In contemporary philosophy, there is a widespread distinction between authenticity as self-discovery (which is an essentialist model, inspired by Rousseau, Herder and the Romantic tradition) and authenticity as self-creation (an existentialist model, inspired mainly by Kierkegaard and Sartre). In this paper, I would like to propose a threefold classification, which ads another model of authenticity, irreducible to any of the previous two. This third model is authenticity as self-reinvention, that could be reconstructed from Nietzsche’s philosophy. The (...) class='Hi'>self-reinvention model rests on three different, yet interrelated, ideas: 1) Vitalism: The authentic individual wholeheartedly embraces every aspect of his existence, even pain and sufferings, thus proving he truly owns himself. 2) Perspectivism: The authentic individual is able to reinterpret his mental states in the utmost personal manner, through the transvaluation of values (Umwertung aller Werte) and the spiritualization (Vergeistingung) of his drives. 3) Experimentalism: Authenticity is an incessant play, a constant process of identity formation, which corresponds to Nietzsche’s hypothesis of “the subject as multiplicity” and to his ideal of existence as a work of art or of becoming the poet of your life. (shrink)

Two representative and important works in one volume by one of the greatest German philosophers. The Birth of Tragedy (1872) was Nietzsche's first book. Its youthful faults were exposed by Nietzsche in the brilliant "Attempt at a Self-Criticism" which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down through the Victorian era, and (...) it sounded themes developed in the twentieth century by classicists, existentialists, psychoanalysts, and others. The Case of Wagner (1888) was one Nietzsche's last books, and his wittiest. In attitude and style it is diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects and deal with art and culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom and the vitality of his style. Professor Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, and, for the first time in any edition, an extensive index to each book. (shrink)

The "Subject" of Nietzsche's Perspectivism CHRISTOPH COX FORMERLY TAKEN TO ENDORSE a profound skepticism and relativism, Nietz- sche's "doctrine of perspectivism" recently has been seen to fit within tradi- tional conceptions of epistemology and ontology? In the most recent and influential study of the matter, Maudemarie Clark maintains that, properly understood, perspectivism is "an obvious and nonproblematic doctrine. ''~ In a similar vein, Brian Leiter has recently argued that "perspectivism turns out to be much less radical than is usually (...) supposed," that, with this doctrine, "Nietz- sche.., is merely rehashing familiar Kantian themes, minus the rigor of Kant's exposition."~ According to both Clark and Leiter, perspectivism simply ' With occasional alterations, Nietzsche's texts will be quoted from the Kaufmann/Hollingdale translations and cited in the text according to standard abbreviations of their English titles fol- lowed by the section and/or paragraph number. The exception is "On Truth and Lies in a Nonmoral Sense," which is cited by page number from Philosophy and Truth: Selections from Nietz- sche's Notebooks of the Early x87os, ed. and trans. Daniel Breazeale , 79-9 x. Abbreviations are as follows: A: The Antichrist; BGE: Beyond Good and Evil; BT/SC: Birth of Tragedy, "Attempt at a Self-Criticism"; D: Daybreak; GM: On the Genealogy of Morals; GS: The Gay Science; TI: Twilight of the Idols;.. (shrink)

Philosophical Posthumanism is a recent area of scholarship which Francesca Ferrando has introduced in her eponymous book. The author situates the subject as one closely related to Critical Posthumanism and Cultural Posthumanism. She also discusses its close relatives such as Transhumanism and its forebears such as Antihumanism and Poststructuralism. The present article is a discussion of Ferrando’s text, tracing its lineages and relating it to the ideas of thinkers such as Frederich Nietzsche, Gilles Deleuze and Sri Aurobindo.

Šios analizės tikslas yra trilypis. Visų pirma, bandoma nustatyti pagrindinius Nietzsche’s subjekto kritikos aspektus. Visų antra, bandoma identifikuoti centrinę šios kritikos funkciją. Visų trečia, bandoma interpretuoti Nietzsche’s ginamą subjektą kaip kūnišką stimulų, instinktų, ir reikmių daugialypumą. Esėje parodoma, kad standartinis subjekto problematikos Nietzsche‘s kūriniuose svarstymas nėra adekvatus. Pasak tokio svarstymo, Nietzsche atsisako subjektyvistinių mąstymo kontūrų ir pakeičia juos radikaliai nauja paaiškinamąja schema. Esėje taip pat parodoma, kad Nietzsche niekad nesiekė pateisinti atomistinės ar anarchiškos subjekto sampratos. Nietzsche siekė suprasti subjektyvybę dvigubo (...) patvirtinimo būdu – kaip valdančio stimulo ir subjekto tapsmo patvirtinimą. Tokio dvigubo patvirtinimo dėka, savastis atsiskleidžia kaip tekstas ir jo interpretacija.Esminiai žodžiai: ego, kūnas, Nietzsche, savastis, subjektas.The following analysis has a threefold task. First, it aims to identify the central aspects of Nietzsche’s critique of the subject. Secondly, it aims to identify the main function that this critique serves. And thirdly, it aims to interpret the subject Nietzsche defends and endorses in terms of a bodily multiplicity of drives, instincts and needs. The paper argues against the standard interpretation of the problematic of the subject in Nietzsche, according to which Nietzsche abandons the subjectivistic approach in favor of an entirely different explanatory framework. The paper shows that far from supporting an atomistic or an anarchic view of the subject, Nietzsche’s narrative endorses a notion of subjectivity that entails a double affirmation: the affirmation of the ruling drive of the body and of the style of the subject’s becoming. In virtue of such a double affirmation, the self discloses itself as both the text and its interpretation.Key words: body, ego, Nietzsche, multiplicity, self, subject. (shrink)

In "Nietzsche's Perspectivism", Steven Hales and Rex Welshon offer an analytic approach to Nietzsche's important idea that truth is perspectival. Drawing on Nietzsche's entire published corpus, along with manuscripts he never saw to press, they assess the different perspectivisms at work in Nietzsche's views with regard to truth, logic, causality, knowledge, consciousness, and the self. They also examine Nietzsche's perspectivist ontology of power and the attendant claims that substances and subjects are illusory while forces and alliances of power constitute (...) the only reality. Hales and Welshon present Nietzsche's treatment of perspectivism as both more complex and more fruitful than the common view of it as a doctrine that truth is not objective. Neither a metaphor nor a methodology, perspectivism emerges as a protean concept akin to a unifying theme; an alternative to the absolutism that recurs in science, philosophy, and religion; and a technique for revealing the unimagined possibilities open to every individual. (shrink)

Nietzsche’s perspectivism has received restricted and unrestricted interpretations. The latter take the cognitive effects of ‘perspectives’ to be pervasive and general; the former argue they are restricted to special subject matters, have limited effects, or are not essentially cognitive at all. I argue on textual grounds that Nietzsche was committed to the unrestricted view. Comparison to A.W. Moore’s treatment of perspectival representation in Points of View illuminates both the nature of perspectivism and key arguments needed to defend it. Nietzschean (...) perspectivism must deny the very possibility of absolute representations (sensu Moore), and to do so, it must block a form of argument that promises to integrate perspectival representations into progressively less restricted, and ultimately absolute, representations of the world. Such arguments depend on a strong assumption about the unity of the independent world, which Moore accepts and Nietzsche denies. Nietzsche’s pluralism about perspectives thereby turns out to rely on pluralism about the world, which shapes his understanding of us as essentially bounded cognitive agents. Nietzsche holds that the longing for absolute representation manifest in Moore, Leibniz, and many other philosophers, which aspires to overcome the limitations of perspective, amounts to ascetic self-denial about our cognitive condition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Nietzsche as Self-Made ManAlexander NehamasComposing the Soul: Reaches of Nietzsche’s Psychology, by Graham Parkes; xiv & 481 pp. Chicago: University of Chicago Press, 1994, $37.50 cloth, $19.95 paper.I cannot resist beginning this essay on Graham Parkes’s study of Nietzsche’s psychology with the first-person pronoun. Parkes provides an erudite and suggestive presentation of Nietzsche’s views on the soul, according to which what we consider that most unitary element of (...) human nature turns out to be the product of bringing together disparate and often conflicting independent agencies. He also provides valuable information about the sources of Nietzsche’s thought, and details a number of connections between Nietzsche’s ideas and his life. Yet, in a book of close to five hundred pages, Parkes self-consciously avoids the first-person pronoun altogether. He speaks of the “I,” which is after all the subject of his book, but the I never speaks itself. Why? Because “what is important here are Nietzsche’s ideas, rather than Parkes’s”; also, because “the whole point of Nietzsche’s psychology is to put the I in question, to prompt the question ‘Who?’ at its every appearance, to hear the polyphony behind the apparent univocality of the first person singular” (p. 310).Though not the first, Nietzsche was one of the most radical dissectors of the human soul. Where others had found unity, order, and indivisibility, Nietzsche uncovered an untidy, often uncontrolled multiplicity. Instead of a consistent, harmonious whole, he saw a messy complex of beliefs, desires, values, views, drives, affects, and habits, picked up at [End Page 487] different times, from disparate, even incompatible sources, moving in different directions; far from fitting naturally into a union, these compete with one another for mastery and control of the person: “The belief which regards the soul as something indestructible, eternal, indivisible, as a monad, as an atomon... ought to be expelled from science,” he wrote in Beyond Good and Evil. But, he continued, “between ourselves it is not at all necessary to get rid of the soul at the same time.... But the way is open for new versions and refinements of the soul-hypothesis; and such conceptions as mortal soul, and soul as subjective multiplicity, and soul as social structure of the drives and the affects want henceforth to have citizens’ rights in science.”The breakdown of the soul into independent and often conflicting parts has two radical consequences. First, it implies that some parts of our souls—of our selves—may remain hidden, obscured, suppressed or ignored by others, especially by those that achieve at least apparent dominance and can therefore speak in the first-person. In Nietzsche’s political metaphor, they are like a governing class which speaks for the whole state. This, of course, is the central idea of depth psychology; and Parkes shows how both Freud and Jung were indebted to Nietzsche’s pioneering geography of the soul. Second, to think that the soul is multiple is to think that it is not unalterable: its parts can affect one another; out of their conflict, new configurations are possible. Some parts can be cultivated or left to wither; others can be allowed to run wild or become domesticated; still others can be subordinated to one another or allowed to function in more or less equitable ways. The soul—the person—is not a preexistent unity; it is constructed, or, as Parkes, mindful of Nietzsche’s deep involvement with music, puts it so well, composed.Parkes provides a brilliant catalogue of the metaphors (mineral, vegetal, animal, personal, and political) Nietzsche uses to describe the elements of the multifarious soul. He also produces a sort of recipe for their successful composition into a coherent whole. “Opening up” to as many conflicting drives as possible, we let them be mastered by one or more dominant ones and we subject their multiplicity to the discipline imposed by those ruling passions. Once that discipline becomes instinctive, active control is relaxed and, somehow, the multiplicity spontaneously orders itself. We become, again, natural (p. 377).Now, we know that Nietzsche spent much of his life “doing battle” with Socrates. He passionately despised the... (shrink)

