Jolted Images brings together a large cast of mainstream and avant-garde cineastes, artists, photographers, comics creators, poets, and more, to reflect on a wide range of phenomena from the realms of cinema and visual culture in the Yugoslav region, broader Europe, and North America. Far from a staid monograph, the book takes a cue from filmmaker Dusan Makavejev, who once wrote that there are times when it is necessary "to jolt art, no matter what the outcome"; to that end, (...) the book infuses its analysis with playful, creative transfiguration of the material at hand. (shrink)

Old habits die slowly. Hence there is little surprise that attorneys fashioning the Model State Emergency Health Powers Act preserved much of their own standard operating procedure. This model statute was designed for the worst of times—for horrific scenarios in which terrorism, infectious disease, or natural calamity threaten to derail the machinery of civilization while snuffing out thousands or even millions of human lives. Such grave threats seem to justify grave measures aimed at restoring order and maximizing survival. So, the (...) model statute bestows sweeping power on state governors and public health officials, allowing them to seize private property, obtain clinical services through impressment, and enact quarantine and isolation measures without the usual due process. Yet amid all these drastic measures, certain standards persist. (shrink)

The glowing light of cinema, which continues to claim supremacy as a collective site for evolving senses of time, has fundamentally changed since its inception, from exclusively projected light to primarily emitted light. Digital, rather than analog projectors, dominate in personal rather than public spheres. The physiological and behavioral effects of those technologies manipulate our biological clocks, creating an entanglement of time-sensing. Similarly, the art of cinema now relies far more upon energy-intensive materials and methods, from equipment to image manufacturing (...) and data flow. This essay takes the twelve-hour clock as a slanted optic to address those profound shifts, choosing a handful of moving-image artists to feature, including Deborah Stratman, Nikolaus Geyrhalter, and Mikael Kristersson, who are attempting to find alternative temporal modes of depicting the hyperobjectiveness of eternity, ecocrises, dystopias, and deep time on screen. (shrink)

The idea that we might be robots is no longer the stuff of science fiction; decades of research in evolutionary biology and cognitive science have led many esteemed scientists to the conclusion that, according to the precepts of universal Darwinism, humans are merely the hosts for two replicators that have no interest in us except as conduits for replication. Richard Dawkins, for example, jolted us into realizing that we are just survival mechanisms for our own genes, sophisticated robots in service (...) of huge colonies of replicators to whom concepts of rationality, intelligence, agency, and even the human soul are irrelevant. Accepting and now forcefully responding to this decentering and disturbing idea, Keith Stanovich here provides the tools for the "robot's rebellion," a program of cognitive reform necessary to advance human interests over the limited interest of the replicators and define our own autonomous goals as individual human beings. He shows how concepts of rational thinking from cognitive science interact with the logic of evolution to create opportunities for humans to structure their behavior to serve their own ends. These evaluative activities of the brain, he argues, fulfill the need that we have to ascribe significance to human life. We may well be robots, but we are the only robots who have discovered that fact. Only by recognizing ourselves as such, argues Stanovich, can we begin to construct a concept of self based on what is truly singular about humans: that they gain control of their lives in a way unique among life forms on Earth—through rational self-determination. (shrink)

“Everyone has a price at which he sells himself”: Immanuel Kant quotes this remark in the 1793 _Religion within the Bounds of Reason Alone_, attributing it to “a member of English Parliament”. I argue, however, that the context of the quotation in the _Religion_ alludes to the arresting pedagogical practices of the Stoic philosopher Epictetus, who famously said that “different people sell themselves at different prices” (Discourses 1.2). I argue that there are two sides of Epictetus’s pedagogical strategies: a jolting (...) side meant to expose self-deception and practical inconsistency; and an uplifting side meant to arouse the resources by which it is possible to progress towards virtue — specifically, our sense of kinship with the divine insofar as we are rational. I argue that Kant develops a conception of self-respect in later practical works that plausibly draws on Epictetus, and his distinctive version of the traditional Stoic account of rational agency. (shrink)

To nudge is to design choice contexts in order to improve choice outcomes. Richard Thaler and Cass Sunstein emphatically endorse nudging but reject more restrictive means. In contrast, I argue that the behavioral psychology that motivates nudging also motivates what may be called jolting — i.e. the design of choice content. I defend nudging and jolting by distinguishing them from the sometimes oppressive means with which they can be implemented, by responding to some common arguments against nudging, and by showing (...) how respect for preferences over option sets and their aggregate properties may require the trimming of option sets, as well as helpful choice contexts. (shrink)

The regular increase in the proportion of resolved feet in the iambic trimeters of Euripides' later plays was first commented upon in 1807 by J. Gottfried Hermann, who therefrom deduced the principle that the date of any play of Euripides could be directly determined from the frequency of its resolutions. This criterion he restated in several of his works in the following years, and when Elmsley objected that it was of uncertain value on account of the small number of plays (...) of certain date by which it might be verified, he replied with a strong defence of his case: he did not, however, develop his principle in detail or give figures in its support. The first scholar to publish the totals of trisyllabic feet in each play was Zirndorfer: relying largely on these, he produced a chronology of Euripides' dramatic composition in several respects superior to any predecessor's. His conclusions were questioned by C. F. W. Müller, who, while accepting Hermann's thesis as being in general correct, doubted its reliability for determining the exact period of a tragedy's composition. Consequently, although he gave the totals of trisyllabic feet en passant, Müller made no attempt to suggest dates. At almost the same time as Müller's treatise appeared, J. Rumpel published an article giving a full and detailed list of references to all trisyllabic feet in Euripides: from this evidence he divided the dramas into four age-groups, but did not go so far as to assign specific dates. (shrink)

