Kafka's writings are frequently interpreted as representing the historical period of modernism in which he was writing. Little attention has been paid, however, to the possibility that his writings may reflect neural mechanisms in the processing of self during hypnagogic (i.e., between waking and sleep) states. Kafka suffered from dream-like, hypnagogic hallucinations during a sleep-deprived state while writing. This paper discusses reasons (phenomenological and neurobiological) why the self projects an imaginary double (autoscopy) in its spontaneous hallucinations and how Kafka's writings (...) help to elucidate the underlying cognitive and neural mechanisms. I further discuss how the proposed mechanisms may be relevant to understanding paranoid delusions in schizophrenia. Literature documents and records cognitive and neural processes of self with an intimacy that may be otherwise unavailable to neuroscience. To elucidate this approach, I contrast it with the apparently popularizing view that the symptoms of schizophrenia result from what has been called an operative (i.e., pre-reflective) hyper-reflexivity. The latter approach claims that pre-reflective self-awareness (diminished in schizophrenia) pervades all conscious experience (however, in a manner that remains unverifiable for both phenomenological and experimental methods). This contribution argues the opposite: the. (shrink)

Understanding alterations of selfhood (termed self-disorders or self-disturbances) that are considered typical of the schizophrenia-spectrum is a central focus of phenomenological research. The currently most influential way of phenomenologically conceiving self-disorders in schizophrenia is as disorders of the so-called most basic or “minimal self”. In this paper, we first highlight some challenges for the minimal self-view of self-disorders, focusing on (1) problems arising from the supposedly “essential” or “universal” nature of minimal self with respect to phenomenal awareness and (2) the (...) critical implications of alterations of self-experience in schizophrenia that involve heightened or exaggerated sense of self. In the second part, we tentatively explore how a (non-egological) transparency-view of consciousness may offer an alternative way of understanding the experiential abnormalities involved in self-disorders in schizophrenia. We discuss how such a transparency-view (1) may account for loss-of-self experiences; (2) is compatible with the key notion of “hyper-reflexivity”; and (3) can help explain instances of self-disorder involving increased sense of self. In conclusion, we consider some possible advantages of this alternative view for research on self-disorders and clinical approaches. (shrink)

This paper uses certain of Michel Foucault's ideas concerning modern consciousness (from The Order of Things) to illuminate a central paradox of the schizophrenic condition: a strange oscillation, or even coexistence, between two opposite experiences of the self: between the loss or fragmentation of self and its apotheosis in moments of solipsistic grandeur. Many schizophrenic patients lose their sense of integrated and active intentionality; even their most intimate thoughts and inclinations may be experienced as emanating from, or under the control (...) of, some external being or mysterious foreign soul (‘I feel it is not me who is thinking’; ‘I have been programmed’). Yet the same patients may also experience the self as preeminent, all-powerful or all-knowing (‘My thoughts can influence things’; ‘This event happens because I think it'). Here one may feel confronted with the very paradigm of irrationality: profound contradictions suggesting regression to primitive ‘primary-process’ thinking or utter collapse of the higher faculties of mind. I argue, however, that these dualities so basic to schizophrenia can best be understood very differently: as consequences of a kind of alienation and hyper-self-consciousness (‘hyper- reflexivity') that is closely analogous to what occurs in the post-Kantian era of Western intellectual history. The parallel dualities of modern thought have been most extensively discussed by Foucault, who describes paradoxes, tensions and other dilemmas central to what he calls the modern ‘episteme'; these result from what Foucault sees as the modern human being's introverted and ultimately self-deceiving preoccupation with, and overvaluing of, the phenomenon of his own consciousness. Parallels between these contradictions and those characteristic of several withdrawn schizophrenic individuals are described and analysed. The paper concludes with an Afterword in which some possible neurobiological underpinnings of these schizophrenic experiences are discussed. (shrink)

