Fictional names present unique challenges for semantic theories of proper names, challenges strong enough to warrant an account of names different from the standard treatment. The theory developed in this paper is motivated by a puzzle that depends on four assumptions: our intuitive assessment of the truth values of certain sentences, the most straightforward treatment of their syntactic structure, semantic compositionality, and metaphysical scruples strong enough to rule out fictional entities, at least. It is (...) shown that these four assumptions, taken together, are inconsistent with referentialism, the common view that names are uniformly associated with ordinary individuals as their semantic value. Instead, the view presented here interprets names as context-sensitive expressions, associated in a context of utterance with a particular act of introduction, or dubbing, which is then used to determine their semantic value. Some dubbings are referential, which associate names with ordinary individuals as their semantic values; others are fictional, which associate names, instead, with sets of properties. Since the semantic values of names can be of different sorts, the semantic rule interpreting predication must be complex as well. In the body of the paper, I show how this new treatment of names allows us to solve our original puzzle. I defend the complexity of the semantic predication rule, and address additional worries about ontological commitment. (shrink)

I explore Frege's thesis that fictional proper names are supposed to have only sense and no reference. How can one make this thesis compatible with Frege's view that sense determines reference? By holding that fictional proper names are introduced in a particular kind of speech act. Or so I argue.

Stefano Predelli defends a semantics of proper names which has simplicity and common sense in its favour: proper names are non-indexical devices of rigid and direct reference. He grounds this view in accounts of the shape and form of names, and of their introduction within language use, and he responds to widespread misconceptions and objections.

Fictional names pose a difficult puzzle for semantics. We can truthfully maintain that Frodo is a hobbit, while at the same time admitting that Frodo does not exist. To reconcile this paradox I propose a way to formalize the interpretation of fiction as ‘prescriptions to imagine’ (Walton 1990) within an asymmetric semantic framework in the style of Kamp (1990). In my proposal, fictional statements are analyzed as dynamic updates on an imagination component of the interpreter’s mental state, (...) while plain assertions are updates on a belief component. Proper names – regular, empty, or fictional – are uniformly analyzed as presupposition triggers. The possibility of different attitude components referentially depending on each other is what ultimately allows us to account for the central paradox mentioned above. (shrink)

John Stuart Mill (1843) thought that proper names denote individuals and do not connote attributes. Contemporary Millians agree, in spirit. We hold that the semantic content of a proper name is simply its referent. We also think that the semantic content of a declarative sentence is a Russellian structured proposition whose constituents are the semantic contents of the sentence’s constituents. This proposition is what the sentence semantically expresses. Therefore, we think that sentences containing proper names (...) semantically express singular propositions, which are propositions having individuals as constituents. For instance, the sentence ‘George W. Bush is human’ semantically expresses a proposition that has Bush himself as a constituent. Call this theory Millianism. Many philosophers initially find Millianism quite appealing, but find it much less so after considering its many apparent problems. Among these problems are those raised by non-referring names, which are sometimes (tendentiously) called empty names. Plausible examples of empty names include certain names from fiction, such as ‘Sherlock Holmes’, which I shall call fictional names, and certain names from myth and false scientific theory, such as ‘Pegasus’ and ‘Vulcan’, which I shall call mythical names. I have defended Millianism from objections concerning empty names in previous work (Braun 1993). In this paper, I shall re-present those objections, along with some new ones. I shall then describe my previous Millian theory of empty names, and my previous replies to the objections, and consider whether the theory or replies need revision. I shall next consider whether fictional and mythical names are really empty. I shall argue that at least some utterances of mythical names are. (shrink)

That the existence of empty names poses a challenge for Kripke’s theories of proper names is well recognized, however, the strongest form of that challenge is not. I argue that the type of empty name posing the strongest challenge to Kripke’s theory are those drawn from works of fiction. More specifically, the challenge occurs when those names appear in sentences like this: Sherlock Holmes smokes.

[R. M. Sainsbury] Evans argued that most ordinary proper names were Russellian: to suppose that they have no bearer is to suppose that they have no meaning. The first part of this paper addresses Evans's arguments, and finds them wanting. Evans also claimed that the logical form of some negative existential sentences involves 'really' (e.g. 'Hamlet didn't really exist'). One might be tempted by the view, even if one did not accept its Russellian motivation. However, I suggest that (...) Evans gives no adequate account of 'really', and I point to unclarities in Wiggins's similar, but distinct, attempt to use 'really' in the logical form of true negative existentials. /// [David Wiggins] Evans was not wrong (I maintain) to say that the senses of genuine proper names invoke and require objects. Names in fiction or hypothesis mimic such names. Pace Evans, Sainsbury and free logicians, proper names are scopeless. (Evans's 'Julius' is not a name.) Names create a presumption of existential generalization. In sentences such as 'Vulcan does not really exist', that presumption is bracketed. The sentence specifies by reference to story or report a concept identical with Vulcan and declares it be really uninstantiated. (The sentence, which partakes of play, is a kind of palimpsest.) It is explained why this second level view of 'exists' is to be preferred. (shrink)

[R. M. Sainsbury] Evans argued that most ordinary proper names were Russellian: to suppose that they have no bearer is to suppose that they have no meaning. The first part of this paper addresses Evans's arguments, and finds them wanting. Evans also claimed that the logical form of some negative existential sentences involves 'really'. One might be tempted by the view, even if one did not accept its Russellian motivation. However, I suggest that Evans gives no adequate account (...) of 'really', and I point to unclarities in Wiggins's similar, but distinct, attempt to use 'really' in the logical form of true negative existentials. /// [David Wiggins] Evans was not wrong to say that the senses of genuine proper names invoke and require objects. Names in fiction or hypothesis mimic such names. Pace Evans, Sainsbury and free logicians, proper names are scopeless. Names create a presumption of existential generalization. In sentences such as 'Vulcan does not really exist', that presumption is bracketed. The sentence specifies by reference to story or report a concept identical with Vulcan and declares it be really uninstantiated. It is explained why this second level view of 'exists' is to be preferred. (shrink)