The massive disparity between the relative wealth of most citizens in affluent countries and the profound poverty of billions of people struggling elsewhere for survival is morally jolting. But why exactly is this disparity so outrageous and how should the citizens of affluent countries respond? Political philosopher, Thomas Pogge, has emerged as one of the world’s most ardent critics of global injustice which, he argues, is caused directly by the operation of a global institutional order that not only systematically disadvantages (...) poor countries but is imposed on them by precisely those wealthy, powerful countries that benefit the most from the order’s injustice. In allowing their governments to perpetrate this injustice, Pogge contends that citizens of the wealthy countries collude in a monumental crime against humanity. In this book Pogge’s challenging and controversial ideas are debated by leading political philosophers from a range of philosophical viewpoints. With a clear and informative introduction by Alison Jaggar, and original contributions from Neera Chandhoke, Jiwei Ci, Joshua Cohen, Erin Kelly, Lionel McPherson, Charles W. Mills, Kok-Chor Tan, and Leif Wenar, this volume deepens and expands the debate over global justice and moral responsibility in the world today. (shrink)

Suppose that you are at a live jazz show. The drummer begins a solo. You see the cymbal jolt and you hear the clang. But in addition seeing the cymbal jolt and hearing the clang, you are also aware that the jolt and the clang are part of the same event. Casey O’Callaghan (forthcoming) calls this awareness “intermodal feature binding awareness.” Psychologists have long assumed that multimodal perceptions such as this one are the result of a subpersonal (...) feature binding mechanism (see Vatakis and Spence, 2007, Kubovy and Schutz, 2010, Pourtois et al., 2000, and Navarra et al., 2012). I present new evidence against this. I argue that there is no automatic feature binding mechanism that couples features like the jolt and the clang together. Instead, when you experience the jolt and the clang as part of the same event, this is the result of an associative learning process. The cymbal’s jolt and the clang are best understood as a single learned perceptual unit, rather than as automatically bound. I outline the specific learning process in perception called “unitization,” whereby we come to “chunk” the world into multimodal units. Unitization has never before been applied to multimodal cases. Yet I argue that this learning process can do the same work that intermodal binding would do, and that this issue has important philosophical implications. Specifically, whether we take multimodal cases to involve a binding mechanism or an associative process will have impact on philosophical issues from Molyneux’s question to the question of how active or passive we consider perception to be. (shrink)

In this essay, I recount and examine my response to a genetic diagnosis of my disabled daughter. My daughter was forty‐nine before the diagnosis came. All her disabilities were traceable to a de novo single gene variant on the PURA gene that was discovered only in 2014. I speak of the jolt and the recalibration that this discovery engendered, concluding that, while it seemed that everything had changed, nothing had changed. But my family did discover a community in which (...) Sesha joins other PURA‐perfect sons and daughters and where we as a family acquire a “horizontal identity” marked by a genetic variant. (shrink)

Before taking this book with the seriousness which at least parts of it deserve, it is necessary to dispose of a criticism which is basically frivolous but has already been made too often to be ignored. “Contemporary British Philosophy”—the title conjures up the names that everyone is currently bandying about ; and then you find with a jolt that you are being served with fare by such cooks as Ewing, Findlay, Kneale, Mabbott, Price, and—of all people—Paton. People, clearly, who (...) for the most part wouldn’t even pretend to be “contemporary” in the ordinary use of this word, and who indeed in these very papers subject the real “contemporary” philosophers to endless sniping and sharp-shooting. Almost the only contributor one can imagine wishing to be thought “contemporary” is Ryle; and even he—well, did Freud really think of himself as a Freudian? Ayer might be put up as another exception, but that would be shallow— there's no one so completely and hopelessly out of date as the conductor of the bandwagon that's just gone past. Even from the point of view of crass physical age, the baby of this bunch , works out at about 43. (shrink)

The proverbs in the Synoptic Gospels have not attracted the attention lavished on another wisdom form—the parable. But the use of the proverb in the tradition about Jesus shows it is both a way to jolt the hearer into new insight and a contact with the understanding already present in the everyday world.

