Nietzsche, Miscellaneous

In this paper, I present some advice in the style of Nietzsche for a university aspiring to move from being good to great, as a nearby university is.

A researcher at the Yale Modernism Lab, Elyse Graham, raises the question of why the early twentieth century literary review The Egoist had such troubling selling, despite its stellar contributors. She puts the blame on regulars Dora Marsden and Richard Aldington. I offer an alternative hypothesis.

This essay pertains to Nietzsche's and Spinoza's philosophical/historical relationship, and the hitherto unnoticed role Kant plays as an intermediary for Spinoza's ideas and legacy. We advance two main assertions: 1) that Nietzsche is historically related to Spinoza via Kant's Antinomies of Pure Reason and their legacy, and 2) that both the striking similarities and tremendous differences between these two thinkers are best described with reference to the Antithesis positions of Kant's Antinomies. Our account rests primarily on the works of two (...) other scholars. The first is Omri Boehm, who argues convincingly that a) Spinoza was both the single greatest influence on and primary target of Kant's Antinomies, and b) that Spinoza's position is remarkably similar to the first three Antithesis positions (and no other relevant thinker comes close). The second is Michael Steven Green, who argues with equal force that c) Nietzsche's mature philosophy is heavily dependent upon Afrikan Spir's concept of the "fundamental antinomy," and d) that Nietzsche's view of empirical reality amounts to an "antithetic" view of reality. We demonstrate that these two scholars were, independently of one other, pointing to a single historical/philosophical connection between Nietzsche and Spinoza, and begin an exploration of the ramifications of this discovery. (shrink)

Jordan Peterson has attracted a high level of attention. Controversies may bring people into contact with Peterson's work, but ideas are arguably what keep them there. Focusing on those ideas, this book explores Peterson’s answers to perennial questions. What is common to all humans, regardless of their background? Is complete knowledge ever possible? What would constitute a meaningful life? Why have humans evolved the capacity for intelligence? Should one treat others as individuals or as members of a group? Is a (...) single person powerless in the face of evil? What is the relation between speech, thought, and action? Why have religious myths and narratives figured so prominently in human history? Are the hierarchies we find in society good or bad? After devoting a chapter to each of these questions, Champagne unites the different strands of Peterson’s thinking in a handy summary. Champagne then spends the remaining third of the book articulating his main critical concerns. He argues that while building on tradition is inevitable and indeed desirable, Peterson’s individualist project is hindered by the non-revisable character and self-sacrificial content of religious belief. This engaging multidisciplinary study is ideal for those who know little about Peterson’s views, or for those who are familiar but want to see more clearly how Peterson’s views hang together. The debates spearheaded by Peterson are in full swing, so Myth, Meaning, and Antifragile Individualism should become a reference point for any serious engagement with Peterson’s ideas. (shrink)

An introduction to Nietzsche's life and works.

Así habló Zaratustra continúa siendo, 135 años después de su publicación, la principal obra del corpus filosófico nietzscheano. Más de un siglo después de su surgimiento, este trabajo permanece como una fuente inagotable de relecturas cuyo sentido, en aras de evitar interpretaciones negligentes, conviene explicitar cada cierto tiempo. Por este motivo, el presente trabajo se erige como un análisis renovado de Así habló Zaratustra, centrado en la clarificación conceptual de las que se consideran son sus cinco principales ideas desde el (...) propio texto. A saber: la “muerte de Dios”, el Übermensch, la “voluntad de poder”, el “eterno retorno de lo mismo” y la “asunción/superación del nihilismo”. Para ello, previamente partiremos de una breve aproximación al contexto filosófico del autor, al contexto de la propia obra en el conjunto de la producción nietzscheana, así como a una indispensable presentación del estilo narrativo de esta. (shrink)

In this paper I discuss the Nietzschean notion of a pathos of distance, which some democratic theorists would like to recruit in the service of a democratic ethos. Recently their efforts have been criticized on the basis that the Nietzschean pathos of distance involves an aristocratic attitude of essentializing contempt towards the common man that is incompatible with the democratic demand to accord everyone equal respect and dignity. I argue that this criticism is misguided and that the pathos in question (...) involves encouraging the flourishing of higher types that give meaning and justification to the social order. For Nietzsche, the experience of living under a society that is thus organized leads to the psychological demand to search for spiritual states within a person that can make life worth living. I conclude by considering whether, so conceived, the pathos of distance is compatible with democracy. (shrink)