[R. M. Sainsbury] Evans argued that most ordinary proper names were Russellian: to suppose that they have no bearer is to suppose that they have no meaning. The first part of this paper addresses Evans's arguments, and finds them wanting. Evans also claimed that the logical form of some negative existential sentences involves 'really' (e.g. 'Hamlet didn't really exist'). One might be tempted by the view, even if one did not accept its Russellian motivation. However, I suggest that (...) Evans gives no adequate account of 'really', and I point to unclarities in Wiggins's similar, but distinct, attempt to use 'really' in the logical form of true negative existentials. /// [David Wiggins] Evans was not wrong (I maintain) to say that the senses of genuine proper names invoke and require objects. Names in fiction or hypothesis mimic such names. Pace Evans, Sainsbury and free logicians, proper names are scopeless. (Evans's 'Julius' is not a name.) Names create a presumption of existential generalization. In sentences such as 'Vulcan does not really exist', that presumption is bracketed. The sentence specifies by reference to story or report a concept identical with Vulcan and declares it be really uninstantiated. (The sentence, which partakes of play, is a kind of palimpsest.) It is explained why this second level view of 'exists' is to be preferred. (shrink)

In this introduction, I consider different problems posed by the use of singular terms in fiction (section 1), paying especial attention to proper names and, in particular, to names of real people, places, etc. As we will see (section 2), descriptivist and Millian theories of reference face different kinds of problems in explaining the use of fictional names in fiction-related contexts. Moreover, the task of advancing a uniform account of names in these contexts—an account (...) which deals not only with fictional names but also with “real” names—will prove to be very hard no matter whether we favour realist or antirealist intuitions about fictional discourse (section 3). Section 4 offers an overview of the content of this volume, with emphasis on the discussion between Manuel García-Carpintero and Stacie Friend about the meaning of “real” names in fiction-related contexts, the main topic of the Third Blasco Disputatio. (shrink)

Singular terms without referents are called empty or vacuous terms. But not all of them are equally empty. In particular, not all proper names that fail to name an existing object fail in the same way: although they are all empty, they are not all equally vacuous. “Vulcan,” “Jacob Horn,” “Odysseus,” and “Sherlock Holmes,” for instance, are all empty. They have no referents. But they are not entirely vacuous or useless. Sometimes they are used in statements that are (...) true or false. We are basically referentialists about proper names. The ordinary semantic function of a proper name is to refer to an object, and to do it directly, that is, without semantically providing any identifying condition that the object should meet to be the referent. To put it differently, we agree that statements containing proper names express singular propositions, i.e., that their truth-conditions involve the referent of the proper name, if it exists, and not any identifying condition of it. Now, since empty names lack a referent, and therefore would not express such a singular proposition, how do we explain that many, if not all, statements containing them have a truth-value? Answering this question for the case of fictional names, in particular, is the aim of this paper. (shrink)

In this paper, I defend a view of names from fiction compatible with the Millian theory of proper names. Unlike other attempts at providing a Millian analysis of names from fiction, my approach gives semantic recognition to our pre‐theoretic intuitions without postulating metaphysically dubious entities. The intuitively correct treatment of typical examples, including true negative existential statements, is obtained by appealing only to independently motivated results in the semantics for natural languages.

Abstract. On the Direct Reference thesis, proper names are what I call ‘genuine terms’, terms whose sole semantic contributions to the propositions expressed by their use are the terms’ semantic referents. But unless qualified, this thesis implies the false consequence that sentences containing names that fail to refer can never express true or false propositions. (Consider ‘The ancient Greeks worshipped Zeus’, for instance.) I suggest that while names are typically and fundamentally used as genuine terms, there (...) is a small class of names, which I call ‘descriptive names’, whose reference is fixed by commonly associated definite descriptions, and I also suggest that there is an idiom of natural language on which such names can be used as abbreviated definite descriptions in a limited set of sentential contexts, including (1) positive and negative existentials, (2) cognitive ascriptions, and (3) uses of names to talk about myth. Uses of empty descriptive names in such contexts can then be either true or false. Relying on Gregory Currie’s theory of truth in fiction, I also propose an idiom on which fictional names can be used as short for a certain type of description in talk about fiction. Along the way, I provide arguments that names are used as short for descriptions in substantive existential statements as well as in both metamythic and metafictive contexts. I also discuss and criticize alternative views of these matters, including the views of David Braun, Saul Kripke, Peter van Inwagen, and others. (shrink)

In this paper, I defend a view of names from fiction compatible with the Millian theory of proper names. Unlike other attempts at providing a Millian analysis of names from fiction, my approach gives semantic recognition to our pre‐theoretic intuitions without postulating metaphysically dubious entities. The intuitively correct treatment of typical examples, including true negative existential statements, is obtained by appealing only to independently motivated results in the semantics for natural languages.

