Para este trabajo lo que queremos hacer es un análisis general del arte, así como de sus implicaciones en lo social y en quienes trabajan el aspecto artístico, además de cuestionarnos qué es el arte y qué posibles efectos represente en el público que lo consume o lo adquiere; nuestro escrito no contiene un aparato crítico como tal, sino lo que más bien hacemos es una reflexión en torno a los pormenores señalados, aclarando que las fuentes que se presentan al (...) final del escrito, son de referencia y las mismas que se emplearon para elaborar y dar luz a esta reflexión. (shrink)

Nowadays there is a growing tendency in the philosophy of science to think that some phenomena cannot be exhaustively explained, or even described, by a single theory or a particular approach. Thus, we are occasionally required to use various approaches in order to give account of the phenomenon we are analyzing. And sometimes, we can appreciate this as an invitation to be pluralist in certain respects about our understanding of a particular aspect in science. -/- During the last decade applications (...) of pluralism have increased and led to several other relevant debates in the philosophy of science. By the strengthening of pluralism, new questions have emerged, and more importantly, new alternatives have been offered in dealing with problems about how to interpret the ontology and the ontological commitments of particular theories, or how to apply strategies to analyze and understand specific episodes from the history of science, or how to work within different, and sometimes incompatible, explanations about a particular phenomenon, among others. In general, pluralism seems to be a very rich and yet not enough explored path for the philosophy of science in general. -/- Today, it is recognized that, at least for methodological purposes, the application of pluralism to the study of science can offer a great number of benefits. One of them would be the opportunity of analyzing the role that some epistemic virtues -such as scope, fruitfulness, consistency, and simplicity, to name just a few- play in the scientific activity. From the different pluralist positions, a lot has been said about empirical adequacy, refutability and explanatory power yet consistency power, yet, consistency has not been equally dealt with. -/- As a matter of fact, the lack of consistency and its philosophical implications have been studied from an angle that does not necessarily involve a pluralism of any kind. At the moment, it is commonly accepted that inconsistencies are more frequent in scientific development that the traditional philosophy of science could have expected and the idea that inconsistency is not always a synonym of logical anarchy, as it was suggested in the classical literature of logic and the philosophy of science, has been gaining support. All this has been possible, mostly, thanks to the emergence of paraconsistent logics and the availability of case studies that show how inconsistency is not an uncommon phenomenon in science. -/- But pluralism does not necessarily entail inconsistency toleration nor vice versa. Accordingly the main motivation for this volume is to explore the links between pluralism and inconsistency toleration in science, in order to connect the reflections on inconsistency toleration with broader and major issues in philosophy of science. In order to do so, we will suggest two different lines of investigation: first, to focus on the implication of some pluralistic accounts in the philosophy of science, regarding inconsistency; and second to analyze the implications of some paraconsistent approaches regarding pluralism in science. (shrink)

Like theories, reconstructions of episodes in the history of science can possess, or lack, certain virtues such that, when we face two or more different reconstructions of the same episode, we assume that we should choose the most “virtuous one”. However, we will argue that, with dissimilar reconstructions of the same episode, it is not always necessary to separate the “good ones” from the “wrong ones”, and that, as a matter of fact, each reconstruction could provide different but perhaps equally (...) relevant data about the episode, about science in general, and about particular philosophical theses. In order to help us to identify these benefits, we will present a criterion that guides the search for historiographical reinforcement of philosophical theses and we will use it to evaluate three different reconstructions of the same scientific episode. (shrink)

In order to illuminate the very complex relationship between ethics and politics in the thought of Jacques Derrida, this paper stages the (dis)encounter between Hegel's and Derrida's notion of forgiveness. It will be shown how for these two authors forgiveness is closely related both with certain ‘impossibility’, and with the disclosure of a condition for rethinking the ethico-political realm. Both Hegel and Derrida seem to suggest that forgiveness opens up a realm in which something must remain ‘absolute’, that is to (...) say, ‘intact, inaccessible to law, to politics, even to morals’. And, for both, it seems to be precisely there, where something arrives at the verge of politics, that a thinking (and a re-thinking) of the ‘political’ becomes possible. The paper explores what kind of impossibility is staged in each case, and how can each one bring into light the risks and limits, but also the scope and significance of the other. (shrink)