It is well established by psychopathological research that disorders of self-experience are among the main features of schizophrenic prodromes in a pathogenetic sense. Disorders of the phenomenal self, as "lack of ipseity" (the vanishing of the feeling of being embedded in oneself and of distinctiveness between the self and the outer world) and "hyper-reflexivity" (the monitoring of one's own life entailing the tendency to objectify parts of one's own self in an outer space) are considered key phenomena of (...) schizophrenic vulnerability. In this paper, I argue that the analyses of the disorders of phenomenal self catch only some dimensions of schizophrenic vulnerability, since they mainly focus on the pathological changes in subjective experience of an isolated self and disregard the fact that the self is not purely personal. Because our existence is fundamentally tied to a social existence, the feeling of one's own self and the sense of "reality" of an experience are products of intersubjectivity and not only a private process based on introspection or reflexivity in which one is engaged in an idiosyncratic way. Building on, and extending, contributions of the phenomenological tradition, I attempt to demonstrate that intuitive attunement is the basic prerequisite for establishing one's sense of "reality" (feeling familiarly related to one's environment) and for establishing one's sense of "ipseity" (the sense of existing as a subject of awareness). In the last part of the paper, I show the importance of the concepts "lack of attunement" and "antagonomia" (the rejection of conventional knowledge and intuitive attunement, experienced as dangerous sources of loss of individuality) to establish a comprehensive theory of schizophrenic vulnerability. I finally discuss the implications of this view for empirical research and clinical management of schizophrenic vulnerability. (shrink)

Drawing upon core phenomenological contributions of the last decades, the present paper provides an integrated description of the development of auditory hallucinations in schizophrenia. Specifically, these contributions are the transitional sequences of development of psychotic symptoms of schizophrenia as envisioned by Klosterkötter and rooted in the basic symptoms approach, Conrad’s Gestalt-analysis of developing psychosis, and Sass and Parnas’ self-disturbance approach. Klosterkötter’s contribution provides a general descriptive psychopathological approach to the transitional sequence of the development of auditory hallucinations. The key concepts (...) in Conrad’s proposal are discussed, as their role is central as driving forces of the process from non-psychotic symptoms to overt hallucinations. Finally, Parnas and Sass link psychiatry to philosophy and psychology, and provide an in-depth and thorough description of these phenomena in their work on schizophrenia as a disorder of consciousness and self-experience with hyper-reflexivity and diminished self-affection as key aspects. (shrink)

According to the traditional Western concept of freedom, the ability to exercise free will depends on the availability of options and the possibility to consciously decide which one to choose. Since neuroscientific research increasingly shows the limits of what we in fact consciously control, it seems that our belief in free will and hence in personal autonomy is in trouble. -/- A closer look at the phenomenology of Obsessive-Compulsive Disorder (OCD) gives us reason to doubt the traditional concept of freedom (...) in terms of conscious control. Patients suffering from OCD experience themselves as unfree. The question is whether their lack of freedom is due to a lack of will power. Do they have too little conscious control over their thoughts and actions? Or could it be the opposite: are they exerting too much conscious control over their thoughts and actions? -/- In this chapter, we will argue that OCD patients testify to the general condition that exercising an increased conscious control over actions can in fact diminish the sense of agency rather than increase the experience of freedom. The experiences of these patients show that the traditional conception of freedom in terms of ‘free will’ has major shortcomings. There is an alternative, however, to be found in the work of Hannah Arendt. She advocates a conception of freedom as freedom in action. Combined with phenomenological insights on action, Arendt’s account of freedom helps us to get a more adequate understanding of the role of deliberation in the experience of freedom. We argue that the experience of freedom depends on the right balance between deliberate control and unreflective actions. (shrink)

In this article, I consider ‘skin portraiture’: a mode of representation that privileges quasi-anonymous, fragmented, magnified and anatomized images of skin. I argue that this mode of representation permits a heightened awareness of embodied experiences such as reflexivity, empathy and relationality. Expanding understandings of difference through its engagement with haptic imagery and visuality, skin portraiture reorients the boundaries between ‘I’/‘not I’ and subject/object – often through touch – and challenges the cultural commitment to traditional notions of bodily autonomy. By (...) doing so, skin portraiture functions as an antagonistic form of portraiture; that is, as a kind of anti-portraiture that pushes the genre into an expanded visual field and, at times, beyond representation. Exploring the skin-as-technology metaphor, I show that bio art skin portraiture creates chimeric skins through tissue culturing practices, permitting bodies to become radically relational. Bio art skin portraits celebrate the genetic and cellular differences between bodies through a visible collapse of epidermal boundaries, which engenders a hyper-haptic mode of seeing beyond the subject and her or his skin. Analysing the bio art of Jalia Essaïdi, ORLAN and Julia Reodica, and drawing on the work of Laura Marks and Erin Manning, this article explores the skin-as-technology metaphor in order to offer the arts and humanities an innovative understanding of contemporary embodiment. (shrink)