My goal is to reflect on the phenomenon of inadvertent creation and argue that—various objections to the contrary—it doesn’t undermine the view that fictional characters are abstract artifacts. My starting point is a recent challenge by Jeffrey Goodman that is originally posed for those who hold that fictional characters and mythical objects alike are abstract artifacts. The challenge: if we think that astronomers like Le Verrier, in mistakenly hypothesizing the planet Vulcan, inadvertently created an abstract artifact, then the (...) “inadvertent creation” element turns out to be inescapable yet theoretically unattractive. Based on considerations about actually existing concrete objects featured in fictional works (as Napoleon is in Tolstoy’s War and Peace), I argue that independently of one’s stand on mythical objects, admitting fictional characters as abstract artifacts is enough to give rise to the challenge at hand; yet this very point serves to undermine the challenge, indicating that inadvertent creation is not nearly as worrisome as Goodman suggests. Indeed, the inadvertent creation phenomenon’s generality extends far beyond objects of fiction and myth, and I will use this observation to counter a further objection. Taking fictional characters (and mythical objects) to be abstract artifacts therefore remains a viable option. (shrink)

In this paper, I will first of all claim that once one takes proper names as indexicals of a particular sort, indexinames for short, one may account for some tensions that affect our desiderata regarding the use of such names in sentences directly or indirectly involving fiction. According to my proposal, a proper name “N.N.” is an indexical whose character is roughly expressed by the description “the individual called ‘N.N.’ (in context)”, where this description means “the (...) individual one’s interlocutor’s attention is called to by means of ‘N.N.’ (in context)”. This character is a partial function that maps narrow contexts onto referents. Such contexts are enriched narrow contexts, for they also include an ‘acquisition’ parameter, i.e., a parameter filled by a naming practice constituted by a dubbing, which consists in calling via the name one’s interlocutor’s attention to something (if any), and usually also by a certain transmission chain. I will also claim that such a proposal works independently of one’s ontological stance on fictional entities, that is, independently of whether one believes either that there are or that there are no such entities. Moreover, I will claim that such a proposal is better than similar indexicalist proposals such as the one put forward by Tiedke (2011), Finally, I will try to show how this proposal can deal with some objections one may raise against an indexicalist treatment of proper names. (shrink)

This book is about whether reference to an individual is the essential feature of a proper name -- a widely held view -- or whether referring to an individual is simply a contingent feature. Three questions need resolving, then. First, whether all names in particular contexts are themselves referring devices. Second, whether recognizing names types and the consequent issue of their ambiguity can be resolved simply by distinguishing between name types and tokens thereof. Last, whether names (...) are ever referential in the way Kripke and others have convincingly argued. The answer to first two questions is negative. The answer to third is a qualified "yes." I explain the theory that allows for these answers in the manuscript, as well as addressing other issues such as: the problem of fictional names; descriptive names; empty names; what an act of naming consists of; an account of ontological commitment; and the data that suggests that names are predicates. (shrink)

In a series of papers, Robin Jeshion has forcefully criticized both Donnellan's and Evans’ claims on the contingent a priori, and she has developed an “acquaintanceless” account of singular thoughts as an alternative view. Jeshion claims that one can fully grasp a singular thought expressed by a sentence including a proper name, even if its reference has been descriptively fixed and one’s access to the referent is “mediated” by that description. But she still wants to reject “semantic instrumentalism”, the (...) view that “there are no substantive conditions of any sort on having singular thought. We can freely generate singular thoughts at will by manipulating the apparatus of direct reference.” Her account of singular thoughts is a psychological one, rejecting any epistemic requirement. Having singular thoughts is for her a matter of deploying “mental files” or “dossiers” that play a significant role in the cognitive life of the individual. This paper elaborates on an alternative descriptivist-friendly view, which has important points of contact with Jeshion’s. It differs, particularly in that it is an epistemic view; it is only a broadly understood acquaintance view, as it will transpire, but this does not make it a mere terminological variation on Jeshion’s acquaintanceless one. To argue for it, the paper discusses some relevant aspects of the semantics of fictional discourse. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Peter van Inwagen FICTION AND METAPHYSICS Many works of fiction address themselves directly to metaphysiced issues. One thinks of the stories of Olaf Stapledon, Charles Williams, or Jorge Luis Borges. Other fiction is more subtly and indirectly related to metaphysics — A la recherche du temps perdu, for exeimple, or, in a radier different way, some science fiction. The relations that various novels and stories bear to the questions (...) ofmetaphysics would be an interesting topic, but it is not the topic of the present article, which is the relevance to metaphysics not of this or that work, but ramer of the very existence of such a thing as fiction. We shall see mat philosophical reflection on fiction can lead one to certain remarkable metaphysical conclusions. Not surprisingly, the area of metaphysics to which these conclusions pertain is ontology. The word, though not the study it represents, is a new one — it is probably a seventeenth-century coinage. In the present century, the word "ontology" is associated mainly with the names of Heidegger and Quine. I shall be using the word in Quine's sense: as a name for the study that attempts to answer the question, What is there? Quine's contributions to this study are of central importance for the thesis of this article. These contributions may be divided into two parts: those that belong to ontology proper and those that belong to what we may call meta-ontology. By Quine's "ontology proper," I mean his actual attempt to answer the question, What is there? This attempt is of great intrinsic interest, but it is not relevetnt to my topic. By Quine's meta-ontology, I mean his feunous discussion of what it is to ask what there is emd his famous dieses about how to approach mis question.1 These theses are the product of a really remarkable effort to think clearly about questions almost no one had thought cleeirly about, and a proper appreciation of them will liberate one from some very old and very strong illusions about being emd existence. Or so many philosophers, including the present author, would say. And yet Quine's meta-ontology, when it is combined with what seem to be some very simple emd obvious facts about fiction, yields a result mat seems just obviously wrong: that names drawn from works of fiction ("Mr. Pickwick" emd "Tom Sawyer," for example, as well as proper names of odier sorts, such as "Dotheboys Hall" and "Barchester") denote existent objects. The thesis of this 67 68PHILOSOPHY AND LITERATURE article is mat this consequence of Quine's meta-ontology does not constitute a reductio ad absurdum; radier, Quine's meta-ontology should be retained and mis consequence accepted. I shall first examine Quine's meta-ontology in the abstract, and then in application to fiction. In the abstract, Quine's meta-ontology may be viewed as comprising four propositions. (1)Being is die seune as existence. That is, to say mat things of a certain sort exist emd to say mat there être things of diat sort is to say pretty much the same diing. For example, to say diat horses exist is to say mere are horses, and to say mat diere was such a person as Homer is to say that Homer existed. This might seem obvious, but on reflection it can seem less obvious. Suppose I am discussing someone's delusions and I say, "There are a lot of diings he believes in that do not exist." On die face of it, I appear to be saying diat diere are diings — the poison in his drink, his uncle's medice, emd so on — that do not exist. To tedce a radier more metaphysical example, I have read a letter to the editor of a newspaper, the audior of which argues diat contraception is a sin since it prevents people who would omerwise exist from doing so. This may be a bad argument on meiny grounds that have nothing to do with metaphysics, but it is certainly clear diat its propounder believes diat diere are unconceived people, people who might have existed but who, owing to certain acts of contraception, do not exist... (shrink)