This paper presents an overview of my work in philosophy from my first book on Friedrich Schiller and the political sublime to my most recent project on listening to traumatic forms of violence. Starting with a reflection on the autobiographical character of philosophy, I propose to take up the question of an aesthetic dimension of philosophical critique, where aesthetics is understood as an always already embodied perspective on the world, on truth, and on philosophical activity, as well as an always (...) already political realm, where the distribution of sense pre-determines our approach and articulation of experience. Departing from aesthetics understood and deployed as critique, the paper moves on to ask about the specific frameworks of sense or grammars that determine in advance the conditions of audibility in the realms of memory-building and history-making—particularly in those contexts where historical, political, and institutional forms of violence produce silencing and erasure. Putting in dialogue the latter with decolonial studies, I interpret “traumatic violence” as a colonizing form of violence, understanding that one of its central aspects is that it is not only an assault on life but on the conditions of production of sense that make life legible as such. In this context, my project on grammars of listening seeks to carefully unpack these complex intersections while also explaining why I believe that a radical form of listening is an essential subversive/imaginative strategy against traumatic/colonial violence. (shrink)

Two of the most important outcomes of The Contradictory Christ include: identifying Christ as an unproblematically contradictory being as well as laying the foundations of an investigation of the logical consequences of the existence of Christ, qua contradictory, within a particular 'theory'. In light of the enormous reluevance of Beall’s The contradictory Christ for the study of inconsistency, my main concern here is to explore the effect of some methodological choices behind Beall’s proposal -this in order to recognize in more (...) detail the scope of Beall’s contribution. To do so, I will focus on three main questions: 1. What is required for the identification of a contradiction? 2. How can we recognize a true contradiction from either an apparent or a temporal contradiction? 3. If we identify a true contradiction within a theory, where can we actually go from there? (shrink)

Se propone rastrear la interpretación que Schiller lleva a cabo en las Cartas sobre la educación estética del hombre del análisis kantiano del juicio de gusto puro como asociado con una suspensión de toda determinación que hace posible la experiencia de la belleza. Para Schiller, esto resulta en una temporalidad de lo bello experimentada como suspensión, que se torna adicionalmente en una suspensión de la temporalidad. El artículo muestra cómo este concepto resulta esencial para el concepto de crítica estética en (...) Schiller, que se relaciona con una capacidad de la experiencia estética de desactivar formas de violencia que, según el diagnóstico que Schiller propone en las Cartas, saturan su presente histórico. Con ello, el artículo pretende mostrar la pertinencia de la obra de Schiller para la configuración de este aspecto de la crítica filosófica-histórica. (shrink)

El presente artículo tiene como tarea principal señalar algunos aspectos que hacen pertinente a la hermenéutica dentro del marco de la discusión política, defendiéndola de los ataques que se le han propugnado sobre todo desde una fi losofía de la conciencia crítica como la de Habermas, Adorno y algunos de sus seguidores. Se mostrará, a partir de Gadamer, cómo la hermenéutica responde a dichas críticas en el marco de su propuesta de la comprensión como tarea fundamental y como espacio político (...) primordial. Frente a una fi losofía que apela a la necesidad de una “toma de distancia” como punto de partida de la crítica, único lugar de una verdadera fi losofía y acción políticas, la hermenéutica de Gadamer presenta una alternativa que vale la pena ser rescatada: es en el diá-logo, en el espacio compartido de la comprensión, más que en la crítica, donde el hombre des-encubre las posibilidades de lo que es, donde se da la apertura de su libertad, y, por consiguiente, donde se desenvuelve, en la acción, antes que en la refl exión, el espacio de lo político. (shrink)