Nietzsche’s presentation of the eternal recurrence in Gay Science 341 is often viewed as a practical thought experiment meant to radically transform us. But exactly why and how we are supposed to be transformed is not clear. I contend that addressing these issues requires taking a close look at the psychological setting of the passage. The eternal recurrence is presented in our “loneliest loneliness.” I argue that facing the eternal recurrence from a state of profound loneliness both motivates self-transformation and (...) contributes toward helping us succeed at that project. (shrink)

У статті підсумовано основні результати багаторічного дослідження «веймарської класики» і раннього німецького романтизму, розкрито суть «модерністичного проекту», спрямованого на інтелектуально-культурне оновлення всього європейського суспільства. Розглянуто три світоглядні «кризи модерну». Перша – на зламі XVIII–ХІХ ст. Романтики тоді розділили мистецтво естетично і соціологічно на масове і високе, а історично – на сучасний і «класичний» мейнстріми. Простежено подальшу долю «проекту» в умовах другої кризи доби Модерн на зламі ХІХ–ХХ ст. (тут естафету романтиків підхопив Ф. Ніцше) і уже в наш час – останньої (...) і остаточної третьої кризи Модерну. (shrink)

This paper argues for interpreting Nietzsche along the lines of a self-constitution view. According to the self-constitution view, a person is a kind of creation: we constitute our selves throughout our lives. The self-constitution view may take more than one form: on the narrative version, the self is like a story, while on the Kantian version, the self is a set of principles or commitments. Taking Marya Schechtman’s and Christine Korsgaard’s accounts as paradigmatic, I take the self-constitution view to emphasize (...) practical considerations and the first person point of view and to conceive of the self as active in self-creation. The interpretation I offer can make sense of Nietzsche’s remarks about self-creation and of many of Nietzsche’s remarks about the self that would otherwise seem contradictory. In particular, Nietzsche’s anti-metaphysical remarks about the self fit well with the self-constitution view as long as they are understood as theoretical claims that do not undermine the importance of the practical point of view. (shrink)

La noción de perspectivismo, presente en la producción tardía de Nietzsche, delimita un ámbito particularmente interesante y fértil. En efecto, esta metáfora visual, que el filósofo utiliza antes que nada en referencia a la dimensión epistémica, encierra profundas consecuencias hermenéuticas y prácticas. Los ensayos de este volumen dan cuenta de esta doble implicancia. El primero, poniendo la investigación filológica al servicio de la reflexión filosófica, propone una discusión contextual de la dicotomía "hechos-interpretaciones", estrechamente ligada al perspectivismo nietzscheano. El segundo lleva (...) la atención del plano teórico al plano práctico y se concentra en el tema de la moral gregaria, que en el quinto libro de la "Ciencia jovial" Nietzsche presenta unido indisolublemente al perspectivismo y al fenomenalismo de la conciencia. Estas incursiones en el pensamiento de Nietzsche y en sus lecturas permiten antes que nada volver a considerar algunas célebres cuestiones de su reflexión madura y tomar nota de la riqueza de su pensamiento, en contraste con las malas interpretaciones que han visto en su perspectivismo la expresión de un mero relativismo y un nihilismo epistemológicos. (shrink)

This paper investigates Nietzsche’s reception of Spinoza in order to develop our understanding of the complex relations between their respective philosophies starting from their shared commitment to ontologies of power. The first three sections of this essay contain a diachronic analysis of Nietzsche’s engagement with Spinoza and a discussion of the major themes in play. The last section consists in an evaluation of Nietzsche’s explicit and implicit criticisms that helps us gain a sense of the coherence running through them, as (...) well of the core similarities and differences between two philosophies steeped in immanence and naturalism. Even if Nietzsche’s criticisms do not always do justice to Spinoza’s thinking, they nevertheless offer invaluable clues to guide our comparative project. (shrink)

Nietzsche appears to adopt a radical Kantian view of objects called constructivism, which holds that the existence of all objects depends essentially on our practices. This essay provides a new reconstruction of Nietzsche's argument for constructivism and responds to five pressing objections to reading Nietzsche as a constructivist that have not been addressed by commentators defending constructivist interpretations of Nietzsche.