I remember being intrigued by the title of this book years ago, as it is a revised and updated version of an earlier work of Michael Grosso. The title seems to imply that we all have a choice as we are leaving the physical body, the option of expiring into nothingness or moving to a realm beyond the material world. I wondered why one would choose the former, and exactly who is making that choice? By the time one finishes the (...) logical sequence of evidence, history, and theory that unfolds in the book, it becomes clear that the title’s inference is not what some might expect. Grosso believes that there are no final choices. Accepting finality is not logical when one comes to believe that our consciousness survives bodily death, and he believes that physical death is not permanent extinction, but a gateway to more living. The underlying and not so subtle message in the book has not only stood the test of time, but has become more relevant in view of today’s state of affairs. Considering the increasing threat of nuclear obliteration, climatic shifts, world divisiveness and conflict, natural disasters, pollution, famine, mass shootings, drug epidemics, and refugees roaming the planet, are these potential calamities something that could jolt the collective mind into a greater spiritual reality? The author has an interesting theory based upon near death experience research. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Acts of Enjoyment: Rhetoric, Žižek, and the Return of the SubjectJames J. Brown Jr. and Joshua GunnActs of Enjoyment: Rhetoric, Žižek, and the Return of the Subject by Thomas Rickert. Pittsburgh: University of Pittsburgh Press, 2007. Pp. x + 252. $24.95, hardcover.Thomas Rickert had a falling-out with his brother, and this distresses him so much that his disrupted relation is described as “traumatic.” Rickert reports that while listening (...) to a portable CD player during a run on an unexpectedly warm winter day, a song by the now defunct jazz/rock band Morphine reminded him of a happy time at a pool hall with his brother (24). Mediated—or better, medicated—by music, the homological happiness of running in the sun and a positive past memory also resurfaced a painful relational rupture, the reason of which Rickert omits to underscore that mysterious, “little detail or object” of the Real that marks his singular finitude as a writing subject (216 n. 11). We’ll want to come back to this curiously deliberate omission, but for the present we note Rickert is not simply an undead author but a human being with relations and feelings. He is not just a gifted scholar or a bundle of reflections, but a nexus of body and movement and words and affect. If there is anything that Rickert’s study can be said to work through with brilliance, humor, and grace, it is the reality of complex personhood.Rickert’s brotherly confession comes in Chapter 1 as a way to introduce a psychoanalytic understanding of subjectivity, and more specifically, to help illustrate how trauma works itself out as an afterwardness or “belatedness” ( Nachträglichkeit ): traumatic events from the past are not reckoned with or worked-through until some coincidence or reminder, such as a similar [End Page 183] sensory experience, reintroduces the event in doubled re-presentation (18–27). This implies the “subject” (a paradigm person) is a kind of timedelay, a self-conscious temporal moving that becomes this way through re-presentation. The rhetorical subject is analogously a retrojected reckoning with events past (not all traumatic) that Rickert identifies as a scene of writing, a locus that has important implications for rhetorical studies in general and writing pedagogy in particular. Rickert’s logic is as follows: if we agree that the subject is a belated one in the psychoanalytic sense, then how we teach rhetoric needs to change. Rickert opens the book with the observation that his students are producing excellent cultural critiques but that such critiques do not lead the students to change their actions (1–7), perhaps evidence enough that something is not quite right in a classroom grounded by “cultural studies pedagogy” and ideology critique—or at the very least, proof that something has changed. The opening gambit is simply that a “postpedagogy” premised on an understanding of rhetorical subjectivity as belatedness is better than a status quo rooted in the rational subject of the Enlightenment.Mostly through a Žižek-filtered, Lacanian lens, Acts of Enjoyment then undertakes a retake of the rhetorical field, frequently scanning from the traumatic ontology of the rhetorical subject to that domain of knowledge that we hold dear, the subject of rhetoric. In Chapter 2, the (primal) scene thus shifts from the slo-mo subject to rhetorical studies, initially through a reassessment of Kinneavy’s “communications triangle,” but ultimately in response to the shock treatment of poststructuralism. The initial theoretical traumas introduced by Victor Vitanza, Diane Davis, Sharon Crowley, and others discussed in Chapter 1 are threaded into an account of “poststructural” redress in Chapter 2: as is true of all forms of trauma, the initial poststructural jolt delivered to the concept of subjectivity was deadened; poststructural theory was eventually used to “shore up rather than challenge Kinneavy’s triangle” (37). To truly work-through our traumatized subject in both senses, we need a second trauma: Lacanian psychoanalysis. Presumably, “poststructuralist thought” is to be opposed because it has no account of the subject (21–24); “Lacan,” after all, “is not a poststructuralist” (48). The remainder of the chapter is then used to deploy Lacan’s conceptual lexicon.Just as... (shrink)

The aim of this paper is to reconceive safety as a form of relation embedded in particular ways of speaking, listening and thinking. Moving away from safety as a relation that is achieved once and for all and afterwards remains safe avoids some of the disappointments of discourses of safety that seem to promise once a risk is taken or a gap is bridged that thereafter relations among people will be easier and calmer. This bumpier version of safety suggests that (...) humor creates the kind of instabilities in discourse that act, perhaps ironically, as an invitation to enjoy the difficulties of communicating complex and challenging ideas. Humor, then, creates a kind of safe space, not devoid of dramatic shifts or emotional response, but organized around those shifts as experiences that are moments apart from conflict. I explore the use of humor as a form of serious play in social justice classrooms, examining the strategies of indirect teaching, contradictory lessons, and jolting pleasure that more traditional pedagogical approaches are less able to create. I see in humor a complex form of address and interaction that plays on the multiple possibilities within an utterance or concept and by reminding classroom communities of those possibilities. Humor can erupt from shared moments and disjunctive understandings and can as easily be mobilized by teachers as by students. By reopening the possibilities of concepts and relations, humor shatters simplistic readings by literally playing out what might be said and what could be tried but often manages to combine a sense of safety via shared laughter with its disruptions. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhism and Christianity: The Meeting PlaceStephen MorrisUnquestionably one of the most intriguing documents unearthed in that explosive discovery at Nag Hammadi fifty years ago is The Gospel According to Thomas. It is exciting on many levels, and for Christians it constitutes both a boon and a challenge.As a ‘sayings collection,’ Thomas purports to offer us the oral teachings of Jesus. Thus it is a godsend not only for Christians (...) but for anyone in the world interested in what Jesus may have actually said.One might expect, however, that a Christian living today, who is imbued with the more traditional or orthodox understanding of what Christianity is all about, would find Thomas challenging. Jesus is presented differently and—equally important—so is his message. But it is not the case that this message is absent in the canonical gospels, only obscured. What Thomas essentially holds is present in Matthew, Mark, Luke, and John; but what is highlighted in Thomas is overshadowed in the others by narrative material. Still, if the canonical gospels are bearers of ‘good news,’ then what Thomas heralds is even ‘better news.’What is more is that the Gospel of Thomas must strike Buddhists as remarkable. Christianity is usually presented as centering on Christ (“The whole of Christianity hangs on these words: Christ is God”), 1 and not only discussion but interfaith dialogue almost invariably, from the Christian side, revolve around doctrine. But the focus in Thomas is not at all incompatible with Buddhism, at least as Zen portrays it, as will be shown. Indeed, paradoxically, Thomas—though an ancient Christian text—could conceivably make more sense to modern Zen philosophers than to contemporary Christian theologians.There is something else. John Cobb, engaging in dialogue with the Zen philosopher Masao Abe, has written: “Abe rightly points out that in Christianity there has been a problem about human reason, because it can come into conflict with divine revelation. He notes that Buddhism is free of this problem. Indeed, one of the attractions of Buddhism to Christians and to Westerners generally is that Buddhists seem quite free from the need to defend doubtful doctrines, because of their divinely grounded authority. One of the things Christians have most to gain through dialogue with Buddhists is a similar freedom.” 2 [End Page 19]Cobb’s point here is not insignificant. ‘Doubtful doctrines’ might not at all serve as the healthiest foundation for a spiritual life; and relying on them, taking refuge in them, can easily tend to ensnare rather than liberate the spirit. Many psychologists have pointed this out. For one thing, psychologists decry complacency, which some doctrines can help to foster. Thus, although psychology understands full well the need to develop our psycho-spiritual health on the one hand, it is often critical of religion and how it is practiced on the other.In this paper I intend to examine the Gospel of Thomas in the light of Zen Buddhism. There are three general but crucial areas concerning which Zen philosophers are unmistakably clear and absolutely adamant; and although in these areas Buddhism poses a stark contrast to orthodox Christianity, this is not the case when it comes to Thomas. Instead, Thomas appears to line up right beside Zen on these matters. What is more is that, standing together, Zen and Thomas would not only escape the criticism of modern psychology; they would join in leveling some of the same objections.Thus it seems to me that, while Buddhists would naturally find Thomas a most welcome and interesting document, Christians, could they only bracket the ancient doctrines with which they have been inoculated, would also discover a rich and refreshing version of the Christian message. Indeed, although jolting at first, it might be that Thomas offers a more pertinent, more realistic, and more reasonable presentation than do the canonical gospels themselves.Placing ThomasBefore proceeding it might be worthwhile, in the light of recent scholarship, to generally locate Thomas within the Christian framework. Clearly not orthodox, Thomas was at first assumed to be Gnostic; but that initial appraisal has turned out to be too quick and too casual, and now it is no longer widely held at all... (shrink)

