In lieu of an abstract, here is a brief excerpt of the content:diacritics 35.1 (2005) 71-98MuseSearchJournalsThis JournalContents[Access article in PDF]Hospitality after the Death of GodTracy McNultyPierre Klossowski's fiction has been only sporadically published in English, and largely dismissed as perverse erotica or soft-core porn. When his 1965 trilogy Les lois de l'hospitalité was partially translated in English (under the title Roberte, ce soir & The Revocation of the Edict of Nantes), its Library of Congress classification characterized it simply as "erotic (...) fiction—French." Even in France, Klossowski has become the very signifier of perversion. His artwork graces the cover of Serge André's L'imposture perverse and of numerous erotic novels, he has been "diagnosed" as a pervert by writers on both sides of the Atlantic, and unironic readers of his Sade mon prochain hail him as Sade's disciple and heir.1Admittedly, the larger stakes of Klossowski's work are easily obscured by its free adaptation of the stock themes of libertine literature. His fictional works, like his visual compositions (essentially representations of rape scenes, often on historical themes—Diana and Actaeon, the Rape of Lucretia), explore the conflict between a woman's chaste moral attitude and her gradual surrender to an assailant's advances. The Laws of Hospitality concerns the erotic awakening of "hospitality" in a woman, which exposes a contradiction within her moral character and reveals her symbolic identity to be without foundation. Its protagonist Octave, who bears more than a passing resemblance to his creator, is a collector of artworks that eroticize the moment of moral hesitation experienced by women submitting to the sexual advances of a chance stranger—or even a "spiritual" apparition. His "laws of hospitality" are the fruit of his desire to experience this operation firsthand; they name a practice wherein the master of the house "offers" his wife to fortuitous guests, in order to savor the moment of her surrender.However, the stakes of Klossowski's "perverse" meditations are very different from the Sadeian project of uprooting religious morality. Sade challenges the patriarchal and religious authorities of his day by demonstrating that the paternal signifier on which their laws are based is without foundation. In proving that the law cannot hold [End Page 71] up against the repeated assaults of libertinage, he mounts a systematic deconstruction of the symbolic order of language by the real of jouissance. But although Klossowski may share Sade's perverse drive to "humiliate the law with the object,"2 his target is not the signifier as such, but rather the imaginary consistency afforded by what he calls the "grammatical fiction of the 'I,'" the illusion of autonomous personhood. The "object" he confronts it with is not the natural "truth" of jouissance, but rather the feminine object who disrupts the identity of the "master" who offers her.Klossowski's reflections on the special status of femininity in Enlightenment culture—at once marginal and singularly "extimate"—have never been fully appreciated, despite their enormous interest for the study of culture. In a way unique among contemporary authors, Klossowski sheds light on Jacques Lacan's enigmatic insight that the cultural importance of the feminine object consists in its sublimated status as an "object raised to the dignity of the Thing" [Lacan 112]. His fiction underscores the close ties between the feminine and what Freud called das Ding, the Thing uncannily internal to subjectivity that Lacan later identified with the function of the Nebenmensch, as the apotheosis of the Christian idea of the prochain, or neighbor [Lacan 151–52].Although Klossowski's erotic scenario invites comparisons with Sade's and Fourier's utopian calls to dissolve the privative boundaries between subjects, what he understands by "hospitality" is not the abolition of personal identity, but rather the staging of its internal contradiction.Hospitality, at the Limits of the LawThe act of hospitality—whose theological and philosophical origins this former Dominican novice and Latin scholar was intimately acquainted with—concerns a very particular tension. Etymologically, the host is the "master," the one who "eminently personifies" identity: not only his own identity, but also that of the group in whose... (shrink)

Charles Peirce's semiotics explains James Joyce's Ulysses' cognitive process, as it demonstrates triadic rather than dyadic representation. Joyce parodies the "foolhardy" laws of narrative (Gerard Genette) found in Proust by using mediating representation found in Peircean semiotics, which begins with the "play of musement," otherwise known as abduction (a form of induction). The three part sequence of musement (abduction, deduction, and induction) provides a means of understanding the three-part structure of Ulysses.