Representations of urban youth and its cultures of display have become an increasing focus of attention for contemporary cinema. The film La Haine received critical acclaim for its raw depiction of `ghetto life' for alienated `minority' youth in France. In this article, we use this text as a way of exploring the cultural politics of such filmic practices. La Haine's aesthetic strategies of an affective `hyper-realism' and postmodern authenticity are scrutinized for their racialized politics of representation. The discussion focuses (...) on the film's reflexive presentation of racialized youth and their musical cultures. We argue that while the film lucidly captures the intensity of an urban existence, its aesthetic strategies and self-reflexivity belie a deeper unacknowledged ethico-political relation to racialized Otherness. (shrink)

Representations of urban youth and its cultures of display have become an increasing focus of attention for contemporary cinema. The film La Haine received critical acclaim for its raw depiction of `ghetto life' for alienated `minority' youth in France. In this article, we use this text as a way of exploring the cultural politics of such filmic practices. La Haine's aesthetic strategies of an affective `hyper-realism' and postmodern authenticity are scrutinized for their racialized politics of representation. The discussion focuses (...) on the film's reflexive presentation of racialized youth and their musical cultures. We argue that while the film lucidly captures the intensity of an urban existence, its aesthetic strategies and self-reflexivity belie a deeper unacknowledged ethico-political relation to racialized Otherness. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Surviving American Culture:On Chuck PalahniukEduardo MendietaIn an age in which American culture has become the United States' number one export, along with its weapons, low intensity conflict, carcinogenic cigarettes, its "freedom," and pornography, it is delightful and even a sign of hope that there are writers who have taken on the delicate and perilous task of offering a prognosis of what ails this culture. In the following essay I (...) argue that Chuck Palahniuk's works ought to be read as a mortician's report on American culture. Chuck Palahniuk broke into the literary world by way of the movie version of his first novel: Fight Club (1995). He has gone on to write six other novels: Survivor (1999), Invisible Monsters (2000), Choke (2001), Lullaby (2002), and Diary (2003). He also has published an interesting travel book, Fugitives and Refugees; A Walk in Portland, Oregon (2003), but since this is not properly fiction, I will not discuss it in this essay.1Clearly, Palahniuk has already produced a corpus worthy of careful consideration and analysis. Yet, as a west coast writer, far from the literary circles and brokers of the east coast, indeed far away from the clubs of self-promotion and self-monitoring that censure and hold in tight grip the monopoly of criticism that highlights "worthy literature," Palahniuk has not attracted a lot of critical attention. It is only with his most recent work Choke that he has began to be widely reviewed and commented on. In the following I provide a thematic reconstruction of each one of the six published novels, in chronological sequence. I will argue that Palahniuk is not trying to write the "great American novel," although he is profiling himself as a quintessential "American" writer in the midst of post–Cold War megalomania and celebrated Pax Americana. He has taken on a culture that has become so gargantuan, [End Page 394] fragmented, and differentiated but at the same time so rich, so self-reflexive, so historicized and also so mimicked that one novel cannot tell its story in one narrative with one dramatic thread. Many novels, many short cuts, many vignettes, are necessary: one polyphonic, asynchronous, temporally bi-directional, hyper-textual, and cyber-encyclopedic novel made up of individual novels, where each novel is the Bildungsroman of an American hero but told in reverse. These heroes, I will argue, are testimonies to the resilient power of individuals to resist even the most invasive and persistent onslaughts by culture on the physic life of freedom and individuality. I will also argue that he is neither a commercial nor academic writer; that is, he is not the kind of writer who writes either in order to maintain a living or secure tenure. He is a writer with a mission, a vision, and a very distinctive style. The stories that Palahniuk tells are stories that begin at the end, and end at the beginning: they are turned around Bildungsromans. They are, in other words, about unmaking, uncoupling, and disentangling our selves from the normal self into which we have been socialized. These stories are, thus, about the discovery of moral resources that lay dormant in the very simplicity of human solidarity and trust in our will to survive morally untainted, or at least redeemable. I will conclude by arguing that Palahniuk's novels are about surviving American Culture, and about how deviance is the health of the individual in a sick society.One could characterize Fight Club as the intelligent man's response to Robert Bly's Iron John (1990),2 or the fictionalized version of the Michael Kimmel's Manhood in America: A Cultural History (1996).3 Alternatively, one could argue that Fight Club is the fin-de-sieclé response to Barbara Ehrenreich's prognosis in her The Hearts of Men: American Dreams and the Flight from Commitment (1983) of 1970s and 1980s narcissistic and hedonistic masculinity.4 Chuck Palahniuk's first novel is a biting and poignant look at men in American culture after the end of affluence and the simultaneous "feminization" of masculinity. It is at the same time about the struggle for a viable sense of masculinity in an age in... (shrink)