Most discussions of proper names in fiction concern the names of fictional characters, such as ‘Clarissa Dalloway’ or ‘Lilliput.’ Less attention has been paid to referring names in fiction, such as ‘Napoleon’ (in Tolstoy’s War and Peace) or ‘London’ (in Orwell’s Nineteen Eighty-Four). This is because many philosophers simply assume that such names are unproblematic; they refer in the usual way to their ordinary referents. The alternative position, dubbed Exceptionalism by Manuel García-Carpintero, maintains that (...) referring names make a distinctive semantic contribution in fiction. In this paper I offer a positive argument for Non-Exceptionalism, relying on the claim that works of both fiction and non-fiction can express the same singular propositions. I go on to defend my account against García-Carpintero’s objections. (shrink)

The nonexistence of fictional entities does not seem incompatible with their possible existence. The aim of this paper is to give an account of the intuitive truth of statements of possible existence involving fictional proper names in an actualist framework. After having clarified the opposition between a possibilist and an actualist approach of possible wolds, I distinguish fictional individuals from fictional characters and the fictional use of fictional proper names from (...) their metafictional use. On that basis, statements of possible existence involving fictional proper names literally say of fictional characters conceived as abstract objects that they might have been exemplified. (shrink)

In the old days of descriptivism, fictional reference and non-fictional reference with proper names were treated on a par. Descriptivism was not an intuitive theory, but it meritoriously provided a unitary semantic account of names, whether referentially full or empty. Then the revolution of the new theory of reference occurred. This new theory is definitely more intuitive than descriptivism, yet it comes with a drawback: the referentially full use and the referentially empty use, notably the (...) fictional use, of names are semantically no longer on the same footing. How the use of names from fiction is referentially empty has even been seen as a symptom of its not being a use at all. In this paper, I ask the following question: can one keep the merits of the new theory of reference and still provide a unitary account of both fictional and non-fictional reference with names? My answer is positive, provided that one conceives proper names as a special kind of indexicals. (shrink)

In this paper I want to hold that contextualism – the position according to which wide context, i.e., the concrete situation of discourse, may well have the semantic role of assigning truth-conditions to sentences – may well accommodate (along with some nowadays established theses about the semantics of proper names) three data about fiction, namely, the facts that as far as discourse involving fiction is concerned, i) sentences about nothing are meaningful ii) they may be true in fiction (...) iii) yet they may also be true in reality. Moreover, I also want to hold that such a contextualist accommodation does not depend on endorsing a realist stance about fictional entities, although such a stance gives the best truth-conditional explanation for such data, in particular iii). (shrink)

Problems concerning identity in possible worlds and the view that proper names are rigid designators pose no threat to the doctrine that names of fictional characters (fictional names) are referential. Some philosophers, notably Saul Kripke and David Kaplan, have held otherwise; but a close examination of their arguments discovers fatal flaws in them. Furthermore, the most readily available proposals for the alternative functions of fictional names — that is, proposals in which (...) class='Hi'>fictional names are not referential — are open to objections of a principled kind. This raises serious doubts that any such alternative could work. (shrink)

Problems concerning identity in possible worlds and the view that proper names are rigid designators pose no threat to the doctrine that names of fictional characters (fictional names) are referential. Some philosophers, notably Saul Kripke and David Kaplan, have held otherwise; but a close examination of their arguments discovers fatal flaws in them. Furthermore, the most readily available proposals for the alternative functions of fictional names — that is, proposals in which (...) class='Hi'>fictional names are not referential — are open to objections of a principled kind. This raises serious doubts that any such alternative could work. (shrink)

This is an entry on Empty Names for the Routledge Companion to the Philosophy of Language, edited by Delia Graff Fara and Gillian Russell.

The essays collected in this volume are all concerned with the connection between fiction and truth. This question is of utmost importance to metaphysics, philosophy of language, philosophical logic and epistemology, raising in each of these areas and at their intersections a large number of issues related to creation, existence, reference, identity, modality, belief, assertion, imagination, pretense, etc. All these topics and many more are addressed in this collection, which brings together original essays written from various points of view by (...) philosophers of diverse trends. These essays constitute major contributions to the current debates that the connection between truth and fiction continually enlivens, and give a sense of the directions in which research on this question is heading. Contributors: Fred Adams, Frederick Kroon, Robert Howell, Brendan Murday, Terence Parsons, Graham Priest, Erich Rast, Manuel Rebuschi, Marion Renauld, R.M. Sainsbury, Grant Tavinor, Alberto Voltolini. (shrink)