Joyce's review of _Humanism, Philosophical Essays: A Collection of Essays on Pragmatism_, by Ferdinand Canning Scott Schiller, was written at a critical moment in the development of Joyce's fiction (before "The Sisters", before the essay "A Portrait of the Artist," and during Joyce's writing of his aesthetic theory. The review was published in the _Dublin Express_ on November 12, 1903. The diary entries at the end of _A Portrait of the Artist as a Young Man_ hint at the fallibilism and (...) reality of experience at the bedrock of Peircean semiotics and the revolutionary style of Joyce. Unfortunately the mocking style of Joyce's review may be why it has not received attention and perhaps why the review has not been included in a recent collection of Joyce's non-fiction writings. Joyce mocks Schiller’s style and thought, which is "prone to stylistic violations such as: vulgarity ... excessively ornate language ... pomposity ... exaggeration ... and avoiding the issue" as Joseph Porrovecchio states in a dissertation on Schiller's rhetoric. Schiller not only provoked Joyce to mock him, he also provoked Charles Peirce, the founder of pragmatism, to rename his philosophy "pragmaticism" adding an "ic" to it to differentiate it from Schiller’s use of the word. This essay shows Joyce knew about Charles Peirce, whose influence was extensive, continuing through Finnegans Wake, as discussed in Roy Benjamin’s The Triptych Vision: Joyce and Peirce. (shrink)

This paper is a response to the problematic relation between men's studies and women's studies; it is also a particular response to Harry Brod's discussion of the theoretical need for men's studies programs in his article "The New Men's Studies: From Feminist Theory to Gender Scholarship." The paper argues that a male feminist would be more effective in a women's studies program, that the latter already includes research about the experiences of both males and females. Although future research on both (...) genders is needed, the paper argues that there does not currently exist a gap in theory or in practice in women's studies programs, as Brod claims. The paper argues in favor of both men and women working together to strengthen and broaden women's studies programs in existence and encourages the creation of more programs and more study of gender issues. (shrink)

In her introduction to this collection, Tymieniecka presents her phenomenology of life - the leitmotif of the three-volume anniversary publication of Analecta Husserliana - as something that stands out from preceding historical attempts to investigate life in an 'integral' or 'scientific' way. After an incubation lasting throughout the 2000 years of Occidental philosophy, this scientific phenomenology/philosophy of life at last uncovers the entire area of the 'inner workings of Nature', exposing the way in which the 'sufficient reason' and the 'ground' (...) of beingness as such crystallise out of the 'onto poietic' process. This onto-poietic process, continuing as it does in the human creative condition, also reveals the authentic genius of the works of the human spirit. This new and original philosophy, free of fallacious simplifications, speculations and reductionism, opens up a basic starting point for all philosophy. Life, 'the theme of our times', at last receives a profound philosophical treatment. (shrink)

Wild Ideas is a collection of essays that brings a fresh and refreshing perspective to the wilderness paradoxically at the center of our civilization.

This collection is the final volume of a four book survey of the state of phenomenology fifty years after the death of Edmund Husserl. Its publication represents a landmark in the comprehensive treatment of contemporary phenomenology in all its vastness and richness. The diversity of the issues raised here is dazzling, but the main themes of Husserl's thought are all either explicitly treated, or else they underlie the ingenious approaches found here. Time, historicity, intentionality, eidos, meaning, possibility/reality, and teleology are (...) the main concerns of this collection devoted to studies in aesthetics, metaphysics and literary interpretation, written by such authors as, among others, R. Cobb-Stevens, C. Moreno Marquez, J. Swiecimski, Sitansu Ray and M. Kronegger. These original studies of phenomenological aesthetics and literary theory by scholars from all parts of the world were gathered by the World Institute for Advanced Phenomenological Research and Learn ing during the year 1988/89 during its assessment of the phenomeno logical movement, fifty years after Husserl's death. IX A -T. Tymieniecka (ed.), Analecta Husserliana, Vol. XXXVII, ix. (shrink)

orbit and far beyond it. Indeed, the immense, painstaking, indefatigable and ever-improving effort of Husserl to find ever-deeper and more reliable foundations for the philosophical enterprise (as well as his constant critical re-thinking and perfecting of the approach and so called "method" in order to perform this task and thus cover in this source-excavation an ever more far-reaching groundwork) stands out and maintains itself as an inepuisable reservoir for philosophical reflec tion in which all the above-mentioned work has either its (...) core or its source. In fact, in his undertaking to re-think the entire philosophical enterprise as such and to recreate philosophy upon what he sought to be at least a satisfactorily legitimated basis, Husserl, through his already systematised and "authorized" work, and his courses, and later on in his spontaneous reflection (which did not find its way into a definitive corpus but was nevertheless sufficiently coherent with his previously established body of thought to be considered a continuation of it), uncovers perspectives upon the universe of man and projects their new philosophical thematisation that brings together all the attempts by philosophers (e. g., Merleau-Ponty, who drew upon this material and found there his own inspiration) who succeeded him with foundational intentions; it also gives a core of philosophical ideas and insights for the youngergenerationofphilosophers today. (shrink)

