Deleuze and Guattari: Rhizome

Baseado na perspectiva da geofilosofia de Deleuze e Guattari em um processo que se sobrepõe à relação envolvendo sujeito e objeto enquanto fronteira do pensamento e que implica o pensamento como desdobramento de uma violência e as formações genealógicas do saber, o artigo se detém na análise do paradoxal mundo do Instituto Benjamenta (1995) em uma construção fílmica adaptada do romance Jakob von Gunten, de Robert Walser, que encerra um movimento que traz como conteúdo a matéria que se impõe ao (...) caos imanente e converge para o horizonte que abrange Arte, Filosofia e Ciência. Dessa forma, convergindo para a questão que encerra a imagem ortodoxa, dogmática, pré-filosófica, natural e moral do pensamento, o artigo recorre ao filme Instituto Benjamenta (1995) enquanto construção que assinala a intersecção de séries infinitas de imagens de pensamento que escapam ao horizonte da circunscrição da visualidade através de inter-relações ilimitadas que emergem carregadas de complexidade em um processo que defende a superação das imagens dogmáticas do pensamento e da mera exposição do conteúdo do arcabouço histórico do pensamento enquanto objeto que tende à reprodução de ideias e noções e implica a “repetição” de interpretações na relação de ensino e aprendizagem, impedindo o exercício de criação de conceitos, característica da Filosofia, segundo Deleuze, convergindo para a necessidade da instauração de uma experiência capaz de viabilizar a emergência do “novo” através das possibilidades suscitadas no acontecimento da construção do conhecimento. (shrink)

Algorithmic governmentality is a new form of political governance interconnected with technology and computation. By coining the term “algorithmic governmentality,” Antoinette Rouvroy argues that this mode of governance reduces everything to data, and people are no longer individuals but dividuals (able to be divided) or readable data profiles. Implementing the concept of algorithmic governmentality, the current study analyses Project Itoh’s award-winning novel Harmony in terms of such relevant concepts as “subjectivity,” “infra-individuality” and “control,” as suggested by Rouvroy and colleagues. The (...) analysis further draws on Foucault’s ideas of “governmentality” and “neoliberalism” and Deleuze’s concepts of “dividuality” and “society of control.” In Itoh’s fictional world, the entire society is subject to the new medical government, which replaced the chaotic world with a perfect but harrowing benevolent society, eradicating disease, suicide and crime. As elucidated in this paper, despite the dominant controlling government, there is a hope for humans to regain and reestablish their subjectivity and give meaning to their own personality by defying the nihilistic computational system. (shrink)

Research on computer assisted language learning (CALL) and educational information/communication technology (ICT) often asks what a given technology is, what it can do, and what is it for. Answers to these questions, often following technological determinist or instrumental models of technology, center human agency in determining the function a technology has in the language classroom. Less commonly, CALL research focuses on how these questions are answered, on a daily basis, by teachers in classrooms, and how technologies themselves might influence classrooms (...) in surprising, emergent ways. New materialist theory provides a different way of understanding the world, one that decenters human agency. This perspective allows for a different view of how ICT can impact language education. I revisit a study of language teacher understanding and implementation of ICT and re-vision it through a Deleuzoguattarian rhizomatic lens. This way of thinking provides insight into how these technologies operate within classroom assemblages to produce language instruction. I juxtapose an anthropocentric composite vignette with one seen through a rhizomatic lens, highlighting the transition from a traditional theoretical perspective to a radically different one. This theoretical perspective has implications for research and practice in the wider fields of CALL, and merits further exploration and experimentation. (shrink)

This review points out how Baldwin's book is unique in that it foregrounds proto-Marxist views of God. But it misses the mark by not mentioning "Gilles Deleuze and Félix Guattari’s work on the rhizomic nature of the Buddhist ‘mandala’.".

A commissioned article about philosopher of ecology Levi Bryant, and his theory of urban space.

