Beaucoup plus abondante et variée que ne le laisse croire sa réputation, la référence religieuse joue chez Schopenhauer un rôle d�importance : alors que sa philosophie entend ramener les religions à leur pertinence authentique � c�est-à-dire morale, selon lui �, l�exemplarité religieuse et le discours mystique viennent en effet prendre le relais de l�exposition conceptuelle, à laquelle échappe la réalité toute pratique de la voie du renoncement qu�il entend comme l�aboutissement réel du parcours de sa pensée, ainsi que l�altération qui (...) s�ensuit d�une telle abnégation de l�essence. (shrink)

Abordées dans leur radicalité, les thèses de Schopenhauer consacrées à la musique font plus encore que rassembler le mouvement entier de sa pensée. S’y réalise en effet une véritable phénoménologie de la musique avant la lettre, plus pénétrante et plus adéquate à l’ordre musical que toutes les tentatives depuis élaborées à partir de la conscience intentionnelle, dont elle a comme anticipé les insuffisances. Ce faisant, elles pointent en direction d’une phénoménologie d’avant le phénomène, d’une phénoménologie du pâtir, où en amont (...) de la visibilité, au désaisissement de tout projet, préalablement encore à la structure perceptive, se contractent ensemble l’existence elle-même et la possibilité d’un monde. (shrink)

In May 1968, Gilles Deleuze was an established philosopher teaching at the innovative Vincennes University, just outside of Paris. Félix Guattari was a political militant and the director of an unusual psychiatric clinic at La Borde. Their meeting was quite unlikely, yet the two were introduced in an arranged encounter of epic consequence. From that moment on, Deleuze and Guattari engaged in a surprising, productive partnership, collaborating on several groundbreaking works, including _Anti-Oedipus_, _What Is Philosophy?_ and _A Thousand Plateaus_. François (...) Dosse, a prominent French intellectual known for his work on the Annales School, structuralism, and biographies of the pivotal intellectuals Paul Ricoeur, Pierre Chaunu, and Michel de Certeau, examines the prolific if improbable relationship between two men of distinct and differing sensibilities. Drawing on unpublished archives and hundreds of personal interviews, Dosse elucidates a collaboration that lasted more than two decades, underscoring the role that family and history—particularly the turbulent time of May 1968—play in their monumental work. He also takes the measure of Deleuze and Guattari's posthumous fortunes and the impact of their thought on intellectual, academic, and professional circles. (shrink)

Sait-on que la science-fiction américaine, du roman " cyberpunk " à la saga Matrix, se nourrit largement de Jean Baudrillard? Que Gilles Deleuze et Félix Guattari inspirent aux Etats-Unis les pionniers de l'Internet comme de la musique électronique? Que Michel Foucault y est la référence majeure des luttes communautaires, tandis que Jacques Derrida est une star sans égale dans l'université? Après avoir croisé à New York la contre-culture des années 1970, les œuvres des philosophes français de l 'après - structuralisme (...) sont entrées dans les départements de littérature de l'université américaine, où elles ont bouleversé de l'intérieur tout le champ intellectuel. Réinterprétées, réappropriées au service des combats identitaires de la fin de siècle américaine, elles ont fourni le socle théorique sur lequel ont pu s'épanouir, contre la régression des années Reagan, les cultural studies, les gender studies et les études multiculturelles. C'est cette histoire, mal connue, de la french theory que François Cusset retrace ici. Il décrit le succès de cette étrange " théorie française " - la déconstruction, le biopouvoir, les micropolitiques ou la simulation -jusque dans les tréfonds de la sous - culture américaine. Il restitue l'atmosphère particulière des années 1970 et raconte la formidable aventure américaine, et bientôt mondiale, d'intellectuels français marginalisés dans l'Hexagone. Car le plus surprenant est que, pendant que l'Amérique les célébrait, la France s'empressait d'inhumer ces dangereux échevelés de la " pensée 68 " pour louer à nouveau l'humanisme citoyen et son vieil universalisme abstrait. Ce livre éclaire ce paradoxe en explorant une modalité méconnue, mais cruciale, du malentendu franco - américain. Au-delà, il brosse un portrait passionnant des mutations de l'espace intellectuel, culturel et politique américain des dernières décennies. (shrink)

