What is required for an individual to entertain a singular thought about an object they have encountered before but that is currently no longer within their perceptual range? More specifically, does the individual have to think about the object as having been encountered in the past? I consider this question against the background of the assumption that non-human animals are cognitively ‘stuck in the present’. Does this mean that, for them, ‘out of sight is out of mind’, as, e.g., (...) Schopenhauer seems to have thought? I suggest an alternative answer, also drawing on some empirical work on animal cognition. (shrink)

How do we acquire thoughts and beliefs about particulars by looking at pictures? One kind of reply essentially compares depiction to perception, holding that picture-perception is a form of remote object-perception. Lopes’s theory that pictures refer by demonstrative identification, and Walton’s transparency theory for photographs, constitute such remote acquaintance theories of depiction. The main purpose of this paper is to defend an alternative conception of pictures, on which they are not suitable for acquainting us with particulars but for acquainting us (...) with certain kinds of properties. This conception is outlined in §4, where it is argued that pictures are useful devices for what Heal has called indexical predication. In §2 and §3, I explain why I believe that remote acquaintance theories are false, and why picture-perception cannot function as a form of extended or remote object-perception. The main reason is that the contents of picture-perceptions do not themselves provide the kind of numerical and contextual information required for singular thought. Picture-reference is instead secured by independent beliefs or linguistic communication about the causal history of pictures as objects. In other words, it is beliefs about the numerical identity of pictures as objects that anchors the reference of the representational contents of pictures. (shrink)

Perceptual experiences seem to in some sense have singular contents. For example, a perceptual experience of a dog as fluffy seems to represent some particular dog as being fluffy. There are important phenomenological, intuitive, and semantic considerations for thinking that perceptual experiences represent singular contents, but there are also important phenomenological, epistemic, and metaphysical considerations for thinking that they do not. This paper proposes a two-tier picture of the content of singular perceptual experiences that is based on (...) phenomenal intentionality theories of intentionality combined with self-ascriptivism about derived representation, a combination of views that allows mental states to have two types of contents: phenomenal contents and derived contents. On the proposed picture, singular perceptual experiences represent singular phenomenal contents, which do not involve worldly objects, as well as singular derived contents, which do involve worldly objects. This picture accommodates and reconciles the considerations for and against thinking that perceptual experiences have singular contents. (shrink)

Kant's distinction between intuitive and discursive knowledge precludes his giving intuitions linguistic representation. Singular terms represent concepts given what kant calls a 'singular use' and are analyzable as definite descriptions. That the object described exists and that there is only one such object can be given linguistic representation only through an explicit assertion of existence and uniqueness. As an intuitionist in mathematics kant holds that mathematics proclaims the constructibility and not the existence of its objects.

This paper contains two traditions of diagrammatic studies namely one, the Euler–Venn–Peirce diagram and the other, following tradition of Aristotle, the square of oppositions. We put together both the traditions to study representations of singular propositions, their negations and the inter relationship between the two. Along with classical negation we have incorporated negation of another kind viz. absence. We have also considered the changes that take place in the context of open universe.

This essay develops the thesis that Frege’s notion of grasping does not refer to some special psychological relation between a subject and a proposition. Instead, the verb “to grasp” is a contextually defined technical term that, taken by itself, has no meaning. If that is right, then not only Frege’s resentment to the idea of grasping singular propositions is unfounded. The view that intentionality without representations is possible, championed by some advocates of the New Theory of Reference, is (...) groundless as well. (shrink)

We consider to what extent the fundamental question of spacetime singularities is relevant for the philosophical debate about the nature of spacetime. After reviewing some basic aspects of the spacetime singularities within general relativity, we argue that the well known difficulty to localize them in a meaningful way may challenge the received metaphysical view of spacetime as a set of points possessing some intrinsic properties together with some spatiotemporal relations. Considering the algebraic formulation of general relativity, we argue that the (...) spacetime singularities highlight the philosophically misleading dependence on the standard geometric representation of spacetime. †To contact the author, please write to: Department of Philosophy, University of Lausanne, CH-1015 Lausanne, Switzerland; e-mail: [email protected]. (shrink)

This paper is a new non-descriptivist defense of nonconceptualism based on a new interpretation of Kant’s metaphysics of concepts. We advance the following claim: What distinguishes non-conceptual from conceptual singular representations is the way partial representations of the object’s features are integrated into the whole representation of the object, while at the non-conceptual level, this integration takes the form of images of the object’s features that are stored and projected, at the conceptual level this integration takes the (...) form of the recognition that those features are properties of a same object, what Kant calls “synthetic unity of Aperception”. (shrink)