György Lukács’s Marxist phase is usually associated with his passage from neo-Kantianism to Hegelianism. Nonetheless, Nietzschean influences have been covertly present in Lukács’s philosophical development, particularly in his uncompromising distaste for the bourgeois society and the mediocrity of its quotidian values. A closer glance at Lukács’s corpus discloses that the influence of Nietzsche has been eclipsed by the Hegelian turn in his thought. Lukács hardly ever mentions the weight of Nietzsche on his early thinking, an influence that makes cameo appearances (...) throughout his lifetime writings. During the period of his adherence to a Stalinist approach to communism, his new subjectivity seems to be re-constituted through a disavowal of his earlier romantic anti-capitalism. Implicit in Lukács’s attack on Nietzsche in the Destruction of Reason (1952) is an acerbic reaction to the mute presence of the latter in his earlier thought. Apart from his ignorance of the unreliability of the collection of the Will to Power edited by Peter Gast and Elisabeth Förster-Nietzsche, his battle against the anti-proletariat Nietzsche in the Destruction is waged on a metaphysical, non-historical plain. Lukács’s pre-Marxist works (Soul and Form, On Poverty of Spirit, and The Theory of the Novel) in a sense betray the instance of a writer who writes most of someone where he omits his name. Thus perceived, Lukács’s early corpus lends itself to a symptomatic reading. -/- This essay seeks to extract the Nietzschean undercurrents of Lukács’s work through a reflection on the romantic anti-capitalist tendencies that the young Lukács shared with Nietzsche. For although it may appear that Nietzsche lacked a clear politics, his criticism of the bourgeois ethos as a structure based on debt/guilt [Schuld], and his critique of modern value-system and nihilism paved the way for the emergence of Lukács’s theory of reification. Nietzsche’s category of 'transvaluation of values’ suggests a total transfiguration of reality, a radical rupture with the ordinary state of things, and as such carries within itself a revolutionary promise. Drawing a distinction between political romanticism and romantic politics, I argue that romantic anti-capitalism contains a potential for the latter. The essay further traces the link between Lukács’s ‘romantic politics’ and the persistence of a thought of the tragic (a ‘tragic vision’) in his texts that, despite its temporary decline during his realist period, is undismissable in different constellations of his thought. (shrink)

In a note to G.R.S. Mead’s "Quests Old and New", where he found a section devoted to Hans Vaihinger’s main ideas, Fernando Pessoa reflects on the consequences of the fictionalist approach to both our perception of the I and the value of consciousness. These questions correspond to some statements that we find in Nietzsche’s writings, which in particular Vaihinger refers to in his Die Philosophie des Als-ob. Our aim is thus to compare Nietzsche’s and Pessoa’s view of the I and (...) consciousness, and to deal with their psychology by making reference to Vaihinger’s fictionalism. (shrink)

While our world is characterized by mobility, global interactions, and increasing knowledge, we are facing serious challenges regarding the knowledge of the places around us. We understand and navigate our surroundings by relying on advanced technologies. Yet, a truly knowledgeable relationship to the places where we live and visit is lacking. This book proposes that we are utterly lost and that the loss of a sense of place has contributed to different crises, such as the environmental crisis, the immigration crisis, (...) and poverty. With a rising number of environmental, political, and economic displacements the topic of place becomes more and more relevant and philosophy has to take up this topic in more serious ways than it has done so far. To counteract this problem, the book provides suggestions for how to think differently, both about ourselves, our relationship to other people, and to the places around us. It ends with a suggestion of how to understand ourselves in an eco-political community, one of humans and other living beings as well as inanimate objects. This book will be of great interest to researchers and students of environmental ethics and philosophy as well as those interested in the environmental humanities more generally. (shrink)