Professor Ayer's new book 1 is of very great interest. All the discussion is skilful, much of it is ingenious; the arguments ramify, but never get out of control; the prose is pleasant, the presentation polished and civilized. Once before, Professor Ayer investigated the foundations of empirical knowledge; and the central topics of his new book are, to a large extent, the same as those of his earlier one. These are topics which have been much discussed since 1940. Ayer takes (...) account of many of these discussions, and his views, in consequence, have changed. They have not changed quite so radically as one might have expected. Ayer thinks that the old-style sceptic ought still to be given a run on the old course against the old competitors. If I am not mistaken, it is important to keep this guiding thought in mind in trying to understand his book. For it is easy to glide comfortably over the smooth surface of this prose without noticing transitions and modulations which, in a less expertly composed treatise, might have given one a jolt. (shrink)

No other field of literature can quite equal the drama in its faithful representation of life. A solid jolt of reality can connect the audience to the primeval human instincts not readily understood in everyday life. Confronted by conscience, it is natural for a person to seek closure and meaning to achieve catharsis that sometimes drama can provide when real life cannot. The study aims to examine Danilo’s character in relation to his seeming indifference to the indignation of his (...) parents and the town folks at the heartless father of Sepang Loca’s child; to identify the various instances that allude or point to him as the criminal; and, to analyze his behavior, feelings and thoughts about the phenomenon. The descriptive method is used to (a) trace his social background and moral values; (b) reveal Danilo’s crime based on his actions, what he says or thinks, and his silences, and to infer if there has been any remorse on his part; and, (c) the role of the large black mole shaped like a teardrop that runs among sons of Danilo’s clan. The study tries to unravel the extent of Danilo’s crime, guilt and remorse. It is hoped that through his character, the play succeeds in stirring social conscience and kindling transformative energy to effect change in the way society deals with idiots. Keywords – Literature, Filipino Play, guilt, remorse, descriptive method, Philippines. (shrink)

In 1900 the publication of the book, Interpretation of Dreams by Sigmund Freud raised very seminal and fascinating questions in the disciplines of psychology and psychoanalysis. Sigmund Freud’s intellectual contributions and the discovery of unconscious had given a big jolt to all the classical approaches, shook the disciplinary foundations of psychology and placed ‘psychoanalysis’ as an alternative model for understanding mental world. Psychologists across the world showed keen interest in uncovering the mysteries of dreams and dreaming. But the institutional (...) dominance of Behaviorism and its standards of research didn’t allow them to cross the boundaries of conventional psychology. Behavioristic psychologists raised important questions on the methodology adopted by Sigmund Freud and leveled criticism against his unverifiable explanations. Behaviorism branded his theories as absolute subjectivist and unscientific. Hence, most of the psychologists were silent and systematically marginalized dream research and banished the discourses on dreams in the institutions of higher learning and research. The nineteenth century saw the emergence of the first dream studies, which were primarily concerned with dream phenomenology. Nevertheless, the pace of methodical dream research was held considerably by the emergence of distinct psychological movements at the start of the 20th century: behaviorism, classical psychoanalysis, and gestalt psychology, placed greater stress on the significance and meaning of dreams, as well as what they symbolized in the lives of individuals. Also a few of them questioned the reality of dreams and other similar mental experiences. Consequently, every movement undermined the greater sample sizes and more methodical research on dreams in its own unique manner. While presenting the views of Sigmund Freud, John Watson, Carl Jung, Alfred Adler, and Fritz Perls this paper makes an attempt to show how classical schools of psychology slowed down the flow of systematic dream studies with large samples. (shrink)

This article critically examines the structure and content of the ‘New American Cultural Sociology’, through an engagement with the recent writings of its main representative, Jeffrey Alexander. Alexander’s project to retool sociology and cultural studies alike is coherent and ambitious, and his transition from theory scholar to public intellectual makes an assessment of that project additionally necessary. I argue, however, that while it gives a necessary jolt to conventional thinking around culture and meaning, major weaknesses and problems can be (...) identified in each of the three main levels of analysis: the articulation of the theoretical programme of cultural sociology, its application in substantive cultural exploration, and its emerging political ideology of civil society multiculturalism. Overall, the key theme of the critique is that Alexander’s long-standing concern, and talent, for ‘multidimensional’ social theory is heavily compromised by his equally strong inclination towards excessive culturalism and idealism. (shrink)

