Many believe that the rational evaluation of actions depends on the rational evaluation of even basic desires. Hume, though, viewed desires as "original existences" which cannot be contrary to either truth or reason. Contemporary critics of Hume, including Norman, Brandt and Parfit, have sought a basis for the rational evaluation of desires that would deny some basic desires reason-giving force. I side with Hume against these modern critics. Hume's concept of rational evaluation is admittedly too narrow; (...) even basic desires are, despite their nonrepresentational nature, subject to rational evaluation. But this evaluation is not relevant to their tendency to generate reasons for action, and does not undermine the spirit of the Humean view of rational action. (shrink)

We often have affective responses to fictional events. We feel afraid for Desdemona when Othello approaches her in a murderous rage. We feel disgust toward Iago for orchestrating this tragic event. What mental architecture could explain these affective responses? In this paper I consider the claim that the best explanation of our affective responses to fiction involves imaginative desires. Some theorists argue that accounts that do not invoke imaginative desires imply that consumers of fiction have irrational (...) class='Hi'>desires. I argue that there are serious worries about imaginative desires that warrant skepticism about the adequacy of the account. Moreover, it is quite difficult to articulate general principles of rationality for desires, and even according to the most plausible of these possible principles, desires about fiction are not irrational. (shrink)

We sometimes want to understand irrational action, or actions a person undertakes given that their acting that way conflicts with their beliefs, their desires, or their goals. What is puzzling about all explanations of such irrational actions is this: if we explain the action by offering the agent’s reasons for the action, the action no longer seems irrational, but only a bad decision. If we explain the action mechanistically, without offering the agent’s reasons for it, then (...) the explanation fails to explain the behavior as an action at all. I focus on cases that result from compulsion or irresistible desire, especially addiction, and show that this problem of explaining irrational actions may be insurmountable because, given the constraints on action explanations, we cannot explain irrational actions both as irrational and as actions. (shrink)

It is widely held by commentators that in the Protagoras, Socrates attempts to explain the experience of mental conflict and weakness of the will without positing the existence of irrational desires, or desires that arise independently of, and so can conflict with, our reasoned conception of the good. In this essay, I challenge this commonly held line of thought. I argue that Socrates has a unique conception of an irrational desire, one which allows him to explain (...) the experience of mental conflict and weakness of the will, while still holding the Socratic thesis that we always do what we think is good. The resulting picture is both psychologically plausible and philosophically distinctive. (shrink)

1. When we attribute beliefs, desires, and other states of common sense psychology to a person, or for that matter to an animal or an artifact, we are assuming or presupposing that the person or object can be treated as an intentional system. 2. An intentional system is one which is rational through and through; its beliefs are those it ought to have, given its perceptual capacities, its epistemic needs, and its biography…. Its desires are those it ought (...) to have, given its biological needs and the most practicable means of satisfying them…. And its behavior will consist of those acts that it would be rational for an agent with those beliefs and desires to perform. [beliefs + desires  action] 3. If rationality is absent, we cannot coherently ascribe beliefs at all. 4. Therefore, no experiment could demonstrate that people systematically invoke invalid or irrational inferential strategies. (shrink)

The formal theory of rational choice as grounded in desire-satisfaction cannot account for the problem of such deformed desires as women's slavish desires. Traditional “informed desire” tests impose conditions of rationality, such as full information and absence of psychoses, but do not exclude deformed desires. I offer a Kantian-inspired addendum to these tests, according to which the very features of deformed desires render them irrational to adopt for an agent who appreciates her equal worth.

: The formal theory of rational choice as grounded in desire-satisfaction cannot account for the problem of such deformed desires as women's slavish desires. Traditional "informed desire" tests impose conditions of rationality, such as full information and absence of psychoses, but do not exclude deformed desires. I offer a Kantian-inspired addendum to these tests, according to which the very features of deformed desires render them irrational to adopt for an agent who appreciates her equal worth.

[Michael Smith] The requirements of instrumental rationality are often thought to be normative conditions on choice or intention, but this is a mistake. Instrumental rationality is best understood as a requirement of coherence on an agent's non-instrumental desires and means-end beliefs. Since only a subset of an agent's means-end beliefs concern possible actions, the connection with intention is thus more oblique. This requirement of coherence can be satisfied either locally or more globally, it may be only one among a (...) number of such requirements on an agent's total set of desires and beliefs, and it has no special connection with reasoning. An appreciation of these facts leads to a better understanding of both the nature and the significance of instrumental rationality. /// [Edward Harcourt] I argue that the incoherence Smith claims to identify in agents who desire that q, believe that p is a necessary means to q, but fail to desire that p is illusory, since it rests on the false assumption that every property I know to be possessed by an object of my desire is an object of my desire. Though the failure of Smith's account of the irrationality of this pattern of attitudes leaves it open that the pattern is indeed irrational, I argue that there are instances of it that are not irrational where the desires are desires for what the agent knows to be impossible for him. This conclusion casts doubt on the overall strategy-that of making a Humean theory of action explanation do duty as a theory of instrumental rationality-which implies that the norms of instrumental rationality apply to desires simply as such. I then try to criticise the strategy in such a way as to leave the Humean theory of action explanation unaffected. (shrink)

The formal theory of rational choice as grounded in desire-satisfaction cannot account for the problem of such deformed desires as women's slavish desires. Traditional “informed desire” tests impose conditions of rationality, such as full information and absence of psychoses, but do not exclude deformed desires. I offer a Kantian-inspired addendum to these tests, according to which the very features of deformed desires render them irrational to adopt for an agent who appreciates her equal worth.