Although Nietzsche scholars have paid close attention to his aphoristic and rhetorical style, few have focused on his practice of writing prefaces. In this paper, I engage in a close reading of Nietzsche’s prefaces and identify five themes present in his earlier and later prefaces: (1) he speaks directly to his readers, (2) he stresses the necessity of slow and careful reading, (3) he encourages readers to trust themselves, (4) he refers to himself as a herald, and (5) he uses (...) combative and polemical language to describe his work. Given these themes, I conclude that Nietzsche’s preface writing project constitutes a practice of self-care as described by Foucault in “Technologies of the Self” and “The Ethics of the Concern for Self as a Practice of Freedom.”. (shrink)

Despite his rejection of the metaphysical conception of freedom of the will, Nietzsche frequently makes positive use of the language of freedom, autonomy, self-mastery, self-overcoming, and creativity when describing his normative project of enhancing humanity through the promotion of its highest types. A number of interpreters have been misled by such language to conclude that Nietzsche accepts some version of compatibilism, holding a theory of natural causality that excludes metaphysical or “libertarian” freedom of the will, while endorsing morally substantial alternative (...) conceptions of freedom, autonomy, and responsibility. I argue to the contrary that although Nietzsche’s rejection of... (shrink)

In this paper I first sketch out the field of Christian theological responses to Nietzsche with special reference to Merold Westphal and Giles Fraser. This forms the backdrop for my analysis of Taylor. I argue Taylor characterizes Nietzsche as deeply insightful but peculiarly inhuman and employs Nietzsche in his apologetic strategy to highlight the need for strong moral sources for the demands of humanism. I claim that Taylor also makes theological responses to Nietzsche. Taylor holds out hope that a vision (...) of the divine affirmation of the world provides the best sustenance for life together in the 21st century. Yet he concedes the continuing strength of Nietzsche’s critique and insight for Christianity. In the concluding part of my essay I offer reflections on the contribution Taylor’s response to Nietzsche makes to Christian theology, with recourse to the parable of the prodigal son. (shrink)

The article analyses Alain Badiou`s philosophy from the point of view of his relation to postmodernity. Alain Badiou is a political activist, mathematician, writer, playwright and literary critic. However, above all, he is a philosopher of the totality who attempts to give a thoroughgoing explanation of the world. This is the sense in which he is an anti-postmodernist. His whole philosophy is directed against sophistry. Badiou consistently builds his own system in order to oppose it to the philosophy of the (...) twentieth century. He does not engage in dogmatic criticism. He goes further and repeatedly finds inspiration in the postmodern thought. Although his philosophy is evidently opposed to it, his anti-postmodernity should be considered a synthetic attempt to exceed two competing traditions. (shrink)

The ancients, Friedrich Nietzsche notes, held Homer's objective art and Archilochus's subjective art in equally high esteem. However, if a work of art must be "objective," how are we to understand the subjective artist, who, like Archilochus, produces art from his own subjective experience? Guided by a clue from Schiller's May 18, 1796 letter to Goethe, Nietzsche employs Schopenhauer's theory of music in his consideration of the subjective artist. Turning to Paul Ricoeur's distinction between image as copy and image as (...) fiction, I argue, will assist us in understanding how Nietzsche resolves the problem of the subjective artist. (shrink)

Vinod Acharya presents a new existential interpretation of Nietzsche's philosophy. He contends that Nietzsche’s peculiar form of existentialism can be understood only by undertaking a thorough analysis of his characterization and critique of metaphysics. This reading remedies the shortcomings of previous existential interpretations of Nietzsche, which typically view existentialism as concerned primarily with the meaning of individual existence, and therefore necessarily at odds with the abstraction and objectivity of metaphysical thought. Acharya argues that the approach of Nietzsche’s philosophy, especially in (...) his mature works, is to make the typical existential position foundational, and then to develop to the fullest the implications of this position. This meta-existential approach necessarily yields an ambiguous and open-ended critique of metaphysics. Taking issue with the Heideggerian, the poststructuralist and the naturalistic interpretations, this book contends that Nietzsche neither simply overcomes metaphysics nor remains trapped within its confines. Acharya argues that an ever-renewed encounter with and critique of metaphysics is an essential aspect of Nietzsche's meta-existentialism. (shrink)