In May 1968, Gilles Deleuze was an established philosopher teaching at the innovative Vincennes University, just outside of Paris. Félix Guattari was a political militant and the director of an unusual psychiatric clinic at La Borde. Their meeting was quite unlikely, yet the two were introduced in an arranged encounter of epic consequence. From that moment on, Deleuze and Guattari engaged in a surprising, productive partnership, collaborating on several groundbreaking works, including _Anti-Oedipus_, _What Is Philosophy?_ and _A Thousand Plateaus_. François (...) Dosse, a prominent French intellectual known for his work on the Annales School, structuralism, and biographies of the pivotal intellectuals Paul Ricoeur, Pierre Chaunu, and Michel de Certeau, examines the prolific if improbable relationship between two men of distinct and differing sensibilities. Drawing on unpublished archives and hundreds of personal interviews, Dosse elucidates a collaboration that lasted more than two decades, underscoring the role that family and history—particularly the turbulent time of May 1968—play in their monumental work. He also takes the measure of Deleuze and Guattari's posthumous fortunes and the impact of their thought on intellectual, academic, and professional circles. (shrink)

In May 1968, Gilles Deleuze was an established philosopher teaching at the innovative Vincennes University, just outside of Paris. Félix Guattari was a political militant and the director of an unusual psychiatric clinic at La Borde. Their meeting was quite unlikely, yet the two were introduced in an arranged encounter of epic consequence. From that moment on, Deleuze and Guattari engaged in a surprising, productive partnership, collaborating on several groundbreaking works, including _Anti-Oedipus_, _What Is Philosophy?_ and _A Thousand Plateaus_. François (...) Dosse, a prominent French intellectual known for his work on the Annales School, structuralism, and biographies of the pivotal intellectuals Paul Ricoeur, Pierre Chaunu, and Michel de Certeau, examines the prolific if improbable relationship between two men of distinct and differing sensibilities. Drawing on unpublished archives and hundreds of personal interviews, Dosse elucidates a collaboration that lasted more than two decades, underscoring the role that family and history—particularly the turbulent time of May 1968—play in their monumental work. He also takes the measure of Deleuze and Guattari's posthumous fortunes and the impact of their thought on intellectual, academic, and professional circles. (shrink)

In eighteenth-century France, scientific progress and its spreading met a growing interest among public, an enthusiasm that was to be reflected in literature. Fictional works including scientific knowledge in their narrative made their appearance, paving the ground for a genre promised to a growing success in the following centuries—science fiction. The article presents three eighteenth-century French literary works, each one centered on a different domain of science: Voltaire’s Micromégas, Charles-François Tiphaigne’s Amilec, or the Seeds of Mankind and François-Félix Nogaret’s The (...) Mirror of Current Events, or Beauty to the Highest Bidder. The first one, an iconic Enlightenment work that promotes critical thinking, relies on discoveries made in astronomy and optics. Tiphaigne de la Roche is far from sharing the fame of Voltaire, but his odd Amilec is noteworthy as it is possibly the very first science-fiction work in which biology is central. Written in the unique atmosphere of the French revolution, Nogaret’s work The Mirror of Current Events depicts androids-like interacting with humans. Our purpose is to show that these works were a precursor of the science fiction genre in literature, to describe how and what science or technology was depicted in them, and how they influenced the view of Man in eighteenth-century France. (shrink)

In this strikingly original contribution to our understanding of Chinese philosophy,Françle;ois Julien, a French sinologist whose work has not yet appeared in English usesthe Chinese concept of shi - meaning disposition or circumstance, power or potential - as atouchstone to explore Chinese culture and to uncover the intricate and coherent structure underlyingChinese modes of thinking.A Hegelian prejudice still haunts studies of ancient Chinese civilization:Chinese thought, never able to evolve beyond a cosmological point of view, with an indifference toany notion of (...) telos, sought to interpret reality solely on the basis of itself. In thisgroundbreaking study, prejudices toward the simplicity and "naiveté" of Chinese thought, Hegelianand otherwise, are dismantled one by one to reveal the intricate and coherent structure underlyingChinese modes of thinking and representing reality.Jullien begins with a single Chinese term, shi,whose very ambivalence and disconcerting polysemy, on the one hand, and simple efficacy, on theother, defy the order of a concept. Yet shi insinuates itself into the ordering and conditioning ofreality in all its manifold and complex representations. Because shi neither gave rise to anycoherent, general analysis nor figured as one of the major concepts among Chinese thinkers, Jullienfollows its appearance from one field to another: from military strategy to politics; from theaesthetics of calligraphy and painting to the theory of literature; and from reflection on historyto "first philosophy."At the point where these various domains intersect, a fundamental intuitionassumed self-evident for centuries emerges, namely, that reality - every kind of reality - may beperceived as a particular deployment or arrangement of things to be relied upon and worked to one'sadvantage. Art or wisdom, as conceived by the Chinese, lies in strategically exploiting thepropensity that emanates from this particular configuration of reality. (shrink)