it is not unusual to interpret Friedrich Nietzsche’s philosophy, or some of his claims, as a therapeutic thought nowadays.1 Nietzsche’s perspectivism, style, and controversial doctrines are supposed to do something, rather than merely teach or state a theoretical position. The legitimacy of this action and its actual goal are far from self-evident, however. This paper tackles the problem from the perspective of a fundamental tension, which is at work underneath Nietzsche’s project since The Birth of Tragedy: that is, the (...) tension between multiplicity and singularity, respectively personified, in that book, by the figures of Dionysus and Apollo. When it comes to ethics, this dimension of Nietzsche’s thought is... (shrink)

A work of Nietzsche's later years, The Antichrist was written after Thus Spoke Zarathustra and shortly before the mental collapse that incapacitated him for the rest of his life. The work is both an unrestrained attack on Christianity and a further exposition of Nietzsche's will-to-power philosophy so dramatically presented in Zarathustra. Christianity, says Nietzsche, represents "everything weak, low, and botched; it has made an ideal out of antagonism towards all the self-preservative instincts of strong life." By contrast, Nietzsche defines (...) good as: "All that enhances the feeling of power, the Will to Power, and power itself in man. What is bad?-All that proceeds from weakness. What is happiness?-The feeling that power is increasing,-that resistance has been overcome." In attempting to redefine the basis of Western values by demolishing the formative influence of the Judeo-Christian tradition, The Antichrist has proved to be highly controversial and continuously stimulating to later generations of philosophers. (shrink)

A striking feature of post-modernism is its distrust of the subject. If the modern period, beginning with Descartes, sought in the subject a source of certainty, an Archimedian point from which all else could be derived, post- modernism has taken the opposite tack. Rather than taking the self as a foundation, it has seen it as founded, as dependent on the accidents which situate consciousness in the world. The same holds for the unity of the subject. (...) Modernity, in its search for a single foundation, held the subject to be an indissoluble unity. Post-modernism’s position, by contrast, is announced by Nietzsche: “The assumption of one single subject is perhaps unnecessary; perhaps it is just as permissible to assume a multiplicity of subjects, whose interaction and struggle is the basis of our thought and our consciousness in general? ...My hypotheses: The subject as multiplicity.” Given this, there is a natural correspondence between the success of post- modernism and the current interest in multiple personality disorder. In the latter, we actually have the experience of a “multiplicity of subjects” in their interaction and struggle. The subject stands there before us “as multiplicity.” It gives us a concrete case, one which raises some of the pressing questions associated with the post-modern denial of the subject. Confronting it, we ask: how real are the personalities composing the multiplicity of this disordered self? What, in fact, does this multiplicity tell us about the self? about its genesis and status? What does it reveal about “our thought and consciousness in general”? I plan, in the short compass of this paper, to sketch some answers to these questions. §1. A brief description of MPD. The American Psychiatric Association gives two criteria for (MPD) multiple personality disorder. First, and most obviously, there is “the existence within the person of two or more distinct personalities or personality states (each with its own relatively enduring pattern. (shrink)

A close reading of Nietzsche's post-1885 reflections on subjectivity and selfhood yields neither the voluntarist subject of his "existentialist" works ('Gay Science'; 'Zarathustra'), nor the complete dissolution of the self of some postmodern readers (Foucault, Deleuze). Instead, we find a quasi-phenomenological analysis of the (seemingly unitary) body as a multivalent, ceaselessly warring multiplicity of impulses and affects. Normatively, however (for the "higher" individual), this ontological diversity is yoked together by a single master-drive, creating a "social structure composed of (...) many souls." In Nietzsche's late anthropology, then, the unity of personhood lies between existentialist and postmodern accounts, as a 'functional achievement'. (shrink)

This paper identifies recent attributions to Nietzsche of skeptical arguments about the subject in its theoretical and practical capacities and argues that they are wrong. Although Nietzsche does criticize the picture of the subject as a unity that exerts influence in the world from outside it, he does so in order to replace it with a richer, more complex model of subjectivity. The skeptical arguments attributed to Nietzsche attempt to assimilate features of subjectivity to some alternative, purportedly more (...) familiar explanatory account, and then move from this assimilation to the denial of subjectivity altogether. There are three main strategies for making this latter move, which are referred to in this paper as appeal to ontology, appeal to justification, and appeal to explanation. Each fails for different reasons, but all misconstrue Nietzsche's explanatory interests regarding subjectivity. Those interests, this paper argues, are what lead Nietzsche to argue that a single person comprises a multiplicity of subjectivities, and that all explanation is ultimately telic in form. This paper then discusses some of the appeals that Nietzsche makes to account for the possibility of single, unitary subjectivity within this framework, including: his account of the relationship between constituent and corporate units within fully self-relating subjectivity, his account of the relation between "inner" and "outer", his account of pluralist individualism, and his account of unconscious "depth". This paper concludes by arguing that Nietzsche's distinctive approach suggests a way to relate theoretical questions about the mental to practical questions about the self and ethical commitment. (shrink)

In "The Ends of Man," when talking about a deconstructive process of writing, Jacques Derrida says that "what we need, perhaps, as Nietzsche said, is a change of "style," and if there is style, Nietzsche reminds us, it must be plural". On his debt to Nietzsche, Derrida remains elusive, although it is obvious that there are many manifestations of Nietzsche's presence throughout Derrida's writings. As this quote suggests, if there is not a similarity in style between Nietzsche and Derrida, there (...) are some definite similarities of approach and intent. While their arguments are far more intricate than the similarities on which this article will focus can communicate, I will argue that Nietzsche's concept of 'perspectivism' could perhaps be seen as a paradigm for Derrida's concept of 'différance.' The aim of this article, then, will be to argue that in 'perspectivism' and 'différance,' a notion of "play" problematizes the traditional concept of the subject, but in doing so it allows for ethical possibilities. These issues will be explored in two parts. The first section, "The Subject as Play," argues that in Nietzsche's 'perspectivism' and Derrida's 'différance' there is a refusal to hypostasise the subject, and this refusal is evidenced in both Nietzsche's and Derrida's playing with the "proper name." In the second section, "Ethical Possibilities," in contradistinction to critical readings of Nietzsche and Derrida that label their writings—because of their switching of styles and their manipulation of the subject—irresponsible and nihilistic, I will argue that it is precisely because of their subversive techniques that ethical possibilities are generated. (shrink)

Nietzsche's critique of the modern subject is often presented as a radical break with modern philosophy and associated with the so-called ‘death of the subject’ in 20th century philosophy. But Nietzsche claimed to be a ‘psychologist’ who was trying to open up the path for ‘new versions and sophistications of the soul hypothesis.’ Although there is no doubt that Nietzsche gave expression to a fundamental crisis of the modern conception of subjectivity, it is open to debate whether he (...) wanted to abandon the very idea of subjectivity or only to pose the problem of subjectivity in new terms. The volume includes 26 articles by top Nietzsche scholars. The chapters in Part I, “Tradition and Context”, deal with the relationship between Nietzsche's views on subjectivity and modern philosophy, as well as with the late 19th century context in which his thought emerged; Part II, “The Crisis of the Subject”, examines the impact of Nietzsche's critique of the subject on 20th century philosophy, from Freud to Heidegger to Dennett, but also in such authors as Deleuze, Foucault, Derrida, or Luhmann; Part III, “Current Debates - From Embodiment and Consciousness to Agency”, shows that the way in which Nietzsche engaged with such themes as the self, agency, consciousness, embodiment and self-knowledge makes his thought highly relevant for philosophy today, especially for philosophy of mind and ethics. (shrink)