Mental files, in Recanati's framework, function as 'singular terms in the language of thought' ; they serve to think about objects in the world (and to store information about them). But they have a derived, metarepresentational function : they serve to represent how other subjects think about objects in the world. To account for the metarepresentational use of files, Recanati introduces the notion of an 'indexed file', i.e. a vicarious file that stands, in the subject's mind, for another subject's (...) file about an object. Using that notion, he argues, one can provide an analysis of attitude ascriptions and the conniving use of empty singular terms. (shrink)

In this article, I argue that in typical cases of singular thought, a thinker stands in an evidential relation to the object of thought suitable for providing knowledge of the object's existence. Furthermore, a thinker may generate representations that purport to refer to particular objects in response to appropriate, though defeasible, evidence of the existence of such an object. I motivate these constraints by considering a number of examples introduced by Robin Jeshion in support of a view she (...) calls ‘cognitivism’ (Jeshion, 2010b). Although I agree with Jeshion that acquaintance is not required for all cases of singular thought, I argue that her account doesn't go far enough in rejecting semantic instrumentalism, the view that we can generate singular thoughts arbitrarily, by manipulating the mechanisms of direct reference. (shrink)

This study examines the relationship between thought and language by considering the views of Kant and the later Wittgenstein along with many strands of contemporary debate in the area of mental content. Building on an analysis of the nature of concepts and conceptions of objects, Gillett provides an account of psychological explanation and the subject of experience, offers a novel perspective on mental representation and linguistic meaning, looks at the difficult topics of cognitive roles and singular thought, and concludes (...) with an outline of certain considerations relevant to skeptical arguments and the nature of perception. The resulting synthesis demonstrates interesting correlations with current work in cognitive and developmental psychology, and is directly relevant to continuing work in epistemology, philosophy of mind, and philosophical psychology. (shrink)

This is a chapter from my introductory book *Perception* covering the representational view of experience. I use the Ramsey-Lewis method to define the theoretical term "experiential representation". I clarify and discuss various questions for representationalists, for instance, "how rich is the content of experience?" and "is the content of visual experience singular or general?" Finally, I address some objections to representationalism - in particular, that it cannot explain perceptual presence (John Campbell), and that it cannot explain the "laws of (...) appearance" (constraints on how things can appear). (shrink)

This paper is a new non-descriptivist defense of non- conceptualism, based on a new interpretation of Kant’s metaphysics of concepts. We advance the following claim: What distinguishes non-conceptual from conceptual singular representations is the way partial representations of the object’s features are integrated into the whole representation of the object: while at the non-conceptual level this integration takes the form of images of the object’s features that are stored and projected, at the conceptual level this integration takes (...) the form of the recognition that those features are properties of a same object, what Kant calls “synthetic unity of Aperception”. (shrink)

Recent years have seen the rise of anti-politics as a political phenomenon but beyond this new rejection of the political class there has long existed, an albeit marginal, deeper challenge to the political itself. Identifying the work of Derrida as 'a politics' and that of Baudrillard as 'transpolitics' this book charts the convergences and divergences in their respective approaches. Among the topics treated are questions of the media and representation.

Les études sur le corps du siècle des Lumières se sont longtemps appuyées sur les traités de médecine, reprenant ainsi les représentations médicales plutôt que celles des malades. Les écrits ordinaires, parmi lesquels on peut compter les consultations épistolaires, permettent toutefois d’appréhender les perceptions corporelles des femmes du xviiie siècle. Ces lettres, envoyées par les malades à leur médecin, forment de véritables biographies médicales et constituent des sources d’une grande richesse pour explorer les écritures féminines du corps. On peut ainsi (...) mettre en évidence des manières spécifiques d’écrire le corps au féminin tout en soulignant les points communs avec les écritures masculines. (shrink)

Art as a Singular Rule "Art has nothing to do with me. Or my family. Or anybody I know" Abstract - This paper will examine an unresolved tension inherent in the question of art and argue for the idea of a singular rule as a natural resolution. In so doing, the structure of a singular rule will be fully outlined and its paradoxical constitution will be resolved. The tension I mention above unfolds both as a matter of (...) history and as a product of analysis. The concept of imitation will be our introduction to a brief overview of a historical trajectory starting with Plato. Plato is notorious for having imposed one of the most humiliating verdicts ever on the Arts: Art is imitative he argued, it is the practice of reproducing illusions and is, therefore, both an inferior source of knowledge and an ethically corrupt activity. Then, the story continues, came Aristotle, the savior of the Arts: he suggested that since essence, form, is imbedded in reality, the artist who imitates essence performs the noble task of abstracting form from substance. Art could now proudly stand alongside other highly respectable branches of human activities, such as the sciences. With the dominance of Aristotle in Western culture, abstraction came to play a key role. Leaping forward to our time, it can be argued that in Modernism the move towards abstraction was pushed to breaking point - to the point where the object was dismissed and denied relevancy to the work of art. This will bring us to a discussion of Art as representation and subsequently, to the introduction of a line of philosophical reasoning that threatens the Arts. It will seem as if we are caught between two extremes: If we assume that art is representational, we open the door for the old Platonic criticism that art is merely imitative (of its object); If we return to abstractionism, we may be led along a path that does not stop short of renouncing the object altogether, i.e. nothing is asserted as standing to the work of art as an "object" or an outer aim; this leaves us on a suspiciously skeptical note concerning the purpose and aim of art - and it indeed echoes prevailing feelings of unrest and confusion concerning the arts, precisely the sort that the quote above indicates. This seems to entrap us in a vicious circle. However, drawing upon the philosophies of Kant, Wittgenstein, Goodman and the contemporary Czech philosopher and esthetician, Tomas Kulka, I suggest a way for resolving the dilemma. This is my analysis of singular rule. (shrink)