Kyiv-Mohyla Seminar on the History of Philosophy was established by the Kyiv-Mohyla Academy’s Department of Philosophy and Religious Studies (in co-operation with Ukrainian Philosophical Foundation) in 2003. In this yearly seminar, the Department’s members as well as the historians of philosophy from other academic institutions regularly take part. Since 2003, 16 meetings of the seminar took place. They were focused on such topics as “Historiography of Philosophy in Ukraine: Current State and Perspectives” (2003), “Actual Problems of the Source Studies in (...) the Historiography of Philosophy” (2004), “The Problem of Text Interpretation in the Historiography of Philosophy” (2005), “Dmytro Chyzhevskyi as a Historian of Philosophy” (2006), “Historiography of Philosophy in Ukraine: Current State and Perspectives” (2007), “The Problem of Method in the Historiography of Philosophy” (2007), “Oleksii Losiev: Personality and Heritage (to the 115 th Anniversary of His Birth)” (2008), “Methodology of the Historiography of Philosophy: Actual Strategies” (2008), “Wilhelm Windelband as a Philosopher and Historian of Philosophy (to the 160 th Anniversary of His Birth)” (2008), “Hegel’s Heritage in the Mirror of Interpretations” (2009), “The Studies on the History of Philosophy: New Generation” (2010, 2011), “Kant’s Criticism from the perspective of Wolf’s dogmatism” (2012), “The Reception of Indian Philosophy in Ukraine: 1840s–1930s” (2013), “Did Kant Answer the Question on What a Man Is?” (2016). The proceedings of the early three meetings were published in a special volume (Tkachuk, 2006). The current issue of “NaUKMA Research Papers in Philosophy and Religious Studies” contains the proceedings of the sixteenth meeting of Kyiv-Mohyla Seminar on the History of Philosophy, which took place at the National University of Kyiv-Mohyla Academy on February 1, 2017. The main speaker was Dr. Taras Lyuty, while the co-speakers included Dr. Mykhailo Minakov and Dr. Vakhtang Kebuladze. The meeting was conducted by Prof. Vadym Menzhulin. The audio recording of the meeting was deciphered by a PhD-student Taras Fostiak. (shrink)

Process philosophies tend to emphasise the value of continuous creation as the core of their discourse. For Bergson, Whitehead, Deleuze, and others the real is ultimately a creative becoming. Critics have argued that there is an irreducible element of (almost religious) belief in this re-evaluation of immanent creation. While I don’t think belief is necessarily a sign of philosophical and existential weakness, in this paper I will examine the possibility for the concept of universal creation to be a political and (...) ethical axiom, the result of a global social contract rather than of a new spirituality. I argue here that a coherent way to fight against potentially totalitarian absolutes is to replace them with a virtual absolute that cannot territorialise without deterritorialising at the same time: the Creal principle. (shrink)

The Somali pirates are met with scorn and have often been oversimplified in films such as Captain Phillips. Through the critical examination of factors that led to the rise of modern piracy while synthesizing historical understandings of piracy and State sovereignty with contemporary analyses, it is possible to draw a historical comparison between the pirates of the 17th century and piratical communities today. Via a Deleuzoguattarian framework new ways of understanding the existence of the pirates are provided. From this perspective (...) the Somali pirates are examples of nomadic peoples operating war machinically against the State. (shrink)

In the two volumes which make up Capitalism and Schizophrenia, Deleuze and Guattari propose new concepts of “machine” and “organism.” The problem of the relationship between machines and organisms has a long philosophical history, and this essay treats their work as a contribution to this debate. It is argued that their solution to this problem is found in their difficult concept of the “body without organs,” a concept that is given some much-needed clarification in the essay. The first section details (...) Deleuze and Guattari’s concept of the machine, examining the ways in which it differs from the traditional concept as described by Canguilhem: their machines do not have predictable movements, but instead produce events; they do not have a purpose; they are able to reproduce themselves. The second section details their conception of the organism through their account of Geoffroy Saint-Hilaire: organisms are bodies which normalize and which create hierarchies; they also do not have a purpose; they have a “unity of composition.” The final section argues that their concept of the “body without organs” shows us how to understand the relation between the two transformed concepts, and defines the body without organs as the becoming-machine of the organism. (shrink)