The essays that Jill Stauffer and Bettina Bergo collect in this volume locate multiple affinities between the philosophies of Nietzsche and Levinas. Both philosophers question the nature of subjectivity and the meaning of responsibility after the "death of God." While Nietzsche poses the dilemmas of a self without a ground and of ethics at a time of cultural upheaval and demystification, Levinas wrestles with subjectivity and the sheer possibility of ethics after the Shoah. Both argue that goodness exists independently (...) of calculative reason—for Nietzsche, goodness arises in a creative act moving beyond reaction and ressentiment; Levinas argues that goodness occurs in a spontaneous response to another person. In a world at once without God and haunted by multiple divinities, Nietzsche and Levinas reject transcendental foundations for politics and work toward an alternative vision encompassing a positive sense of creation, a complex fraternity or friendship, and rival notions of responsibility. Stauffer and Bergo group arguments around the following debates, which are far from settled: What is the reevaluation of ethics (and life) that Nietzsche and Levinas propose, and what does this imply for politics and sociality? What is a human subject—and what are substance, permanence, causality, and identity, whether social or ethical—in the wake of the demise of God as the highest being and the foundation of what is stable in existence? Finally, how can a "God" still inhabit philosophy, and what sort of name is this in the thought of Nietzsche and Levinas? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Nietzsche and the Political by Daniel W. ConwayDaniel BreazealeDaniel W. Conway. Nietzsche and the Political. London: Routledge, 1997. Pp. xii + 163. Cloth, $65. Paper, $16.95.This brief but stimulating work is a vigorous effort to defend the importance of Nietzsche as a “political” thinker. In order to make this case, Conway has to fight on two fronts: simultaneously rebutting the views of the many contemporary interpreters who argue (...) that Nietzsche is either an anti-political philosopher or else a distinctively inferior political thinker, while also reclaiming Nietzsche’s political thought from the race-theorists and Nazis who so successfully appropriated it earlier in this century. Conway is victorious on both fronts, and makes a compelling case for the contemporary relevance of Nietzsche’s thoughts on the broad topics of “culture” and “education.” This, of course, by no means exhausts the realm of the “political,” and Conway has little or nothing to say about Nietzsche’s views on such topics as the state, justice, legality, etc. Instead, he is concerned with what Nietzsche himself called “great politics.” For this reason, the book is concerned almost exclusively with Nietzsche’s later writings, focusing primarily upon the writings of 1886–88, while generally ignoring the Nachlass altogether.Chapter 1 (“Political Perfectionism”) deals with Nietzsche’s conception of the fundamental task of politics: namely, to facilitate humankind’s endless quest for “perfection,” a quest that alone justifies human existence. Since Nietzsche associated the perfection of the species with the appearance of the rarest and most exotic individual specimens, it follows that the specific task of political activity is “to legislate the conditions under which such exemplars will most likely emerge.” It is within the context of this “political” ideal that Conway offers his own, ingenious and controversial interpretation of Zarathustra’s teaching concerning the Übermensch.The relationship between Nietzsche’s perfectionism and his moral pluralism is the subject of Chapter 2 (“On the Uses and Disadvantages of Morality for Life”). Here Conway offers a thoughtful comparison between Nietzsche himself and some of his “models,” such as Caesar, Napoleon, and the Laws of Manu, and takes advantage of this comparison in order to introduce Nietzsche’s crucial—albeit extremely problematic—notions of the “order of rank” and “pathos of distance.” Chapter 3 (“Perfectionism in the [End Page 177] Twilight of the Idols”) is devoted to Nietzsche’s “critique of modernity.” Here Conway offers his own “political” interpretation of Nietzsche’s withdrawal from the “political macrosphere” of his own age and retreat into the “political microsphere” of his personal life and literary/cultural projects, including his various “educational” schemes. A certain ambiguity in the overall conception of this book becomes apparent at this point, however, inasmuch as Conway finds himself simultaneously distinguishing between Nietzsche’s “moral” and “political” perfectionism, while continuing to insist upon the larger “political” significance of the former—even while conceding that, for Nietzsche himself, political perfection was a mere means for moral perfection. Chapter 4 (“Regimens of Self-Overcoming”) contains a detailed account of the necessary antagonism between the (“untimely”) Nietzschean philosopher and his own age and an insightful discussion of what Conway calls “the aversive mechanism of self-overcoming” (69). Conway’s discussion of the link between Nietzschean perfectionism and the adoption of multiple perspectives (“experimentalism”) is one the clearest and best in the literature. Nietzsche’s own self-experiments and his understanding of the same as “signs” for others are discussed in Chapter 5 (“The Philosopher’s Versucherkunst”). Like other recent interpreters, Conway calls attention to the essential role of erotic love in Nietzsche’s conception of the process of experimental self-education and to the way in which eros links purely individual goals to larger cultural and educational ones. The chapter concludes with an admirable account of how Nietzsche was able to harness and to employ his own resentment as an instrument of self-overcoming. This theme is continued in Chapter 6 (“Comedians of the Ascetic Ideal”), which tries to show how Nietzsche sought to safeguard the crippled will in an unpropitious era, not by rejecting the ascetic ideal, but by employing it in a new way. This is perhaps Conway’s most original... (shrink)

I argue that scientific and poetic modes of objectivity are perspectival duals: 'views' from and onto basic natural forces, respectively. I ground this analysis in a general account of objectivity, not in terms of either 'universal' or 'inter-subjective' validity, but as receptivity to basic features of reality. Contra traditionalists, bare truth, factual knowledge, and universally valid representation are not inherently valuable. But modern critics who focus primarily on the self-expressive aspect of science are also wrong to claim that our (...) knowledge is or should be ultimately mediated by ourselves. In objective science, we represent nature as a field of phenomena determined by and within explanatorily-basic physical structures that encode the causal impact of elemental physical forces. These causally-basic forces hence ground the possibility of objective scientific theory, even though (I argue) they are systematically excluded from its representational contents. I show how my notions of force and field emerge partly through my effort to naturalize concepts of 'God' and 'Laws' in 17th-century natural philosophy. In science, we use the structure of basic forces' impact to see corresponding objects. We do not see these forces themselves—and this relates to the 'transcendence' of 'God'. I supplement this historical analysis by critiquing standard accounts of objectivity, and by synthesizing elements from neo-Kantian epistemology and current 'structural' realism into a view that I call 'dynamic structuralism'. Finally, I argue that physics systematically relies on passive characterizations of phenomena like inertia and impressed force. Dynamic alternatives that are just as empirically adequate are possible, but they are non-scientific. Poetic objectivity involves a direct presentation of nature as an order of interacting forces. I elaborate first by developing a novel theory of the relation between beauty and sublimity, mediated by a basic category of 'sensory force' (e.g. a 'singing' tone in a beautiful melody). I then describe the interaction between sensory and affective dimensions of aesthetic experience, in relation to an original historical analysis of passion and 'disinterestedness' in Kant, Schiller and Nietzsche. I synthesize these lines of analysis into a critique of the role of 'expression' in art. I also resist 'spectator'-centric aesthetics, in this connection, by developing an account of artistic objectivity in dialogue with Ruskin's critique of the 'pathetic fallacy'. I contrast artistic objectivity with Romantic ideals of self-expression, while elaborating its positive relation to certain currents within Victorian and Modernist aesthetics, including Imagists' stress on 'exteriority'. My project creatively extends Nietzsche's view that philosophical and scientific theories are 'perspectival' expressions of theorists' drives. It is a virtue of Nietzsche's account that he takes the outlet of strong human drives in creative acts of theorizing to be just one among many higher modes of 'will to power' in nature—many of which are totally impersonal. But Nietzsche is still too focused on self-expression or willing one's own power. Objective science involves external forces' 'expression' in and through us, not just 'expressing' our own powers. And Nietzsche's vitalistic 'will to power' must be replaced by a basic ontology that better accommodates inorganic phenomena, like the 'lawful' order of celestial motions. Thus I aim to de-anthropomorphize and 'de-organicize' post-Kantian notions of willful striving and organic development, while preserving for force the primary ontological and evaluative status that theorists from Schiller and Goethe to Schelling and Schlegel to Emerson and Nietzsche attributed to will or to life. (shrink)