The hermeneutic thicket surrounding the question of Nietzsche and the Greeks is both dense and forbidding. Every attempt to pose this question confronts a wide range of difficult issues. Who is “Nietzsche”? Which “Greeks”? What range of concerns? methods? disciplinary boundaries? How to think the relation between the early Nietzsche of the Basel years and the later Nietzsche post-Zarathustra? Where to turn for help in working through the palimpsest of interpretations that have formed the Nietzschebild in our time? To simply (...) raise such questions proves inadequate, of course, to the task of effecting a shift in the way Nietzsche scholars approach this topic. There is little consensus on what “the” Greeks mean for .. (shrink)

What are the challenges that Nietzsche's philosophy poses for contemporary phenomenology? Elodie Boublil, Christine Daigle, and an international group of scholars take Nietzsche in new directions and shed light on the sources of phenomenological method in Nietzsche, echoes and influences of Nietzsche within modern phenomenology, and connections between Nietzsche, phenomenology, and ethics. Nietzsche and Phenomenology offers a historical and systematic reconsideration of the scope of Nietzsche’s thought.

Everything you need to understand both Laruelle's critique of difference and his project of non-philosophyGilles Deleuze described Laruelle's thought as 'one of the most interesting undertakings of contemporary philosophy'. Now, Rocco Gangle - who translated Laruelle's philosophy into English - takes you through Laruelle's trailblazing book Philosophies of Difference, helping you to understand both Laruelle's critique of Difference and his project of non-philosophy, which has become one of the most intriguing avenues in contemporary thought. He explains the context within which (...) Laruelle's thought developed and takes you through the challenging argument and conceptual scaffolding of 'Philosophies of Difference'. (shrink)

This book is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of his (...) philosophy of natural science, but also his arguments for the phenomenal validity of the metaphysical foundations, his teachings on the aesthetic human faculties of judgment and Anschauung, and the discernment of the transcendental philosophy from Platonic idealism carrying it to a cosmological level, i.e. Kant’s insertion of the concept of cosmotheoros. Since the process of transition is an aesthetic process based on human senses, intuitions and judgments, the argument will follow that in order to explicate Übergang, we need to reconcile cosmology, as the oldest branch of philosophy dealing with the interactions between the cosmic forces and the ways they affect human life, with aesthetics, as the youngest branch of philosophy dealing with how we sense, intuit and judge the form and motion of matter. Therefore, in the last analysis, Übergang becomes rather a cosmologic-aesthetic principle similar to the Heraclitean logos. Another building block of the book is the fruitful comparison between the Kantian sublime and Nietzschean Dionysian, which are going to be construed as the aesthetic theories on human understanding representing the transition from nature to art. For they are not only conceptual – aesthetic but also dynamic – cosmological theories due to their reference both to nature and to human nature. Finally, Cosmological Aesthetics employs the principles of transition and motion to analyze Van Gogh’s Starry Night in an excursus. (shrink)

If the task of a post-Cartesian psychoanalysis is understood as one of exploring the patterns of emotional experience that organize subjective life, one can recognize that this task is pursued within a framework of delimiting assumptions concerning the ontology of the person. In this paper, we discuss these assumptions as they have emerged in the thinking of four major philosophers on whom we have drawn: Søren Kierkegaard, Friedrich Nietzsche, Ludwig Wittgenstein, and Martin Heidegger. Our purpose in what follows is to (...) describe essential ideas of these various thinkers and to identify the formative personal contexts within which their key insights into human life took form. By psychologically contextualizing philosophical assumptions, we hope to make progress toward discerning the particularization of scope that may be associated with these assumptions, and hence to begin a further opening up of the horizons of understanding that inevitably encircle psychoanalytic inquiry. (shrink)