I defend a cluster of views about names from fiction and myth. The views are based on two claims: first, proper names refer directly totheir bearers; and second, names from fiction and myth are genuinely empty, they simply do not refer. I argue that when such names are used in direct discourse, utterances containing them have truth values but do not express propositions. I also argue that it is a mistake to think that if an (...) utterance of, for example, “Vulcan is a planet” fails to express a proposition, then an utterance of “Le Verrier believed that Vulcan is a planet” cannot express a proposition. The argument applies to claims about fiction, such as “Sherlock Holmes is strong,” and claims about the attitudes of authors and auditors. The upshot is a semantics for fictional statements that provides a satisfying way for direct reference theorists to avoid taking fictional entities to be abstract objects and to accept the commonsense view that what is true in a fiction is ultimately a matter of what is pretended to be the case. (shrink)

Dolf Rami contributes to contemporary debates about the meaning and reference of proper names by providing an overview of the main challenges and developing a new contextualist account of names. Questions about the use and semantic features of proper names are at the centre of philosophy of language. How does a single proper name refer to the same thing in different contexts of use? What makes a thing a bearer of a proper name? (...) What is their meaning? Guided by these questions, Rami discusses Saul Kripke's main contributions to the debate and introduces two new ways to capture the rigidity of names, proposing a pluralist version of the causal chain picture. Covering popular contextualist accounts of names, both indexical and variabilist, he presents a use-sensitive alternative based on a semantic comparison between names, pronouns and demonstratives. Extending and applying his approach to a wide variety of uses, including names in fiction, this is a comprehensive explanation of why we should interpret proper names as use-sensitive expressions. (shrink)

In his Oratio Obliqua, Oratio Recta, Recanati maintains two main theses regarding meta-representational sentences embedding allegedly empty proper names. The first thesis concerns both belief sentences embedding allegedly empty names and (internal) meta-fictional sentences (i.e., sentences of the form “in the story S, p”) embedding fictional, hence again allegedly empty, names. It says that such sentences primarily have fictive truth-conditions: that is, conditions for their fictional truth. The second thesis is that a fictive (...) ascription of a singular belief, assigning to a certain metarepresentational sentence fictive truth-conditions, amounts to the factive ascription of a pseudo-singular belief, assigning to that very sentence factual truth-conditions as well. In what follows, I will first try to show that the first thesis is definitely correct only for a rather limited range of cases, i.e. cases of meta-representational sentences embedding absolutely empty proper names. Second, I will claim not only that that the notion of a pseudo-singular belief is not so clear as it may seem, but also that, for those cases for which the first thesis is correct, we do not really need the sentences involved to also have factive truth-conditions. (shrink)

A debut picture book that explores the importance of pronouncing names properly and celebrates cultural identity. Saajin loves his name--he loves it so much that he sees it spelled out in the world around him in his snacks, in the sky and sometimes he even sings it aloud. On his first day of school, Saajin is excited to meet his new classmates, but things take a turn when the teacher mispronounces his name as Say-jin and he is not sure (...) how--or if he should--correct her. After trying to live with the different version of his name for a while and some thoughtful conversations with his family about the meaning behind it, Saajin realizes the importance of reclaiming his name and embracing his identity. This empowering story, accompanied by energetic and vibrant art by Samrath Kaur, will resonate with any reader who has ever felt misunderstood. (shrink)

meaning of a proper name is simply its referent.[1] This thesis, however, brings with it a whole host of problems. One particularly thorny difficulty is that of negative existentials, sentences of the form ‘N does not exist’ (where ‘N’ is a proper name). Intuitively, some such sentences are true, but the direct reference theory seems to imply that they must be either false or meaningless. After all, if the meaning of a name is just its referent, then a (...) sentence such as ‘Mary does not exist’ is meaningless unless there exists a person Mary who is the referent of the name ‘Mary’. But if such a person exists, then the sentence denying her existence must be false.            Now it might be suggested that negative existentials involve a rather rare and specialized use of names, for which an alternate analysis might well be appropriate. One might, for example, have independent reasons for thinking that existence is not a predicate. Even if this is right, however, the analysis of fictional discourse poses difficulties for the direct reference theory that cannot be so easily avoided. The trouble is that fictional names—‘Sherlock Holmes’ and ‘Bilbo Baggins’, for example—lack referents; fictional characters do not exist. As a result, a simple application of the direct reference view to fictional discourse is entirely untenable—this would entail that claims regarding fictional characters are not only never true, but always meaningless.            The tendency in the philosophy of language has been to treat fictional discourse as a peripheral case, posing little threat to the direct reference view. And, as such, the fact that the analysis of fiction seems to run into intractable difficulties has been downplayed, and the fact the analyses on offer tend to be ad hoc has been tolerated. Typical strategies include treating fictional names as abbreviations for definite descriptions, supposing that fictional names occur within the scope of tacit fictive operators of various sorts, or taking them to directly refer to non-existent objects.. (shrink)

How to interpret singular terms in fiction? In this paper, we address this semantic question from the perspective of the Artifactual Theory of Fiction (ATF). According to the ATF, fictional characters exist as abstract artifacts created by their author, and preserved through the existence of copies of an original work and a competent readership. We pretend that a well-suited semantics for the ATF can be defined with respect to a modal framework by means of Hintikka’s world lines semantics. The (...) question of the interpretation of proper names is asked in relation to two inference rules, problematic when applied in intensional contexts: the Substitution of Identicals and Existential Generalization. The former fails because identity is contingent. The latter because proper names are not necessarily linked to well-identified individuals. This motivates a non-rigid interpretation of proper names in fiction, although cross-fictional reference (e.g. to real entities) is made possible by the interpretative efforts of the reader. (shrink)