The importance of Gottlob Ernst Schulze's Aenesidemus 1 for the history of German Idealism has been widely recognized. Much as Hume had awoken Kant, Aenesidemus jolted the young Fichte out of his slumbering adherence to Reinhold's formulation of Kant's philosophy, leading him to re-evaluate the claims, methods, and foundations of the Critical philosophy. In his "Review of the Aenesidemus" 2 Fichte set out the results of this re-evaluation, which included his doctrine of intellectual intuition with remarkable and uncharacteristic clarity. 3 (...) According to a widely accepted story about the genesis of Fichte's Jena Wissenschaftslehre, the early Fichte was largely sympathetic to .. (shrink)

Adorno’s ‘addendum’ names the experience by which socially constrained agents are jolted into resistance against their suffering. The impulse to action is simultaneously intra-mental and somatic, and thus forms the locus of a jointly conscious and bodily impetus to confronting the ideological and material forces that produce contemporary unfreedom. In this way the ‘addendum’ is a historically developing, indeterminate, yet inexhaustible glimmer of hope for both agents and theorists who make social suffering central to their critical analysis. This article explores (...) the structure of the addendum by unpacking its presentation first in Negative Dialectics and then by way of the one-sided and cautionary illustrations of Buridan’s ass and Hamlet in the History and Freedom lectures. While aesthetic, ideal, affect-centered and Freudian interpretations of the addendum have been developed, appreciating the somatic or bodily, the intra-mental or conscious, and the historicized accounts of nature and reason that Adorno weaves together to explain ever-present possibilities of resistance requires instead a non-reductive materialist and dialectical lens. (shrink)

The Covid-19 pandemic has resulted in disruption of work and other social activities of so many people. Some were forced to stay at home and many decided to stay at home for fear of being infected with the virus. This phenomenon brought different reactions and even mental stress to many people. However, there were people who turned this kind of tragedy into creative work. This paper discusses the experiences and insights of known plant lovers in Digos City, Davao del Sur (...) Philippines. Digos City is one of the heavily affected places during the series of earthquakes that jolted Davao del Sur last year. While people are still recovering, COVID-19 added an additional burden to the residents. In this paper, we argue that their decision to focus on gardening was not only to fight boredom and to divert their attention during lockdown but this was their way of maintaining their well-being by participating in the on-going work of creation and recreation and to rise from the tragedy. We further argue that it might be good that this creative work will go beyond home gardening and beyond pots and slowly extend to creative work for environmental protection and preservation through more active engagements into reforestation activities. (shrink)

Find out what connects logic and humor in this alternative guide to logical reasoning. Combining jokes, stories, and ironic situations, Stan Baronett shows how it is possible to always ground the formal, symbolic language of logic in everyday experience. Each chapter introduces a basic logical reasoning concept through a plausible premise based on happenings in daily life. Using jokes as his examples, Baronett reveals the inner workings of logic. After all an effective joke often relies on an unanticipated assumption that (...) leads to an unexpected result. The assumption changes the normal context of an everyday situation, so we are surprised by the ending. A complex mind that learns from experience, and builds a storehouse of regularly recurring patterns, is a great survival tool. But for a joke to work, the punch line has to be something our minds don't logically anticipate. The ending jolts our minds for a split second while we grasp the absurdity of the situation. This is how logic works: one part of your mind determines whether the information you are receiving is true or false, while another part of your mind deals with logical consequences of fact. These ideas are explained and illustrated by showing how an effective joke may rely on an unanticipated assumption that leads to an unexpected result. Injecting a sense of humor into logical language, Baronett helps us understand how to analyze basic causal reasoning and provides light relief for anyone daunted by the complex world of logic. (shrink)

Socialism has been dismissed as a dream in the reality of the world of 9/11. But a mythical narrative that erases the possibility of moral agency doesnot honor the dead. In Walter Benjamin’s language, photographs of the actual dead can supply the “dialectical jolt” that illuminates a possible beyond. Myth isdangerous when it teaches that things will always be as they are now, but myth can also point to a different form of knowledge of the world, beyond the despairthat (...) says only violence can save the world. Socialism, through mutual respect and responsibility, calls us to be people in whose actions the present promises thefuture, shaping the world and becoming ourselves something different. Benjamin and Derrida agree that any attempt to describe experience fails because it points beyond itself to its own limit and how that limit opens space beyond it. Derrida’s “impossible” should not be read as knowledge of what cannot be done, but as a recognition that every experience points to its limit, and we are left with our own responsibility for justice in any given context. Beyond despairing meta-narratives, freedom comes in forming character through effort. (shrink)

