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  1. Impressions of Meaning in Cavell's Life Out of Music.William Day - 2024 - In David LaRocca (ed.), Music with Stanley Cavell in mind. New York: Bloomsbury Academic. pp. 53-81.
    This chapter is a substantially expanded version of (and so substantially supersedes) “Words Fail Me. (Stanley Cavell’s Life Out of Music)” that appeared in Inheriting Stanley Cavell: Memories, Dreams, Reflections (Bloomsbury, 2020). It offers to read Cavell’s claim that “philosophy, of a certain ambition, tends perpetually to intersect the autobiographical.” Its guiding thought is that a life that finds a home in philosophy from out of its devotion to music (as is true of, among others, Rousseau, Nietzsche, and Wittgenstein, all (...)
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  2. Cavell's Odd Couple: Schoenberg and Wittgenstein.Eran Guter - 2024 - In David LaRocca (ed.), Music with Stanley Cavell in mind. New York: Bloomsbury Academic. pp. 237-252.
    In his lecture “Philosophy and the Unheard,” Cavell invites us to observe a pervasive analogy between Schoenberg’s idea of the twelve-tone row and Wittgenstein’s idea of grammar, which is supposed to encapsulate an expansive, sweeping philosophical program—Cavell’s own. For Cavell, the analogy evinces not only the kind of reading of Wittgenstein’s Philosophical Investigation, which is attuned to Wittgenstein’s seemingly paradoxical amalgamation of embrace and resistance in regarding to the conditions of modernity, but also a kind of philosophy of music, which (...)
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  3. The Pendular Nature of Human Experience: Philosophy, Art, and Liberalism.R. Azize - 2023 - Cosmos + Taxis 11 (3 + 4):34-47.
    If we are to escape reification—a sort of cogni- tive neutrality of basic, gnosic apprehension of the world plus a fundamental disrespect of the other as free agent—we should recognize our mode of existence as always already one of existential engagement with and within experience, aiming at articulating and expressing this engagement. One way of fully inhabiting this, let’s call it the proper human stance, is through recognizing a pendular space between the basic attitudes of acknowledging lived, shared interests and (...)
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  4. Walking Through Everyday Life: Tensions and Disruptions within the Ordinary.Nélio Conceição - 2023 - Open Philosophy 6 (1):7-55.
    Bringing together a genealogy of authors, concepts, and aesthetic case studies, this article aims to contribute to the discussion on ordinary aesthetics by focusing on the tensions that are intrinsic to walking as a fundamental embodied action in everyday urban life. These tensions concern the movement of walking itself and its relation to one’s surroundings, but it also concerns a certain complementarity between home (familiarity) and wandering. Experiencing space and thresholds that disrupt one’s relationship with home and the everyday can (...)
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  5. TV Time, Recurrence, and the Situation of the Spectator: An Approach via Stanley Cavell, Raúl Ruiz, and Ruiz’s Late Chilean Series Litoral.Byron Davies - 2023 - In Sandra Laugier David LaRocca (ed.), Television with Stanley Cavell in Mind. Exeter, UK: University of Exeter Press. pp. 191-221.
    This essay distinguishes some significant commonalities and differences between the film-philosophies of Chilean filmmaker Raúl Ruiz (especially in his book Poetics of Cinema) and U.S. philosopher Stanley Cavell. I argue that despite shared senses of the poetics of the film image and certain shared philosophical references, Ruiz and Cavell differed over their conceptions of the model spectator and their relations to autonomous films and worlds from which spectators are excluded (on Cavell's picture) versus fragments out of which the spectator might (...)
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  6. Hearing Between the Lines: Impressions of Meaning and Jazz's Democratic Esotericism.William Day - 2023 - Conversations: The Journal of Cavellian Studies 11 (1):75-88.
    In *Here and There*, Stanley Cavell suggests that music, like speech, implicates the listener, so that our descriptions of music "are to be thought of not as discoveries but as impressions and assignments of meaning." Such impressions express what "makes an impression upon us," "what truly matters to us." Moreover, this aspect of music "is itself more revolutionary than ... any political event of which it could be said to form a part." I offer one indication of that significance by (...)