One would have to be too “simple” to believe that thought is a simple act, clear unto itself, and not putting into play all the powers of the unconscious, or all the powers of nonsense in the unconscious.1As someone who has taken out the time to study Deleuze|Guattari’s oeuvre,2 rather than targeting just one book, A Thousand Plateaus in such a superficial way, reading Estelle Jorgensen and Iris M. Yob’s “deconstruction” of this particular work has been a very painful experience, (...) “painful” in the sense the way their text “screams” at them for their outright poetic mystifications, which many scholars have relished but which certainly has caused them great consternation.3 Deleuze|Guattari’s philosophy is discordant... (shrink)

Starting from the famous statement by Deleuze and Guattari in What Is Philosophy? that ‘[i]mmanence can be said to be the burning issue of all philosophy’, this article explores their claim of an ontology of immanence and/as relational ontology in quantum terms. The theme of this special issue allows for a rereading of the terminology of different/ciation, which Deleuze developed in ‘The Method of Dramatization’ and Difference and Repetition, and I here relate it to the question of consistency of the (...) plane of immanence, such as it is emphasised in the later work of Deleuze and Guattari. The article exemplifies the significance that the early issue of ‘dramatization’ as different/ciating passage has on an adequate understanding of both ‘immanence’ and ‘becoming’, and it shows their in/seperability for a relational ontology as onto-ethology. By making the Deleuze-Guattarian immanence resonate with Barad's agential realism, the article zooms in on the specific quality of the ‘passage’ in order to do justice to the claim of a ‘mature’ philosophy that thinks immanence as immanent only to itself. (shrink)

The subtitle to this ‘Introduction’ might well be How to catalyse an encounter between philosophy and design, as one of the main drivers of this project has been how to bring to the fore possible connections between the two practices that this book interrogates: Gilles Deleuze’s philosophy, as the practice of creating concepts, and design, as the practice of materialising possibilities. Deleuze’s work offers a way of thinking about the encounter between philosophy and design, as they are both concerned with (...) expressing the creation of the not yet in impactful ways. Furthermore, for Deleuze and Guattari in What is Philosophy?, a creative philosophy is pitched as dealing in use, profit, interest, value and success, and certainly not truth. ‘We will not say of so many books of philosophy that they are false’, they write, ‘for that is to say nothing, but rather that they lack importance or interest, precisely because they do not create any concept’. This language brings us close to that used in design, especially when its creative influence is articulated in terms of innovation. An interesting, important, successful philosophy deals not in truth or falsity, but in engaging with different creative activities in many different registers having multiple layers of affect. This should declare our editorial intentions by providing the overall intellectual framework to which this book intends to abide: that if there is a way of designing that both affects and is affected by Deleuze’s philosophy, it will be found at the intersection of said practices. (shrink)

Deleuze never wrote the book on literature he claimed, in the filmed interviews _L’abécédaire de Gilles Deleuze_, he wanted to write. The closest he came was the volume of essays _Critique et clinique_. This chapter sets out to consider the volume in the light of schizoanalysis. The final solo-authored volume addresses the domain professionally inhabited by Guattari – the clinic. If schizoanalysis as a concept can be traced primarily to Guattari’s influence, is _Critique et clinique_ compatible with the earlier outlines (...) of a potential schizoanalysis in _Anti-Oedipus_? What of the relationship between the pre-Guattari _Logic of Sense_ and the post-Guattari _Critique et clinique_? Are either or both of them schizoanalytic? In its investigation of complex series of articulations of the relationship between the schizoanalytical and the critical and clinical project the chapter seeks to explore possible answers to the question: ‘is _Critique et clinique_ schizoanalytic?’. (shrink)