Emerging in the wake of the broad paradigm of semiotics in discourses in the human sciences in France in the 1960s, and from other developments and emergent tendencies in philosophy and critical theory, a cluster of works in French thought of the 1970s, by Gilles Deleuze and Félix Guattari, Jean-François Lyotard, and Roland Barthes, investigate the liminal spaces and dynamic relations between sense, sound, and noise. Depending on the angle adopted, these investigations bear upon the relations between articulated sound and (...) noise; language and sound, the formed and the unformed, the coded and the non-coded, sound and music, sound and silence, and other formulations of acoustic liminality. This article brings to light how noise is an operative concept across this material; I argue for its pertinence to the question of the “mental state of noise” as elaborated by Steven Sands and John Ratey in their seminal piece “The Concept of Noise,” and then critically assessed by Cécile Malaspina in The Epistemology of Noise. (shrink)

Resumo: Esse ensaio buscará sondar as relações entre filosofia e literatura, no pensamento de Gilles Deleuze, a despeito de sua parceria conjunta com Félix Guattari, atentando tanto para as concepções de escrita expressas ao longo de sua obra quanto para o modo como essas concepções teriam influenciado o estilo de seus escritos filosóficos. Partindo da premissa deleuziana de que a escrita possui um acentuado lastro clínico, sendo a responsável pela elaboração de um diagnóstico das forças capazes de aprisionar ou calar (...) a vida, procurar-se-á esmiuçar as ressonâncias desse lastro clínico, na concepção de filosofia como ato criativo, elaborada pelo autor. Como hipótese a ser aqui trabalhada, defende-se que a escrita deleuziana - compreendida como portadora de uma literalidade, conforme sustenta François Zourabchivili, ou como encrustada de uma poética imanentista, tal qual sugere Anita Costa Malufe - procuraria produzir uma zona de vizinhança ou indiscernibilidade entre a escrita filosófica, de caráter mais exegético, e a escrita literária, mais afectiva, de modo a produzir um deslocamento na relação do leitor com o ato de pensar.: In this essay we pretend to study the relationship between philosophy and literature in Gilles Deleuze’s thought, despite of his partnership with Félix Guattari, mapping the conceptions of writing throughout his work and considering the influence of these conceptions to forge a certain style in his philosophical texts. Starting from the deleuzian premise that writing has a strong clinical backing - being responsible for the elaboration of a diagnosis of the forces liable to imprison or silence life -, we will examine the resonances of this clinical backing in his conception of philosophy as a creative act. Our hypothesis is that the deleuzian writing - having a certain literality, as François Zourabchivili argues, or encrusted with an immanentism poetics, as Anita Costa Malufe suggests - would produce a so-called neighborhood zone or zone of indiscernibility between philosophical writing, with a more exegetical character, and literary writing, which is more affective, in order to produce a shift in the reader’s relationship with the act of thinking. (shrink)

In the first part of this paper I sketch a theory of indexical concepts within a broadly epistemic framework. In the second part I discuss and dismiss an argument due to Jerry Fodor, to the effect that any epistemic approach to concept individuation (including the theory of indexical concepts I will sketch) is doomed to failure.

In modal logic, propositions are evaluated relative to possible worlds. A proposition may be true relative to a world w, and false relative to another world w'. Relativism is the view that the relativization idea extends beyond possible worlds and modalities. Thus, in tense logic, propositions are evaluated relative to times. A proposition (e.g. the proposition that Socrates is sitting) may be true relative to a time t, and false relative to another time t'. In this paper I discuss, and (...) attempt to rebut, two classical objections to Relativism. The first objection, due to Frege, is the objection from incompleteness. I distinguish two possible relativist responses to that objection, one of which corresponds to the view I actually defend : Moderate Relativism. The second objection is due to Mark Richard, who argued that the objects of belief cannot be relativistic. I show that that objection can be met within the Moderate Relativist framework. In the last section, I deal with special forms of disagreement that have loomed large in recent discussions of Relativism. (shrink)

In the first English translation of his work, Laruelle explores the major European thinkers from Nietzsche to Derrida to define his own 'non-philosophical' ...