It has become orthodox to read Nietzsche as proposing the ‘sublimation’ of troublesome behavioural impulses. On this interpretation, he is said to denigrate the elimination of our impulses, preferring that we master them by pressing them into the service of our higher goals. My thesis is that this reading of Nietzsche’s conception of self-cultivation does not bear scrutiny. Closer examination of his later thought reveals numerous texts that show him explicitly recommending an eliminatory approach to self-cultivation. I invoke (...) his theory of the will to power in order to explain why he persistently valorises both elimination and sublimation as preconditions of healthy subjective unity. I conclude that which of these two approaches he recommends in a given situation depends on whether or not the impulse in question can be put to use within the overall economy of our drives. (shrink)

It is often asserted that Nietzsche's proposal that "there is no truth" is indebted to his views on aesthetics. That is, it is argued both that Nietzsche perceived art as exclusive of truth, and that he viewed the whole of existence as artistic in this sense. In this paper I attempt to supplement this argument by excavating the sense of truth that is available in Nietzsche's thought concerning art. "Dionysian truth" is not a property of objects which represent the world. (...) Rather, it arises in acts of artistic creation. I hope, here, to present a view of truth which is compatible with Nietzsche's attempt to understand the world as a process of conflicting forces rather than a collection of subjects and objects. ;The first chapter is concerned with Nietzsche's The Birth of Tragedy, in which music is offered as an example of Dionysian truth. Music, in this work, enables us to overcome our sense of ourselves as isolated self-consciousnesses, an experience which engenders artistic creativity. The notion of Dionysian truth, however, is not fully disassociated, in The Birth of Tragedy, from the view that music pictures or represents the "world will." ;In the second chapter I argue that Nietzsche's commitment to the Dionysian is apparent in his unique understanding of physiology. The authority of the ego is undermined by exhibiting it as an epiphenomenon of the more fundamental physiological drives. I argue that such an understanding subverts the claim that Nietzsche values art as a means of sublimating the passions, as well as the claim that Nietzsche ultimately identifies truth with that which serves our own self-preservation. ;The third chapter demonstrates how a specific artistic practice,Expressionist Painting, understands itself in Dionysian terms, and suggests reasons why a Dionysian view of art may not offer itself as a means for the evaluation of artworks. Finally, I attempt to show how the understanding of power which is structured by a Dionysian perspective may help us to overcome some of Nietzsche's negative and reactionary suggestions that the powerful are, or should be, cruel and manipulative towards others. (shrink)

The article aims to explore the roots of Deleuzean body beyond the traditional arguments of the philosophy of the body. In this context, firstly, I discuss the attitude of Cartesian dualism toward the body, and its consequences, which form the beginning of early modern philosophy. At the same time, they reflect the old, traditional views on the body. Those visions describe the body as a corpse in itself. With Spinoza and later Nietzsche the body, and soul/mind dualism is replaced with (...) monism and perspectivism. It is from this perspective that the question of “what can a body do?” is posed. Drawing on the philosophies of Spinoza and Nietzsche, Deleuze describes the body as a vast principle of potentiality. Such a body constantly appears as the dimension of the multiplicity that is self-constructing. Therefore, in this article, while discussing how the attitude toward the concept of the body changed from Descartes to Deleuze on the ontological level, I simultaneously try to demonstrate the capabilities of such a new understanding of the body. (shrink)

Nietzsche’s perspectivism has aroused the perplexity of many a recent commentator, not least because of the doctrine’s apparent self-refuting character. If, as Nietzsche holds, there are no facts but only interpretations, then how are we to understand this claim itself? Nietzsche’s perspectivism must be construed either as a fact or as one further interpretation—but in the former case the doctrine is clearly self-refuting, while in the latter case any reasons or arguments one may have in support of one’s (...) perspective are rendered bothimpotent and superfluous. The unpalatable consequences of Nietzsche’s perspectivism are further highlighted by considering its effects on Nietzsche’s treatment of the fundamental laws of logic, such as the principle of non-contradiction. Finally, Nietzsche’s perspectivism, if not self-refuting, at least seems to be refuted by his own writings, where he confidently puts forward various doctrines and critiques, thus indicating that he does not think of his own beliefs as being true merely in a perspectival sense. There is every reason, I conclude, to be perplexed about Nietzsche’s perspectivism. (shrink)

Introduction: The quickened and the dead -- Ontology for philologists : Nietzsche, body, subject -- "Be your self!" : Nietzsche as educator -- The life of thought : Nietzsche's truth perspectivism and the will to power -- Of slaves and masters : the birth of good and evil -- Moments of excess : the making and unmaking of the subject -- Lacan, desire, and the originating function of loss -- The word that sees me : the nexus (...) of image and sign -- The nothing as the reverse side of Lacan's mirror -- Nietzsche is dead, long live Nietzsche : in memory of paternal ghosts -- The "insiders" : Nietzsche's secret teaching and the invention of "the philosopher of the future" -- Finding one's home in the nothingness of Nietzsche's text -- Nietzsche's excessive demand and the question of the adulterous queen's desire -- High and low : the hierarchical structure of Nietzsche's texts -- Inside and outside : Nietzsche "incorporated"; or, Who incorporates whom in the act of reading Nietzsche? -- The father's indulgence of the prodigal son : ambiguity and the limits of "the position" -- The contagion of affect in Netzsche : Klein, Krell, Bataille -- Doing time with Melanie Klein : renouncing "the bad breast," mourning the loss of "the good breast" -- "Motivating this writingéis a fear of going crazy" : how Klein might read Georges Bataille sur Nietzsche -- David Farrell Krell's "novel" approach to reading Nietzsche -- Family romances and textual encounters : Sarah Kofman reading Nietzsche -- Reading Nietzsche I : explosions -- Autobiography or autothanography : killing with words in Rue Ordener, Rue Labat -- Reading Nietzsche II : le pris des juifs; Nietzsche, les juifs, l'anti-semitisme -- The vision, the riddle, and the vicious circle : Pierre Klossowski's reading of Nietzsche's sick body -- On the continuity and disjunction between the body and language -- Exquisite delirium : the thought of eternal return -- The conspiracy of philosopher/villains : Nietzsche/Klossowski/Sade -- From cannibalism to voodoo : the creation and control of the subject of Nietzsche's writing. (shrink)

In my dissertation, I develop the idea that Nietzsche's perspectivism constitutes a thesis on subjectivity, i.e., a thesis that asserts the indeterminate nature of both reality and the issue of human significance. Simply put, I contend that Nietzsche's perspectivism connotes a broad ranging anti-foundationalism that denies not only the reality of a fixed world of being, but also the idea that human significance is objectively defined in terms of a universal human ideal. ;In addition, I also argue that although Nietzsche (...) heralds the idea of subjectivity, in so far as he develops his perspectivism, he is himself unable to come to terms with it. More precisely, I contend that rather than overcoming a psychological need for objectivity, Nietzsche satiates this need by developing a naturalized account of existence, one that he ultimately appeals to as a means of justifying his own peculiar conception of human significance. ;Structurally, the insights of this project emerge as a consequence of three different discussions. The first is a preliminary discussion that sets the stage for an historical treatment of Nietzsche's perspectivism. Highlighting the fact that much of the contemporary focus on Nietzsche's perspectivism is motivated by a desire to establish the overall consistency of his thought, this first discussion explores the character and shortcomings of the conservative attempt to interpret Nietzsche's philosophy as wholly committed to truth and the radical attempt to interpret it as a complete abandonment of truth. ;Concentrating exclusively on the historical development of Nietzsche's perspectivism, the second discussion focuses on the shift from what first emerges as a very conservative thesis concerning the structure of cognition and the possibility of knowledge to what later emerges as a very radical and broad ranging anti-foundationalism. Highlighting the tension between the pluralistic implications of this perspectivism and the dogmatic nature of many other aspects of Nietzsche's thought, the third discussion explores the psychological underpinnings of Nietzsche's philosophical inconsistency. (shrink)

For much of his adult life, Nietzsche wrote notes on philosophical subjects in small notebooks that he carried around with him. After his breakdown and subsequent death, his sister supervised the publication of some of these notes under the title The Will to Power, and that collection, which is textually inaccurate and substantively misleading, has dominated the English-speaking discussion of Nietzsche's later thought. The present volume offers, for the first time, accurate translations of a selection of writings from Nietzsche's late (...) notebooks, dating from his last productive years between 1885 and 1889. Many of them have never before been published in English. They are translated by Kate Sturge from reliable texts in the Colli-Montinari edition, and they are edited by Rüdiger Bittner, whose introduction places them in the context of Nietzsche's philosophy as a whole. (shrink)