A naive introduction of a dependency of the mass of a black hole on the Schwarzschild time coordinate results in singular behavior of curvature invariants at the horizon, violating expectations from complementarity. If instead a temporal dependence is introduced in terms of a coordinate akin to the river time representation, the Ricci scalar is nowhere singular away from the origin. It is found that for a shrinking mass scale due to evaporation, the null radial geodesics that generate the (...) horizon are slightly displaced from the coordinate singularity. In addition, a changing horizon scale significantly alters the form of the coordinate singularity in diagonal (orthogonal) metric coordinates representing the space-time. A Penrose diagram describing the growth and evaporation of an example black hole is constructed to examine the evolution of the coordinate singularity. (shrink)

This volume offers novel views on the precise relation between reference to an object by means of a linguistic expression and our mental representation of that object, long a source of debate in the philosophy of language, linguistics, and cognitive science. Chapters in this volume deal with our devices for singular reference and singular representation, with most focusing on linguistic expressions that are used to refer to particular objects, persons, or places. These expressions include proper names such as (...) Mary and John; indexicals such as I and tomorrow; demonstrative pronouns such as this and that; and some definite and indefinite descriptions such as The Queen of England or a medical doctor. Other chapters examine the ways we represent objects in thought, particularly the first-person perspective and the self, and one explores a notion common to reference and representation: salience. The volume includes the latest views on these complex topics from some of the most prominent authors in the field and will be of interest to anyone working on issues of reference and representation in thought and language. (shrink)

The technological singularity is popularly envisioned as a point in time when (a) an explosion of growth in artificial intelligence (AI) leads to machines becoming smarter than humans in every capacity, even gaining consciousness in the process; or (b) humans become so integrated with AI that we could no longer be called human in the traditional sense. This article argues that the technological singularity does not represent a point in time but a process in the ongoing construction of a collective (...) consciousness. Innovations from the earliest graphic representations to the present reduced the time it took to transmit information, reducing the cognitive space between individuals. The steady pace of innovations ultimately led to the communications satellite, fast-tracking this collective consciousness. The development of AI in the late 1960s has been the latest innovation in this process, increasing the speed of information while allowing individuals to shape events as they happen. (shrink)

This essay deals, mainly, with the notion of representation. Representation is associated with texts and, as such, is contrasted to the true singular statement. It is argued that the relationship between the text and what the text represents can never be modeled on the relationship between a true singular statement and what the statement is true of, and, furthermore, that the former relationship is aesthetic while the latter is epistemological in nature. This aesthetic relationship between the represented and (...) its representation is investigated from the perspective of historical writing. This offers an interesting perspective because historical texts are representations, but they also aim at giving us “the truth” about the past. Historical representation, therefore, is the kind of representation coming closest to the cognitive claims traditionally investigated by epistemology. The notion of aesthetic and historical experience is explored in order to define the relationship between historical representation and what it represents. (shrink)

In uttering negative existential sentences, we do not mention but use an empty singular term. A pretense account explains the use in terms of pretense. I argue that our understanding of negative existential statements can be successfully explained by Crimmins’ theory of shallow pretense if it is supplemented and reconstructed properly. First, I explain the notion of shallow pretense and supplement Crimmin’s theory with an Evansian account that we immediately grasp the phenomenology of what is pretended without a conscious (...) effort to imagine the condition under which what is pretended can be true. Thus, shallow pretense does not consist in the counterintuitive meta-representation of the fact of pretense. Second, against the objection to Crimmins’ distinction between utterance truth-condition and modal content that it is ad hoc, I argue that there is good reason to hold the distinction for the semantics of belief reports. Finally, I argue that the distinction has a merit of explaining our intuition about the epistemic possibility associated with our use of an empty singular term. (shrink)

