"In a famous article first published by The Independent in 1998, the British journalist Robert Fisk recounted that when he met with Osama bin Laden for the second and last time — in Afghanistan at the end of the previous year — the first thing that the Saudi billionaire did upon seeing him was to grab the newspapers that were sticking out of his interviewer’s briefcase. Bin Laden then proceeded to read through them for more than a half-hour — though (...) they were a week old — bringing himself up to date about Pakistan, Palestine, and his home country, Saudi Arabia. At some point, he stumbled upon a piece of news that startled him: Iranian and Saudi officials were about to hold talks. Is it true, bin Laden asked Robert Fisk, is Tehran really trying to establish contact with Riyadh? -/- In his article — which he wrote after the bombings of the U.S. embassies in Nairobi and Dar es Salaam — what Fisk found noteworthy about this anecdote was the contrast between a man that the Clinton administration and the Western media had just presented as the most dangerous terrorist on the planet and the under-informed bin Laden he had seen in Afghanistan, less than a year earlier. In the wake of what happened on September 11th, however, bin Laden’s isolation no longer is the crucial part of the story. Much more than the fact that he did not know about the imminent encounter between Iranian and Saudi diplomats, what matters now are the long-term consequences he drew from learning about it. To put it dramatically, one could claim that the rationale behind the recent attacks on New York and Washington originated in what Osama bin Laden read that day in Robert Fisk’s newspapers." [excerpt provided by the journal website in lieu of an abstract]. (shrink)

Irresistibly charming or shamelessly deceitful, remarkably persuasive or uselessly verbose, everything one loves to hate — or hates to love — about “French lovers” and their self-styled reputation can be traced to eighteenth-century libertine novels. Obsessed with strategies of seduction, endlessly speculating about the motives and goals of lovers, the idle aristocrats who populate these novels are exclusively preoccupied with their erotic lives. Deprived of other battlefields in which to fulfill their thirst for glory, libertine noblemen seek to conquer the (...) women of their class without falling into the trap of love, while their female prey attempt to enjoy the pleasures of love without sacrificing their honor. Yet, in spite of the licentious mores of the declining Old Regime, men and women are still expected to pay lip service to an austere code of morals. Asked to constantly denounce their own practices, they find that their erotic war games are thus governed by a double constraint: whatever they feel or intend, the heroes of libertine literature can neither say what they mean nor mean what they say. The Libertine Reader includes all the varieties of libertine strategies: from the successful cunning of Mme de T– in Denon’s No Tomorrow to the ill-fated genius of Mme Merteuil in Laclos’s Dangerous Liaisons; from the laborious sentimental education of Meilcour in Crébillon fils’s Wayward Head and Heart to the hazardous master plan of the French ambassador in Prévost’s The Story of a Modern Greek Woman. The discrepancies between the characters’ words and their true intentions — the libertine double entendre — are exposed through the speaking vaginas in Diderot’s Indiscreet Jewels and the wandering soul of Amanzei in Crébillon fils’s Sofa, while the contrasts between natural and civilized — or degenerate — erotics are the subjects of both Diderot’s Supplement to Bougainville’s Voyage and Laclos’s On the Education of Women. Finally, Sade’s Florville and Courval shows that destiny itself is on the side of libertinism. [Publisher's abstract]. (shrink)