian community as a community of subjects who enjoy their symptom. As such a community they present a non-violent violent transversion of the primal fantasy of for example neo-liberalism. Such a community could be interpreted as a community of non-action action with an auto-deconstructive ethos: the divine violence of the Christ-event. (shrink)

This article reads Cherokee academic/author Thomas King’s “The One About Coyote Going West” and Okanagan writer Jeannette Armstrong’s “This is a Story” to question whether these Aboriginal creation tales subvert the referential race codes and the kinds of hierarchical exclusion that take place in Caucasian discourses about Homo sapiens. To do so, it draws links between Slavoj Zizek’s post identity theories, and post-colonial and Indigenous literary and nationalist epistemologies, to challenge the implications of how the Coyote narratives transformation the hegemony, (...) or “the big Other.”. (shrink)

This essay explores ‘design for sustainability’ in terms of two aspects of Slavoj Žižek’s thinking that are intricately interwoven, namely his thinking on ideology, as that which regulates the relationship between the visible and the invisible, and ecology, as that which must nullify the usual conceptions of nature in order to function. In so doing, and with reference to key texts on ecologically intentional design, I aim to set out the three key co-ordinates within which designing for sustainability functions as (...) an ideological category. The first two of these co-ordinates, I argue, are untenable. The third, however, may be taken as the central point of departure for rethinking the place of design within debates around ecology. (shrink)