Afin de montrer qu'il faut situer le début du processus de réception de l'œuvre nietzschéenne avant les années 1980, cet article dépouille les études critiques et les recensions de cette œuvre, parues dans les pays germanophones entre 1872 et 1889. Une étude statistique révèle que Nietzsche était connu pour ses écrits sur Wagner et sa première Inactuelle. Le dépouillement de l'importante réception de l'essai sur D. F. Strauss montre que les critiques de l'époque s'intéressaient à cet essai en fonction de (...) son actualité: les divers griefs qui lui sond faits voient notamment la première Inactuelle comme un écrit schopenhauerien en continuité avec la querelle entourant La naissance de la tragédie. En grande patrie critique, la première réception des écrits nietzschéens montre que le statut philosophique qui fut accordé à lœvre et à son auteur est le résultat d'un long processus d'appropriation par le combat.Dieser Artikel wertet kritische Studien und Rezensionen von Nietzsches Werk aus,d ie zwischen 1872 und 1889 im deutschen Sprahraum erschienen sind. Es soll veranschaulicht werden, dass der Beginn des Rezeptionsprozesses seiner Werke bereits vor den 1890er Jahren leigt. Eine statistische Auswertung des Materials zeigt, dass Nietzsche für sein Schriften über Wagner und seine ersten Unzeitgemässen Betrachtungen bekannt war und sein Essais über D. F. Struß aufgrund seiner Aktualität für Kritiker interessant war. Die erste Unzeitgemässe Betrachtung wurde als eine schopenhauerische Forzetzung des Streits um Die geburt der Tragödie betrachtet. In den ersten kritischen Rezeptionen von Nietzsches Werken wird deutlich, dass der Status, der Autor und Werk in der Philosophie zugeteilt wurde, das Ergebnis eines langen Prozesses von Aneignung durch Kampf ist. (shrink)

Nietzsche believed in the horror of existence: a world filled with meaningless suffering_suffering for no reason at all. He also believed in eternal recurrence, the view that that our lives will repeat infinitely, and that in each life every detail will be exactly the same. Furthermore, it was not enough for Nietzsche that eternal recurrence simply be accepted_he demanded that it be loved. Thus the philosopher who introduces eternal recurrence is the very same philosopher who also believes in the horror (...) of existence. In this groundbreaking study, Philip Kain develops an insightful account of Nietzsche's strange and paradoxical view that a life of pain and suffering is perhaps the only life it really makes sense to want to live again. (shrink)

That “God is dead” is the first thing that would recall to mind the moment one invokes or mentions the name of Nietzsche, as if that’s the only thing people knew of him, that his name has become almost synonymous with atheism. The author defends Nietzsche by arguing that although he is against Christianity, Nietzsche is not totally against God, and a life-giving God is reconcilable into Nietzsche’s thought. -/- Keywords: Nietzsche and Religion, Philosophy and Faith, Filipino Religiousity.

עומס האינדיבידואליות הוא אחת החוויות המרכזיות המלוות את החיים של האדם בחברה המודרנית. חוויה זו מתבטאת בקריאה לכל אדם להתחבר לתבונתו הביקורתית ולממש את מלוא פוטנציאל היכולות האינדיבידואליות הקיימות בו. ההנחה של הספר היא שבמסגרת החברות המסורתיות, מרבית בני האדם נטו להבין עצמם בהתאם למיקומם במסגרת ה"אנחנו" הקולקטיבי. מיעוט קטן מתוכם שאף להפריד עצמו מהתרבות הכללית ולעמוד על פוטנציאל האינדיבידואליות השונה שלו. בחברה המודרנית חל שינוי במערכת היחסים החברתית וממבנה של חברה פטריארכאלית, סטטית, מעמדית, בני האדם החלו להיתפס כפרטים, וכך (...) כל אזרח נתפס בהדרגה כבעל פוטנציאל אינדיבידואליות, כבעל תבונה טהורה או אותנטיות אישית. שינוי זה מתואר בספר כעומס האינדיבידואליות. (shrink)

This article examines Sarah Kofman's interpretation of Nietzsche in light of the claim that interpretation was for her both an articulation of her identity and a mode of deconstructing the very notion of identity. Faulkner argues that Kofman's work on Nietzsche can be understood as autobiographical, in that it served to mediate a relation to her self. Faulkner examines this relation with reference to Klein's model of the child's connection to its mother. By examining Kofman's later writings on Nietzsche alongside (...) her autobiography, this article contends that Kofman's defense of anti-Semitism in Nietzsche serves to fend off her own ambivalence about being Jewish. (shrink)