This essay builds on two questions: the relation of the child with the other and the child’s way of knowing, in which the resistance of the unreflected is not yet problematized. Through a reconstruction of Merleau-Ponty’s critique of Piaget’s idea of the child’s linear intellectual progression toward reflexive abstraction, I highlight the moment of unreflection by taking up the notion of ultra-thing, which Merleau-Ponty borrows from Henry Wallon. These ultra-things are entities with which the child entertains a vague relation and (...) which always remain at the horizon of her perception without yet being possessed in a representation or grasped in a concept. They include, for example, the sun, the sky, the Earth, the body as an object, existence before the birth of the child – uninhabitable dimensions or, to the contrary, ones that are necessarily inhabited. The concept of ultra-thing has not been sufficiently explored in Merleau-Pontian studies and its importance remains underappreciated. This essay thus formulates a hypothesis about the relation between ultra-things and hyper-reflection. (shrink)

The fact that sociology was born during the period of the Industrial Revolution does not authorize us to consider its discourse as lacking in philosophical elements that are rooted in a previous age. Neither can we consider as fully accomplished its role for modernity, nonetheless today, in an after-modern climate (in the sense of Donati 2009), sociology is trying to escape the prejudice of modern ethics to go beyond the clichés of postmodernity (Ardigò 1989). Filled with self-reflexivity and reductionist (...) dichotomies, the twenty-first-century sociologist feels the need to ?own factual reality again? and to rediscover ?a new metaphysics of the social world? (Donati 1993). If self-consciousness is in the world, sociology, perhaps, has to go beyond science and turn into ?globology? (Arnason 1990), or into a sociology on a global scale, which looks at how world unification has occurred. In order to accomplish this, it has to be careful about what it was able to do best in the past: ?to foresee and to enhance sustainable change,? to be aware of the ?relational connections,? which no mathematics will ever be able to show, to build new ?memes,? and to decide to accelerate or to go against the phenomena it encounters in its observation. Society in the twenty-first century will go beyond postmodern stagnation and turn into something new (After-modernity? Hyper-modernity? Trans-modernity?) if it is to be helped by the interpretations of sociology. Notwithstanding the endeavors to change, most Westernized countries are trapped in the lib-lab model, while China argues for a complete reconfiguration of the concepts of public and private, states and market, freedom and controls, copyright and copyleft. What is going to happen in the future? Are we going to fall into a technocratic and authoritarian form of neo-modernization? Are we going to rediscover the system of exchanging gifts? Are we going to create a fully ?relational? society, going beyond the Hegelian categories of right and left? It will be the role of a ?strong and relational? sociology to identify all the ?viable? scenarios and to prepare its advent in symbolic terms. (shrink)