Einsteinian gravity, of which Newtonian gravity is a part, is fraught with the problem of singularity that has been established as a theorem by Hawking and Penrose. The _hypothesis_ that founds the basis of both Einsteinian and Newtonian theories of gravity is that bodies with unequal magnitudes of masses fall with the same acceleration under the gravity of a source object. Since, the Einstein’s equations is one of the assumptions that underlies the proof of the singularity theorem, therefore, the above (...) hypothesis is implicitly one of the founding pillars of the same. In this work, I demonstrate how one can possibly write a non-singular theory of gravity which manifests that the above mentioned hypothesis is only valid in an approximate sense in the “large distance” scenario. To mention a specific instance, under the gravity of the earth, a 5 kg and a 500 kg fall with accelerations which differ by approximately \(113.148\times 10^{-32}\) meter/sec \(^2\) and the more massive object falls with less acceleration. Further, I demonstrate why the concept of gravitational field is not definable in the “small distance” regime which automatically justifies why the Einstein’s and Newton’s theories fail to provide any “small distance” analysis. In course of writing down this theory, I demonstrate why the continuum hypothesis as spelled out by Goedel, is undecidable. The theory has several aspects which provide the following realizations: (i) Descartes’ self-skepticism concerning exact representation of numbers by drawing lines (ii) Born’s wish of taking into account “natural uncertainty in all observations” while describing “a physical situation” by means of “real numbers” (iii) Klein’s vision of having “a fusion of arithmetic and geometry” where “a point is replaced by a small spot” (iv) Goedel’s assertion about “non-standard analysis, in some version” being “the analysis of the future”. (shrink)

Among Singularists, it has been widely accepted that one can have singular thought by acquaintance, and that acquaintance encompasses the perceptual acquiring, memorizing and communicating of singular thoughts. I defend the possibility of having a singular thought via extending acquaintance to intermediaries other than just through written and spoken words. On my account, singular thought includes two types of representations, namely indexical-iconic representation and indexical-discursive representation. Also, it is determined by two constraints: (i) the acquaintance (...) constraint: singular thought includes a causal-historical relation to the object; and (ii) the cognitive significance constraint: we have a cognitive capacity to deliberately encode an indexical-iconic representation into an indexical-discursive representation, which enables us to have a singular thought. (shrink)

Motivations for systems of free logics are reviewed and systems are divided according as they are positive (asserting atomic truths with non-denoting terms) negative (denying all such sentences) or neutral. A positive theory is developed and defended. One of the major considerations in favor of the theory is that it allows (via translation) representation of the other points of view. Finally, the relation between free logic and truth theories is elaborated.

Motivations for systems of free logics are reviewed and systems are divided according as they are positive (asserting atomic truths with non-denoting terms) negative (denying all such sentences) or neutral. A positive theory is developed and defended. One of the major considerations in favor of the theory is that it allows (via translation) representation of the other points of view. Finally, the relation between free logic and truth theories is elaborated.

Motivations for systems of free logics are reviewed and systems are divided according as they are positive (asserting atomic truths with non-denoting terms) negative (denying all such sentences) or neutral. A positive theory is developed and defended. One of the major considerations in favor of the theory is that it allows (via translation) representation of the other points of view. Finally, the relation between free logic and truth theories is elaborated.

I develop and argue for a novel theory of the mental state of identity confusion. I also argue that this mental state can corrupt the proper function of singular terms in linguistic communication. Finally, I propose a theory according to which identity confusion should be treated as a the source of a new sort of linguistic performance error, similar to malapropism, slips of the tongue, and so-called intentional obfuscation (inducing false belief by manipulating language in specific ways). -/- Going (...) into a bit more detail, I start by arguing that contemporary analytic philosophy, and philosophy of language in particular, has been dominated by a ‘puzzle-driven’ methodology. This tradition, I claim, seeks to provide a coherent system for describing semantic features of all conceivable cases where a speaker is confused about the identity or distinctness of an object. On my view, identity confusion is a mental state of an agent who either believes falsely that a is identical to b or believes falsely that a is not identical to b. I show how many influential arguments in philosophy – e.g., Kripke on semantic reference and speaker’s reference – are invalidated because of false assumptions about the state of identity confusion. -/- More positively, I assume an ‘explanation-driven’ approach, combining strands in Gricean intentionalism and Ruth Millikan’s teleosemantics. On this view, confused speakers are ‘sub-optimal’: their mental state disrupts the proper function of the relevant singular terms in their idiolects. Furthermore, I flesh out a theoretically fruitful notion of ‘edenic reference,’ which idealizes away from confusion in defining the optimal or stabilizing function of singular terms. I argue that speakers must satisfy certain broadly cognitive constraints if their utterances are to play a role in explaining the maintenance of a practice of using a singular term in a linguistic community. (shrink)

I argue that an adequate understanding of the practice of constructing models in physics requires a distinction between two strategies that are commonly both labeled ‘idealization’. The formal characteristic of both methods is to let a parameter in the equations for a target system go to zero. But the discussion of examples from various applications of perturbation theory shows that there is in general a difference with respect to the aims such limiting procedures are supposed to serve; and with different (...) aims comes the need to characterize the means (the interpretation of the limits) differently. I therefore suggest that we distinguish ‘idealizations’ from ‘perspectives’ or perspectival representations. (shrink)