A posthumous collection of writings by Deleuze, including letters, youthful essays, and an interview, many previously unpublished. Letters and Other Texts is the third and final volume of the posthumous texts of Gilles Deleuze, collected for publication in French on the twentieth anniversary of his death. It contains several letters addressed to his contemporaries (Michel Foucault, Pierre Klossowski, François Châtelet, and Clément Rosset, among others). Of particular importance are the letters addressed to Félix Guattari, which offer an irreplaceable account of (...) their work as a duo from Anti-Oedipus to What is Philosophy? Later letters provide a new perspective on Deleuze's work as he responds to students' questions. his volume also offers a set of unpublished or hard-to-find texts, including some essays from Deleuze's youth, a few unusual drawings, and a long interview from 1973 on Anti-Oedipus with Guattari. (shrink)

Dans cet article, j’étudie la façon dont Pierre de La Ramée aborde la question de l’analyse mathématique, d’abord dans ses écrits de logicien, puis dans ses traités mathématiques. Dans les Scholae mathematicae, en reprenant un argumentaire qui lui avait servi dans les controverses des années 1550 concernant la « méthode unique», il est conduit à la conclusion que l’analyse n’a aucune valeur démonstrative. Ses recherches sur les significations diverses du mot analysis et sur la nature de l’analyse dans les mathématiques (...) grecques m’apparaissent pourtant comme une condition préalable pour que soit reconnue au xviie siècle la fécondité de la méthode analytique en géométrie. (shrink)

I think "schizo-culture" here is being used rather in a special sense. Not referring to clinical schizophrenia, but to the fact that the culture is divided up into all sorts of classes and groups, etc., and that some of the old lines are breaking down. And that this is a healthy sign. -- William Burroughs, from _Schizo-Culture_ The legendary 1975 "Schizo-Culture" conference, conceived by the early Semiotext collective, began as an attempt to introduce the then-unknown radical philosophies of post-'68 France (...) to the American avant-garde. The event featured a series of seminal papers, from Deleuze's first presentation of the concept of the "rhizome" to Foucault's introduction of his _History of Sexuality_ project. The conference was equally important on a political level, and brought together a diverse group of activists, thinkers, patients, and ex-cons in order to address the challenge of penal and psychiatric institutions. The combination proved to be explosive, but amid the fighting and confusion "Schizo-Culture" revealed deep ruptures in left politics, French thought, and American culture. The "Schizo-Culture" issue of the Semiotext journal came three years later. Designed by a group of artists and filmmakers including Kathryn Bigelow and Denise Green, it documented the chaotic creativity of an emerging downtown New York scene, and offered interviews with artists, theorists, writers, and No Wave and pre-punk musicians together with new texts from Deleuze, Foucault, R. D. Laing, and other conference participants. This slip-cased edition includes _The Book: 1978_, a facsimile reproduction of the original Schizo-Culture publication; and _The Event: 1975_, a previously unpublished and comprehensive record of the conference that set it all off. It assembles many previously unpublished texts, including a detailed selection of interviews reconstructing the events, and features Félix Guattari, William Burroughs, Kathy Acker, Michel Foucault, Sylvère Lotringer, Guy Hocquenghem, Gilles Deleuze, John Rajchman, Robert Wilson, Joel Kovel, Jack Smith, Jean-François Lyotard, Ti-Grace Atkinson, François Peraldi, and John Cage. (shrink)

Contribution au numéro spécial de la Revue Internationale de Philosophie sur John Searle.

Badiou explores the exponentially rich and varied world of French philosophy in a number of groundbreaking essays, published her for the first time in English or in a revised translation. Included are the often-quoted review of Louis Althussers's canonical works For Marks and Reading Capital and the scathing critique of 'potato fascism' in Gilles Deleuze and Félix Guttari's A Thousand Plateus. There are also talks on Michel Foucault and Jean-Luc Nancy, and reviews of the work of Jean-François Lyotard and Barbara (...) Cassin, notable points of interest on an expansive tour of modern French thought.Guided by a small set of fundamental questions concerning the nature of being, the event, the subject, and truth, Badiou pushes to an extreme the polemical force of his thinking. Against the formless continuum of life, he posits the need for radical discontinuity; against the false modesty of finitude, he pleads for the mathematical infinity of everyday situations; against the various returns to Kant, the argues for the persistence of Hegelian dialectic; and against the lure of ultraleftism, his texts from the 1970s vindicate the role of Maoism as a driving force behind the communist Idea. (shrink)