Research on attachment is widely regarded in sociology and feminist scholarship as politically conservative – oriented by a concern to police families, pathologize mothers and emphasize psychological at the expense of socio-economic factors. These critiques have presented attachment theory as constructing biological imperatives to naturalize contingent, social demands. We propose that a more effective critique of the politically conservative uses of attachment theory is offered by engaging with the ‘attachment system’ at the level of ontology. In developing this argument we (...) draw on Deleuze and Guattari, making use of the common language of ethology which links their ideas to that of attachment theory. The attachment system can and has been reified into an image of the infant returning to their caregiver as an image of familial sufficiency. This has offered ammunition for discourses and institutions which isolate women from health, social and political resources. Yet Deleuze and Guattari can help attachment theory and research to be recognized as a powerful ally for progressive politics, for reflection on the movement of human individuation, and for arguing for the meaningful resourcing of those who care for someone else. (shrink)

Throughout his work, Deleuze not only draws on literature in order to address philosophical problems but he seeks to map out the ‘mobile relations’ between philosophy and literature. After an initial overview, I will focus on A Thousand Plateaus (1980), a book co-authored with Guattari, and in particular, on plateaus “1874: Three Novellas or ‘What happened?’” and “1730: Becoming-intense, becoming-animal, becoming-imperceptible…” In doing so, I aim to explore: (a) how the relation between literature and philosophy is refracted in Novellas Plateau (...) and (b) the way in which Deleuze and Guattari articulate their key philosophical notion of becoming-imperceptible via Kierkegaard’s knight of faith. The novella as a literary genre by essentially relating to secrecy also advances a distinctive way of relation between the three dimensions of time (the past, present and future). I argue that novella-time could be extended beyond the limits of the literary genre ‘novella.’ To this end, I propose a reading of Kierkegaard’s Repetition (1843) and selected entries from his Journals in order to identify his contribution as a religious writer to the discussion of philosophy as literature. I conclude that time, change and faith stand out as a common problematic of philosophy, literature, and life. (shrink)

While Deleuze and Guattari's passion for certain literature is well known, the nature of a ‘Deleuzian’ literary criticism remains an open question. However, most critics appear to agree that Deleuze and Guattari's comments on meaning and interpretation offer an ontological alternative to the textual focus of deconstruction. Through an interrogation of the difficult style of their books in relation to Plato, Nietzsche and Derrida, this paper offers a different reading of Deleuze and Guattari in relation to literary criticism. Despite appearances, (...) transcendental empiricism and the project of ‘overturning Platonism’ provide a Deleuzian theory of reading that attends to textuality. (shrink)

Partiendo del paralelismo entre las empresas de, por una parte, Diferencia y repetición y El Anti-Edipo, y, por otra parte, Lógica del sentido y Mil mesetas, y siguiendo el enfoque que Bertrand Ogilvie adopta en su libro La seconde nature du politique. Essai d’anthropologie négative, pretendemos determinar si en el paso del primer posicionamiento al segundo –es decir, de Diferencia y repetición a Lógica del sentido y de El Anti-Edipo a Mil mesetas– se produce un abandono rotundo de la perspectiva (...) antropológica, como pudiera parecer a primera vista, o si cabría entender que más bien se sientan las bases de una antropología de lo impropio o antropología negativa que ya anuncia la necesidad de contener y limitar las reivindicaciones de lo inesencial, lo inacabado o el vacío como rasgo característico de la condición humana. (shrink)

In this essay I bring together Lacan, Žižek, Deleuze and Guattari as mediators and intercessors for one another. The tensions that exist between them still continue to reverberate throughout the academic community. The intent is to query their pedagogies in what they are trying to ‘do’ within the context of capitalism in particular. I have called their pedagogies anomalous in keeping with their thrust of becoming other in their own particular ways through what I take to be three pedagogical conceptual (...) personae: saint, jester and nomad. I try to show how Deleuze and Guattari managed to supplant and perhaps overcome Lacan's own pedagogical project to have psychoanalysis as a way out from capitalism, which has been continued today by Žižek. I do this by showing how Lacan's mathemes, used in his four discourses, can be understood as having been deterritorialised by Deleuze and Guattari to present us with a counter-actualised pedagogy that challenges psychoanalysis as presented by both Lacan and Žižek. Nevertheless, reconciliations between the thought of Deleuze, Guattari and Lacan are possible. The reader will also find that particular door open, yet not fully explored here. (shrink)