Schiller a été fasciné par la résistance que la beauté oppose à la conceptualisation dans l’esthétique de Kant et l’a associée à une forme de temporalité particulière : l’« arrêt » sur le beau. La thèse que je soutiens est la suivante : le fait que nous nous arrêtions à contempler le beau ouvre pour Schiller une dimension critique au sein de l’esthétique, où l’expérience de la beauté résiste à la violence qui caractérise la modernité et en même temps cet (...) arrêt favorise l’apparition d’une perspective esthétique au sein de la critique en inaugurant une temporalité d’un autre type, en dehors de l’ordre causal des événements, dans laquelle il devient possible de « jouer » librement, et donc de manière critique, avec les déterminations historiques du présent. (shrink)

This essay presents a possible interpretation of the concept of beauty in Kant’s Critique of Judgment, which was itself suggested by Kant in the two introductionsto the text and gained force among the Early German Romantics and Idealists, introducing an alternative point of view into the concept of beauty and the role it plays in the relationship between reason and sensibility, man and world. Through the analysis of the four moments of the Analytic of the Beautiful, beauty will manifest itself (...) as the realm in which a special encounter between human freedom and nature takes place. Therefore, and as an alternative to some traditional interpretations of Kant’s aesthetic investigation, which understand Kant’s judgment of taste exclusively on the basis of its subjective conditions, the judgment of beauty will present itself also in the relationship it establishes with the objects of nature. (shrink)

Inconsistency toleration is the phenomenon of working with inconsistent information without threatening one’s rationality. Here I address the role that ignorance plays for the tolerance of contradictions in the empirical sciences. In particular, I contend that there are two types of ignorance that, when present, can make epistemic agents to be rationally inclined to tolerate a contradiction. The first is factual ignorance, understood as temporary undecidability of the truth values of the conflicting propositions. The second is what I call “ignorance (...) of theoretical structure”, which is lack of knowledge of relevant inference patterns within a specific theory. I argue that these two types of ignorance can be explanatory of the scientists’ rational disposition to be tolerant towards contradictions, and I illustrate this with a case study from neutrino physics. (shrink)

_ Source: _Volume 47, Issue 1, pp 108 - 123 The following paper addresses itself to the question of ontology in the work of Jean-Luc Nancy. In so doing it attempts to read Nancy’s ontological project as a project of the deconstruction of structural forms of political violence. To this end, Nancy’s notion of “inoperative community” is brought into dialogue with Benjamin in order to show how, in Nancy’s work, ontology operates not as the refusal of critique, but as its (...) very condition. (shrink)

Este artículo aborda el proceso de figuración del nuevo frente costero para la ciudad de Posadas, Misiones, Argentina, considerando la construcción discursiva del objeto costa en un corte diacrónico del corpus compuesto por planes y proyecto de intervención urbanística. Entiendo por figuración el haz de representaciones e imágenes proyectadas del espacio costero configurado en un escenario particular: la elevación de las aguas del río Paraná por la formación del embalse de la represa Yacyretá. Se toman en consideración diversos aspectos vinculados (...) con la formación discursiva sobre el desarrollo, movilizados para la implementación de políticas urbanas, que ponen en escena el problema de la articulación entre el plano discursivo y el plano físico de las transformaciones urbanas. Así también se describe el dispositivo enunciativo del proceso de figuración, la posición de sujeto predominante y sus efectos de sentido. (shrink)

What would it mean to do justice to testimonies of traumatic experience? That is, how can experiences which do not fit the customary scripts of sense-making be heard? Whereas processes of official memorialization or legal redress often demand that victims and survivors convey their experiences through familiar modes of narration, in my project on ‘grammars of listening’ or ‘gramáticas de lo inaudito’ I want to ask how it might be possible to hear these experiences on their own terms and what (...) the challenges are that we encounter when trying to do so. What I ultimately want to argue is that doing justice to trauma requires a profound philosophical questioning of the conditions that allow us to listen to testimony, and a true reckoning of the responsibility that we bear as listeners. (shrink)