This paper offers an alternate solution to the puzzle of transformative experience raised by Paul (2014), through an appeal to Arthur Schopenhauer’s concept of the _acquired character_, which speaks to the intuition that authenticity entails a notion of the ‘self-as-guide’ (Rivera et al., 2019 ). On Paul’s solution to the puzzle, transformative decisions may be made authentically by adopting a meta-preference concerning personal transformation, such that the self is constituted after a decision is made. Yet when comparing Paul’s (...) account of authenticity to that of Somogy Varga’s (2012), we see that the former is too formal in that it neglects certain requirements of personal identity-formation, which Varga defines as wholehearted commitment based in strong evaluation. However, in defining these requirements as such, Varga’s account of authenticity is unequipped to adequately address the puzzle of transformative experience. Varga’s account further falls short with respect to specifying sufficient criteria for personal fitness, as Rings (2017) argues. In connection with this deficiency, Varga’s account also does not fully reckon with the threat of manipulation, given the possibility of egoistically driven self-deception in conjunction with oppressive social conditions. I argue that with the aim of character acquisition via acts of subjective contemplation, the authenticity of transformative decisions can be understood at least partly in terms of self-discovery. To expand on authenticity’s ethical dimension, as first introduced by Varga, in a way that is compatible with this established dimension of self-discovery, and with the help of Christopher Gill’s (1996) analysis of an ancient Greek conception of personhood, I suggest that we conceive of authenticity also as a process of value-interpretation, while employing a concept of the self that I will refer to as the _metapersonal_. This process is congruent with a metapersonal self in so far as it is aimed at defining and clarifying the human good in general, from within a community whose fundamental ethical demand consists of maximizing mutual and reciprocal benefit. (shrink)

The four short works in Untimely Meditations were published by Nietzsche between 1873 and 1876.They deal with such broad topics as the relationship between popular and genuine culture, strategies for cultural reform, the task of philosophy, the nature of education, and the relationship between art, science and life. They also include Nietzsche's earliest statement of his own understanding of human selfhood as a process of endlessly 'becoming who one is'. As Daniel Breazeale shows in his introduction to this new edition (...) of R. J. Hollingdale's translation of the essays, these four early texts are key documents for understanding the development of Nietzsche's thought and clearly anticipate many of the themes of his later writings. Nietzsche himself always cherished his Untimely Meditations and believed that they provide valuable evidence of his 'becoming and self-overcoming' and constitute a 'public pledge' concerning his own distinctive task as a philosopher. (shrink)

The purpose of my paper is to challenge the binary classification of authenticity, which is currently employed in the bioethical debate on enhancement technologies. According to the standard dichotomy, there is a stark opposition between the self-discovery model, which depicts the self as a substantial and original inwardness, and the self-creation model, which assumes that the self is an open project, that has to be constituted by one’s free actions. My claim is that the so-called (...) class='Hi'>self-creation model actually conflates two distinct versions of authenticity: one that is decisionist and one that is experimentalist. Hence, my proposal is to distinguish between three different models of authenticity: (i) self-discovery, which is an expressivist model of authenticity; (ii) existential commitment, which is a decisionist model; and (iii) reinvention of the self, which is an experimentalist model. Such a three-fold distinction will vast a more nuanced and clear light upon the enhancement debate. (shrink)

The Anthology Which First Introduced Nietzsche to the English-speaking World Originally published in 1901, the result of several years of translation work by the very first generation of Nietzscheans in Britain and America, Nietzsche as Critic, Philosopher, Poet and Prophet is a comprehensive selection of Nietzsche's writings, from The Birth of Tragedy through to the final works of 1888. Arranged topically with reference to the original sources, the book still stands as one of the finest anthologies of Nietzsche's writing in (...) English and a worthwhile introduction to his thought on a wide range of subjects. This new edition also includes an appreciation of the editor and translator Thomas Common, whose tireless work promoting and translating Nietzsche over nearly twenty years was instrumental in bringing him to a wider audience. (shrink)

The aim of this study is to examine the relation between Nietzsche’s perspectivism and his doctrine of the will to power and to show that perspectivism is almost a direct and natural consequence of the doctrine of the will to power. Without exploring the doctrine, it is not possible to understand what Nietzsche’s perspectivism is and what he trying to do by proposing it as an alternative to traditional epistemology. To this aim, firstly, Nietzsche’s doctrine of the will to power (...) is explained in detail. Next, in order to provide a deeper understanding of the doctrine, its relation with Darwinism and the claims which say that it is a metaphysical principle are analyzed. Afterwards, Nietzsche’s construction of the world as becoming out of will to power is investigated. Nietzsche’s conception of interpretation as power struggle and its role in perspectivism explained. Then, how Nietzsche’s construction of the world as becoming and his concept of interpretation as power struggle emerge as perspectivism is explained. After that, in order to present the differences between Nietzsche’s perspectivism and traditional understanding of epistemology, Nietzsche’s critiques of some of the fundamental assumptions of traditional epistemology, i.e., causality, logic, and subject-object and apparent-real world distinctions, are investigated. Finally, Nietzsche’s understanding of truth based on his perspectivism is inquired. Its relation with correspondence, pragmatic and coherence theories of truth is explored to show that Nietzsche’s understanding of truth could not be comprehended through these theories. Consequently, it isclaimed that the tendency to attribute a truth theory to Nietzsche’s perspectivism, which is prevalent in the current Nietzsche studies, stems from commentator’s, consciously or unconsciously, ignoring of the relation between his perspectivism and his doctrine of the will to power. (shrink)

Nietzsche referred to his critique of Judeo-Christian moral values as philosophizing with the hammer. On the Genealogy of Morals (originally subtitled A Polemic) is divided into three essays. The first is an investigation into the origins of our moral values, or as Nietzsche calls them moral prejudices. The second essay addresses the concept of guilt and its role in the development of civilization and religion. The third essay considers suffering and its role in human existence. What might be of most (...) value to today's reader is not necessarily Nietzsche's views on particular ethical issues, but rather his encouragement to think independently and to actualize the self. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Democratic Sublime: On Aesthetics and Popular Assembly by Jason FrankRobert HarimanThe Democratic Sublime: On Aesthetics and Popular Assembly. By Jason Frank. New York: Oxford University Press, 2021. xvii + 255 pp. Paper $28.00. ISBN-10: 0190658169. ISBN-13: 9780190658168.Who knew that the twenty-first century might turn on a battle over the legitimacy of democracy? As norms of deliberation and legislative compromise erode, and as a global struggle between democratic (...) and autocratic rule is waged both between and within nations, a strange form of political theater emerges: all sides claim to represent the will of the people, which is expressed in images of populist demonstrations that are seen by their opponents as dangerous embodiments of irrationality. It should be no surprise that violence is waiting in the wings.Despite the historical specificity of the present conflict, it is not new. Although focused on the French Revolution, Jason Frank's carefully argued study of the aesthetics of popular assembly resonates with contemporary concerns regarding political spectacles, populist movements, and whether or how democracy might prevail. Frank's objective is not to restore anything but to challenge left and right critiques of "the people" in order to recover a "lost radicalism of democracy" (xii). By reexamining one of modern democracy's origin stories, Frank zeros in on popular assembly as "a distinctive—and distinctively powerful—mode of democratic representation" (xiv). One result can be more clarity about why populism—and its mix of democratic self-assertion and delegitimation—has such a hold on democratic regimes today. Another, and Frank's hope, is that paying more attention to the aesthetic contours of "the people" can lead to a rebooting of the political imagination—a rebooting, I would add, that is desperately needed if democracy is to become more inclusive, equitable, and sustainable. [End Page 418]Frank begins with the assumption that democracy depends on more than "enlightenment and education": beyond rational-critical speech, it also requires distinctive illusions of collective belonging (see also, e.g., Allen 2004, chap. 2). "At the heart of modern democracy's fantasy space," he argues, "lies its enigmatic constituent subject: the people" (3). But where are the people? What do they look like? Democracy's constituent subject has an image problem: the people can't be seen as a whole. Thus, the problem of envisioning the people "haunts the history and theory of modern democracy" (5).Frank becomes something of a ghost hunter, working carefully through theory and history to see what has been lurking around the corners and in the attic, more felt than observed. Through careful parsing of Judith Butler, Claude Lefort, Jacques Rancière, Carl Schmitt, and others, he constructs a theoretical framework for identifying a process of democratic belonging that is persistent, contested, and aesthetic. This dynamic field of political representation then is explored through his historical example.The French Revolution is taken up through its exponents, interpreters, and one of its visual figures. Rousseau is up first, as he comprehends both the historical transformation and its constitutive problem. Rousseau sees popular demonstrations as ritual performances essential to the transition to democracy and to the expression of democratic legitimacy. Instead of being props for the king or mobs of rebellion, the crowd becomes the people as the people become a self-aware actor in history. But there is a crucial deficiency that other actors don't have: as a sovereign subject, the people are silent. The general will, beyond representation, is a spontaneous, authentic, and unmediated self-assertion that can be expressed only in part and must be enjoyed as sensate experience. This "mute eloquence" (64) of the assembly and a corresponding "collective self-absorption" (61) has obvious benefits for those who would usurp power, but it also opens a space for a more productive concept: the aesthetic resources that Frank labels the "democratic sublime."The next chapter captures this aesthetic in the "living image of the people" as it involved "a dramatic transformation in the iconography of political power and rule" (69). The people came to be understood not as an incarnation of the general will but as "a surplus of democratic immanence, the physical manifestation of... (shrink)

This paper debates the new theories of philosophical and aesthetical discourse by applying them to Nietzsche’s thinking on art. The article consists of four general subjects, each of them focusing on an essential part of Nietzsche’s special relationship to art: 1) Art generated by the philosophical text itself, through the form of the fragment; 2) The artistic relationship as an interdisciplinary ground for philosophical knowledge of the world (especially as applied in Nietzsche’s and Schopenhauer’s work); 3) A critical debate on (...) Wolfgang Welsch’s theory about the interdisciplinary aspects of the philosophical and aesthetic discourse; 4) The backgrounds of Nietzsche’s aesthetics project explained in Claus Zittel’s theory on Nietzsche’s “aesthetic turn.” Thus, Nietzsche’s thinking is defined as a relationist project, emphasizing the “self-destruction dy- namic” of his aesthetical perspectivism. (shrink)

This chapter contains section titled: “The Genealogy of Morals”.

supplies English-language readers with a crucial missing link in Nietzsche's development by reproducing the text of a lecture series delivered by the young philosopher at the University of Basel between 1872 and 1876. In these lectures, Nietzsche surveys the Greek philosophers from Thales to Socrates, establishing a new chronology for the progression of their natural scientific insights. He also roughly sketches concepts such as the will to power, eternal recurrence, and self-overcoming and links them to specific pre-Platonics.

