The exploration and examination of the construction of masculinity is increasingly emerging as an integrated part of the study of gender in society in general, and in the Caribbean in particular. We are constantly in search for new sources of material which tell us about the ways in which men construct their masculinity in Caribbean society. In this paper I draw on the imagery and ideas provided by the literary text. I interrogate the novel The Dragon Can't Dance, written by (...) Trinidadian novelist Earl Lovelace. The writer uses the metaphor of the dragon, the costume donned by the main protagonist Aldrick in the yearly Carnival masquerade, as a mask which disguises the need for Aldrick to confront his own masculinity under poor, urban conditions in Trinidad. In the struggles and confrontations between urban working–class men and women in the community of Calvary in Trinidad, the novelist teases out the different constructions of masculinity in the various characters he portrays. I explore the novel, focusing particularly on the ways in which this construction is embedded in the struggles over issues of identity, ethnicity, reputation and honor. While the novelist is clearly able to read into the mind of the male in society, his renditions of the female are not so incisive. However, this is not a shortcoming as the women, though not as well-rounded characters in the novel, play key roles in the definition and shaping of masculinities. This reading of the novel illustrates that the literary text suggests itself as a critical site for further explorations of the illusive data on gender and especially that on masculinity. (shrink)

In this short tribute, the author outlines his personal and intellectual relationship with the writer George Lamming, which spans over three decades. He provides an account of the bricolage of Lamming’s mentorship and friendship, and its impact on his intellectual development. This panegyric essay focuses on the conceptual and narrative world which George Lamming occupied. It also provides insights into the bond he forged with other Caribbean writers, as well as the relationships he established with the region’s best-known politicians, academics (...) and activists. The tribute addresses Lamming’s commitment to the Caribbean region and its people, especially those whom he called, “the people from down below.” The essay also seeks to shed some light on the less public aspects of his lived experience, namely his unquenchable thirst for knowledge and his wily sense of humor... (shrink)