It has recently been argued by Davey (2014) that inconsistency is never tolerated in science, but only discretely isolated. But when talking about inconsistencies in science, not much attention has been paid to the inconsistencies between theory and observation. Here I will argue that inconsistency toleration actually takes place in science, and that when we examine actual inconsistent theories, inconsistencies between theory and observation look anything but homogeneous. I will argue, appealing to certain properties of empirical theories, especially holism, that (...) at least two sub-types of inconsistencies regarding theory and observation can be distinguished: those that satisfy a criterion of observational independence and those that do not. (shrink)

Many have contended that non-classical logicians have failed at providing evidence of paraconsistent logics being applicable in cases of inconsistency toleration in the sciences. With this in mind, my main concern here is methodological. I aim at addressing the question of how should we study and explain cases of inconsistent science, using paraconsistent tools, without ruining into the most common methodological mistakes. My response is divided into two main parts: first, I provide some methodological guidance on how to approach cases (...) of inconsistent science; and second, I focus on a peculiar type of formal methodologies for the scrutiny of inconsistent reasoning, the _Paraconsistent Alternative Approach_ (henceforth, PAA) and argue that PAA can enhance a more accurate understanding of sensible reasoning in inconsistent contexts. (shrink)

Shows the relevance of Schiller’s thought for contemporary philosophy, particularly aesthetics, ethics, and politics. This book seeks to draw attention to Friedrich Schiller (1759–1805) as a philosophical thinker in his own right. For too long, his philosophical contribution has been neglected in favor of his much-deserved reputation as a political playwright. The essays in this collection make two arguments. First, Schiller presents a robust philosophical program that can be favorably compared to those of his age, including Rousseau, Kant, Schelling, and (...) Hegel, and he proves to be their equal in his thinking on morality, aesthetics, and politics. Second, Schiller can also guide us in our more contemporary philosophical concerns and approaches, such as phenomenology, hermeneutics, aesthetics, and politics. Here, Schiller instructs us in our engagement with figures such as Walter Benjamin, Michel Foucault, Jacques Rancière, Roberto Esposito, and others. María del Rosario Acosta López is Associate Professor of Philosophy at DePaul University. She has published several books, including La tragedia como conjuro: el problema de lo sublime en Friedrich Schiller. Jeffrey L. Powell is Professor of Philosophy at Marshall University and the editor of Heidegger and Language. (shrink)

This paper presents an overview of my work in philosophy from my first book on Friedrich Schiller and the political sublime to my most recent project on listening to traumatic forms of violence. Starting with a reflection on the autobiographical character of philosophy, I propose to take up the question of an aesthetic dimension of philosophical critique, where aesthetics is understood as an always already embodied perspective on the world, on truth, and on philosophical activity, as well as an always (...) already political realm, where the distribution of sense pre-determines our approach and articulation of experience. Departing from aesthetics understood and deployed as critique, the paper moves on to ask about the specific frameworks of sense or grammars that determine in advance the conditions of audibility in the realms of memory-building and history-making—particularly in those contexts where historical, political, and institutional forms of violence produce silencing and erasure. Putting in dialogue the latter with decolonial studies, I (re)interpret “traumatic violence” as a colonizing form of violence, understanding that one of its central aspects is that it is not only an assault on life but on the conditions of production of sense that make life legible as such. In this context, my project on grammars of listening seeks to carefully unpack these complex intersections while also explaining why I believe that a radical form of listening is an essential subversive/imaginative strategy against traumatic/colonial violence. (shrink)

El caso Mendez v. Westminster es de suma trascendencia en el desarrollo del derecho a la igualdad y la supresión de la segregación racial. El caso propició la modificación de las leyes del Estado de California, aumentando el acceso igualitario de los niños a la educación. Pero sin duda su mayor influencia fue sobre la sentencia del caso Brown v. Board of Education, cuyas directrices se cimentaron en las consideraciones y alcances del caso Mendez.