One of the most pressing questions concerning singular demonstrative mental contents is what makes their content singular: that is to say, what makes it the case that individual objects are the representata of these mental states. Many philosophers have required sophisticated intellectual capacities for singular content to be possible, such as the possession of an elaborate scheme of space and time. A more recent reaction to this strategy proposes to account for singular content solely on the (...) basis of empirical models of visual processing. We believe both sides make good points, and offer an intermediate way of looking into singular content. Our suggestion is that singular content may be traced to psychological capacities to form flexible, abstract representations in the prefrontal cortex. This allows them to be sustained for increasingly longer periods of time and extrapolated beyond the context of perception, thus going beyond lowlevel sensory representations while also falling short of more sophisticated intellectual abilities. (shrink)

I argue that maps do not feature predication, as analyzed by Frege and Tarski. I take as my foil (Casati and Varzi, Parts and places, 1999), which attributes predication to maps. I argue that the details of Casati and Varzi’s own semantics militate against this attribution. Casati and Varzi emphasize what I call the Absence Intuition: if a marker representing some property (such as mountainous terrain) appears on a map, then absence of that marker from a map coordinate signifies absence (...) of the corresponding property from the corresponding location. Predication elicits nothing like the Absence Intuition. “F(a)” does not, in general, signify that objects other than a lack property F. On the basis of this asymmetry, I argue that attaching a marker to map coordinates is a different mode of semantic composition than attaching a predicate to a singular term. (shrink)

I distinguish four questions within Kant's "problem of reality": (1) What constitutes propositional content? (2) What constitutes truth? (3) What constitutes referential content? (4) What constitutes successful singular reference? I argue that Kant's transcendental idealism applies primarily to (3) - understood as: What makes some mental or linguistic items would-be referential representations - and secondly to (1). But with regard to (4) and (2), we do not create the objects and states of affairs in the world (there are (...) human artifacts, of course, but most of them continue to exist quite independently of our representing activities). However the contents of our representations in (3) and (1) do depend crucially on our conventions and rules, which are almost always socially learned. (shrink)

It is of common use in modern Venn diagrams to mark a compartment with a cross to express its non-emptiness. Modern scholars seem to derive this convention from Charles S. Peirce, with the assumption that it was unknown to John Venn. This paper demonstrates that Venn actually introduced several methods to represent existentials but felt uneasy with them. The resistance to formalize existentials was not limited to diagrammatic systems, as George Boole and his followers also failed to provide a satisfactory (...) symbolic representation for them. This difficulty points out issues that are inherent to the very nature of existentials. This paper assesses the various methods designed for the representation of existential statements with Venn diagrams. First, Venn’s own attempts are discussed and compared with other solutions proposed by his contemporaries and successors, notably Lewis Carroll and Peirce. Since disjunctives hold an important role in an effective representation of existentials, their representation is also discussed. Finally, recent methods for the diagrammatic representation of existing individuals, rather than mere existence, are surveyed. (shrink)

Many writers who have discussed the Singularity have treated it not only as the inevitable outcome of advancements in cybernetic technology, but also as natural consequence of broader patterns in the development of human knowledge, or of human history itself. In this paper I examine these claims in light of Karl Popper’s famous philosophical critique of historicism. I argue that, because the Singularity is regarded as both a product of human ingenuity and a reflection of the permanent limitations of our (...) rational capacities, speculation about its likelihood occupies an interesting border zone between what Popper referred to as “technological prediction” and what he lambasted as “prophecy.” I go on to examine representations of a post-singularity world in the novels of Iain M. Banks, as well as in Bruce Sterling’s short story “The Beautiful and the Sublime.” These narratives demonstrate how trying to imagine what human life might be like in the presence of intellectually superior AIs requires a more aggressively skeptical attitude toward the human capacity to understand our own history than even Popper was prepared to allow for. (shrink)

This paper argues in the first place that nominalists are right in insisting against ontological realists that semantic universality does not require commitment to universal entities. However, Ockham, in his zeal to get rid of Scotus’s universal entities, swept under the carpet the issue of universal representational content of genuinely universal symbols, conflating it with the mere indifference of the information content of non-distinctive singular representations. Buridan did come up with an abstractionist theory of the formation of genuinely (...) universal representational content to solve the resulting issues, however, the paper argues further, his solution is committed to attributing the sort of “aspectuality” to universal absolute concepts that his Ockhamist semantics denies to them. The conclusion of the paper suggests how Aquinas’s “moderate realism” can provide a consistent solution without the ontological extravaganza of ontological realists, without conflating the mere indifference of singular representation with genuine universality, and without having to deny aspectuality to our quidditative universal concepts formed by abstraction. (shrink)