Graph-based frames have been introduced as a logical framework which internalises an inherent boundary to knowability (referred to as ‘informational entropy’), due, e.g. to perceptual, evidential or linguistic limits. They also support the interpretation of lattice-based (modal) logics as hyper-constructive logics of evidential reasoning. Conceptually, the present paper proposes graph-based frames as a formal framework suitable for generalising Pawlak's rough set theory to a setting in which inherent limits to knowability exist and need to be considered. Technically, the present (...) paper establishes systematic connections between the first-order correspondents of Sahlqvist modal reduction principles on Kripke frames, and on the more general relational environments of graph-based and polarity-based frames. This work is part of a research line aiming at: (a) comparing and inter-relating the various (first-order) conditions corresponding to a given (modal) axiom in different relational semantics; (b) recognising when first-order sentences in the frame-correspondence languages of different relational structures encode the same ‘modal content’; (c) meaningfully transferring relational properties across different semantic contexts. The present paper develops these results for the graph-based semantics, polarity-based semantics, and all Sahlqvist modal reduction principles. As an application, we study well known modal axioms in rough set theory (such as those corresponding to seriality, reflexivity, and transitivity) on graph-based frames and show that, although these axioms correspond to different first-order conditions on graph-based frames, their intuitive meaning is retained. This allows us to introduce the notion of hyperconstructivist approximation spaces as the subclass of graph-based frames defined by the first-order conditions corresponding to the same modal axioms defining classical generalised approximation spaces, and to transfer the properties and the intuitive understanding of different approximation spaces to the more general framework of graph-based frames. The approach presented in this paper provides a base for systematically comparing and connecting various formal frameworks in rough set theory, and for the transfer of insights across different frameworks. (shrink)

Beginning with one of the most remarkable characteristics of cyber art, ‘interactivity’, in a context of generalized hybridization of the procedures and technological devices available in the current hyper-technological era, this article will highlight the festive dimension within contemporary artistic practices, especially in its technological and digital components. In order to take both its ‘creationist’ and ‘reflexionist’ aspects into consideration, the proposed interpretation will adopt as its starting point the questions introduced by classical anthropology about festivity: What establishes community (...) in cyber art? Which kind of community is established there and what is sacrificed in digital or cybernetic art? These questions are articulated with the discussion proposed by Hans-Georg Gadamer and Richard Schechner about the task of building the reflexive play that is found in the work of art as such. The purpose is to gradually present, throughout the article, the peculiarity of the experience of ‘the festive’ in computing and numerical arts. (shrink)

Le développement de l'individualisme et les orientations actuelles du design des technologies de l'information et de la communication se combinent pour ancrer réflexivement un modèle de l'action fondé sur le modèle de la distribution. L'acteur délègue une partie des choix de plus en plus nombreux qui lui incombent à son environnement artefactuel. Dans le champ de la communication interpersonnelle, ceci se traduit par le développement d'une gestion relationnelle basée sur la « présence connectée ». Dans le domaine des communautés épistémiques (...) de type OpenSource, les individus se mobilisent souvent sur un mode de réactivité immédiate plus que par délibération individuelle. La question se pose alors du statut moral et de la possibilité d'analyser de manière indépendante un collectif et un espace public d'individus hyper-connectés, organisés, outillés et adaptés plus pour réagir rapidement que réfléchir longuement.Development of individualism and the current guidelines for the design of information technology and communications combine to anchor a model of reflexive action based on the model of the distribution. The actor delegates some choices more numerous its obligations to its environment artifactual. In the field of interpersonal communication, this translates into the development of a relationship management based on "connected presence". In the field of epistemic communities like OpenSource, individuals often involve a more immediate response mode by individual deliberation. The question then arises the moral status and the ability to analyze independently a collective and public space of hyper-connected individuals, organized, equipped and adapted to respond more quickly than think long. (shrink)

This paper seeks to contribute to the debate around sustainability by proposing the need for an ecocentric stance to sustainability that reflexively embeds humans in—rather than detached from—nature. We argue that this requires a different way of thinking about our relationship with our world, necessitating a engagement with the sociomaterial world in which we live. We develop the notion of ecocentrism by drawing on insights from sociomateriality studies, and show how radical-reflexivity enables us to appreciate our embeddedness and responsibility (...) for sustainability by bringing attention to the interrelationship between values, actions and our social and material world. We examine the implications of an ecocentric radically reflexive approach to sustainability for management education. (shrink)