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  7. The Threefold Puzzle of Negation and the Limits of Sense.Jean-Philippe Narboux - 2023 - In Jens Pier (ed.), Limits of Intelligibility: Issues from Kant and Wittgenstein. London: Routledge.
    This paper investigates a particular philosophical puzzle via an examination of its status in the writings of Wittgenstein. The puzzle concerns negation and can take on three interrelated guises. The first puzzle is how not-p can so much as negate p at all – for if p is not the case, then nothing corresponds to p. The second puzzle is how not-p can so much as negate p at all when not-p rejects p not as false but as unintelligible – (...)
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  8. (1 other version)The Threat of Solipsism: Wittgenstein and Cavell on Meaning, Skepticism, and Finitude Jonadas Techio, De Gruyter 2021. [REVIEW]Guido Tana - 2023 - History of Philosophy & Logical Analysis 26 (1):160-169.
  9. Found footage at the receding of the world.Byron Davies - 2022 - Screen 23 (1):123-129.
    This essay argues that, despite the potential for an encounter between Stanley Cavell’s thought and found-footage experimental filmmaking, this has not yet taken place because the early Cavell’s picture of films as autonomous “wholes,” together with his "global-holistic" conception of modernism, prevented him from appreciating the expressive possibilities of filmic fragments. I then argue that these impediments to an encounter with found footage recede in Cavell’s later thought, as he moves away from a concern with modernism and as J. L. (...)
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  10. Reading Into It or Hearing It Out? Cavell on Modernism and the Art Critic's Hermeneutical Risk.Robert Engelman - 2022 - In Greg Chase, Juliet Floyd & Sandra Laugier (eds.), Cavell's 'Must We Mean What We Say' at 50. New York, NY, USA: Cambridge University Press. pp. 121-134.
    In this essay, I examine how Cavell's discussion of the challenges and attendant risks faced by artworks to be genuine rather than "fraudulent" informs his discussion of the challenges and attendant risks faced by art critics to offer interpretations rather than misinterpretations of artworks. Moreover, I clarify how this relation between Cavell's philosophy of art and his philosophy of criticism is mediated by his discussion of modernism. For Cavell, modernism does not so much introduce challenges for artworks as exacerbate them. (...)
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  11. Poetic Perlocutions: Poetry after Cavell after Austin.Philip Mills - 2022 - Philosophical Investigations 45 (3):357-372.
    Although perlocution has received more interest lately, it remains the great unthought of Austin’s theory. The privilege he gives to illocution over perlocution, rather than being a necessity of his linguistic theory, is a contestable philosophical claim that leads him, I argue, to exclude from his consideration poetic and other ‘parasitical’ uses of language. Cavell’s reconceptualisation of perlocutions as ‘passionate utterances’, however, provides a more fruitful theoretical framework to approach poetic phenomena. Reading Austin through a Cavellian lens offers keys to (...)
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  12. Cavell on Color.Byron Davies - 2021 - Conversations: The Journal of Cavellian Studies 9:90-113.
    This essay aims to understand the relations between Stanley Cavell’s theoretical generalities regarding the medium of film and his readings of individual films, with a particular focus on his writing on color in his book The World Viewed. I argue that a specific idea of color as connected to abstraction (as well as a correlative idea of black-and-white as connected to figuration) grounds the relations between Cavell’s general statements about color and his readings of individual color films, and that this (...)
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  13. The Specter of the Electronic Screen: Bruno Varela's Reception of Stanley Cavell.Byron Davies - 2021 - In David LaRocca (ed.), Movies with Stanley Cavell in mind. New York: Bloomsbury Academic. pp. 72-90.
    An analysis of some work by the Oaxaca-based Mexican experimental filmmaker and video artist Bruno Varela via the latter’s reading of the late U.S. philosopher Stanley Cavell, especially Cavell’s 1982 essay “The Fact of Television.” This essay focuses on the aesthetic possibilities of the very constitution of the electronic image, based in Cavell’s understanding of television’s dependence on notions of “switching,” as opposed to “succession,” as well as how those notions play a role in Varela’s understanding of what it is (...)