Rousseau's Lettresécritesdelamontagne have traditionally been cited as evidence of the influence on his thinking of Genevan traditions of democratic republican political argument, on the grounds that the Lettres were written on behalf of those members of the citizens and bourgeois in the city who were critical of the growing powers of the magistracy, the co-called représentants. This essay proposes a different reading. It argues that the Lettres confirmed long-standing Genevan suspicions about Rousseau's politics and theology which were held both by (...) the représentants and the magistrates. The reason was that Rousseau had composed the Lettres as a critique both of représentant plans for democratic reform and of magisterial usurpation of the sovereign rights of the citizens. The Lettres underscored Rousseau's commitment to the distinction between sovereignty and government outlined in the Contratsocial. Rousseau believed that Geneva deserved to be a model for European states because the distinction between sovereignty and government characteristic of its constitution had such clear historical roots. He also recognized that growing uncertainty concerning the relative powers of the General Council, the smaller executive committees of leading magistrates, and the Consistory had created a political impasse. Accordingly the Lettres argued for a new political settlement, that would redefine the constitutional relationship between citizens and magistrates, as well as between church and the state. Rousseau emerges as a dedicated enemy of democratic political innovation in Geneva, and an advocate of renewed Reformation which would make religion the foundation of an anti-commercial morality. Rousseau's singular and heterodox perspective on Geneva and its history is outlined in the essay, which places Rousseau's Lettres in the broader local context of republican and magisterial reform politics. (shrink)

This paper is concerned with the particular problems raised by observations of phenomena outside the common course of nature for their validation as knowledge. It examines to what extent the content of the reports and, in particular, their lack of intrinsic plausibility affected the methods used in their authentication and the assessment of testimony at the Royal Society in the first half of the eighteenth century. I show that literary strategies were usually necessary but not sufficient for the validation of (...) these kinds of observations. Next, I discuss why visual representations were especially useful in establishing the singularity of the observations, but I point out that their high costs and other restrictions meant that they were not so widespread. In contrast I show that, for a long period of time, testimony was used in the majority of the reports as the true stamp of authenticity. I note, however, that the Royal Society accepted reports by authors of varied social status, level of education and occupation, and I discuss some of the factors responsible for the complexity of the handling of testimony at the Society. I argue against Shapin that in the case of reports of extraordinary phenomena, the competence of the reporter and witnesses was often more important than their social status. The increasing role of expertise in the assessment of observations at the Society become especially apparent by the middle of the eighteenth century.Author Keywords: Authentication; Competence; Monstrous births; Singular; Testimony; Royal Society of London. (shrink)

The possibility of formal representation of Aristotle’s discussion about singular predication in Categories 10, 13b27-35 is investigated through three symbolic idioms: the first-order language with identity, with and without definitive description, and through the languages of free logics. I show that such representations are not fully adequate. According to the first option, we are committing Aristotle with some (meta)logical implications he is not willing to accept. According to the second option, we are burdening Aristotle with Russell’s theory of (...) names. Finally, the third option leaves us with the assumption that ‘exist(s)’ could be represented with a predicate. This assumption, however, Aristotle emphatically rejects. (shrink)

A perspective is developed for approaching affliction as a social fact. Disability and disease are considered as two ways in which we suffer a disjunction which arises from the need to take initiative with respect to the inexorable, whether that means the mark of disability or the unconquerability of disease.The story of affliction always raises and masks in certain respects the problem of suffering as the collective representation of our experience of subjectivity where that experience passes through the separateness of (...) being marked to the singularity of being without hope. (shrink)

Kant and Bolzano agree that intuitions are non-accidentally singular, but each offers more than one explanation of why this is the case. One model, exemplified by Bolzano's explication of intuitions as “this”-representations, posits a type of representation which is such that it can only have one object. A very different explanation, prominent in Kant's Transcendental Aesthetic, has recourse to the fact that certain classes of objects can have only one instance, and argues on this basis that some (...) class='Hi'>representations with those contents are singular. This paper surveys various versions of these two explanations and uses each philosopher's answers to shed light on the other's. (shrink)