The purpose of this thesis is to make explicit the specificity of the following themes: the Bildung (formation/cultivation), education (Erziehung) and experimentation [Experimentieren – Erlebnis (experience)] in Nietzsche’s thought. As for that, it sustains that Nietzsche’s abandonment movement of the formation concept in favor of the notion of education and the subsequent substitution of education by the theme of experimentation, revealed a wide process of conceptual modification through which the author develops a radical theory of the constitution of the human (...) being. There are three distinct, although connected, moments of this process: the first one (chapters 1 and 2) in which the formation theme, not only in Nietzsche’s but in all the German tradition of the eighteenth and nineteenth centuries, is linked to discussions on the educational and formative value of art. For this reason, after presenting a contextualization of the relation between art and formation in the German tradition (chapter 1), it is presented (chapter 2) Nietzsche’s relation – the way it happens in his first important piece of writing The Birth of Tragedy – with the German aesthetic theories that reflected on the Greek culture, more specifically, on the problem of tragedy. Besides showing the influence of these theories on Nietzsche’s idea of formation, it is also shown the particularity of this idea and the elements that enabled the author to criticize the image of Greek serenity. Such critique happened due to the acknowledgement of an irretrievable split between public, art and culture in the Germany of the nineteenth century; the second one, (chapter 3), situated between his first important piece of writing, The Birth of Tragedy, and the extraordinary change of his thought, represented by the work Human, All too Human, is concerned about the problem of the authentic personality formation. In this period, the reflection on the authentic personality formation or the genius formation occurs in two distinct, although complimentary, registers: the first one, of analysis and critique of German teaching institutions, carried out in the five conferences delivered by him in the University of Basileia; and a second one, in which Nietzsche, based on his own experience with Schopenhauer, shows the dangers, the difficulties as well as the peculiarities of the formative experience to which one is submitted in the presence of a true philosopher. At last, the third moment (chapter 4), in which, based on the works produced after Human, All too human, the transformations of Nietzsche’s idea concerning the constitution of the human being are presented, characterized by the abandonment of the notion of formation, by the temporary use of the notion of education and by the choice of the experimentation notion as the most adequate to express the radicalism of the human being constitution process. The experimentation theme is presented in two registers: in the first one (in the first three items of chapter 4), based on Human, All too human; The Dawn and The Gay Science, it is shown the relation between the formation theme and the metaphysics critique based on the valorization of history, psychology and moral analysis; in the second one (in the last two items of chapter 4), it is reached the most advanced and radical formulation of Nietzsche’s thought on the theme of the human being constitution. Since the breach of the novel of self-cultivation (Bildungsroman) in Thus Spoke Zaratustra, dealing with the training and selection theme in On the Genealogy of Morality, to the establishment of figures of the overman and the sovereign individual, it is always focused an imperious obligation, which is to refer the theme of the human being constitution to the notion of experimentation that shows up under the sign of the concept of time and the solitude experience. (shrink)

Shocking, brilliant, and eccentric, the French author, translator, and artist Pierre Klossowski (1905-2001) exerted a profound effect on French intellectual culture throughout the twentieth century. The older brother of the painter Balthus, secretary to the novelist Andre Gide, friend to Geroges Bataille and Maurice Blanchot, and heralded as one of the most important voices in the French "return to Nietzsche" by Michel Foucault and Gilles Deleuze, Klossowski pursued his singular vision of mortal embodiment through a variety of scholarly manifestations. In (...) Such a Deathly Desire, Klossowski's original interpretation of Nietzsche's eternal return is developed around the enigmatic figure of the "demon," then deepened with provocative readings of Gide's correspondence; Barbey d'Aurevilly's novel A Married Proest; and the intertwining of language and death in the work of Bataille, Blanchot, and Brice Parain. The book concludes with the powerful essay "Nietzsche, Polytheism, and Parody," in which Klossowski articulates the consequences of the eternal return and the meaning of Nietzsche's genealogy of the fabulation of the world. Intersecting with and confounding a range of disciplines - including psychoanalysis, literary criticism, gender studies, and philosophy - Klossowski's critical writings on language, literature, and the aesthetics of embodiment remain powerful and original contributions to contemporary concerns in the theoretical humanities. (shrink)

Nietzsche believed in the horror of existence—in a world filled with meaningless suffering. He also believed in eternal recurrence—that our lives will repeat infinitely and that in each life every detail will be exactly the same. Furthermore, it was not enough that eternal recurrence simply be accepted—Nietzsche demanded that it be loved. Thus the philosopher who introduces eternal recurrence is the very same philosopher who also believes in the horror of existence—a paradox that is completely overlooked by commentators (who thus (...) fail to adequately understand Nietzsche). All of this demands careful explanation. (shrink)

Decadence in philosophy is the reversal between thinking and truth: philosophical truths valued only insofar as they provoke more philosophical thought.