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  14. A Chariot Between Two Armies: A Perfectionist Reading of the Bhagavadgītā.Paul Deb - 2021 - Philosophy East and West 71 (4):851-871.
    Interpretations of the ethical significance of the Bhagavadgītā typically understand the debate between Arjuna and Kṛṣṇa in terms of a struggle between consequentialist and deontological doctrines. In this paper, I provide instead a reading of the Gītā which draws on a conception of moral thinking that can be understood to cut across those positions – that developed by Stanley Cavell, which he calls ‘Emersonian Moral Perfectionism’. In so doing, I emphasise how Kṛṣṇa’s consolation of Arjuna can centrally and fruitfully be (...)
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  15. “I Saw a Different Life. I Can't Stop Seeing It”: Perfectionist Visions in Revolutionary Road.Paul Deb - 2021 - Film-Philosophy 25 (3):251-271.
    In this article, I claim that Sam Mendes' Revolutionary Road is a recent version of the film genre that Stanley Cavell calls the “melodrama of the unknown woman”. Accordingly, my discussion focuses on two key elements of that identification: the film's overriding dramatic and thematic emphasis on conversation; and the central characters’ relation to the wider social and political concerns of America.
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  16. Words Fail Me. (Stanley Cavell's Life out of Music).William Day - 2020 - In David LaRocca (ed.), Inheriting Stanley Cavell: Memories, Dreams, Reflections. New York: Bloomsbury. pp. 187-97.
    Stanley Cavell isn't the first to arrive at philosophy through a life with music. Nor is he the first whose philosophical practice bears the marks of that life. Much of Cavell's life with music is confirmed for the world in his philosophical autobiography Little Did I Know. A central moment in that book is Cavell's describing the realization that he was to leave his musical career behind – for what exactly, he did not yet know. He connects the memory-shock of (...)
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  17. Speaking and Translating: Aesthetics, Aspect-Seeing, and Interpretation.Rafael Azize - 2019 - In Alois Pichler, Paulo Oliveira & Arley Moreno (eds.), Wittgenstein in/on Translation. Campinas: Unicamp University Press. pp. 281-308.
    The anthropologist James Frazer investigates the ritual gesture in search of be- liefs about the physical world by the native. Wittgenstein considers this a case of aspect- blindness, one that is disruptive of the conditions for understanding the native’s most triv- ial gestures. Unable to cast his glance from within the native situation, this methodological view from nowhere has an arresting effect on experience – in particular, the experience of speaking. This interruption is to be examined by means of a (...)
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  18. Gender and Perspective in Scarlet Street.Fernando Carlucci - 2019 - Revista Philia Filosofia, Literatura e Arte 1 (2):297-318.
    This paper presents an interpretation of the 1945 forbidden film Scarlet Street in a way so as to touch the problem of gender in film noir. Firstly, I give an ac-count of film noir, agreeing with Robert Pippin’s argument concerning film genres. Then, I claim that time and repetition, irony and hierarchy, art and per-spective constitute the core subjects explored in Scarlet Street. Furthermore, I try to connect all the subjects into a single one. My point is to show how (...)
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  19. Remembering Stanley Cavell.Byron Davies - 2019 - Conversations: The Journal of Cavellian Studies 7:65-68.
    Memorial notice for Stanley Cavell originally published on the Harvard Philosophy Department website.
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  20. Kriterienkrisen. Cavells Wittgenstein als Kulturphilosoph.Tobias Keiling - 2019 - Zeitschrift für Kulturphilosophie 13 (1):133-149.
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  21. Reading Oneself in the Text: Cavell and Gadamer’s Romantic Conception of Reading.David Liakos - 2019 - Journal of Aesthetics and Phenomenology 6 (1):79-87.