Irresistibly charming or shamelessly deceitful, remarkably persuasive or uselessly verbose, everything one loves to hate — or hates to love — about “French lovers” and their self-styled reputation can be traced to eighteenth-century libertine novels. Obsessed with strategies of seduction, endlessly speculating about the motives and goals of lovers, the idle aristocrats who populate these novels are exclusively preoccupied with their erotic lives. Deprived of other battlefields in which to fulfill their thirst for glory, libertine noblemen seek to conquer the (...) women of their class without falling into the trap of love, while their female prey attempt to enjoy the pleasures of love without sacrificing their honor. Yet, in spite of the licentious mores of the declining Old Regime, men and women are still expected to pay lip service to an austere code of morals. Asked to constantly denounce their own practices, they find that their erotic war games are thus governed by a double constraint: whatever they feel or intend, the heroes of libertine literature can neither say what they mean nor mean what they say. The Libertine Reader includes all the varieties of libertine strategies: from the successful cunning of Mme de T– in Denon’s No Tomorrow to the ill-fated genius of Mme Merteuil in Laclos’s Dangerous Liaisons; from the laborious sentimental education of Meilcour in Crébillon fils’s Wayward Head and Heart to the hazardous master plan of the French ambassador in Prévost’s The Story of a Modern Greek Woman. The discrepancies between the characters’ words and their true intentions — the libertine double entendre — are exposed through the speaking vaginas in Diderot’s Indiscreet Jewels and the wandering soul of Amanzei in Crébillon fils’s Sofa, while the contrasts between natural and civilized — or degenerate — erotics are the subjects of both Diderot’s Supplement to Bougainville’s Voyage and Laclos’s On the Education of Women. Finally, Sade’s Florville and Courval shows that destiny itself is on the side of libertinism. [Publisher's abstract]. (shrink)

Ce livre étudie de manière transversale les multiples usages attestés du terme «libertin» chez les auteurs du début de l'époque moderne, rendant ainsi manifeste la diversité des emplois et déplacements d'une invective, qu'il s'agisse de stigmatiser, de s'en revendiquer, ou de s'en protéger.

As part of an examination of the role played by Lucretius in French libertinism, this article develops a reading of the 1730 story by Crébillon fils entitled Le Sylphe. The author argues that the French libertine tradition inherits from Lucretius an emphasis on subjection as generative rather than inhibiting; both ancient and more modern forms of Epicurean materialism are heavily invested in the process by which a condition of relative emancipation only emerges from within a state of constraint. Crébillon (...) suggests that the capacity to take pleasure in an experience of dispossession - the loss of self-mastery - is fundamental to a libertine erotics; he portrays the heroine of his short story as possessed by a voluptuous recognition of her own enthrallment to a supernatural being. Through her sexual enjoyment of this supernatural being, she is relieved of the burden of her own humanity, in a process that mirrors the delightful dispossession experienced by the convert to Epicureanism. For Crébillon, it is the literary text itself that is charged with arousing and assuaging erotic passion, and, ultimately, assuming the motility of the Epicurean atom. (shrink)

L'anthropologie pascalienne de la "misère de l'homme sans Dieu" frappe par sa pertinence : aucun apologiste chrétien n'a exprimé avec tant de justesse le point de vue d'un incroyant sur le monde et sur sa propre nature. C'est le point de départ de son argumentation apologétique, que cet ouvrage suit pas à pas, en précisant ses sources cartésiennes et gassendistes, en examinant le statut du sentiment et en restituant la cohérence de la foi de la "seconde nature". Les Pensées constituent (...) l'expression complexe d'une philosophie chrétienne et la cohérence de l'argumentation représente un témoignage privilégié sur le libertinage tel que Pascal le concevait. Le profil intellectuel de son libertin apparaît entre les lignes de l'argumentation apologétique."--Page 4 of cover. (shrink)

The Congress for Cultural Freedom is remembered as a paramount example of the “cultural cold wars.” In this paper, I discuss the ways in which this powerful transnational organization sought to promote “science studies” as a distinct – and politically relevant – area of expertise, and part of the CCF broader agenda to offer a renewed framework for liberalism. By means of its Study Groups, international conferences and its periodicals, such as Minerva, the Congress developed into an influential forum for (...) examining the ways Big Science impacted the relations between science, society, and politics, thus constituting a semi-institutional niche for Science Studies before its professionalization within academia during the 1970s. I argue that the Congress contributed to the construction of public space in which the relations between science, society and politics were debated, and science was reconceptualized as a social activity. The vision of “science studies” the CCF-associated intellectuals promulgated was different from the science studies we know today. Yet, this alternative vision, in which the issues of science politics appeared inseparable from those of science policy, science organization, and science governance, constituted the “pre-history” of science studies today. (shrink)