Within a literary ontology, YHWH in the Hebrew Bible is technically also a fictional entity or object. In Hebrew Bible scholarship, a variety of philosophical issues surrounding fiction have received sustained and in-depth attention. However, the mainstream research on these matters tends to focus on the philosophical foundations of or backgrounds to a particular literary theory, rather than on metaphysical puzzles as encountered in the philosophy of fiction proper. To fill this gap, the present article seeks to provide (...) a meta-theoretical overview of the main contemporary philosophical perspectives on the metaphysics of fictional objects. Three views are discussed, namely possibilism, Meinongianism and creationism. Each view's theory is introduced and critically appropriated with reference to what is implied to be an answer to the question of what exactly the biblical character YHWH can meaningfully be said to be in the context of the metaphysics of fictional objects. In this way, the present study also goes beyond the traditional concern with the nature of God in Old Testament theology. (shrink)

Reference and Existence, Saul Kripke's John Locke Lectures for 1973, can be read as a sequel to his classic Naming and Necessity. It confronts important issues left open in that work -- among them, the semantics of proper names and natural kind terms as they occur in fiction and in myth; negative existential statements; the ontology of fiction and myth. In treating these questions, he makes a number of methodological observations that go beyond the framework of his earlier (...) book -- including the striking claim that fiction cannot provide a test for theories of reference and naming. In addition, these lectures provide a glimpse into the transition to the pragmatics of singular reference that dominated his influential paper, " Speaker's Reference and Semantic Reference " -- a paper that helped reorient linguistic and philosophical semantics. Some of the themes have been worked out in later writings by other philosophers -- many influenced by typescripts of the lectures in circulation -- but none have approached the careful, systematic treatment provided here. The virtuosity of Naming and Necessity -- the colloquial ease of the tone, the dazzling, on-the-spot formulations, the logical structure of the overall view gradually emerging over the course of the lectures -- is on display here as well. (shrink)

Writing remains. One could argue that it is precisely because of this uncanny and unpredictable survival that inscription holds an inextricable influence on culture. Deconstructive theory posits this as the ‘biodegradability’ of writing — that culture consumes writing's intended meaning, employing it as fuel for its own survival. In this article, I argue for Michel Houellebecq's awareness of this survival, suggesting that his texts stage their — and their author's — own biodegradability to interweave truth and fiction. Particularly, he utilizes (...) the ‘untranslatability’ of the proper name — its brief resistance to cultural biodegradability — to intercept and write into the future inscription is tied to. This draws attention to the vital paradox of proper names, and suggests that their untranslatability forces every reader to conjure different, contradicting and often ‘out-of-sync’ histories. Houellebecq's names, which necessitate an interminable coining, gesture to the inevitable translation of finitude. (shrink)

Artifactualism about fictional characters, positing Harry Potter as an abstract artifact created by J. K. Rowling, has been criticized on the grounds that the idea of creating such objects is mysterious and problematic. In the light of such qualms, it is worth homing in on an argument in favor of artifactualism, showing that it is the best way to include the likes of Harry Potter in our ontology precisely because it incorporates authorial creation. To that end, I will be (...) exploring Kripke’s fleeting remarks in the Addenda to his “Naming and Necessity” lectures about expressions like ‘unicorn’ and ‘Harry Potter’. Elsewhere, Kripke motivates artifactualism by suggesting that incorporating authorial creation (as artifactualism does) is a move that is intuitive and natural; but beyond this, he doesn’t provide any arguments in favor of such a move. My purpose in this paper is to construct such an argument based on considerations about Kripke’s general view about proper names, in particular, his seminal causal-historical chain account of reference determination, and its consequences for fictional names as well as nonfictional names without bearers such as ‘Vulcan’. (shrink)

In a series of papers (two of them in previous ESA Proceedings), I have been defending a fictional artifactualist position according to which fictional characters (like Prince Bolkonsky in Tolstoy’s War and Peace are non-concrete, human created objects (which are commonly labeled abstract artifacts). In this paper, I aim to bring together from my previous work two lines of defending fictional artifactualism: that (for the fictional artifactualist) making room for (i) authorial creation and for (ii) inadvertent (...) authorial creation are tenable moves. Indeed, instances of authorial creation (intentional or inadvertent) are what we expect if we accept Saul Kripke’s general view about what determines the reference of proper names, and this view’s consequences for fictional names. Fictional artifactualism emerges as our best choice if we want to admit fictional characters in our ontology and are sympathetic to Kripke’s general view about proper name reference. Fictional artifactualists having taken these two conditions on board need not worry about these features of their view: that authors sometimes create fictional characters and sometimes do so inadvertently. (shrink)

This edited collection covers Friedrich Waismann's most influential contributions to twentieth-century philosophy of language: his concepts of open texture and language strata, his early criticism of verificationism and the analytic-synthetic distinction, as well as their significance for experimental and legal philosophy. -/- In addition, Waismann's original papers in ethics, metaphysics, epistemology and the philosophy of mathematics are here evaluated. They introduce Waismann's theory of action along with his groundbreaking work on fiction, proper names and Kafka's Trial. -/- Waismann (...) is known as the voice of Ludwig Wittgenstein in the Vienna Circle. At the same time we find in his works a determined critic of logical positivism and ordinary language philosophy, who anticipated much later developments in the analytic tradition and devised his very own vision for its future. (shrink)

The objective of this paper is to discuss current reductive theories of the non-existent objects, specifically - contemporary deflationary theories of the fictional objects. By such theories I mean those denying that fictional objects have any ontological status at all. Theories, which claim that fictional proper names denote some sort of objects but deny that these names denote individual objects, are treated as the reductive theories of non-existent as well. In the discourse I present (...) the following ideas: 1) Russell's theory of description with the further remarks by W. V. O. Quine; 2) A. Plantinga's view that the fictional names have no denotation, which is realized in the framework of possible worlds semantics; 3) Theories by N. Wolterstorf and P. van Inwagen which can be seen as a link between strictly deflationary theories and meinongian theories; Wolterstorff claim that empty names denote general abstract objects and Inwagen identify fictional objects with theoretical objects of literal criticism; 4) Theories based on the speech acts theories; 5) Theories which identify fictional objects with mental objects. The conclusion of the argument is that the aforementioned theories are not adequate for the analysis of fiction (non-existent) and that more suitable for such a purpose are meinongian theories of non-existent objects. (shrink)