As has been widely observed, histories of feminism have often been conceived via notions of generation where feminism is positioned as a kind of familial property, a form of inheritance and legacy which is transmitted through generations. Thus feminism and its history have been imagined as following a familial mode of social reproduction. Despite the dominance of this model, it has nonetheless been subject to critique, not least because of its reliance on teleological and progressive notions of history. Judith Roof, (...) for example, has called for new conceptualizations of temporality in an attempt to decouple histories of feminism from a generational model. This need to move away from a generational model is also underscored by what commentators such as Angela McRobbie have identified as a dispersal of feminism – a broad-scale circulation of feminist values in popular culture – as well as by the emergence of a certain kind of reflexivity whereby past and current feminist practices are increasingly subject to critique. For McRobbie such developments are understood as part of the articulation of a post-feminism in which feminism can no longer be passed on as it is positioned as having already passed away. However, in this article via an exploration of recent accounts of the passing of feminism it is suggested that what allows for a declaration of this passing is an attachment to feminism as a particular way of knowing as well as to a particular arrangement of the social. Indeed, it will be suggested that recent histories of feminism and commentaries on the state of contemporary feminism are driven not only by generational logics but also by these attachments – attachments which lose and fix both feminism and women in time. (shrink)

In qualitative research into emotions, researchers and participants share emotion-laden interactions. Few demonstrate how the analytic value of emotions may be harnessed. In this article we provide an account of our emotional experiences conducting research with two groups: adults living with cystic fibrosis and spouse caregivers of cancer patients. We describe our emotion work during research interviews, and discuss its methodological and theoretical implications. Reflections depict competing emotion norms in qualitative research. Experiences of vulnerability and involuntary “emotional callusing” illustrate the (...) insight into participants’ experiences afforded to us through emotion work. This prompted us to extend Hochschild’s theory to incorporate unconscious activity mediated through habitus, allowing us to demonstrate how the “emotional” nature of emotions research can galvanize analytic insight. (shrink)

While supporting the anti-foundational ontological turn in science and technology studies, the author criticizes the tendency towards the radical empiricizationof empirical ontology. The article discusses two crucial arguments against this tendency. On the cognitivist argument, empirical immediacy is inevitably shaped and mediated by non-empirical assumptions. According to the hermeneutic argument—which is of great greater importance—any empirically immediate state of affairs is the upshot of actualizing possibilities projected by interrelated practices upon horizons of practical existence. Thus, what is given as empirical (...) immediacy is ineluctably “produced” within the potentiality for practical being. Following this argument, a non-empirical extension of empirical ontology is suggested. The starting-point of this extension is the integration of radical reflexivity into ethnographic descriptions of multiple realities. A further step consists in the introduction of double hermeneutics to studies of empirical ontology. Finally, the significance of ontological difference for these studies comes under scrutiny. (shrink)

Critical realist thought has theorised convincingly that epistemic relativism is constellationally embedded in ontological realism which in turn necessitates judgemental rationality. In social scie...

Questo saggio offre un ritratto pragmatista del sé e dunque una descrizione che parte dalla premessa per cui il sé è anzitutto un attore sociale incarnato, situato, che possiede la capacità di un’effettiva autocritica. Così, oltre a evidenziare il ruolo dell’azione, l’autore sottolinea anche quello della socialità e della riflessività. A differenza di molti ritratti abbozzati da altri autori pragmatisti, quello presente cerca di rendere una più completa giustizia alla dimensione «interiore» della soggettività umana, soprattutto attraverso la costruzione dell’interiorità come (...) riflessività (il rapporto del sé con se stesso). (shrink)

The deconstruction of the subject associated with postmodernism cannot be said to have simply carried the day. Opponents and critics of postmodernism have held that we must return to the subject and to autonomy as a necessary condition of thinking about ethics, politics, agency and responsibility. Indeed, Peter Dews has recently argued that efforts to displace the subject repeat rather than dissolve the problems generated by subject-centered theories, a charge he takes to be devastating. The implications of this return to (...) the subject, and the power of the critique which motivates it, will be my focus here. I consider especially Judith Butler's performative account of agency and her recent discussion of reflexivity, and argue that they afford us a means of obviating the critique while providing for the reflexive agency that proponents of the return to the subject think necessary. Key Words: agency • autonomy • Seyla Benhabib • Judith Butler • Dieter Henrich • power • reflexivity • subjectivation • subjectivity. (shrink)