The article takes as its starting point the work of Tomas Kulka on Kitsch and Art to further a philosophical move aiming at the very logical core of the question of art. In conclusion, the idea of Singular Rule is offered as capturing the defining logic of art. In so doing, the logical structure of a singular rule is uncovered and in that also the sense in which the idea of singular rule both explains and justifies the (...) role that art plays in our life. In his Kitsch and Art Tomas Kulka extends Karl Popper's refutation principle in science to the arts. He asks of a true work of art to be open to “refutation” by way of evaluating it against its own admissible alterations or variations. An admissible alteration according to Kulka is a change or a modification of the work that does not “shatter its basic perceptual gestalt”. In considering alterations that are aesthetically better, worse or neutral with respect to the original picture, Kulka offers us a rational reconstruction of key aesthetics concepts such as unity, complexity and intensity. His reconstruction will show that a work of kitsch does not qualify as art in direct analogy to a proposition that cannot qualify as scientific if it is not refutable. Kitsch cannot be “refuted” by any of its possible alterations as they are all of equal aesthetic value. This explains the aura of empty perfectionism that accompanies the experience of kitsch since the work of kitsch does not carry any promise for improvement nor does it show itself superior to any of its possible alterations. Notwithstanding Kulka’s novel analysis, its premise we must note is grounded in the work of art impressing on us a single basic perceptual gestalt with respect to which an alteration can qualify as admissible. But in acknowledging the possibility of a gestalt-switch or the fact that the work of art can impress on us a variety of mutually-exclusive perceptual gestalts, Kulka's analysis loses the logical anchor necessary for it to work. However, in what might look at first sight as an unrecoverable logical deficiency, we find an anchor to a novel analysis to the question of art. This is our analysis to the idea of art as a singular rule. Indeed, the concept of a singular rule - a rule onto itself which has exclusively itself as its own argument - must strike us as paradoxical. But in offering to reconstruct the work of art through the complementary concepts of background and figure - to match respectively the how and the what of the work - we are able to provide a structural resolution to the idea of singular rule as what defines art. In this we believe we deliver a definitive answer to the question of art. (shrink)

The difficulties encountered by attempts to treat identity as a relation between an object and itself are well-known: "...the sentence 'The morning star is...the morning star' is analytic and a truism, while...'The morning star is the evening star' is synthetic and represents a 'valuable extension of our knowledge'... But if {the morning star} and {the evening star} are the same object, and identity is taken as a relation holding between this object and itself, then it is impossible to explain how (...) the two sentences can differ in cognitive content... ". Russell's solution to these difficulties rejects the identification of logical with grammatical form, in effect denying that such sentences assert relations between the morning star and itself. The logical representations which the Russellian proposes, contain quantifiers, predicate letters, and individual variables, but no expressions standing for particulars. The Fregean solution, while admitting logical representations whose nominal expressions stand for particulars, insists that the meaning of such expressions is different from their reference. Frege-Russell analyses thus both deny that the morning star is involved qua particular in the meaning of the sentences in question. ;Rather than replace the morning star as ontological subject of these sentences, I suggest that their difference in meaning arises from the kind of particular that the identity-relation relates--a particular which, unlike its Frege-Russell counterpart, is two-sided and multi-faceted. Such a particular requires an ambiguous singular term. In Chapter 1, I utilize such a term to provide a surfacist account of belief-context ambiguity requiring neither differences in relative scope nor distinctions between sense and reference. In Chapter 2, I go on to provide an account of negative existentials, necessity- and identity-statements which resolves philosophical problems that Russell-Frege analyses only avoid. To solve these problems, I show that it is necessary to reject two canons of philosophical logic, the Law of Identity and the Indiscernibility of Identicals. (shrink)

1. Clark’s book is a detailed study of the nature of sensory representation. It is highly informed by empirical results in the psychology of perception, and philosophically rich and significant. I admire the book and learned a great deal from reading it. As it covers a wide range of topics, and as I have no overarching critique to present, in this commentary I will briefly address three issues that come up in the book: Clark’s relational type-identity thesis for sensory qualities, (...) his theory that sensory representations involve proto-singular terms referring to spatio-temporal regions in the subject’s environment, and his interesting proposal concerning color to treat it as “difference coding”. Some of my remarks will be critical, but others will just explore some of the implications of his view. 2. Clark distinguishes “phenomenal properties” from “qualitative properties”, the former being appearance properties of things in the world (their colors, shapes, tastes, odors, etc.) and the latter being the properties of sensations by virtue of which they are sensations of their corresponding phenomenal properties. So when I see a red ball I am “directly” aware of the ball’s redness and roundness - it appears red and round to me. This awareness of the ball’s redness and roundness is accomplished, however, by my having a visual experience with certain qualitative properties; those that are of the sort one has when seeing something as red and round. It is these latter qualitative properties that are the subject of his relational type-identity thesis. Before addressing that thesis, however, I want to quickly note and respond to another point Clark makes concerning the qualitative properties of sensory states. He.. (shrink)