The concepts of territory and ritornello cannot be separated from one another, despite the fact that scholarship tends to restrict the former to discussions of politics and the latter to discussions of art. Deleuze and Guattari deploy the combination of territory and ritornello, along with associated notions such as rhythm, milieu, counterpoint and force, as a method to describe and understand the formation, existence and relations of living beings. They understand ‘life’ to also include a variety of nonorganic entities, such (...) as social formations. Territory and ritornello provide a philosophical alternative to understanding the existence of beings in terms of an immutable, unchanging transcendent structure, such as divine revelation, politico-economic ideology or cultural identity. As such, this conceptual pair is a necessary element in translating Deleuze and Guattari's metaphysical commitment to immanence and univocity into ethical and political theory and practice. (shrink)

This article argues that Busby Berkeley’s unique musical spectacles invert the cinematic taxonomy found in Deleuze’s twin volumes on Cinema through the process of ‘becoming-music.’ By taking up a form that I term ‘visual-music,’ in which musical properties are incorporated within the image, Berkeley’s work problematizes Deleuze’s philosophy of cinematic sound and benefits instead from the conceptions of the musical refrain and rhythm located in Deleuze and Guattari’s A Thousand Plateaus. Breaking away from traditional Deleuzian readings of cinema, I demonstrate, (...) through a close textual analysis of Berkeley’s use of both the aural and visual refrain, that Berkeley’s images become ‘visual-music’ in order to deterritorialize the sound rather than the image. Using the ‘Shadow Waltz’ from Gold Diggers of 1933 as an example, I argue that a Berkeley musical number resituates the music’s territory of soft romanticism to reveal the sexuality inherent in the sonic forms of popular music. (shrink)

:In this essay I begin with Foucault's theorization of the convulsive body of the possessed as a site of struggle. Next, I amend this perspective with Gilles Deleuze and Félix Guattari's notion that “the concept is not object but territory” 101). That is, rather than looking at convulsive bodies as objects through which actors struggle, I approach convulsions as evidencing acts of territorialization. Instead of a corporeal object over which actors struggle for ownership, this perspective reframes convulsions as a process (...) of space-making that is constitutive of the space-makers. Amending Foucault's take on convulsions with Deleuze and Guattari's notion of territory allows for analysis of “techno-horror” popular entertainments as constitutive processes in the unfolding of new reproductive masculine subjectivities. (shrink)

El punto de partida de este trabajo es el objetivo general de explorar las resonancias conceptuales entre la filosofía de Deleuze y Guattari y el pensamiento oriental. Este artículo desarrolla dos series de figuras del Oriente presentes en Mil mesetas, explicitando sus conexiones con diversos temas deleuziano-guattarianos. La primera serie comprende juegos y artes marciales que los autores utilizan para ejemplificar los conceptos "espacio liso" y "máquina de guerra"; la segunda comprende las prácticas sexuales taoístas como un caso, entre otros, (...) de la libre circulación del deseo en un cuerpo sin órganos. El énfasis está puesto en aclarar cómo operan estas figuras del Oriente en el texto de Mil mesetas, así como en exponer algunas fuentes que Deleuze y Guattari suelen dejar en las sombras. Por último, se adelantará el trasfondo sobre el cual el pensamiento oriental y la filosofía de Deleuze y Guattari tejen sus "perturbadoras afinidades". The starting point for this work is a general aim to explore the conceptual resonances between Deleuze and Guattari's philosophy and the Eastern thought. This paper develops two series of figures from the East that appear in A Thousand Plateaus and brings out their connection with various Deleuzian-Guattarian themes. The first series includes some games and martial arts used by the authors as examples for the concepts "smooth space" and "war machine". The second series includes some Taoist sexual practices as one of many cases for the free circulation of desire within a body without organs. The emphasis is laid on clarifying the role these figures from the East play in A Thousand Plateaus, as well as on unveiling some sources the authors usually leave hidden behind. Finally, i figure out the background against which the Eastern thought and Deleuze and Guattari's philosophy weave their 'disturbing affinities'. (shrink)

A rich collection of critical essays, authored by philosophers and practicing artists, examining Deleuze and Guattari's engagement with a broad range of art forms.