Critique has been a central theme in the German philosophical tradition since the eighteenth century. The main goal of this book is to provide a history of this concept from its Kantian inception to contemporary critical theory. Focusing on both canonical and previously overlooked texts and thinkers, the contributors bring to light alternative conceptions of critique within nineteenth- and twentieth-century German philosophy, which have profound implications for contemporary philosophy. By offering a critical revision of the history of modern European philosophy, (...) this book raises new questions about what it means for philosophy to be “critical” today. (shrink)

En el presente artículo se hace un recorrido por la idea de comunidada través de algunos pensadores contemporáneos que han tratado de repensar el estar en común asumiendo algunas de sus paradojas. Para autores como Roberto Esposito, Jean-Luc Nancy y Giorgio Agamben, pensar “la comunidad” implica reflexionarla a partir de las paradojas y contrasentidos que contiene, tanto anivel conceptual como a nivel de la realidad cotidiana. La paradoja central que resume tales contrasentidos es la que afirma que la comunidad es (...) realizable solo en la medida en que no lo es. Cercana a la paradoja de Russell, tal aporía nospermite reconocer la diferencia entre una comunidad que se hace cargo de sus contrasentidos e incoherencias, la comunidad de la crisis, y otra que al concebirse en términos unívocos y absolutos, es decir, que no se hace cargo de sus antinomias y contradicciones, nos lleva a lo que hemos llamado crisis de la comunidad. (shrink)

In Communitas: The Origin and Destiny of Community, Roberto Esposito develops a destructionist reading of political philosophy, interested in tracing modernity's attempt to constitute the political as a radical negation of our exposure to others. If the task of contemporary political thinking is to interrupt the myth of the common, without falling back completely into the negative and self-destructive power of immunization, political philosophy must be confronted with itself, searching within itself for the traces and points of departure – hermeneutic (...) supports – for such a destructive gesture. Esposito finds and develops these traces in a genealogical line that, starting with Hobbes, goes through Rousseau and Kant and ends with Heidegger and Bataille. By way of this genealogy, Esposito intends to show how modern philosophy would already have started to interrupt the dialectics between the immunization paradigm and the myth of the common. In this paper I argue that Hegel is not only an interesting figure but also an obligatory step in this effort, and in doing so I will pay particular attention to a notion of being-in-common that arises in The Spirit of Christianity and its Fate from his criticism of the violence of law. Hence, Hegel is read here in the light of an unexplored relationship to Esposito's work in Communitas. (shrink)

Recently there has been a tendency on the part of some scientific realists to weaken their philosophical theses with respect to the success of science. Some of them have suggested that a satisfactorily realist standpoint should be a highly modest approach to scientific success, leaving many with the impression that scientific realism nowadays is nothing that we once thought it was. In light of that, the main concern of this paper is methodological, here I want to answer the question how (...) far can we push the boundaries of our realist commitments and still be in control of our philosophical claims. In particular, I deal with the issue of how a certain type of weak version of selective realism will necessarily allow for true contradictions, dialetheias –even if that is not desirable. Here I argue that if one presents a very weak characterization of selective realism, one that is in line with contemporary projects, this type of realism will not forbid the possibility of things such as dialetheias. I also claim that, if that is the case, we face the following dilemma: or our general characterization of selective realism is mistaken or selective realists cannot provide a satisfactory explanation of why and how to forbid dialetheias in science. (shrink)