Last Thursday, a front page headline in the New York Times announced Astronomers' New Data Jolt Vital Part of Big Bang Theory ". Newly analyzed data from the Infrared Astronomical Satellite, the Times reported, show conclusively that these vast structures are not isolated oddities. Instead, the structures are normal features of our universe which has an intrinsic lumpiness that is far larger and more uneven than can be reconciled with the best current theories about when and how our universe (...) formed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Acts of Enjoyment: Rhetoric, Žižek, and the Return of the SubjectJames J. Brown Jr. and Joshua GunnActs of Enjoyment: Rhetoric, Žižek, and the Return of the Subject by Thomas Rickert. Pittsburgh: University of Pittsburgh Press, 2007. Pp. x + 252. $24.95, hardcover.Thomas Rickert had a falling-out with his brother, and this distresses him so much that his disrupted relation is described as “traumatic.” Rickert reports that while listening (...) to a portable CD player during a run on an unexpectedly warm winter day, a song by the now defunct jazz/rock band Morphine reminded him of a happy time at a pool hall with his brother (24). Mediated—or better, medicated—by music, the homological happiness of running in the sun and a positive past memory also resurfaced a painful relational rupture, the reason of which Rickert omits to underscore that mysterious, “little detail or object” of the Real that marks his singular finitude as a writing subject (216 n. 11). We’ll want to come back to this curiously deliberate omission, but for the present we note Rickert is not simply an undead author but a human being with relations and feelings. He is not just a gifted scholar or a bundle of reflections, but a nexus of body and movement and words and affect. If there is anything that Rickert’s study can be said to work through with brilliance, humor, and grace, it is the reality of complex personhood.Rickert’s brotherly confession comes in Chapter 1 as a way to introduce a psychoanalytic understanding of subjectivity, and more specifically, to help illustrate how trauma works itself out as an afterwardness or “belatedness” ( Nachträglichkeit ): traumatic events from the past are not reckoned with or worked-through until some coincidence or reminder, such as a similar [End Page 183] sensory experience, reintroduces the event in doubled re-presentation (18–27). This implies the “subject” (a paradigm person) is a kind of timedelay, a self-conscious temporal moving that becomes this way through re-presentation. The rhetorical subject is analogously a retrojected reckoning with events past (not all traumatic) that Rickert identifies as a scene of writing, a locus that has important implications for rhetorical studies in general and writing pedagogy in particular. Rickert’s logic is as follows: if we agree that the subject is a belated one in the psychoanalytic sense, then how we teach rhetoric needs to change. Rickert opens the book with the observation that his students are producing excellent cultural critiques but that such critiques do not lead the students to change their actions (1–7), perhaps evidence enough that something is not quite right in a classroom grounded by “cultural studies pedagogy” and ideology critique—or at the very least, proof that something has changed. The opening gambit is simply that a “postpedagogy” premised on an understanding of rhetorical subjectivity as belatedness is better than a status quo rooted in the rational subject of the Enlightenment.Mostly through a Žižek-filtered, Lacanian lens, Acts of Enjoyment then undertakes a retake of the rhetorical field, frequently scanning from the traumatic ontology of the rhetorical subject to that domain of knowledge that we hold dear, the subject of rhetoric. In Chapter 2, the (primal) scene thus shifts from the slo-mo subject to rhetorical studies, initially through a reassessment of Kinneavy’s “communications triangle,” but ultimately in response to the shock treatment of poststructuralism. The initial theoretical traumas introduced by Victor Vitanza, Diane Davis, Sharon Crowley, and others discussed in Chapter 1 are threaded into an account of “poststructural” redress in Chapter 2: as is true of all forms of trauma, the initial poststructural jolt delivered to the concept of subjectivity was deadened; poststructural theory was eventually used to “shore up rather than challenge Kinneavy’s triangle” (37). To truly work-through our traumatized subject in both senses, we need a second trauma: Lacanian psychoanalysis. Presumably, “poststructuralist thought” is to be opposed because it has no account of the subject (21–24); “Lacan,” after all, “is not a poststructuralist” (48). The remainder of the chapter is then used to deploy Lacan’s conceptual lexicon.Just as... (shrink)

