Hume seems to have discarded with final causes and teleology. However, his invocation of a pre-established harmony between the course of nature and the succession of our ideas suggests otherwise. This paper takes Hume’s general strategy of shifting to the external perspective into account, and argues that the seemingly internal property of force and vivacity are, in fact, functional-teleological properties. Force and vivacity bears many explanatory burdens: It explains the difference between imagination and memory, between conception and belief, and it (...) establishes causal necessity. What kind of property is this supposed to be? We can answer this question by taking into account Hume’s explanation of the way in which this very property is communicated in the cases of ideas of memory and belief, and of the function it performs in these cases. It will be argued that force and vivacity is not an intrinsic, phenomenal property of ideas. It is a relational and historical property. A major objective of the paper is the application of this interpretation from the case of ideas to the case of impression. What kind of history could transfer force and vivacity to impressions? Answer: natural history. By a careful examination of passages concerning innate capacities, passions, and animal instincts, we can make sense of the tenet that impressions have force and vivacity because of our natural history. It will be suggested that Hume’s philosophy of mind is fit to integrate Darwinian Design as an explanatory corner-stone. Hume, so scheint, ist ein scharfer Kritiker von Finalursachen und Teleologie. Seine häufig als ironisch missverstandene Berufung auf eine Art „prästabilierter Harmonie“ zwischen Naturverläufen und Ideenabfolgen verweist jedoch auf eine andere Lesart. Der folgende Essay behauptet, indem er Humes explanatorische Strategie betont, etwa im Falle seiner berühmten Lösung der skeptischen Zweifele zur Kausalität zu einer externen Perspektive zu wechseln, dass es sich bei der scheinbar geistinternen Eigenschaft „Kraft und Lebendigkeit“ tatsächlich um eine teleologisch- historische Eigenschaft handelt. Kraft und Lebendigkeit leisten in Humes Philosophie des Geistes eine große Erklärungsarbeit: Sie erklären den Unterscheid zwischen Vorstellung und Erinnerung, zwischen Vorstellung und Überzeugung, und sie stellen die wesentliche Zutat der kausalen Notwendigkeit dar. Doch um welche Art Eigenschaft handelt es sich? Diese Frage kannmit Blick auf Humes Ausführung darüber beantwortet werden, wie diese Eigenschaft auf Ideen der Erinnerung und auf Überzeugungsideen übertragen wird, und v.a. mit Blick auf die Funktion, die diese Eigenschaft übernimmt. Es soll gezeigt werden, dass es sich bei Kraft und Lebendigkeit um keine intrinsische, phänomenale Eigenschaft von Ideen handelt, sondern um eine relationale, historische Eigenschaft. Ein wichtiges Ziel des Essays besteht darin, diese Deutung von Ideen auf Eindrücke zu übertragen. Inwiefern kann es sich bei der Kraft und Lebendigkeit von Eindrücken umeine relationale und historische Eigenschaft handeln? Die Antwort findet sich in der Naturgeschichte, wie mit Verweis auf Humes Ausführungen zu angeborenen Fähigkeiten, Leidenschaften und tierlichen Instinkten gezeigt werden kann. Die Stoßrichtung des Essays besagt, dass Humes Philosophie des Geistes durchaus mit einer Darwinschen Auffassung des Geistes zusammengeführt werden kann. (shrink)

An important part of Hume's philosophy is grounded in a fundamental distinction between two kinds of perceptions: impressions and ideas. Existing views of the distinction are that the former are livelier than the latter, that the former are causally prior to the latter, that the latter are copies of the former, that the former but not the latter are perceptions of an objective realm, and that the former are feelings whereas the latter are thoughts. I argue that all of these (...) views of the distinction are problematic and should be replaced by the Reflection view, according to which (simple) ideas are, while impressions are not, the direct products of reflection on other perceptions. (shrink)