    Can we gain knowledge by reading literature? This essay defends an account of reading, developed by Stanley Cavell and Hans-Georg Gadamer, that phenomenologically describes the experience of acquiring self-knowledge by reading literary texts. Two possible criticisms of this account will be considered: first, that reading can provide other kinds of knowledge than self-knowledge; and, second, that the theory involves illegitimately imposing subjective meaning onto a text. It will be argued, in response, that the self-knowledge gained in reading allows one to (...)
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  22. Review of Toril Moi, Revolution of the Ordinary. [REVIEW]Byron Davies - 2018 - Modern Language Notes 133:1416-1419.
  23. Film and Theories of Interpersonal Understanding.Mihai Ometiță - 2018 - New Europe College Yearbook 2017:209-236.
    The paper discusses the issue of interpersonal understanding by comparing ordinary and cinematographic experience. Recent theories of interpersonal understanding turn out to be either inconclusive or insufficient to account for the heterogeneous ways in which we get mental and emotional states of other persons. The paper advances a view of the film medium by drawing on Stanley Cavell, which is reinforced by Wittgenstein’s and Merleau-Ponty’s convergent accounts of cinematographic perception. Against this background, interpersonal understanding turns out to be permeated by (...)
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  24. How Close a Reader of Emerson Is Stanley Cavell?Urbas Joseph - 2017 - Journal of Speculative Philosophy 31 (4):557-574.
    This article examines Stanley Cavell's method of reading Emerson—and finds it wanting in rigor and fidelity to the original. Though Cavell declares himself to be among those who "care about the Emersonian text," who are "concerned to preserve the order of words of the Emersonian text," there is a substantial amount of evidence that this is not always the case. A close reading of Cavell's readings of Emerson reveals a pattern of misconstrual and misquotation whose effect is to strip away (...)
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  25. Becoming Who We Are: Politics and Practical Philosophy in the Work of Stanley Cavell.Andrew Norris - 2017 - Oxford: Oxford University Press.
    'Becoming Who We Are' clarifies the political and existential aspects of Stanley Cavell's understanding of ordinary language and of skepticism, and shows the close connection between his reception of Kant, Heidegger, and Austin and his exploration of what Emersonian Perfectionism offers to democracy and modern life.
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  26. Marxist Trait of Revisionism: Leszek Kołakowski’s Consistent Transition to Inconsistent Philosophy.Adam Olczyk - 2017 - Hybris. Internetowy Magazyn Filozoficzny 37:12-33.
    In the article the author describes theoretical reasons that stood behind Kołakowski's transition from being an orthodox Marxist to become an actual leader of the polish revisionist movement. His intention is to concentrate on those aspects of Kołakowski's thought that have not changed, apart from any biographical and psychological reasons. (1) First of those features is Kołakowski's inability of completability, the anti-code disposition. (2) The second trait is the moral attitude, an intention to influence on people's morality by convincing them (...)
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  27. Stanley Cavell and Philosophy as Translation: The Truth is Translated.Naoko Saito & Paul Standish (eds.) - 2017 - Lanham: Rowman & Littlefield International.
    This book explores the idea of translation as a philosophical theme and as an important feature of philosophy and practical life, in the context of a searching examination of aspects of the work of Stanley Cavell. Furthermore it demonstrates the broader significance of these philosophical questions for education and life as a whole.
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  28. Book Review of Revolution of the Ordinary by Toril Moi. [REVIEW]Robert Vinten - 2017 - Nordic Wittgenstein Review 6 (2):99-103.
    Book review of Moi, Toril, _Revolution of the Ordinary: Literary studies after Wittgenstein, Austin, and Cavell,_ Chicago : Chicago University Press, 2017. 290 pages.
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  29. The Ironist and the Romantic: Reading Richard Rorty and Stanley Cavell. [REVIEW]Alexander Altonji - 2016 - Graduate Faculty Philosophy Journal 37 (1):187-191.
  30. A Wittgenstein for Postliberal Theologians.Jason A. Springs - 2016 - Modern Theology 32 (4):622-658.
    Remarkably, the theological discourse surrounding Hans Frei and postliberal theology has continued for nearly forty years since Frei's death. This is due not only to the complex and provocative character of Frei's work, nor only to his influence upon an array of thinkers who went on to shape the theological field in their own right. It is just as indebted to the critical responses that his thinking continues to inspire. One recurrent point of criticism takes aim at Frei's use of (...)