Professor Ayer's new book 1 is of very great interest. All the discussion is skilful, much of it is ingenious; the arguments ramify, but never get out of control; the prose is pleasant, the presentation polished and civilized. Once before, Professor Ayer investigated the foundations of empirical knowledge; and the central topics of his new book are, to a large extent, the same as those of his earlier one. These are topics which have been much discussed since 1940. Ayer takes (...) account of many of these discussions, and his views, in consequence, have changed. They have not changed quite so radically as one might have expected. Ayer thinks that the old-style sceptic ought still to be given a run on the old course against the old competitors. If I am not mistaken, it is important to keep this guiding thought in mind in trying to understand his book. For it is easy to glide comfortably over the smooth surface of this prose without noticing transitions and modulations which, in a less expertly composed treatise, might have given one a jolt. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:From Bookworms to Enchanted Hunters: Why Children ReadMaria Tatar (bio)Sensation SeekersThe laws governing the conservation of cultural energy are particularly effective when it comes to children’s literature. Peter Pan, Alice in Wonderland, The Chronicles of Narnia, The Yearling, The Wizard of Oz, Pinocchio, The Wind in the Willows, The Secret Garden, The Snow Queen: these are just a few of the volumes that continue to pull and tug on (...) young readers, drawing them into enchanted other worlds. Their propulsive force has moved from one generation to the next, setting minds into motion, renewing senses, and almost rewiring brains. Favoring expressive intensity over intellectual heft, the books of childhood use no-holds-barred melodramatic strategies until we are under their spell. We can all remember the jolts and shimmer of books we read as children, the moments that sent shivers up and down the spine.“Wow” moments saturate children’s stories, exploiting the emotive power of language for maximum effect.1 Think of the multiple evocations of the web created by the spider Charlotte in E. B. White’s book, how it “glistens” in the light and makes a pattern of “loveliness and mystery.” “What a curious feeling,” Alice declares in Lewis Carroll’s Alice in Wonderland once she has tasted the contents of a bottle marked “Drink me.” After that, the world she enters only becomes “curiouser and curiouser.” Dorothy lands in Oz and her eyes grow “bigger and bigger” at the “wonderful sights” she sees. They continue widening as she follows the Yellow Brick Road to Oz with her three companions. “A million golden arrows” point the way to Neverland, as the Darling children begin to experience the first in a series of bursts of beauty and rumbles of violence. Those rumbles create similar wow effects. Who can forget the moment when Iorek Byrnison, one [End Page 19]Maria Tatar Maria Tatar is the John L. Loeb Professor of Germanic Languages and Literatures at Harvard University, where she chairs the Program in Folklore and Mythology. She is the author of Classic Fairy Tales, The Annotated Brothers Grimm, The Annotated Hans Christian Andersen, and The Hard Facts of the Grimms’ Fairy Tales and has written for the New York Times, the New Republic, and Slate.com.Copyright © 2009 Board of Trustees of the University of Illinois... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Persians TIMOTHEUS (Translated by John Warden)... urging on their floating bronze-beaked chariots ram by ram furrowing the waves with pointed teeth....... with humped heads stripped away arms of fir, thumped ’em on the left, mariners tumbled, smashed ’em on the right in their pinewood towers, back on their feet again. Ha! Tear off flesh to their rope-bound ribs, sink ’em with thunderbolts, rip away gilded splendour with iron-helmed (...) rams. Thonged javelins fly fire-like, shafts trembling in pierced limbs, wood slivers ablaze long-winged brazen-headed, slaughtered victims swarm. ◊♦◊ Sea with glass-green hair its furrows stained with blood; shouts of victors, screams of vanquished; the barbarous fleet borne away over the fish-crowned gleaming curves of Amphitrite’s breast. ◊♦◊ Lord of a daywide land, islander out for a sail ha! listing, tipping, arms and feet arion 28.1 spring/summer 2020 96 the persians thrashing in the buffeting waves, cries to the sea god, “Father...” Winds drop and veer, smite him on the other side. No Bacchus poured that liquid into his wine jar belly. He vomits up the boiling sea flood, screaming through clenched teeth against the defiling sea: “Was once not enough to have your proud neck yoked with bonds of hemp? See, now my lord will churn you with pine trees born in the mountains, encompass your watery plains with mariners, you madcap, long-loathed, faithless plaything of the swift-surfing winds.” Gasps out the words and a disgusting stream of sour sea water comes belching from his belly. ◊♦◊ Homeward they scurry, the Persian fleet, the foreigners squadron smashing into squadron in the long-necked strait jolts from their hands their mountain feet, leap from their mouths their gleaming helpmates; bodies without breath, without light, festoon the starsprent sea, weigh down the headlands. Survivors on the shore sit naked and freezing, tears dripping from their howled laments. Possessed by the dirge-song of grief, they keen and beat their breasts: “O vales of Mysia with your trees like a woman’s hair, take me home. For the winds are carrying me away. Timotheus 97 Never will the dust of earth receive my body....... in a cave where nymphs are born, below the ocean floor. Protect me from Helle, ship-bridged bringer of war. Had my lord not built that far-travelled causeway, never would I have come from Tmolus or Lydian Sardis to keep at bay the Greek war god. But now where shall I find sweet refuge from unbending fate? Who will free me from suffering and bring me home to Troy? Could I but fall at the ivy-robed knees of the Queen, the Mountain Mother, embrace her lovely arms and pray: ‘Goddess of golden hair, mother, I beg you rescue me, rescue me from the devious steel that slits the throat, from the wave-skimming gales, ship breakers, from Boreas that freezes by night. The winds will dash me to pieces. Already the cruel waves have torn the clothing from my body. Now I shall lie wretched, my flesh a feast to the tribes of birds.’” ◊♦◊ See a Greek with a sword of iron grab a man from Celaeno, rich in flocks, bereft in battle, drag him by the hair. Arms twined around knees, he breaks the seal of his lips seeking Greek in the shrill voice of Asia: Listen Mister not me why come. Not me, no never, big master send me, me no never come fight. Stay home Sardis, Sousa, Ecbatana. Great god Artemis 98 the persians Ephesus guard me. Swift-running backward-running they pursue their flight, cast from their hands the twin-mouthed javelins, tear the flesh from their faces, rip from their breasts their sumptuous Persian gowns, raise in one voice their Asiatic wailing. Those round the King are loud in panic at the coming disaster. The King looks down at the mingled host in flight, falls to his knees, defiles his body. Tossed in fate’s waves he speaks: Root and branch my house has fallen! The flaming ships of the Greeks have slain the flower of our youth. There is no way home, our ships consumed by the blazing might of harsh... (shrink)

Punishment is a topic of increasing importance for citizens and policymakers. Why should we punish criminals? Which theory of punishment is most compelling? Is the death penalty ever justified? These questions and many more are examined in this highly engaging and accessible guide. Punishment (2nd edition) is a critical introduction to the philosophy of punishment, offering a new and refreshing approach that will benefit readers of all backgrounds and interests. The first comprehensive critical guide to examine all leading contemporary theories (...) of punishments, this book explores – among others – retribution, the communicative theory of punishment, restorative justice and the unified theory of punishment. Thom Brooks applies these theories to several case studies in detail, including capital punishment, juvenile offending and domestic violence. Punishment highlights the problems and prospects of different approaches in order to argue for a more pluralistic and compelling perspective that is novel and ground-breaking. This second edition has extensive revisions and updates to all chapters, including an all-new chapter on the unified theory substantively redrafted and new chapters on cyber-crimes and social media as well as corporate crimes. Punishment is essential reading for undergraduate and graduate students in philosophy, criminal justice, criminology, justice studies, law, political science and sociology. "Lucid, fair-minded, and well-informed, Thom Brooks’ Punishment offers a superb introduction to a complex and contentious subject. Many a perplexed student will find illumination in his patient discussion of each of the leading theories. The way Brooks shows their interconnectedness and application in practice – to capital punishment, juvenile offenders, domestic violence, and the like – will interest not only students but scholars as well." ―Stuart P. Green, Distinguished Professor of Law and Nathan L. Jacobs Scholar, Rutgers School of Law "As a topic in moral and political philosophy, punishment has been jolted back to life. In the last quarter century, retribution has returned with a vengeance, both in the theoretical literature and (with a very different emphasis) in public policy. The rise of the victim as a player in the criminal justice system has also fuelled a counter-trend, placing an emphasis on redress. Human rights, privatization, globalization, the rise of the therapist, the lobbyist, the terrorist: all have affected our ways of punishing and of thinking about punishment. A new survey of the terrain is overdue. And who better to conduct it than Thom Brooks, whose grasp of the literature and feel for the issues is second to none? From the noble ideals of ‘communicative’ theory to the grim realities of children in prison: in Punishment Brooks covers it all with insight, rigour, and energy." ―John Gardner, Professor of Jurisprudence, University of Oxford "Thom Brooks has produced a valuable introduction to, and critical survey of, current theoretical approaches to punishment together with an analysis of their implications for practice. In addition, he has provided a spirited defence of a new, unified theory inspired by the British Idealists and encompassing retributive, consequentialist, and restorative elements. Written in a lucid and engaging style, the book will interest a wide range of readers – students, theorists of punishment, as well as those engaged in criminal justice policy." ―Alan Brudner, Albert Abel Professor Emeritus, Faculty of Law, University of Toronto. (shrink)