This book first published in the year 2021 June. Paperback: 240 pages Publisher: Kuhn von Verden Verlag. Includes bibliographical references. 1). Philosophy. 2). Metaphysics. 3). Philosophy, German. 4). Philosophy, German -- 19th century. 5). Philosophy, German and Greek Influences Metaphysics. 6). Nihilism (Philosophy). 7). Eternal return. I. Nietzsche, Friedrich Wilhelm, 1844-1900. II. Ferrer, Daniel Fidel, 1952-.[Translation from German into English of Friedrich Nietzsche’s notes of 1881]. New Translation and Notes by Daniel Fidel Ferrer. Many of the notes have never been (...) translated into English before. Go inside the workshop of a great philosopher's mind and read these notes. Table of Contents Introduction and Preface (Pages: 1-11 ) Notebook: 11 = M III 1. Spring - Autumn 1881 11 [1 to 348] (Pages: 12-167 ) Nietzsche’s Notebooks in English: a Translator’s Introduction and Afterward (Pages: 168-183 ) The thought of the eternal return of the same (Pages: 184-197 ) Later Recapitulation note of 1888 14 [188] (Pages: 198-204 ) Rejection of the idea of eternal (Pages: 205 ) Translation of 4 notes by Nietzsche on Perspectivism (Pages: 206-210 ) Nietzsche gets some final few words (Pages: 211-216 ) Bibliographies (Pages: 217-236 ) Project started in summer of 2012. No one else has read this book for errors. As always, any errors, mistakes or oversights etc. are mine alone. Given a couple more years, I could improve this book. This is a philosophical translation and not a philological translation. If you want to get in to more philological details you must learn German (see Nietzschechannel plus many published books on the topics). Translation notes. I have not tried to fix, polish-up, or clarify Nietzsche’s unpublished writings. Some of the translator have really refined Nietzsche’s ideas and positions. I have not “fixed” Nietzsche. I have not dropped or added words or changed the wording to make Nietzsche’s position clearer or stronger (others have done enough damage). Learn German and read the texts in German – my best recommendation and advice to you the reader. There are groups on the internet that work on all the details of translating Nietzsche’s remarks. There are many nuances and shades of the meaning in attempting to translate anyone’s language. Some words I could not translate from German and French; and I left those few words in German, but more words in French. I think most of the French texts are quotes that Nietzsche wrote down from French authors that he was reading at the time he wrote these notes. Reader beware. There are many historical and philosophical allusions as in all of Nietzsche’s philosophical writings and these notebooks are similar. Remember these are “notebooks” and include lots of notes or jottings -- and these are neither fragments nor polished drafts for publication. Nietzsche may have written these notebooks from back to front and re-used various notebooks at a later time. In the German text there are missing punctuations marks, missing quotation marks, missing words, abbreviation of words, miss numbered section, working table of contents for project books he wanted to publish, projects outlined, quotes without quote marks. Enjoy reading and thinking with Nietzsche in his unpublished notes. (shrink)

Friedrich Nietzsche described The gay science as a book of 'exuberance, restlessness, contrariety and April showers'. A deeply personal and affirmative work, it straddleshis middle and late periods and contains some of the most important ideas he would ever express in writing. Moving from a critique of conventional morality, the arts and modernity to an exhilarating doctrine of self-emancipation, this playful combination of aphorisms, poetry and prose is a treasure trove of philosophical insights, brought to new life in R. (...) Kevin Hill's clear, graceful translation. (shrink)

Both Nietzsche and La Rochefoucauld rejected metaphysical principles, such as the Kantian moral imperatives, and adopted psychology as their first philosophy. In this article I explore their views of self-love and of the will to power as the first principles of human motivation. Although both thinkers reduce actions to egoistic motives, they define the human drives and passions differently. While Nietzsche criticizes La Rochefoucauld’s view of a self-love-oriented intention as the principal cause of deeds, his interpretation is reductionist (...) seeing that La Rochefoucauld also gives a quasi-expressivist account of deeds based on multiple drives. Unlike La Rochefoucauld, Nietzsche claims that there is no preexisting intention before or behind deeds, but rather that the doer expresses herself in and through her deeds. He laments that La Rochefoucauld’s concept of self-love is overshadowed by Christianity and criticizes him for condemning secular virtues as postlapsarian vices in disguise. Egoism, for Nietzsche, is a drive that is ingrained in the psyche for self-elevation. By comparing and contrasting their views, I conclude that self-love for La Rochefoucauld is pure self-affirmation at the expense of other drives or other agents, while Nietzsche’s notion of the will to power is a master-drive’s organization of other drives in service of the grander project of the self, which at the same time allows the subordinate drives to express themselves and fulfill the functions proper to their own nature. This interpretation sheds light on the key concept of egoism and the will to power in Nietzsche’s moral psychology, as well as on the first principles of human action in Nietzsche and La Rochefoucauld. (shrink)

Durante los años 1880, Nietzsche propone una idea original de individuo en tanto pluralidad como un modo de superación del difundido nihilismo con respecto a la unidad. Sus escritos, tanto editados como inéditos, presentan una crítica aguda de la concepción heredada de unidad anímica y cultural acorde con la crisis de identidad que vive Europa en la segunda mitad del siglo xix. Nuestro objetivo es mostrar un hilo que va desde la biología celular hasta la filosofía de Nietzsche. Consideramos cómo (...) la biología celular, especialmente con Rudolph Virchow, inauguró la crítica de la noción de Individuum desde el plano orgánico. Eso constituyó un motivo fuerte en la psicología de los franceses Hippolyte Taine y Theódule Ribot, quienes transpusieron el problema al ámbito anímico y de la psicopatología. Ambos concluyeron con un fuerte cuestionamiento sobre la unidad y simplicidad del yo. Eso generó un profundo interés en la filosofía de Nietzsche que en repetidas ocasiones se refiere al Individuum como una multiplicidad de células. Finalmente, profundizaremos en el registro nietzscheano acerca del Individuum, ya que constituye uno de los costados del pensamiento sobre el Übermensch, que Nietzsche imagina inspirado en los grandes hombres del Renacimiento, como posible superación del nihilismo. Among possible ways that Nietzsche can take to deal with Nihilism and its challenges, he proposes an original idea of plural individual. His papers both published and unpublished, present a sharp critique of the inherited view of psychic and cultural unit. It was in line with the identity's crisis faced by Europe along the second half of the nineteenth century. Our goal is to show a thread that goes from cell biology to Nietzsche's philosophy. We see how cell biology, precisely through Rudolph Virchow, inaugurated the critique of the notion of organic Individuum from the organic field. It became a strong subject in the psychology of Hippolyte Taine and Theódule Ribot. They transposed the issue to the field of mind and psychopathology. Both concluded in a strong challenge on the self's unity and simplicity. This generated a deep concern in Nietzsche's philosophy. He repeatedly refers to Individuum as a multiplicity of cells. Finally, we will go in deep into the Nietzschean consideration about Individuum because this topic means one important aspect of the concept of Übermensch that Nietzsche imagines inspired by the great men of the Renaissance as a promising way out of Nihilism. (shrink)

Der vorliegende Aufsatz analysiert die existenzphilosophischen Koinzidenzen im Steppenwolf und bei Friedrich Nietzsche. hierbei leitend ist die These, dass die in der Forschung aufgezeitgen gemeinsamen Motive Nietzsches und Hesses nicht unabhängig voneinander als singuläre Einzelthemen zu betrachten sind, sondern sich alle unter der zentralen Problematik der Suche nach personaler Identität subsumieren lassen unde hier iher thematische Einheit finden. Ausgangspunkt beider Autoren ist die Wahrnehmung eines fragmentierten Selbst, welches Leiden, Suizidgedanken, Einsamkeit und ein gespaltenes Verhältnis zur bürgerlichen Gesellschaft nach sich zeiht. (...) Philosophisch ist das desintegrierte Selbst insofern relevant, als es die Einnahme einer perspektivistishen Position zur Folge hat und aufgrund der sich gegenseitig abwertenden Ich - Fragmente in den Nihilismus mündet. The following essay analyzes existentialist themes as they appear in the Steppenwolf and the work of Friedrich Nietzsche. The overarching thesis is that the shared motifs commonly identified in the scholarly literature should not be viewed as separate topics but rather as elements of a single central problematic - the search for personal identity. The starting point for both authors is the perception of a fragmented self as the product of suffering, loneliness, thoughts of suicide, and an ambivalent relationship to bourgeois society. The fractured self is of interest to philosophy because it leads to the adoption of a perspectival position and because, as a collection of conflicting ego - fragments, such a self threatens to descend into nihilism. (shrink)