This chapter analyzes the logical structure of Edmund Gettier‐style thought experiments. The discussion can be generalized to many imaginary counterexamples that have been deployed against philosophical analyses and theories in ways more or less similar to Gettier’s. The background working hypothesis is that his thought experiments are paradigmatic, in the sense that if any thought experiments can succeed in philosophy, his do: thus to determine whether Gettier’s thought experiments succeed is in effect to determine whether there can be successful thought (...) experiments in philosophy. Gettier presents his specific counterexamples to the target analysis through short fictional narratives, in the present tense indicative, with fictional uses of proper names, all introduced by “suppose that.” One manifestation of the influence of past experience on epistemological judgments may be cross‐cultural variation in verdicts on thought experiments, including the Gettier case. (shrink)

What is the content of beliefs expressed by sentences with fictional names? Millianism has notoriously struggled to give a satisfactory answer to this question. Some Millians have argued that fictional names are empty names. But such a view entails that the belief that Superman has impressive superpowers and the belief that Aquaman has impressive superpowers have the same content, contrary to our intuitions. Others have argued that fictional names refer to fictional entities. (...) But this view has a long-standing problem, Frege’s Puzzle, and many philosophers are skeptical that Millians have successfully addressed it, despite commendable efforts. In this paper, I put forward a different Millian Theory of fictional proper names that by-passes these and other objections related to belief content. The novelty of my proposal partially rests on a distinction I draw between semantic content and belief content—as opposed to a distinction between belief content and belief state or a way of grasping the content, as it is commonly found in Millian accounts—in a framework where belief contents are not part of the meaning of names. (shrink)

Machery et al.’s 2004 x-phi project has been widely criticised for ambiguities contained in the expression ‘talk about’. Interestingly, although ‘about’ plays a prominent part in the debate, aboutness has not been a topic. This paper discusses this aspect. Alas, it must thereby add a further ambiguity to the list, the ambiguity between aboutness and reference, and thus also between subject matter and referent. It explains the distinction between intra-categorical aboutness which makes no ontological demands, and cross-categorical reference which requires (...) the referent to exist. It then analyses the 4-fold embedding contained in Machery et al.’s study and shows how the aboutness-reference distinction bears on it. (shrink)

Possibility offers a new analysis of the metaphysical concepts of possibility and necessity, one that does not rely on any sort of "possible worlds." The analysis proceeds from an account of the notion of a physical object and from the positing of properties and relations. It is motivated by considerations about how we actually speak of and think of objects. Michael Jubien discusses several closely related topics, including different purported varieties of possible worlds, the doctrine of "essentialism," natural kind terms (...) and alleged examples of necessity a posteriori. The book also offers a new theory of the functioning of proper names, both actual and fictional, and the discussion of natural kind terms and necessity a posteriori depends in part on this theory. (shrink)

Philosophical questions about the arts go naturally with other kinds of questions about them. Art is sometimes said to be an historical concept. But where in our cultural and biological history did art begin? If art is related to play and imagination, do we find any signs of these things in our nonhuman relatives? Sometimes the other questions look like ones the philosopher of art has to answer. Anyone who thinks that interpretation in the arts is an activity that leaves (...) the intentions of the author behind needs to explain how and why this differs so fundamentally from ordinary conversational interpretation, where the only decent models we have are ones that depend crucially on the recovery of intention. Anyone who thinks that imaginative literature has anything to tell us about time had better have a position on how earlier and later relate to past and future. Anyone who thinks that empathy plays a role in literary engagement had better have a psychologically plausible account of what empathy is. Philosophical questions about the arts also go naturally with other kinds of philosophical questions: we can't think constructively about representation in art without thinking about representation; text, meaning, reference and existence get similarly drawn into the conversation. Some ideas that philosophers of art deal with emerge from other disciplines. In literary theory an enormous amount of attention has been lavished on tracing the sources of unreliability in narrative. Is the result adequate to the details of the particular works we call unreliable? Contemporary film theory is generally hostile to the fiction/documentary distinction. Are there in fact any grounds for this? This book of thirteen connected essays examines questions of all these kinds. It ranges from the semantics of proper names, through the pragmatics of literary and filmic interpretation, to the aesthetic function of stone age implements. Some of the essays have not been published before; some that have are here substantially revised. (shrink)

Artifactualism about fictional characters, positing Harry Potter as an abstract artifact created by J. K. Rowling, has been criticized on the grounds that the idea of creating such objects is mysterious and problematic. In the light of such qualms, it is worth homing in on an argument in favor of artifactualism, showing that it is the best way to include the likes of Harry Potter in our ontology precisely because it incorporates authorial creation. To that end, I will be (...) exploring Kripke’s fleeting remarks in his “Naming and Necessity” lectures (1972, 156–7) about expressions like ‘unicorn’ and ‘Harry Potter’. Elsewhere, Kripke motivates artifactualism by suggesting that incorporating authorial creation (as artifactualism does) is a move that is intuitive and natural; but beyond this, he doesn’t provide any arguments in favor of such a move. My purpose in this paper is to construct such an argument based on considerations about Kripke’s general view about proper names, in particular, his seminal causal-historical chain account of reference determination. (shrink)