Ce livre est la première biographie consacrée à l'une des plus grandes figures intellectuelles et politiques du XXe siècle : Cornelius Castoriadis (1922-1997). Jeune résistant grec révolutionnaire menacé de mort par les staliniens, il arrive en France à l'âge de vingt-trois ans, alors que l'engouement pour l'URSS est à son zénith. Il contribue alors à créer, avec Claude Lefort et Jean-François Lyotard, l'une des branches les plus vivaces de la gauche radicale, « Socialisme ou Barbarie », qui deviendra ensuite une (...) revue mythique et l'une des grandes influences de Mai 68, notamment par sa critique de gauche des régimes dits « communistes ». Économiste, philosophe, psychanalyste, militant politique, Castoriadis est l'auteur d'une œuvre essentielle pour quiconque s'intéresse à la question de l'institution hors du cadre de l'État, dont il traite dans ce que l'on peut considérer comme l'un des maîtres ouvrages du XXe siècle, L'Institution imaginaire de la société (1975). Il n'a en effet cessé, en croisant l'analyse historienne et l'approche psychanalytique, de s'attacher à penser la conquête de l'autonomie comme condition de l'approfondissement démocratique. Fruit d'une enquête menée auprès d'une centaine de témoins, cet ouvrage permet enfin de lever le voile sur cette figure hors norme et trop méconnue, qui est restée marginale jusqu'au bout, malgré son élection comme directeur d'études à l'EHESS au début des années 1980. Celui en qui Pierre Vidal-Naquet voyait un « génie », et Edgar Morin un « Titan de l'esprit », est pourtant très certainement appelé, en ces temps de grandes turbulences des souverainetés établies, à devenir l'un des penseurs-clés du XXIe siècle. (shrink)

French journalist Claire Parnet's famous dialogues with Gilles Deleuze offer an intimate portrait of the philosopher's life and thought. Conversational in tone, their engaging discussions delve deeply into Deleuze's philosophical background and development, the major concepts that shaped his work, and the essence of some of his famous relationships, especially his long collaboration with the philosopher Félix Guattari. Deleuze reconsiders Spinoza, empiricism, and the stoics alongside literature, psychoanalysis, and politics. He returns to the notions of minor literature, deterritorialization, the critical (...) and clinical, and begins a nascent study of cinema. New to this edition is Deleuze's essay "Pericles and Verdi," which reflects on politics and historical materialism in the work of the influential French philosopher François Châtelet. An enduring record of Deleuze's unique personality and profound contributions to culture and philosophy, _Dialogues II_ is a highly personable account of the evolution of one of the greatest critics and theorists of the twentieth century. (shrink)

In this paper, I argue that the notion of ‘context' that has to be used in the study of indexicals is far from univocal. A first distinction has to be made between the real context of speech and the context in which the speech act is supposed to take place — only the latter notion being relevant when it comes to determining the semantic values of indexicals. Second, we need to draw a distinction between the context of the locutionary act (...) and the context of the illocutionary act: contrary to a standard assumption of speech act theory, they can diverge, and their possible divergence explains a number of puzzling phenomena involving indexicals. (shrink)

Response to Alex Byrne's paper 'Knowing what I see'.

Precis of "Truth-Conditional Pragmatics" (Oxford University Press, 2010).

Par-delà le règne, puis l'éclipse, du paradigme newtonien, l'oeuvre philosophique et scientifique de ce penseur qui inventa le calcul infinitésimal, la dynamique et de nouveaux modèles pour la théorie de l'organisme, fournit un point d'ancrage privilégié à l'analyse épistémologique.

Through perception we gain information about the world. We also gain information about the world through communication with others. There are concepts — indexical concepts, such as the concept of the present time ('now') or of the present place ('here') or the concept of oneself — which have a special link to perception. Are there concepts which are tied to communication in the same way in which indexical concepts are tied to perception? After discussing, and criticizing, a deflationary approach to (...) the phenomenon of deference, I argue that 'deferential concepts' are indeed the communicational equivalent of indexical concepts. (shrink)

A discussion of Frege's views concerning the meaning of 'I' and his distinction between the 'I' of soliloquy and the 'I' of conversation.

Response to Pelletier's contribution in the proceedings of the Granada workshop.