Written on the threshold of Thus Spoke Zarathustra during a highpoint of social, intellectual and psychic vibrancy, The Joyful Science is one of Nietzsche's thematically tighter books. Here he debuts and practices the art of amor fati, love of fate, to explore what is "species preserving" in relation to happiness (Book One); inspiration and the role of art as they keep us mentally fit for inhabiting a world dominated by science (Book Two); the challenges of living authentically and overcoming after (...) the death of God (Book Three); and the crescendo of life affirmation in which Nietzsche revealed the doctrine of eternal recurrence and previewed the figure of Zarathustra (Book Four). Invigorated and motivated by Thus Spoke Zarathustra and Beyond Good and Evil, Nietzsche in 1887 added a new preface, an appendix of poems, and Book Five, where he deepened the critique of science and displayed a more genealogical approach. This volume provides the first English translation of the Idylls from Messina and, more importantly, it includes the first English translation of the notebooks of 1881-1882, in which Nietzsche first formulated the eternal recurrence. Structurally and stylistically, The Joyful Science remains Nietzsche's most effective book of aphorisms, immediately after which he took on the voice and alter ego of Zarathustra in order to push beyond the boundaries of even the most liberating prose. (shrink)

TWENTIETH-CENTURY ETHICS. AFTER NIETZSCHE -/- Preface This book tells the story of twentieth-century ethics or, in more detail, it reconstructs the history of a discussion on the foundations of ethics which had a start with Nietzsche and Sidgwick, the leading proponents of late-nineteenth-century moral scepticism. During the first half of the century, the prevailing trends tended to exclude the possibility of normative ethics. On the Continent, the trend was to transform ethics into a philosophy of existence whose self-appointed task (...) was that of describing the human condition as consisting of choices, as unavoidable as arbitrary, without any attempt at providing criteria for making such choices. In the Anglo-Saxon countries, the heir of ethics was a philosophy of morality, that is, an analysis of the language of morality that intended to clarify valuations without trying to justify them. 1958 was the year of the normative turn that led to the Rehabilitation of practical philosophy, a turn followed by decades of controversies between distinct kinds of normative ethics: utilitarian, Kantian, virtue ethics. While the controversy was raging, a quiet revolution took place, that of applied ethics which surprisingly dissolved the controversy's very subject matter by providing methods for making convergence possible on intermediate principles even when no agreement was available about first principles. The normative turn and the revolution of applied ethics have led us, at the turn of the century, to a goal that was quite far from the starting point. Instead of scepticism and relativism that was the fashion at the beginning of the century, at the beginning of the third millennium impartial and universal moral arguments seem to hold the spot being supported, if not by a final rational foundation, at least by reasonableness, the most precious legacy of the Enlightenment. -/- ● TABLE OF CONTENTS -/- ● I Anglo-Saxon philosophy: naturalism 1. Dewey beyond evolutionism and utilitarianism 2. Dewey and anti-essentialist moral epistemology 3. Dewey and naturalist moral ontology 4. Dewey and normative ethics of conduct and function 5. Perry and semantic naturalism -/- ● II Anglo-Saxon philosophy: ideal utilitarianism and neo-intuitionism 1. Moore's critique of utilitarian empiricism 2. Moore on the naturalistic fallacy 3. Moore on the nature of intrinsic value 4. Moore on ideal utilitarianism 5. Prichard on the priority of the right over the good 6. Ross's coherentist moral epistemology 7. Ross's moral ontology: realism, pluralism, and non-naturalism 8. Ross's normative ethics of prima facie duties -/- The chapter reconstructs the background of ideas, concerns and intentions out of which Moore's early essays, the preliminary version, and then the final version of Principia Ethica originated. It stresses the role of religious concerns, as well as that of the Idealist legacy. It argues that PE is more a patchwork of somewhat diverging contributions than a unitary work, not to say the paradigm of a new school in Ethics. -/- ●III Anglo-Saxon philosophy: non-cognitivism 1. The Scandinavian School, the Vienna circle and proto-emotivism 2. Wittgenstein and the ineffability of ethics 3. Russell's and Ayer's radical emotivism 4. Stevenson and moderate emotivism 5. Stevenson and the pragmatics of moral language 6. Stevenson and the methods for solving ethical disagreement 7. Hare and prescriptivism The chapter reconstructs first the discussion after Moore. The naturalistic-fallacy argument was widely accepted but twisted to prove instead that the intuitive character of the definition of 'good', its non-cognitive meaning, in a first phase identified with 'emotive' meaning. Alfred Julius Ayer is indicated as a typical proponent of such non-cognitivist meta-ethics. More detailed discussion is dedicated to Bertrand Russell's ethics, a more nuanced and sophisticated doctrine, arguing that non-cognitivism does not condemn morality to arbitrariness and that the project of rational normative ethics is still possible, heading finally to the justification of a kind of non-hedonist utilitarianism. Stevenson's theory, another moderate version of emotivism is discussed at some length, showing how the author comes close to the discovery of the role of a pragmatic dimension of language as a basis for ethical argument. A section reconstructs the discussion from the Forties about Hume's law, mentioning Karl Popper's argument and Richard Hare's early non-cognitivist but non-emotivist doctrine named prescriptivism. -/- ●IV Anglo-Saxon philosophy: critics of non-cognitivism 1. Neo-naturalism and its objections to the naturalistic fallacy argument 2. Objections to Hume's law 3. Clarence Lewis and the pragmatic contradiction 4. Toulmin and the good reasons approach 5. Baier and moral reasons 5. Baier, social moralities and the absolute morality 6. Baier and the moral point of view 7. Baier and the contents of absolute ethics -/- ● V Continental philosophy: the philosophy of values 1. Max Weber and the polytheism of values 2. Phenomenology against psychologism and rationalism 3. Reinach and the theory of social acts 4. Scheler and the material ethics of values 5. Hartmann and the ontology of values 6. Plessner, Gehlen and the Philosophische Anthropologie -/- The chapter illustrates first the idea of phenomenology and the Husserl's project of a phenomenological ethic as illustrated in his 1908-1914 lectures. The key idea is dismissing psychology and trying to ground a new science of the apriori of action, within which a more restricted field of inquiry will be the science of right actions. Then the chapter illustrates the criticism of modern moral philosophy conducted in the 1920 lectures, where the main target is naturalism, understood in the Kantian meaning of primacy of common sense. The third point illustrate is Adolph Reinach's theory of social acts as a key the grounding of norms, a view that sketches the ideas 'discovered' later by Clarence I. Lewis, John Searle, Karl-Otto Apel and Jürgen Habermas. A final section discusses Nicolai Hartman, who always refused to define himself a phenomenologist and yet developed a more articulated and detailed theory of 'values' – with surprising affinities with George E. Moore - than philosophers such as Max Scheler, who claimed to be Husserl's legitimate heirs. -/- ● VI Continental philosophy: the critics of the philosophy of values 1. Freud, the Superego and Civilization 2. Heidegger on original ethos against ethics 3. Sartre and de Beauvoir on authenticity and ambiguity 4. Adorno and Horkheimer on emancipation and immoralism -/- ●VII Post-liberal theologians and religious thinkers 1. Barth on the autonomy of faith from ethics 2. Developments of Reformed moral theology after Barth 3. Bonhoeffer on the concrete divine command and ethics of penultimate realities 4. Developments of Reformed and Catholic moral theology after world war II 5. Baeck and the transformation of liberal Judaism 6. Rosenzweig against liberal Judaism 7. Buber and religion as the vital lymph of morality 8. Heschel and Judaism as a science of actions -/- The chapter examines the main protagonists of Christian theology and Jewish religious thinking in the twentieth century. It stresses how the main dilemmas of contemporary philosophical ethics lie at the root of the various path of inquiry taken by these thinkers. -/- ● VIII Normative ethics: neo-Utilitarianism 1. The discussion on act and rule utilitarianism 2. Hare on two-tiered preference utilitarianism 3. Harsanyi, Gauthier and rational choice ethics 4. Parfit, utilitarianism and the idea of a person 5. Brandt and indirect conscience utilitarianism -/- The chapter addresses the issue of the complex process of self-transformation Utilitarianism underwent after Sidgwick's and Moore's fatal criticism and the unexpected Phoenix-like process of rebirth of a doctrine refuted. Two examples give the reader a glimpse at this uproarious process. The first is Roy Harrod Wittgensteinian transformation of utilitarianism in pure normative ethics depurated from hedonism as well as from whatsoever theory of the good. This transformation results in preference utilitarianism combined with a 'Kantian' version of rule utilitarianism. The second is Richard Hare's two-level preference utilitarianism, where act utilitarianism plays the function of the eventual rational justification of moral judgments and rule-utilitarianism that of an action-guiding practical device. -/- ● IX Normative ethics: neo-Aristotelianism and virtue ethics 1. Hannah Arendt, action and judgement 2. Hans-Georg Gadamer and phronesis 3. Alasdair MacIntyre on practices, virtues, and traditions 5. Stuart Hampshire on deliberation 6. Bernard Williams and moral complexity 7. Feminist ethics -/- Sect 1 reconstructs the post-war rediscovery of ethics by many German thinkers and its culmination in the Sixties in the movement named 'Rehabilitation of practical philosophy' is described. Heidegger's most brilliant disciples were the promoters of this Rehabilitation. Hans-Georg Gadamer is a paradigmatic example. His reading of Aristotle's lesson I reconstructed, starting with Heidegger's lesson but then subtly subverting its outcome thanks to the recovery of the significant role of the notion of phronesis. Sect 3 discusses the three theses defended by Anscombe in 'Modern Moral Philosophy'. It argues that: a) her answer to the question "why should I be moral?" requires a solution of the problem of theodicy, and ignores any attempts to save the moral point of view without recourse to divine retribution; b) her notion of divine law is an odd one more neo-Augustinian than Biblical or Scholastic; c) her image of Kantian ethics and intuitionism is the impoverished image manufactured by consequentialist opponents for polemical purposes and that she seems strangely accept it; d) the difficulty of identifying the "relevant descriptions" of acts is not an argument in favour of an ethics of virtue and against consequentialism or Kantian ethics, and indeed the role of judgment in the latter is a response to the difficulties raised by the case of judgment concerning future action. The chapter gives a short look at further developments in the neo-naturalist current trough a reconstruction of Philippa Foot's and Peter Geach's critiques to the naturalist-fallacy argument and Alasdair MacIntyre's grand reconstruction of the origins and allegedly inevitable failure of the Enlightenment project of an autonomous ethic. -/- ● X Normative ethics: Kantian and rights-based ethics 1. Dialogical constructivism 2. Apel, Habermas and discourse ethics 3. Gewirth and rights-based ethics 4. Nagel on agent-relative reasons 5. Donagan and persons as ends in themselves Parallel to the neo-Aristotelian trend, there was in the Rehabilitation of practical philosophy a Kantian current. This current started with the discovery of the pragmatic dimension of language carried out by Charles Peirce and the Oxford linguistic philosophy. On this basis, Karl-Otto Apel singled out as the decisive proponent of the linguistic and Kantian turn in German-speaking ethics, worked out the performative-contradiction argument while claiming that this was able to provide a new rational and universal basis for normative ethics. The chapter offers an examination of his argument in some detail, followed by a more cursory reconstruction of Jürgen Habermas's elaboration on Apel's theory. -/- ● XI The applied ethics renaissance 1. Elisabeth Anscombe on the atom bomb 2. From medical ethics to bioethics 3. Rawls and public ethics 3. Nozick, Dworkin and further developments of public ethics 5. Sen and the revival of economic ethics -/- The chapter presents the revolution of applied ethics while stressing its methodological novelty, exemplified primarily by Beauchamp and Childress principles approach and then by Jonsen and Toulmin's new casuistry. The chapter argues that Rawls's distinction between a "political" and a "metaphysical" approach to the theory of justice, one central part of ethical theory, is a formulation of the same basic idea at the root of both the principles approach and the new casuistry, both discussed in the following chapter. The idea is that it is possible to reach an agreement concerning positive moral judgments even though the discussion is still open – and in Rawls' view never will be close – on the essential criteria for judgment. -/- ● XII Fin-de-siècle metaethics 1. Deontic logics 2. Anti-realism 3. External realism 4. Internal realism 5. Kantian constructivism -/- The chapter illustrates the fresh start of meta-ethical discussion in the Eighties and Nineties and the resulting new alignments: metaphysical naturalism, internal realism, anti-realism, and constructivism. (shrink)