The Congress for Cultural Freedom is remembered as a paramount example of the “cultural cold wars.” In this paper, I discuss the ways in which this powerful transnational organization sought to promote “science studies” as a distinct – and politically relevant – area of expertise, and part of the CCF broader agenda to offer a renewed framework for liberalism. By means of its Study Groups, international conferences and its periodicals, such as Minerva, the Congress developed into an influential forum for (...) examining the ways Big Science impacted the relations between science, society, and politics, thus constituting a semi-institutional niche for Science Studies before its professionalization within academia during the 1970s. I argue that the Congress contributed to the construction of public space in which the relations between science, society and politics were debated, and science was reconceptualized as a social activity. The vision of “science studies” the CCF-associated intellectuals promulgated was different from the science studies we know today. Yet, this alternative vision, in which the issues of science politics appeared inseparable from those of science policy, science organization, and science governance, constituted the “pre-history” of science studies today. (shrink)

What would happen if pleasure were made the organizing principle for social relations and sexual pleasure ruled over all? Radical French libertines experimented clandestinely with this idea during the Enlightenment. In explicit novels, dialogues, poems, and engravings, they wrenched pleasure free from religion and morality, from politics, aesthetics, anatomy, and finally reason itself, and imagined how such a world would be desirable, legitimate, rapturous--and potentially horrific. Laying out the logic and willful illogic of radical libertinage, this book ties the Enlightenment (...) engagement with sexual license to the expansion of print, empiricism, the revival of skepticism, the fashionable arts and lifestyles of the Ancien Régime, and the rise and decline of absolutism. It examines the consequences of imagining sexual pleasure as sovereign power and a law-unto-itself across a range of topics, including sodomy, the science of sexual difference, political philosophy, aesthetics, and race. It also examines the roots of radical claims for pleasure in earlier licentious satire and their echoes in appeals for sexual liberation in the 1960s and beyond. (shrink)

This paper examines Simone de Beauvoir’s reading of the 18th century writer and libertine Marquis de Sade, in her essay “Must we Burn Sade?”; a difficult and bewildering text, both in pure linguistic terms and philosophically. In particular, Beauvoir’s insistence on Sade as a “great moralist” seems hard to reconcile with her emphasis, in The Ethics of Ambiguity, on the interdependency of human beings and her exhortation to us to promote other people’s freedom, as well as the aspiration of The (...) Second Sex to equal relations between the genders. While earlier scholars addressed the ethico-political implications of Beauvoir’s essay, they insisted that the ambiguity so fundamental in her philosophy is denied by the Sadean hero, and that the Other can never be attained in his system. In this essay, I argue that Sade paradoxically emerges as an ethical model in Beauvoir’s text: as a writer, he assumes the ambiguity of the human condition in the extreme. Further, Sade reveals the potential of sexuality if it is explored in a form of eroticism that largely transgresses behavior constructed as normal: his writings open up new forms of existence, where, contrary to prevailing ideas, woman’s sexual freedom is claimed as equal to man’s, where genders are unstable and heterosexuality no longer the standard. Beauvoir’s fascination with Sade in this essay can be linked with the seemingly unresolvable asymmetry in the relation between men and women in The Second Sex: in his writings is revealed sexuality’s potential to subvert patriarchal norms and mystifications, and perhaps, in the end, even gender itself. (shrink)

Une théorie de la politique n'existe pas dans la pensée libertine intéressée à l'élaboration d'un modèle moral concentré sur la dimension de la vie privée. Pourtant à l'intérieur de cette tradition dans la deuxième moitié du VIIe siècle en France, s'amorce un filon à cheval entre utopie et roman d'aventure dans lequel apparaissent des formes d'organisation sociétales modelées selon les principes de la liberté, égalité, tolérance qui constitueront les mots d'ordres des philosophes des lumières.