The article takes as its starting point the work of Tomas Kulka on Kitsch and Art to further a philosophical move aiming at the very logical core of the question of art. In conclusion, the idea of Singular Rule is offered as capturing the defining logic of art. In so doing, the logical structure of a singular rule is uncovered and in that also the sense in which the idea of singular rule both explains and justifies the (...) role that art plays in our life. In his Kitsch and Art Tomas Kulka extends Karl Popper's refutation principle in science to the arts. He asks of a true work of art to be open to “refutation” by way of evaluating it against its own admissible alterations or variations. An admissible alteration according to Kulka is a change or a modification of the work that does not “shatter its basic perceptual gestalt”. In considering alterations that are aesthetically better, worse or neutral with respect to the original picture, Kulka offers us a rational reconstruction of key aesthetics concepts such as unity, complexity and intensity. His reconstruction will show that a work of kitsch does not qualify as art in direct analogy to a proposition that cannot qualify as scientific if it is not refutable. Kitsch cannot be “refuted” by any of its possible alterations as they are all of equal aesthetic value. This explains the aura of empty perfectionism that accompanies the experience of kitsch since the work of kitsch does not carry any promise for improvement nor does it show itself superior to any of its possible alterations. Notwithstanding Kulka’s novel analysis, its premise we must note is grounded in the work of art impressing on us a single basic perceptual gestalt with respect to which an alteration can qualify as admissible. But in acknowledging the possibility of a gestalt-switch or the fact that the work of art can impress on us a variety of mutually-exclusive perceptual gestalts, Kulka's analysis loses the logical anchor necessary for it to work. However, in what might look at first sight as an unrecoverable logical deficiency, we find an anchor to a novel analysis to the question of art. This is our analysis to the idea of art as a singular rule. Indeed, the concept of a singular rule - a rule onto itself which has exclusively itself as its own argument - must strike us as paradoxical. But in offering to reconstruct the work of art through the complementary concepts of background and figure - to match respectively the how and the what of the work - we are able to provide a structural resolution to the idea of singular rule as what defines art. In this we believe we deliver a definitive answer to the question of art. (shrink)

It is acknowledged that Francisco Suarez had an excellent knowledge of the Medieval Scholastic tradition. In this project, I focus on one topic, human knowledge of material singulars, to determine Suarez's debt to and freedom from the Scholastic tradition. The representative thinkers of the Medieval tradition that I consider are Thomas Aquinas, John Duns Scotus, and William of Ockham. ;In the first two Chapters, I consider the accounts of John Duns Scotus and William of Ockham on the issue of knowledge (...) of singulars. I show that both Scotus and Ockham try to distance themselves from the analysis of indirect knowledge of material singulars presented by Aquinas. Although Scotus retains the notion that the universal nature is the first object of the intellect, his stress on the autonomy of the intellect in its relation to sense cognition paved the way for Ockham. Notably, Ockham rejects any account of knowledge that requires intermediary representational species, and consequently adopts a position that stresses the intellect's ability to know singulars directly via intuitive cognition. ;In the final two Chapters, I discuss in detail Suarez's account of knowledge of material singulars. I show that Suarez accepts Ockham's basic arguments for the priority of knowledge of the singular but at the same time retains the necessity of intelligible species. His account of the relationship between sense cognition and intellectual cognition owes some debt to Scotus, but Suarez accents the theme of the autonomy of the intellect to an extremely high degree. Furthermore, he rejects Ockham's account of intuitive cognition, positing instead a theory of cognition that requires representational species at every step in the cognitive process, both sensory and intellectual. Consequently, Suarez presents us with a highly nuanced and extremely consistent account of knowledge that leaves no explanatory "gaps.". (shrink)

This study focuses on the static output feedback control of nonlinear Markov jump singularly perturbed systems within the framework of Takagi–Sugeno fuzzy approximation. From a practical point of view, the phenomenon of asynchronous switching between the plant and the controller is considered and characterized by a finite piecewise-homogenous Markov process. Particularly, for facilitating the controller synthesis, the closed-loop system is transformed into a fuzzy Markov jump singularly perturbed descriptor system by adopting descriptor representation. In order to fully accommodate the system (...) features, an appropriate stochastic Lyapunov function is constructed. Afterwards, by combining Finsler’s lemma, the mean square exponential admissibility of the system is analyzed. The conditions ensuring the existence of the predesigned controller are given and further solved by designing a brief search algorithm. Finally, a typical circuit system is used to demonstrate the application potential of the developed control technology and the effectiveness of the control strategy. (shrink)

This essay argues that the representation of pain in Beckett’s writing exposes the paradox in his work concerning the relationship of the individual suffering subject and the community. Making reference to studies of pain and literature generally and to salient studies of Beckett, the essay shows how the narration of pain in Beckett’s prose works in particular is closely linked to its more general interrogation of subject-object relations. As the preeminent agent, source as well as repository of pain, writing in (...) Beckett itself comes to occupy, in a transpositional manner, the poles of subject, object and work. If ‘pain’ names the subject-object continuum, that very conjunction exposes the co-habitants to their own mutual espacement – qua subject and object. The common feeling is countermanded in advance by separation. The conjunction gives rise to a sapping, devastating and agonising attempt to conjure an image, an image which holds out the possibility of the felicity, or at least palliation, offered by community. The image is, however, both a wounding regime and a generative regime. The two components, pain and community, are illustrated with specific reference to Texts for Nothing, through an analysis of which a new conjuncture of the themes of pain, community and the role of the work of art is proposed. (shrink)