This paper is concerned with the implications of Husserl's phenomenological reformulation of the problem of error. Following Husserl, I argue that the phenomenon of error should not be understood as the accidental failure of a fully constituted cogito, but that it is itself constitutive of the cogito's formation. I thus show that the phenomenon of error plays a crucial role in our self-understanding as unified subjects of experience. In order to unpack this 'hermeneutical function' of error, I focus on (...) three inter-related notions which are recurrently used by Husserl to refer to the central aspects of error apprehension: explosion (Explosion), replacement (Ersatz), and cancellation (Durchstreichung). My discussion, however, does not remain committed to the Husserlian framework as such. This is not only because Husserl's notion of explosion proves itself untenable, but because the Husserlian paradigm does not make room for a linguistic dimension intrinsic, in my view, to the realization of error. Hence, I proceed by reconstructing the Husserlian terms as tropes of realization, as narratological devices in the 'language game' of error. I argue that these hermeneutical devices are necessary for maintaining what Nietzsche would call the self's 'semblance of unity'. The assumption of one single subject is perhaps unnecessary; perhaps it is just as permissible to assume a multiplicity of subjects, whose interaction and struggle is the basis for our thought and our consciousness in general? (Nietzsche, The Will to Power #490). (shrink)

Schopenhauer defends the view that emotions impair cognition, while Nietzsche apparently replies that they are ineliminable from cognition, and that they enhance it. Schopenhauer argues that human individuals are naturally disposed to comprehend their environment in affective terms. At the same time, his evaluative position concerning this relation is negative: cognition is spoiled, warped, or tainted by its inability to shake off the emotions, desires, or drives that belong to human nature. Human individuals are not cut out for cognition proper, (...) unless they become ‘pure subject of cognition’ in aesthetic experience, or in total self-negation of the will. Nietzsche accepts something analogous to Schopenhauer’s descriptive position: the self is a complex of drives and it is primarily these drives and their associated affects that interpret the world. But he firmly rejects Schopenhauer’s evaluative stance. He denies the possibility of a pure, objective, affect-free cognition. Nietzsche argues for a reversal of Schopenhauer’s evaluative stance: cognition is improved by affect, and by multiplying affects. This is a key point in Nietzsche’s so-called perspectivism im Genealogy III, 12. The view that Nietzsche regards affects as necessary for cognition has been challenged as either trivial or implausible by recent commentators. The essay addresses these challenges, arguing that it is quite plausible for Nietzsche to be holding such a view, and that it can be construed in ways that make it a more attractive view in itself. (shrink)

In this article, I distinguish two models of personal integrity. The first, wholeheartedness, regards harmonious unity of the self as psychologically healthy and volitional consistency as ethically ideal. I argue that it does so at the substantial cost of framing ambivalence and conflict as defects of character and action. To avoid these consequences, I propose an alternate ideal of humility that construes the self as multiple and precarious and celebrates experiences of loss and transformation through which learning, growth, (...) innovation, and dynamic relationship become possible. This ideal not only sustains prospects for integrity but is more suitable than wholeheartedness for recognizing practices of contestation, such as those involving potentially destabilizing encounters with difference that is common within pluralistic societies, as vital for rich, well-lived lives. (shrink)

This paper is a response to Ronald Lehrer's "Perspectivism and Psychodynamic Psychotherapy". Lehrer treats Nietzsche as promoting only a modest perspectivism according to which different cognitive strategies triangulate the truth. We argue that Nietzsche's perspectivism is much more radical, and defensible, than Lehrer admits. We also suggest that Nietzsche's bundle theory of the self has important implications for psychotherapy and the concept of mental health. According to this theory, the self is an aggregate of ever-changing drives and affects. (...) The conditions of health for such persons are similarly mutable, with no one standard applicable to all persons, or even to the same person over time. (shrink)

Se muestran los rasgos generales de la noción posmoderna de sujeto moral en Vattimo desde la interpretación que hace de Nietzsche y Heidegger, según la cual la continuidad entre estos pensadores solo se da en el horizonte de una nueva ontología. Esta se especifica con el hilo conductor de la noción de don que desarrolla Bataille, lo que la hace una ontología nihilista del don. Por su parte, el sujeto se determina como agente del don, capaz de recibir el don (...) del ser como llamado del pasado y, a su vez, mediar una respuesta que se configure como don para el futuro. Ese sujeto solo puede ser tal si primero se desustancializa o, según la noción de don de Bataille, se autoinmola. The article shows the general features of the postmodern notion of moral subject in Vattimo's work following his interpretation of Nietzsche and Heidegger, according to which the continuity between these thinkers only occurs on the horizon of a new ontology. This ontology is specified with the conducting thread of Bataille's notion of gift, which makes it a nihilist ontology of the gift. Furthermore, the subject is defined as an agent of the gift, capable of receiving the gift of being as a call of the past and, simultaneously, capable of mediating a response configured as a gift for the future. This subject can be such only if it is de-substantized, or, according to Bataille's notion of gift, self-immolated. (shrink)