This essay argues that Zizek’s post-Lacanian critique of contemporary culture stays within the logic of the discourse of the university and often functions to repress psychoanalysis and the unconscious. By looking at how Zizek divides Lacan work into a bad early Symbolic stage and a good late period that promotes the Real, enjoyment, and the death drive, I reveal how this binary and linear reading functions to efface important connections and differences concerning the key concepts of psychoanalysis. In fact, Zizek’s (...) work utilizes the obsessional processes of negation, splitting, fragmenting, and projection in order to absorb analytic practice into a self-consuming Hegelian negative dialectic. Moreover, his use of repetition in his own writings replicates the short-circuit of the death drive that finds enjoyment by returning to the subject in an act of self-negation. In looking closely at how Zizek reads Lacan, I place Zizek’s work within the contemporary backlash against progressive social movements and the social construction of knowledge. Thus, by creating a closed circle between the subject of autonomous repetition and the universal discourse of global nihilism, he represses social Symbolic mediation and reiterates a fundamentalist logic of obscene enjoyment. In fact, we can read his use of humor and popular culture as an effort to bond with his audience by providing enjoyment in exchange for the suspension of criticism and responsibility. In short, I argue that Zizek’s work is structured like a joke. (shrink)

El artículo examina la concepción hegeliana del arte moderno a la luz de las consideraciones sobre el teatro en las Lecciones de estética. Dicha concepción se modifica respecto a la época clásica y la antigüedad con la irrupción del principio de la subjetividad en el arte. Se descubren así las dimensiones histórica, reflexiva y comprensiva del arte que anticipan una hermenéutica del arte bajo la consigna de un “arte para nosotros”: un arte que deja de estar anclado en las representaciones (...) del pasado para situarse más bien de cara a las exigencias del presente. (shrink)

In recent years, religious studies has undergone an ethnographic turn. More and more, scholars attend to the social location and significance of religious practice. This approach foregrounds the self-understandings of religious communities and practitioners and raises the question of the relation between ethnography and philosophical analysis. For instance, Saba Mahmood, in The Politics of Piety, draws from ethnographic study so as to critique philosophy’s universalizing claims regarding subjectivity, enabling a recognition of the diverse forms feminist subjectivity and political agency may (...) take within religious traditions and practice.2 Jeffrey Stout’s Blessed are the Organized likewise shifts the terrain of .. (shrink)

“Humble” and “business school” are not two words you might associate together, but we can address grand challenges only if business school education instills epistemic humility through reflexivity. We hope that this call-to-action challenges educators to consider how we develop future business leaders who are sensitized to the communities around them, open to tackling the range of challenges that the Sustainable Development Goals (SDGs) present to all of society.

This paper seeks to join studies which have drawn attention to the ethical reflexivity of research and the research enterprise in the organisational studies’ field. Towards this end, we review OB, HRM, and IR studies on direct employee participation in organisations post-1990s to examine their normative underpinnings. Using Fox’s three frames—unitarist, pluralist, and radical—we compare the underpinnings within and across the chosen disciplines to bring ethical reflexivity to studies in this area of inquiry. Implications are drawn out to (...) take forward the quest for more ethically reflexive employee participation research. (shrink)

This study represents a comparison between two radical gestures of literary self-reflexivity: romantic irony and postmodernist metafiction. It examines the impact of early German romantic theory and its central concept of irony on German and English romantic narrative fiction and relates the same to postmodernist self-reflexive novels, including its British and American variants. A primary objective of this comparison is to account for the radical skepticism that postmodernist metafiction voices with respect to the paramount philosophical question of truth and (...) reality. The immanent tension between an absolute idealistic and a radically skeptic position which romantic irony articulates and enacts is conceived of as an important and instructive link to the understanding of postmodernism. (shrink)