Gilles Deleuze, Felix Guattari, and Isabelle Stengers fought against a state-controlled form of science and saw “nomadic science/concepts” as a way to escape from it. The transnational history of the term milieu marks a good opportunity to contribute to another theory of nomadic vocabularies. Traveling from France to Germany, the word milieu came to be identified as a French theory. Milieu was seen as an expression of determinism, of the connection between the rise of the natural sciences and the rise (...) of socialism, and it deterred the majority of German academics. Umwelt was thus coined as an “antimilieu” expression. This article defends a “transnational historical semantic” against the Koselleckian history of concepts and its a priori distinctions between words and concepts. Instead of taking its nature for granted, a transnational historical semantic investigation should analyze the terminological and national status given to the objects of investigation by the term's users. (shrink)

"This book in the main consists of lectures that I first delivered in 2010 at the Collegium Phenomenologicum at Citta di Castello, Italy, and subsequently expanded for a three-day seminar at the Universidad Diego Portales at Santiago, Chile, in 2011. In spring 2012 my graduate lecture course in the Department of Comparative Literature at the State University of New York at Buffalo was devoted to the subject "geophilosophy." It was on this occasion that I expanded the earlier lectures to the (...) dimensions of the book in its present form.". (shrink)

Neste artigo, interrogamos os funcionamentos do conceito de platô em "Mil Platôs" (1980), a obra-prima de Deleuze e Guattari. Essa pesquisa esclarece, de forma concreta, duas linhas de pensamento, que são a epistemológica, por um lado, e a ética, por outro, enfocando os parágrafos nos quais Deleuze e Guattari usam efetivamente esse conceito. Do ponto de vista epistemológico, o conceito de platô permite praticar uma maneira de escrita rizomática e a explicação antiteleológica. Do ponto de vista ético, esse conceito, tirado (...) de Gregory Bateson, nos convida a formar a alegria contínua e global, ou a gaieté em termos espinosistas. In this paper, we question the workings of the concept of plateau in "A Thousand Plateaus" (1980), Deleuze and Guattari's chef-d'oeuvre. This research specifically clarifies two lines of thought, which are epistemological on the one hand, and ethics on the other hand, focusing on the paragraphs where Deleuze and Guattari actually employ this concept. From the epistemological point of view, the concept of plateau allows practicing a way of rhizomatic writing and anti-teleological explanation. From the point of view of ethics, this concept borrowed from Gregory Bateson invites us to form the continuous and global joy, or gaiety in Spinoza's terms. (shrink)

O presente artigo objetiva refletir acerca de possíveis inflexões ofertadas pela proposta metodológica amplamente conhecida como Cartografia. Procurando cumprir tal intuito, primeiramente explanaremos minimamente de que se trata a perspectiva cartográfica e em que ela difere de outros modos de fazer pesquisa, baseados, sobretudo, pelo impacto epistemológico conduzido por Deleuze & Guattari – propositores desse conceito – no campo da filosofia e que acaba por respingar no que concerne à produção investigativa na área das Ciências Humanas em geral e especialmente (...) no campo da Educação. Nesse sentido, o conceito de Rizoma proposto pelos autores pode ser útil para entendermos de que se trata tal giro filosófico/epistemológico. Posteriormente, utilizando como motor reflexivo a imagem da intervenção artística “Espiral do Conhecimento” de André Dalmazzo – intervenção esta proposta em uma aula de Metodologia da Pesquisa em Educação – pretendemos inferir algumas noções e estender nossa reflexão acerca de inflexões que pesquisas em educação permeadas por traços metodológicos cartográficos parecem apresentar. Três questões/inflexões foram selecionadas para serem desenvolvidas no texto, a partir do evento citado. São elas: primeiramente o incômodo causado na turma mediante uma situação inusitada, a seguir a questão de que para cada um que se embrenhou no espaço da sala de aula tomada pela intervenção artística “Espiral do Conhecimento” a experiência ocorreu de uma forma, contudo, fazer tal afirmativa não se trata de reduzir os pontos de vista a mero subjetivismo e, finalmente, a questão/inflexão que nos parece cintilar da experiência relatada diz respeito à complexidade do evento de pesquisar e à construção investigativa como uma produção a partir de fragmentos, sobras, vestígios. Desses três apontamentos concluímos que a Cartografia como estratégia metodológica parece criar inflexões de acordo com os terrenos múltiplos que o pesquisador encontra, desdobrando-se por esferas e caminhos que oferecem material para a produção de sentidos e composições diversos. (shrink)