In this article I address Schiller’s first response in his Kallias Briefe or Concerning the Beautiful, Letters to Gottfried Körner to Kant’s analysis of the beautiful in the first part of the Critique of Judgment. My main intention in the paper is to investigate Schiller’s emphasis on the notion of resistance (Widerstand) in his reading of Kant’s concept of beauty, and to ask how does this relate to Schiller’s own approach to aesthetics as an ethico-political realm. I am particularly interested (...) in the turn, in Schiller’s case, from Kant’s critique of aesthetics to the idea of aesthetics as critique. (shrink)

Esta investigación tiene como objetivo revisar la novela Mujer al borde del tiempo de Marge Piercy, originalmente escrita en 1976 y traducida recientemente al idioma español; con el apoyo de diversos planteamientos teóricos que se han hecho desde los feminismos y estudios sobre el género y la ciencia ficción, para dar cuenta cómo éste, al igual que otros textos de literatura del género, son y han sido una herramienta política significativa para imaginar otros posibles futuros. Las imágenes de futuro que (...) se han desarrollado en la narrativa de ciencia ficción, específicamente en la llamada ciencia ficción feminista, puede ser rastreados en propuestas plásticas y audiovisuales contemporáneas que abordan problemas sociales y medioambientales. (shrink)

This paper proposes to reflect self-critically on an ongoing research project entitled “Grammars of listening,” which started as a philosophical approach to the question of listening at the site of trauma and the challenges this kind of listening poses to our conceptions of memory and history, and has recently shifted to asking about the possible limitations to such a reflection when confronted with a decolonial perspective on temporality. I start by presenting a conceptual background for my inquiry, and asking what (...) kind of listening is required when trauma is considered as a colonizing form of violence – that is, when its effects are not only understood as an assault on life but on the conditions of production of sense that make life legible. Following the kind of challenges that such an understanding of trauma poses to the responsibility to listen to its testimony, the paper moves on to propose that only a decolonial approach to listening can truly do justice to the task of rendering testimonies of traumatic violence audible. By decolonizing the frameworks that organize and determine colonial and colonizing distributions of sense, I propose that grammars of lo inaudito understood as decolonial grammars contribute to resisting and disorganizing the criteria for legibility and audibility that colonizing forms of violence not only institute but constantly actualize in their attempt to perpetuate their silencing power.1. (shrink)

This paper explores the way in which Agamben takes part in the dialogue on “impolitical communities” that was inaugurated by J. L. Nancy and was soon followed by authors like M. Blanchot, J. Derrida and R. Esposito, among others. Although Agamben’s ontological exploration of ‘whatever being,’ followed later by the political idea of form-of-life, are still very close particularly to Nancy’s work, the article will show in which ways Agamben’s view of a political coming community explores different paths and moves (...) in unusual registers, that help to understand in new ways the kind of inoperativeness involved in a contemporary rethinking of community. The notion of experience of thought as potentiality and its relationship to that “tiny displacement” of the world which Agamben seems to connect with his idea of a coming community will play a central role in the analysis. (shrink)

Undoubtedly, the film Hedwig and the Angry Inch establishes a dialogue with the thesis of love exposed by Diotima of Mantinea in Plato's Banquet, in the sense of understanding love as a solitary adventure and primarily individual expansion. However, more than transferring the ideas of the Greek philosopher, the film opens a discussion about its validity and topicality in specific situations such as identity, ideology and gender. This is why anagnorisis becomes anamnesis in the film; dialectics is an agon, and (...) identity, a becoming. (shrink)

En sobre el arte moderno vemos a Klee en la difícil posición de un artista que quiere insistir en la capacidad de sus obras para hablar por sí mismas; pero que sabe, a la vez, de las dificultades que el público puede encontrar para aproximarse por primera vez a composiciones que desafías supuestos ya arraigados acerca de la obra de arte. Este texto es, por tanto, junto con todos esos gestos artísticos que son las obras de Klee, una invitación a (...) mirar de otra manera, a dejar que las obras nos interpelen y a participar del diálogo que ella inauguran. (shrink)