Our pains can be more or less intense, our mental imagery can be more or less vivid, our perceptual experiences can be more or less striking. These degrees of intensity of conscious experiences are all manifestations of a phenomenal property I call mental strength. In this article, I argue that mental strength is a domain-general phenomenal magnitude; in other words, it is a phenomenal quantity shared by all conscious experiences that explains their degree of felt intensity. Mental strength has been (...) largely overlooked in favor of mental states’ type, representational contents, domain-specific phenomenology, or processes such as attention. Considering mental strength in our reflections about the mind illuminates debates about the relation of representational contents and phenomenal character, and it also helps address questions about the structure and functions of consciousness. Mental strength provides a unifying construct to model what is shared in the phenomenology of different types of conscious experiences. (shrink)

ABSTRACTHume is not often cited as a philosopher who posited a solution to the Problem of Other Minds. He instead seems to assume the belief in other minds in his moral philosophy without justification. However, Hume needs to explain how we experience and respond to others’ affections, and hence generate moral sentiments, given how central the latter are to his moral theory. Two recent interpretations of Hume’s solution to the Problem are the Wittgensteinian Interpretation, and the Simulation Theory Interpretation. Both (...) focus on the concept of sympathy as a solution to the Problem, claiming that, for Hume, sympathy produces the belief in other minds. This paper critically examines these two interpretations and offers an alternative called ‘the Analogical Argument Interpretation’, which reconstructs Hume’s version of an analogical argument carried out not by our rational faculty of mind but by custom and imagination. On this interpretation, Hume does not think that sympathy generates the belief in other mi... (shrink)

Hume is believed by many to hold an emotivist thesis, according to which all expressions of moral judgements are expressions of moral sentiments. However, most specialist scholars of Hume either deny that this is Hume's position or believe that he has failed to argue convincingly for it. I argue that Hume is an emotivist, and that his true arguments for emotivism have been hitherto overlooked. Readers seeking to understand Hume's theory of moral judgements have traditionally looked to the first section (...) of Book 3 of his Treatise, which discusses the relation between morality and reason. I argue that there is evidence elsewhere which better supports Hume's emotivist thesis. Hume's arguments for emotivism focus more on the causes of moral sentiments than on their relation to reason or belief, and he argues that moral sentiments are such as to arise whenever we contemplate morally relevant objects. He also holds that the presence of moral sentiments precludes any possibility of moral belief, because moral beliefs could only be less vivid copies of moral sentiments, and these cannot simultaneously exist. Hume concludes that all moral judgements must be expressions of sentiments. (shrink)

This is the original, longer draft for my entry on Hume in the 'The Routledge Hand- book of Philosophy of Imagination', edited by Amy Kind and published by Routledge in 2016 (see the separate entry). — Please always cite the Routledge version, unless there are passages concerned that did not make it into the Handbook for reasons of length. — -/- This chapter overviews Hume’s thoughts on the nature and the role of imagining, with an almost exclusive focus on the (...) first book of his Treatise of Human Nature. Over the course of this text, Hume draws and discusses three important distinctions among our conscious mental episodes (or what he calls ‘perceptions’): (i) between impressions (including perceptual experiences) and ideas (including recollections, imaginings and occurrent beliefs); (ii) between ideas of the memory and ideas of the imagination; and (iii), among the ideas of the imagination, between ideas of the judgement (i.e. occurrent beliefs) and ideas of the fancy (i.e. imaginings). I discuss each distinction in turn, also in connection to contemporary views on imagining. In addition, I briefly consider Hume’s views on the imagination as a faculty aimed at the production of ideas, as well as on the role that imagining plays in the wider context of our mental lives, notably in the acquisition of modal knowledge and in the comprehension of, and resistance to, stories and opinions that we take to be false or fictional. (shrink)

Ziel der Arbeit ist zu zeigen, dass sich in der theoretischen Philosophie David Humes Ansätze zu einer therapeutischen Methode finden, wie sie von Ludwig Wittgenstein angewandt und beschrieben wurde. Im ersten Teil wird Wittgensteins Konzeption der Philosophie und ihre Anwendung anhand einer genauen Textexegese dargestellt. Der zweite Teil untersucht primär die Humeschen Überlegungen zu Kausalität und Induktion, seine methodologischen Aussagen sowie seine Perzeptionstheorie und argumentiert für die These, dass Hume ebenfalls, wenn auch mit Einschränkungen, Elemente einer therapeutischen Methode und eine (...) entsprechende Konzeption der Philosophie zugeschrieben werden können. (shrink)