The scope of the essay is limited by the ideas behind the mechanisation of desire as conceptualised in The Large Glass by Marcel Duchamp. This glass-based installation depicts a convoluted mechanism, as the full-title of the work suggests, representing The Bride Stripped Bare by her Bachelors, Even. Using tropes and figures from his earlier studies, the artist designed a machine for the production of desire, rendering the unconscious mechanical and dynamic. The paper aims to present selected aspects of the installation, (...) including mechanical reproduction (1), technological fetishism (2), transparency (3), as well as to discuss its significance with reference to Deleuze and Guattari’s concept of the Body without Organs (4). The interpretive force of the machine metaphor in the work of Duchamp is analysed in the context of integrative and non-integrative attitudes to technology. (shrink)

The primary aim of this article is to bring the work of Deleuze and Guattari to bear on the question ofcommunication in the classroom. I focus on the mathematics classroom, where agency and subjectivity are highly regulated by the rituals of the discipline, and where neoliberal psychological frameworks continue to dominate theories of teaching and learning. Moreover, the nature ofcommunication in mathematics classrooms remains highlyelusive and problematic, due in part to the distinct relationship the discipline has with verbal language and (...) thought. I first discuss current attempts to better address the embodied nature ofcommunication in mathematics classrooms, and argue that these remain overly logo-centric and language-centric in their conception of thinking. I then show how the work of Deleuze and Guattari on thought as a radical disruptive event can be used effectively to critique current pedagogical practices that privilege a narrow conception of communication in the classroom. I examine a set of exemplary classroom videos used in mathematics teacher education to argue that the current approach fails to honor the highly creative and disruptive nature ofthinking. (shrink)

In his dialogues with Claire Parnet, Deleuze asserts that: ‘Whether we are individuals or groups, we are made of lines’ (Deleuze and Parnet 2007: 124). In A Thousand Plateaus (with Guattari), Deleuze calls these kinds of ‘lifelines’ or ‘lines of flesh’: break line (or segmental line, or molar line), crack line (or molecular line) and rupture line (also called line of flight) (Deleuze and Guattari 2004a: 22). We will explain the difference between these three lines and how they are related (...) to the ‘soul’. We will also explain how a singular individual or group can arise from the play of the lines. Eventually, we will introduce the concept of ‘Creal’ to develop the Deleuzian figure of the ‘Anomal’, the so(u)rcerer. (shrink)

When on the last page of What Is Philosophy?, Deleuze and Guattari (1995: 218) claim that philosophy needs a non-philosophy, this statement is the result of a long engagement with the problem of thinking in society. It is this engagement that we intend to reconstruct in this article. By developing an original definition of thinking after Heidegger, Deleuze is able to claim that philosophy is not the only ‘thinking’ discipline. Our point of departure is Deleuze's constant reference to a phrase (...) from Heidegger's lecture course What Is Called Thinking?: ‘We are not yet thinking’ (Deleuze 1988: 116, 1989: 167, 1994: 144, 2002: 108; Deleuze and Guattari 1995: 56). This phrase points to the demand for a new distribution of the relation between philosophy and its outside. The purpose of this article is to trace Heidegger's influence on Deleuze's definition of thinking and to raise two points. First, Deleuze borrows some elements of Heidegger's definition of thinking to further his own understanding of politics as an involuntary practice. For both, the question of thinking is political. Second, by departing from Heidegger, Deleuze can democratise the definition of thinking, beyond its confinement to philosophy, by turning to cinema. Deleuze calls cinema the art of the masses because it brings the masses in contact with external signs. Finally, in the last part of this article, we will discuss how Deleuze raises stupidity (and not error) as a transcendental problem that should be constantly fought. In this way, we hope to shed light on how Deleuze moves from Heidegger's question ‘what is called thinking?’ to the problem of stupidity and shame. (shrink)