_The Collected Papers 28 _signals reinvigoration of Russell the public campaigner. The title of the volume is taken from one of his most famous and eloquent short essays and probably the best known of his many broadcasts for the BBC. _Man's Peril, 1954-55_ not only captures the essence of Russell's thinking about nuclear weapons and the Cold War in the mid-1950s, its extraordinary impact served to jolt him into political protest once again. The activism of which we glimpse the (...) initial stirrings in this volume continued in various guises more or less without interruption until his death. In the writings assembled in this volume, however, he is looking towards the non-aligned states and world scientific opinion as possible brokers of _détente_. Although Russell was becoming increasingly immersed in work for peace, this was not to the exclusion of all other interests. For example, here we find also him reminiscing about his peace campaigning during the First World War, defending 'History as an Art', and attacking the obscurantism of obscenity legislation and the opponents of birth control. (shrink)

_The Collected Papers 28 _signals reinvigoration of Russell the public campaigner. The title of the volume is taken from one of his most famous and eloquent short essays and probably the best known of his many broadcasts for the BBC. _Man's Peril, 1954-55_ not only captures the essence of Russell's thinking about nuclear weapons and the Cold War in the mid-1950s, its extraordinary impact served to jolt him into political protest once again. The activism of which we glimpse the (...) initial stirrings in this volume continued in various guises more or less without interruption until his death. In the writings assembled in this volume, however, he is looking towards the non-aligned states and world scientific opinion as possible brokers of _détente_. Although Russell was becoming increasingly immersed in work for peace, this was not to the exclusion of all other interests. For example, here we find also him reminiscing about his peace campaigning during the First World War, defending 'History as an Art', and attacking the obscurantism of obscenity legislation and the opponents of birth control. (shrink)

There is no agreement about the supplement at the end of the first line. almost certainly refers to marriage, discussion of which is postponed till something becomes black or turns dark. Theiler's hardly fits thecontext, and Burkert's with the sense ‘when the grapes ripen’ is not convincing. A metaphorical sense for ‘grapes’ is preferable, e.g. or, better,,, ‘when youwill be old enough to marry’; but the phrase comes with a jolt in the absence of any preparation or immediate follow-up: (...) in the passages of Philodemus andHorace quoted as parallel by Ebert-Luppes the metaphor is not simply a singleword but is extended over two or three lines. (shrink)

There is no agreement about the supplement at the end of the first line. almost certainly refers to marriage, discussion of which is postponed till something becomes black or turns dark. Theiler's hardly fits thecontext, and Burkert's with the sense ‘when the grapes ripen’ is not convincing. A metaphorical sense for ‘grapes’ is preferable, e.g. or, better, , , ‘when youwill be old enough to marry’; but the phrase comes with a jolt in the absence of any preparation or (...) immediate follow-up: in the passages of Philodemus andHorace quoted as parallel by Ebert-Luppes the metaphor is not simply a singleword but is extended over two or three lines. (shrink)

Lochlann Jain's debut non-fiction graphic novel, Things That Art, playfully interrogates the order of things. Toying with the relationship between words and images, Jain's whimsical compositions may seem straightforward. Upon closer inspection, however, the drawings reveal profound and startling paradoxes at the heart of how we make sense of the world. Commentaries by architect and theorist Maria McVarish, poet and naturalist Elizabeth Bradfield, musician and English Professor Drew Daniel, and the author offer further insight into the drawings in this collection. (...) A captivating look at the fundamental absurdities of everyday communication, Things that Art jolts us toward new forms of collation and collaboration. (shrink)

The Übermensch, the overcoming of man, is one of Nietzsche’s debated concepts to be situated in posthumanism. In Žižek’s posthumanism, the human as subject can not only be read in Nietzsche’s understanding of the last man, but is inherently tied to the concept of trauma. This is so that trauma, as I exposed before, is a crucial element in advancing a posthuman. This article argues that trauma is, tout court, not enough to realize a posthuman Übermensch. It faces paradoxes that (...) render it a transitory jolt. First, trauma still relies on the fiction of an afterworld. Second, trauma can be further traumatized and that there is a transitoriness of choice that belies its function between dream and fiction. Later, following from the traumatic standpoint of the Real, I provide a clarificatory corollary why the posthuman project also cannot work as a Lacanian fantasy. (shrink)

This volume signals reinvigoration of Russell the public campaigner. The title of the volume is taken from one of his most famous and eloquent short essays and probably the best known of his many broadcasts for the BBC. Man's Peril 1954-55 not only captures the essence of Russell's thinking about nuclear weapons and the Cold War in the mid 1950s, but its extraordinary impact which served to jolt him into political protest once again. The activism of which we glimpse (...) the initial stirrings in this volume continued in various guises more or less without interruption until his death. Russell later became involved with pressure group politics of the Campaign for Nuclear Disarmament and the civil disobedience tactics of the Committee of 00. In the writings assembled in this volume, however, he is looking towards the non-aligned states and world scientific opinion as possible brokers of de;tente . Although Russell was becoming increasingly immersed in work for peace, this was not to find him reminiscing about his peace about peace campaigning during the First World War, defending "History As an Art", and attacking the obscurantism of obscenity legislation and the opponents of birth control. (shrink)