The VII Congress of the Society for Philosophical Pedagogy took place in Warsaw at the University of Cardinal Stefan Vyshinsky from September 30 to October 2, 2016. Scientists from Portugal, Germany, Czech Republic, Slovakia, Ukraine and Poland took part in this important event, which took place in the jubilee 10th anniversary of the founding of the Society. The leading theme of the conference "Universalism and regionalism of philosophical pedagogy (Polish-German context)" was supplemented by the complementary theme "Philosophy of education of (...) Wiktor Wąsik". As a result of the discussion held during the Congress, multiple connotations of universalism, globalism and regionalism were identified that characterize certain national differences, as well as specific philosophical positions. (shrink)

How did Casanova learn the theory of sex? Why did male pornographers write in the characters of women? What happens when philosophers take sexuality seriously and the sex-writers present their outrageous fantasies as an educational, philosophical quest? Schooling Sex is the first full history of early modern libertine literature and its reception, from Aretino and Tullia d'Aragona in 16th century Italy to Pepys, Rochester, and Behn in late 17th century England. James Turner explores the idea of sexual education, from the (...) simple instructional dialogue to the advanced experiments of the philosophical libertine, analysing the hard-core curiculum that defined sexuality centuries before the Marquis de Sade. He shows how close, nuanced readings of neglected but compelling texts - like the searingly explicit Alcibiade fanciullo, L'escole des filles, and Aloisia Sigea - link them to larger issues of gender politics, aesthetics, literary criticism, sexual history, medical science, mind-body philosophy, and the educational revolution. (shrink)

Preface par PIERRE FORCE I have a very precise recollection of my first encounter with John Boi- tano. It was during the spring semester of 1988, ...

In this article I revisit the relationship between Immanuel Kant and the Marquis De Sade, following not Jacques Lacan but Pierre Klossowski. In the process I suggest that Sade's work is marred by a series of antinomies that prevent him from stating a pure practical libertine reason and leave his view purely theoretical.

Don't philosophers die just like all other men? In order to speak of the death of philosophers, why choose an author like Boureau-Deslandes, who collected anecdotes of insolence in the face of death? Undoubtedly, free minds could only disarm theology by joking about it. The mental, moral and playful mechanisms of the mind can be taken apart to reveal the bans inscribed in the conscience through the workings of institutions. Against the philosophies of melancholy, fear, death and power, a philosophy (...) of banter is a cheerful philosophy, an ethics of taste that destabilises the rules. It is this practice of bantering insolence that turns temperament into virtue and a man into a philosopher. (shrink)

The 14th Congress of Logic, Methodology and Philosophy of Science will be held on July 19-26, 2011, in Nancy, France . In order to provide some historical background about DLMPS Congresses, we are honoured to have the opportunity to reissue a chapter of Anita Burdman Feferman and Solomon Feferman's Alfred Tarski : Life and Logic, dedicated to the early history of the DLMPS and the organization of the first Congress held in 1960 in Stanford. We are very grateful to (...) the authors and the Cambridge University Press for their kind authorization to reissue this text. (shrink)

Michiel Wielema: The March of the Libertines. Spinozists and the Dutch Reformed Church (1660–1750). ReLiC: Studies in Dutch Religious History. Hilversum: Uitgeverij Verloren, 2004; pp. 221. The Dutch Republic of the seventeenth century is famous for having cultivated an extraordinary climate of toleration and religious pluralism — the Union of Utrecht supported religious freedom, or “freedom of conscience”, and expressly forbade reli- gious inquisition. However, despite membership in the state sponsored Calvinist Dutch Reformed Church not being compulsory, the freedom to (...) gather and worship, or “to air anti-Christian or atheistic opinions” was little tolerated “within” the organized structure of the church, which functioned more as “an exclusive organisation for those willing to submit freely to certain confessional canons and to the disciplinary author- ity of the church’s governing bodies” (10): the consistories, classes, and synods. Those not prepared to submit to Reformed doctrine were free to leave the church without fear of any legal or political repercussions. However, for those not prepared to leave for reasons of personal belief, matters turned out to be quite different. Because the Reformed Church enjoyed full State protection, matters of doctrinal conflict could well evolve into political affairs. And, contrary to the Union of Utrecht, religious inquisition was in some cases actually applied with political approval for “heretics” within the Reformed Church. The main focus of The March of the Libertines is an investigation of this obvious tension. (shrink)

Mirabeau and Sade, who were incarcerated in the Castle of Vincennes in the same period for breaching moral standards, pursued a correspondence filled with ethical reflections from their time in prison. Their epistolary exchanges in jail show their interest in the penal reform initiated by Beccaria and carried out at the end of the eighteenth century. Their letters likewise underscore the incommensurable aspect of institutional power, the failures of the French judicial system, and the strategies used to crush prisoners. They (...) denounce a world of inverted values in which duping the “deleter” becomes legitimate: the inmate becomes a victim of “brigands” and administrative “executioners.”. (shrink)