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  31. Philosophy’s Artful Conversation, by D. N. Rodowick. [REVIEW]Timothy Yenter - 2016 - Teaching Philosophy 39 (4):565-567.
    Philosophy’s Artful Conversation draws on Gilles Deleuze, Stanley Cavell, and the later writing by Ludwig Wittgenstein to defend a “philosophy of the humanities.” Both because film studies is historically a site of contention and theoretical upheaval and because Rodowick accepts Cavell’s idea that (at least in the American context) film is philosophy made ordinary, bringing philosophical questions of skepticism and perfectionism into filmgoers’ lives inescapably, it makes sense to build this vision for the humanities out of writing on film. Although (...)
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  32. How to Do Things With Pornography.Nancy Bauer - 2015 - Harvard Univeristy Press. Edited by Sanford Shieh & Alice Crary.
  33. Representative Men: Moral Perfectionism, Masculinity and Psychoanalysis in Good Will Hunting.Anna Cooper - 2015 - Film-Philosophy 19 (1):270-288.
    This article argues that Stanley Cavell's notion of moral perfectionism must be understood, within the American cultural context, as deeply intertwined with myths of heroic American masculinity. It traces connections between Cavell's descriptions of moral perfectionism, the transcendentalist authors on whom he relies, and writings about the myth of the American frontier hero. When understood as a tradition of masculinity, it becomes possible to trace moral perfectionism across much wider areas of American cinematic culture than Cavell's reading suggests; Good Will (...)
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  34. Wo ich ende und du beginnst: Getrenntheit und Andersheit bei Stanley Cavell.David Gern - 2015 - Freiburg/München: Karl Alber.
    Cary Grant reicht die Scheidung ein, Othello trachtet seiner Frau nach dem Leben, Wittgenstein fragt sich, wie er vom Schmerz der anderen wissen kann, wahrend Descartes furchtet, ganz alleine zu sein. Erkenntnistheorie und Ethik, Shakespeare und Hollywood: In allen Ecken unserer Kultur findet der amerikanische Philosoph Stanley Cavell Zeugnisse seines philosophischen Lebensthemas: dem Problem der Getrenntheit und Andersheit. Wir sind voneinander unendlich getrennt und gleichzeitig unerhort verbunden. Cavell interessiert sich aber gerade fur die Momente, in denen uns unser Menschsein unertraglich (...)
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  35. Espen Dahl and Stanley Cavell: Religion, and continental philosophy: Indiana University Press, Bloomington, IN, 2014, x + 177 pages, $45. [REVIEW]Martin Shuster - 2015 - International Journal for Philosophy of Religion 77 (2):183-186.
    Although short, Espen Dahl has written a book that truly delivers on its title: it clearly, concisely, and powerfully shows Cavell’s frequent and deep links to and engagements with religion and religious themes and with Continental philosophy. While both of these strands have been explored piecemeal by scholars, Dahl’s innovation consists in the detail with which he can engage these themes and the position he is able to carve out. That position is one that sees Cavell’s thought “as essentially open (...)
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  36. Our Toil Respite Only: Woolf, Diamond and the Difficulty of Reality.Karen Zumhagen-Yekplé - 2015 - MLN 130 (5):1-28.
    In this essay, I read Woolf’s To the Lighthouse together with philosopher Cora Diamond’s writing on literature and moral life, writing marked by her inheritance from Wittgenstein. I first attend to Woolf’s commitment (one she shares with Wittgenstein) to grappling with what I take to be signature issues of modernism: question, quest, and a longing for vision or revised understanding as a way of confronting the difficulty of reality. I then probe Woolf’s engagement with these issues by reading her novel (...)
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  37. Varieties of Skepticism: Essays After Kant, Wittgenstein, and Cavell.James Conant & Andrea Kern (eds.) - 2014 - Boston: De Gruyter.