Long recognized as an important and abiding influence in the European artistic and intellectual circles of the last century, the work of Pierre Klossowski is slowly gaining recognition in the Anglo-American scholarly community. The older brother of the painter Balthus, a friend of Rilke and Gide among others, and a celebrated artist in his own right, Klossowski is a difficult if not impossible thinker to categorize. From quite early in his career, Nietzsche was an important influence on Klossowski’s work. In (...) addition to translating two volumes for Nietzsche’s Oeuvres Complètes (1967, 1976), as well as Heidegger’s four-volume work on Nietzsche (1976), Klossowski also wrote a number of essays on Nietzsche as well as a book, Nietzsche et le Cercle Vicieux (1969). In a note to Différence et Répétition, Gilles Deleuze, citing “Nietzsche, Polytheism, and Parody” as well as “Forgetting and Anamnesis in the Lived Experience of the Eternal Return of the Same,” writes that Klossowski’s work has “renewed the interpretation of Nietzsche.” “Nietzsche, Polytheism, and Parody” appeared as the final essay of Klossowski’s book, Un si funeste désir (Such a Deathly Desire), first published in 1963. It is one of two essays in the book that are devoted explicitly to Nietzsche; the second, “On Some Fundamental Themes of Nietzsche’s Gaya Scienza,” is the opening essay of the volume and had previously appeared as an introduction to Klossowski’s translation of The Gay Science. “Nietzsche, Polytheism, and Parody” had not previously appeared in print, although Klossowski had presented it as a lecture at the Collège de Philosophie in Paris in 1957. Together, the two essays bound a series of reflections on Gide, Blanchot, Bataille, and others, all of which appeared previously – sometimes in a different form – and that taken together explicate Klossowski’s conception of “the demon.” The conception of the demon, drawn from The Gay Science, is for Klossowski a figuration of the double life of the existing human being: both conscious, rational, goal-directed, and vital, passionate, a victim of intensities. (shrink)

Nietzsche's treatment of Epicurus is an interesting example of philosophical hermeneutics. Epicurus bas tren notoriously misinterpreted, claims Nietzsche, because bis mask bas been taken for bis true face. Traditionally Epicurus is presented as a utilitarian or hedonist avant la lettre. This is a simplification motivated by a desire to deprecate bis philosophy. To Nietzsche Epicurus was „an idyllic hero”, a teacher with anistocratic predilections aun his own concept of good, critical of the traditional form of religion, and of the „pre-existent (...) form of Cbristianity”. As a hedonist he was much less convincing, as he was afraid of both pain and pleasure. He assumed the mask of an epicure in order to hide bis true self. Nietzsche warn us over and over again not to trust the traditional interpretation of Epicurus and urges us to penetrate beyond the veil of a stylish disguise. (shrink)

I would like to offer an interpretation of the Genealogy of Morals, of the relationship of master morality to slave morality, and of Nietzsche's philosophy of history that is different from the interpretation that is normally offered by Nietzsche scholars. Contrary to Nehamas, Deleuze, Danto, and many others, I wish to argue that Nietzsche does not simply embrace master morality and spurn slave morality.1 I also wish to reject the view, considered simply obvious by most scholars, that the iibermensch develops (...) out of, or on the model of, the master, not the slave.2 And to make the case for all of this, I want to explore the relationship between Hegel's master-slave dialectic and the conflict Nietzsche sees between master morality and slave morality. That Nietzsche does not intend us to recall the famous master-slave dialectic of Hegel's Phenomenology as we read the Genealogy of Morals, I find difficult to believe. Yet very few commentators ever notice, let alone explore, this connection. (shrink)

Published in PoMo Magazine vol. 2, nr. 1 (Spring/Summer 1996) during my years as a grad student at the New School. I examine Nietzsche's presentation of the eternal recurrence, and discuss its interpretations by Heidegger, Bataille, Derrida, Klossowski, Stambaugh, and Vattimo. I will be returning to Nietzsche in the future.