This essay reviews Theatre, Communication, Critical Realism (2010) by Tobin Nellhaus. It begins by outlining the objective of the book and proceeds to evaluate its central argument. The objective is to develop a theory of theatre founded on the premises of critical realism and thereby theoretically situate theatrical performance in its socio-cultural matrix. The argument is that critical realism is effective for developing a comprehensive account of theatrical performance because it has the capacity to reveal truths about the structure of (...) social reality (that correspond to those articulated by critical realism). In the second part of the review, employing the methods of conceptual analysis, I propose that Nellhaus’s thesis of ‘ontological doubling’ (which claims that performance doubles human agency) is undermined by certain epistemological presuppositions regarding the ontology of fictional characters. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume XXV, Numbers 1 and 2, April/November 1999, pp. 83-99 Force and Vivacity in the Treatise and the Enquiry FRANCIS W. DAUER Hume's appeal to "force and vivacity" presents a challenge to those of us who try to render his views as plausible as possible. Of course, if we reject "folk psychology " or an appeal to our consciousness, the challenge becomes insurmountable. Fortunately, in today's philosophical (...) climate such appeals are no longer universally rejected, and at least in some quarters there may be interest in discerning what such appeals may reveal. But even granting such an appeal, is there anything given to our consciousness that will do the kind of work Hume intends for force and vivacity? I shall attempt to make an affirmative answer as plausible as I can. Recall that Hume appeals to force and vivacity to distinguish (1) impressions from ideas, (2) memory from other ideas, and (3) beliefs from fictions of the fancy. In my defense of Hume, I shall urge that, taken separately, each of these appeals has some plausibility and to this extent provides some tentative suggestions on what it is like to perceive, remember, and believe. Before proceeding to this defense, several preliminaries are called for. Hume's view on force and vivacity underwent changes in his writings, and no one view can be said to be his account of force and vivacity. His initial view occurs in Book I of the Treatise (which was published along with Book II). By the time the Appendix of the Treatise was published with Book III, we see Hume shifting away from his initial view. Further changes, as well as a full appreciation of the shift, can be found in the Enquiry. For most of this paper I shall primarily be concerned with his later views, though earlier views will Francis W. Dauer is a professor at the Department of Philosophy, South Hall, University of California at Santa Barbara, Santa Barbara, CA 93105, USA. e-mail: [email protected] 84 Francis W. Dauer occasionally be mentioned for contrast. In the final section, I shall address the more exegetical issues concerning Hume's change of mind over the years. While space constraints prevent a discussion that will do justice to the views of other commentators, a few words may be in order to indicate what I think is needed to render Hume's views plausible. Leaving aside commentators finding fatal defects with his account, those trying to salvage a tolerable reading of Hume more or less identify force and vivacity with belief (which Hume on one occasion says is the true and proper name for the feeling). One group focuses on Hume's use of 'force' and proposes a functionalist account of force and vivacity whereby it is a causal property of "perceptions" (in the wide sense) to produce such states as passions and actions which are functionally related to beliefs.1 At least on the face of it, this is at odds with force and vivacity being available to consciousness, and I shall take it that Hume took force and vivacity to be so available. Beyond this, while I shall take it that Hume appealed to force and vivacity to distinguish impressions from ideas, a functionalist account has difficulties in preventing impressions from degenerating into mere beliefs (unless something quite foreign to the Humean framework is appealed to).2 A second line of thought is due to Wayne Waxman, who identifies force and vivacity with something like a felt sense of reality or truth, with impressions having this quality in the highest degree.3 While this avoids the first defect of the functionalist account, I believe it fails to avoid a variant of the second problem: without appealing to something quite un-Humean, some impressions can become mere beliefs, and vice versa.41 shall assume that force and vivacity must be consciously available, and that appealing to them, at least in one guise, must allow impressions and ideas to be distinguished. Impressions Hume introduces the distinction between impressions and ideas in the Treatise by saying: The difference betwixt these consists in the degrees of force and liveliness with which... (shrink)

This paper is an example of how contextual information interacts with the interpretation of noun phrases (NPs) in discourse. When we encounter an NP escorted by the definite article or a proper name, the expectation is triggered that the speaker is referring to some referent x that the hearer can normally identify. Strawson and Russell have agreed that a referent must be associated with a definite description so that the assertion containing it can be said to be true. In (...) the case where a description does not refer to anything, the assertion is considered by Russell to be false, while Strawson says that the issue of truth or falsity does not arise. In this paper, we examine a case in which contextual information interacts with the interpretation of NPs in discourse and the hearer is not expected to identify a referent when hearing a proper name. In this case, the issue of truth or falsity does not arise, because the hearer does not identify the referent. In fact, s/he does not intend for the discourse to about a referent at all. These situations are primarily represented by sentences uttered during the course of a grammar lecture, in which the lecturer is explaining a rule of language and does not focus on external reality. The hearers are aware of this focus and do not process the NP (in general a proper name) to identify a specific referent. This discourse is of three types, which will be discussed at the end of this paper. -/- Keywords: reference; pragmeme; presupposition; fictional discourse; exemplification acts. (shrink)

This important new book is the first of a series of volumes collecting essential work by an influential philosopher. It presents a mixture of published and unpublished works from various stages of Kripke's storied career. Included here are seminal and much discussed pieces such as “Identity and Necessity,” “Outline of a Theory of Truth,” and “A Puzzle About Belief.” More recent published work include “Russell's Notion of Scope” and “Frege's Theory of Sense and Reference” among others. Several of the works (...) included here are published for the first time, including both older works “Two Paradoxes of Knowledge,” “Vacuous Names and Fictional Entities,” “Nozick on Knowledge” as well as newer “The First Person” and “Unrestricted Exportation.” “A Puzzle on Time and Thought” was written for this volume. The publication of this volume—which ranges over epistemology, linguistics, pragmatics, philosophy of language, history of analytic philosophy, theory of truth, and metaphysics—represents a major event in contemporary analytic philosophy. This collection aims to be a testament to one of philosophy's greatest living figures. (shrink)