    This volume brings out the varieties of forms of philosophical skepticism that have continued to preoccupy philosophers for the past couple of centuries, as well as the specific varieties of philosophical response that these have engendered above all, in the work of those who have sought to take their cue from Kant, Wittgenstein, or Cavell and to illuminate how these philosophical approaches are related to and bear upon one another.".
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  38. Nothing to Know.Martin Shuster - 2014 - Idealistic Studies 44 (1):1-29.
    I argue that Theodor W. Adorno is best understood as a moral perfectionist thinker in the stripe of Stanley Cavell. This is significant because Adorno’s moral philosophy has not received serious interest from moral philosophers, and much of this has to do with difficulties in situating his thought. I argue that once Adorno is situated in this way, then, like Cavell, he offers an interesting moral perspective that will be of value to a variety of moral theorists. My argument proceeds (...)
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  39. Essai sur Beauvoir, Cavell, etc. [An Essay Concerning Beauvoir, Cavell, Etc.].Nancy Bauer - 2013 - In Jean-Louis Jeannelle (ed.), Cahiers de L'Herne: Beauvoir. L'Herne.
    The link is to an expanded, English version of this essay.
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  40. ‘The Ordinary’ in Stanley Cavell and Jacques Derrida.Judith Wolfe - 2013 - Minerva - An Internet Journal of Philosophy 17 (1).
    This paper analyses the opposing accounts of ‘the ordinary’ given by Jacques Derrida and Stanley Cavell, beginning with their competing interpretations of J. L. Austin¹s thought on ordinary language. These accounts are presented as mutually critiquing: Derrida¹s deconstructive method poses an effective challenge to Cavell¹s claim that the ordinary is irreducible by further philosophical analysis, while, conversely, Cavell¹s valorisation of the human draws attention to a residual humanity in Derrida¹s text which Derrida cannot account for. The two philosophers’ approaches are, (...)
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  41. Two Varieties of Skepticism.James Conant - 2012 - In Günter Abel & James Conant (eds.), Rethinking Epistemology, Volume 2. Berlin, Germany: De Gruyter.
    This paper distinguishes two varieties of skepticism and the varieties of philosophical response those skepticisms have engendered. The aim of the exercise is to furnish a perspicuous overview of some of the dialectical relations that obtain across some of the range of problems that philosophers have called (and continue to call) “skeptical”. I argue that such an overview affords a number of forms of philosophical insight.
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  42. The political theory of Stanley Cavell: The ordinary life of democracy Paola Marrati Skepticism, finitude and politics in the work of Stanley Cavell Andrew Norris Crossing the bounds of sense: Cavell and Foucault Jörg Volbers Cavell's 'forms of life' and biopolitics Cary Wolfe Misgiving, or Cavell's Gift Thomas Dumm Responses.Paola Marrati, Andrew Norris, Jörg Volbers, Cary Wolfe & Thomas Dumm - 2012 - Contemporary Political Theory 11 (4):397-429.
    We invited five Cavell scholars to write on this topic. What follows is a vibrant exchange among Paola Marrati, Andrew Norris, Jörg Volbers, Cary Wolfe and Thomas Dumm addressing the question whether, in the contemporary political context, Cavell’s skepticism and his Emersonian perfectionism amount to a politics at all.
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  43. Wittgenstein, Dewey, and the Practical Foundation of Knowledge.Jörg Volbers - 2012 - European Journal of Pragmatism and American Philosophy 4 (2).
    Even though both Dewey and Wittgenstein have been rightly classified as both being ‘pragmatist’ thinkers in a broad sense, they stand in stark contrast with respect to their writing style and their general attitude towards the future of western civilization. This article reflects these differences and traces them back to their diverging conceptions of knowledge. Dewey criticizes the philosophical tradition for erecting an artificial barrier between theory and practice, but he retains the traditional high esteem for knowledge by re-describing it (...)
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  44. On morality of speech: Cavell’s critique of Derrida. [REVIEW]Espen Dahl - 2011 - Continental Philosophy Review 44 (1):81-101.