In the history ofWestern thought the “animal” is a general idea devoid of the details ofparticularity. Whitehead poses a nuanced challenge to us: how to perceive each abstract “animal” as a concrete body. To become “bad with names” is an invitation to exchange reductionist designations with new language for individual creatures that populate the amorphous category of “animal.” Derrida, Deleuze, and Guattari, along with Whitehead, suggest ways in which we might understand the idea that there are no “animals,” only radically (...) particular bodies. (shrink)

In the archaeology of early prehistory, human-animal relations are often understood in terms of economy or evolution. Our various hominin ancestors are understood in terms of their development away from non-human animals, while animals themselves are considered as a resource or raw material. But people’s understandings of their own interactions with animals would not have been in these terms: real interactions with animals—including hunting, killing, and eating them—were significant, intimate acts. Using the work of Deleuze and Guatarri, Derrida, Haraway, and (...) others it is possible to suggest alternative ways in which past people may have understood their relationships to animals. (shrink)

Children, the image of the child, and the gendered figures of the girl and the boy are thematics that run through the work of Deleuze and feature prominently in his joint writing with Guattari. However, there are many different children in Deleuze's writings. Various child figures do distinct things in Deleuze's work. In this article, I argue that his work on children can be utilized to rethink popular, teleological notions of childhood and growing up.

Gilles Deleuze and Felix Guattari’s work has been mined by writers about music and music education such as Ian Buchanan, Marcel Swiboda, Marianne Kielian-Gilbert, and Elizabeth Gould, as they have reflected on how music and music education should be construed. 1 Our present task is to examine critically Deleuze and Guattari’s ideas in our reading of their book A Thousand Plateaus: Capitalism and Schizophrenia, with a view to determining the merits of their ideas as a basis for a philosophy of (...) music education. 2 As such, we ask three principal questions: What are Deleuze and Guattari asking us to believe? What is our assessment of their contributions and detractions? What are the implications of our analysis for.. (shrink)

In Virginia Woolf's 1931 novel The Waves, one of Bernard's many becomings – his ‘becoming-savage’ – reveals a point of intersection between Woolfian aesthetics and Deleuze and Guattari's philosophy. Moreover, a triangulation of Woolf's ‘moments of being’, Deleuze and Guattari's ‘worlding’, and coloniality provides a new and productive node for examining the debates surrounding imperialism in these thinkers’ works, and an insistence that Woolf, read alongside Deleuze and Guattari, offers an alternate and precisely ethical way of being in the world.

Corporate governance is a theme that is important to Business Ethicists for various reasons. It relates to how and for whose benefit corporations are governed, to how important corporate decisions are taken, and to how organizational cultures are “managed.” In this article, it will be argued that in each of these respects, corporate governance relies on particular identity constructs that need to be questioned. In fact, it will be argued that the way in which corporate governance initiatives address the various (...) crises of capitalism, allows us to gloss over some crucial ontological questions that could precipitate a more rigorous questioning of capitalist practices. The article will plot the limitations of the kind of thinking that we encounter within the corporate governance realm, and expose its problematic assumptions by exploring a selection of Deleuzoguattarian concepts. It will be argued that the challenges facing corporate governance relate to the relationship between identity crises and crises of control. We will argue that a better understanding of the nature of capitalism could open new avenues for ethical questioning of contemporary corporate practices, and put the various “crises” that capitalism faces in a new perspective. (shrink)