The article discusses the methodological principle of reflexivity as formulated within the strong program of the sociology of scientific knowledge. The applicability of this principle in science and technology studies is analyzed from empirical and theoretical points of view. The principle of reflexivity expresses the requirement of scientific universalism: it forbids the exclusion of one’s own cognitive activity and its results from the world totality of objectively observable things and processes, in this case – beliefs. In D. Bloor’s (...) imperative formulation, the principle prescribes applying the explanatory methodology of the strong program in relation to the strong program’s own fundamental theoretical and methodological concepts. The implementation of this principle in STS faces practical problems and theoretical paradoxes. In line with the methodology of the strong program, the author asks the question about the social conditions of the failure of the principle of reflexivity. The author shows that empirically cognizable social conditions for the realization of the principle of reflexivity can be fulfilled. However, their fulfillment does not lead to reflexive work, which presupposes an external position of the one who explains in relation to what is explained. In accordance with the postpositivist concept of the underdetermination of theory by facts, the external position is achieved through the speculative transition from the factual given to the hypothesis explaining this given. The author shows that the external position taken by internal critics of the STS research community becomes the position of speculative philosophy. (shrink)

(2002). A Meditation on Knell, Funeral Melancholia and the Question of Self-Reflexivity: 'To Whom Would the Reflexive be Returned?' Angelaki: Vol. 7, No. 2, pp. 93-105.

Scientific knowledge is the outcome of a collective, for example, of experts, methods, equipment, and experimental sites. The configuration of the collective shapes the scientific findings, allowing some interactions to become visible and meaningful at the expense of others. PROTEE is a methodology that aims to increase the reflexivity of research and innovation projects by helping to sensitize practitioners to the demarcations their projects enact and to think through how these may affect the relevance of the outcomes. We used (...) PROTEE to structure a series of dialogues with a research project that wanted its findings to make a contribution to the heated debate on transgenic trees. Through this process, the project did indeed become more articulated while we ourselves became engaged with the project in a very particular way, by becoming loyal to it. The dialogues also made the risks that engagement with public debate entails for scientists very apparent. Like us, the scientific project chose its loyalties, but what PROTEE did was to help make these explicit. (shrink)

Although the meaning and usefulness of Erving Goffman’s work are still being debated today, few would doubt the importance of his contributions to the sociological study of the self, emotions, deviance, and social interaction. Less well known to most contemporary sociologists is his effort to provide a sociological account of voluntary risk taking—participation in gambling, high-risk sports, dangerous occupations, certain forms of criminal behavior, and the like—activities he classified as ‘action’. While Goffman’s study of action anticipated the expansion of volitional (...) risk taking in Western societies in recent decades, most contemporary research on this trend has been guided by a different concept—the notion of ‘edgework’. Contrasting the action and edgework approaches along three key parameters—fateful action versus corporeal edges, embodied semiotics versus embodied experience, and dramaturgical reflexivity versus hermeneutic reflexivity—reveals how the action and edgework concepts capture conflicting motivations for voluntary risk taking. Finally, this article considers how Goffman’s action framework can be reoriented to contemporary social conditions and integrated with the edgework perspective to yield a multidimensional theory of risk agency in late modern society. (shrink)

ABSTRACT In this paper we set forth what we believe to be a relatively controversial argument, claiming that ‘bioethics’ needs to undergo a fundamental change in the way it is practised. This change, we argue, requires philosophical bioethicists to adopt reflexive practices when applying their analyses in public forums, acknowledging openly that bioethics is an embedded socio‐cultural practice, shaped by the ever‐changing intuitions of individual philosophers, which cannot be viewed as a detached intellectual endeavour. This said, we argue that in (...) order to manage the personal, social and cultural embeddedness of bioethics, philosophical bioethicists should openly acknowledge how their practices are constructed and should, in their writing, explicitly deal with issues of bias and conflict of interest, just as empirical scientists are required to do. (shrink)

Was Durkheim an apologist for the authoritarianism? Is the sociology founded upon his work incapable of critical perspective; and must it operate under the presumption that social agents, including sociologists themselves, are incapable of reflexivity? Certainly some have said so, but they may be wrong. In this essay, I address these questions in the light of Durkheim's revisionary sociology of morals. I elaborate on unfinished elements in Durkheim's abruptly concluded (because of his early and unexpected death) scholarship, pointing out (...) Durkheim's recognition that co-present moral spheres always exist in an organically complex society, and explaining how these co-present spheres obligate social agents to untether from any absolute moral affiliations. Ultimately, then, the argument shows how the solidarity/social-order relationship is transcended within Durkheim's sociology, even by Durkheim himself. (shrink)