    This article tries to bring out the implication of Cavell’s critical comments on Derrida, clustered around Cavell’s charge that deconstruction entails a flight from the ordinary. Cavell’s and Derrida’s different readings of Austin’s ordinary language philosophy provide a common ground for elaborating their respective positions. Their writings are at once the closest but also the most divergent when addressing the moral implication of speech, or more precisely, when addressing their understanding of responsibility and voice. Employing Derrida’s so-called ‘double reading’ as (...)
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  45. An Autobiography of Companions.Byron Davies - 2011 - Modern Language Notes 126 (5):972-978.
    Part of a symposium on Stanley Cavell's memoir Little Did I Know held at the Johns Hopkins Humanities Center in 2011, this brief essay connects some themes from that book to concerns about knowledge of "what we say" as treated in the opening essays of Cavell's first book, Must We Mean What We Say?; and it attempts to illuminate the latter concerns by comparing them to recent philosophical work on self-knowledge, especially Richard Moran's book Authority and Estrangement.
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  46. (3 other versions)A Soteriology of Reading: Cavell's Excerpts from Memory.William Day - 2011 - In James Loxley & Andrew Taylor (eds.), Stanley Cavell: Philosophy, Literature and Criticism. Manchester University Press. pp. 76-91.
    "William Day is . . . concerned to explore the dynamics of what Cavell calls 'a theology of reading' through a careful examination of a fragment of the philosopher's autobiography first published as 'Excerpts from Memory' (2006) and subsequently revised for Little Did I Know (2010). If, as Cavell suggests, 'the underlying subject' of both criticism and philosophy is 'the subject of examples', in which our interest lies in their emblematic aptness or richness as exemplars, exemplarity becomes central to the (...)
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  47. (3 other versions)A Soteriology of Reading: Cavell's Excerpts from Memory.William Day - 2011 - In James Loxley & Andrew Taylor (eds.), Stanley Cavell: Philosophy, Literature and Criticism. Manchester University Press. pp. 76-91.
    "William Day is . . . concerned to explore the dynamics of what Cavell calls 'a theology of reading' through a careful examination of a fragment of the philosopher's autobiography first published as 'Excerpts from Memory' (2006) and subsequently revised for Little Did I Know (2010). If, as Cavell suggests, 'the underlying subject' of both criticism and philosophy is 'the subject of examples', in which our interest lies in their emblematic aptness or richness as exemplars, exemplarity becomes central to the (...)
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  48. (3 other versions)A Soteriology of Reading: Cavell's Excerpts from Memory.William Day - 2011 - In James Loxley & Andrew Taylor (eds.), Stanley Cavell: Philosophy, Literature and Criticism. Manchester University Press. pp. 76-91.
    "William Day is . . . concerned to explore the dynamics of what Cavell calls 'a theology of reading' through a careful examination of a fragment of the philosopher's autobiography first published as 'Excerpts from Memory' (2006) and subsequently revised for Little Did I Know (2010). If, as Cavell suggests, 'the underlying subject' of both criticism and philosophy is 'the subject of examples', in which our interest lies in their emblematic aptness or richness as exemplars, exemplarity becomes central to the (...)
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  49. (3 other versions)A Soteriology of Reading: Cavell's Excerpts from Memory.William Day - 2011 - In James Loxley & Andrew Taylor (eds.), Stanley Cavell: Philosophy, Literature and Criticism. Manchester University Press. pp. 76-91.
    "William Day is . . . concerned to explore the dynamics of what Cavell calls 'a theology of reading' through a careful examination of a fragment of the philosopher's autobiography first published as 'Excerpts from Memory' (2006) and subsequently revised for Little Did I Know (2010). If, as Cavell suggests, 'the underlying subject' of both criticism and philosophy is 'the subject of examples', in which our interest lies in their emblematic aptness or richness as exemplars, exemplarity becomes central to the (...)
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  50. Cavell, companionship, and Christian theology.Peter Dula - 2011 - New York: Oxford University Press.
    Revision of author's thesis (Ph. D.)--Duke University, 2004 under title: Beautiful enemies: Cavell, companionship and Christian theology.
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