[Michael Smith] The requirements of instrumental rationality are often thought to be normative conditions on choice or intention, but this is a mistake. Instrumental rationality is best understood as a requirement of coherence on an agent's non-instrumental desires and means-end beliefs. Since only a subset of an agent's means-end beliefs concern possible actions, the connection with intention is thus more oblique. This requirement of coherence can be satisfied either locally or more globally, it may be only one among a (...) number of such requirements on an agent's total set of desires and beliefs, and it has no special connection with reasoning. An appreciation of these facts leads to a better understanding of both the nature and the significance of instrumental rationality. /// [Edward Harcourt] I argue that the incoherence Smith claims to identify in agents who desire that q, believe that p is a necessary means to q, but fail to desire that p is illusory, since it rests on the false assumption that every property I know to be possessed by an object of my desire is an object of my desire. Though the failure of Smith's account of the irrationality of this pattern of attitudes leaves it open that the pattern is indeed irrational, I argue that there are instances of it that are not irrational where the desires are desires for what the agent knows to be impossible for him. This conclusion casts doubt on the overall strategy-that of making a Humean theory of action explanation do duty as a theory of instrumental rationality-which implies that the norms of instrumental rationality apply to desires simply as such. I then try to criticise the strategy in such a way as to leave the Humean theory of action explanation unaffected. (shrink)

ABSTRACT There are three competing theories to account for our affective responses to fictional events. The proponents of imagination + i-desire argue that the alternative accounts imply that consumers of fiction are irrational. In Imagination, Desire and Rationality, Spaulding challenges this claim and argues that the imagination + desire and desire + desire accounts do not imply that consumers of fiction are irrational. In this paper, I attempt to rebut Spaulding’s arguments.

An important objection to many utilitarian theories is that their conceptions of utility may count as morally relevant contributions to individual well-being items which are morally or rationally suspect. For example, if the conception of utility is pleasure, or alternatively, the fulfilment of actual desire or satisfaction of preferences, then greater individual utility may be produced by whatever increases pleasure, fulfils desire, or satisfies someone's preferences. This is true no matter how disgusting or vile we may think such pleasures are, (...) or how irrational or distasteful we find the fulfilment of a desire or the satisfaction of some preference. (shrink)

Moore's paradox is a paradox in which certain kinds of belief or assertion, such as a belief that ?it is raining and I do not believe that it is raining?, are irrational despite involving no obvious contradiction in what is believed. But is there a parallel paradox involving other kinds of attitude, in particular desire? I argue that certain kinds of desire would be irrational to have for similar, distinctive reasons that having Moorean beliefs would be irrational (...) to have. Hence, I argue that such desires, a desire that ?one have a particular desire that was frustrated? or a desire that ?some state of affairs obtain about which one was indifferent?, are a parallel Moorean paradox of desire. I further argue that this analogous paradox has implications for practical reasoning, in particular by presenting a problem for instrumentalism about the objects of desire. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Desire and Monstrosity in the Disaster Film:Alfred Hitchcock's The BirdsDavid Humbert (bio)The theme of the relationship between desire and violence appears regularly in modern film criticism, and studies of this issue range in theoretical orientation from the Lacanian to the feminist.1 Though René Girard's view of this relationship is also regularly mentioned in studies of film violence, it is often with less than full appreciation of the way in (...) which it contradicts central features of structuralist and psychoanalytic approaches to film, approaches that, until recently, have dominated film theory. Furthermore, cinema is mentioned only in passing by Girard himself, sometimes derogatorily, while Girardian studies of films and film makers are relatively few and far between.2 One of the yardsticks by which René Girard demonstrates the validity of his theory of violence is the degree to which it illuminates key aspects of great literature that previously remained unexplained or were passed over in silence. The fundamental concepts of the scapegoat, the double, the rival, and triangular desire can be shown to illuminate similar interpretive lacunae in a wide variety of films of many genres.Alfred Hitchcock's The Birds3 is a case in point. I intend to argue the relevance of the mimetic theory of violence to this film largely as Girard does [End Page 87] himself in relation to works of literature, and hence with no pretense to originality. The theory of the scapegoat and triangular desire persuades because of the particular way it brings to view, and explains, previously unnoticed features of Hitchcock's films, notably The Birds. One must bear in mind, however, that, previous to The Birds, Hitchcock produced a remarkable body of work that is consistently (some would say obsessively) built upon the cluster of themes that Girard identifies with the scapegoat problem. For those who are familiar only with Hitchcock's later, more sensational work, like Psycho4 and The Birds, it may come as a surprise to discover that the director earlier produced films like I Confess5 or The Wrong Man,6 or Vertigo,7 in which the suspense is largely psychological, and in which themes of faith, romantic obsession, or moral conflict take center stage. The Birds is a variation on the works of the 1950s, rather than a completely new point of departure. It is an apocalyptic crystallization of the themes that had always preoccupied Hitchcock.The Birds is perhaps the only film by Hitchcock that envisions total societal breakdown, a disaster of the proportions of a medieval plague. Generally, Hitchcock's films are set in stable, if modern and troubled, societies in which there are at least more or less unquestioned social and economic orders. Flaws in these social orders, however, are evident in the small-scale disasters that happen to individuals in many of Hitchcock's scenarios. The Wrong Man focuses on the story of Manny Balestreros, who is wrongly identified as a criminal and has his life destroyed by a morally blind justice system. In Rope, the practitioners of a nihilistic thrill-kill are shown to be symptomatic of a pervasive moral and intellectual vacuum in contemporary society. Both these films and others by Hitchcock underline the need for morality and social order to withstand the irrational tendencies of human nature. Psycho, in particular, stresses the ambivalence of man in modern civilization. Norman Bates, it seems, is both the product of and yet the immoveable obstacle to the drive for civilization and order.In contrast to these films, The Birds is a film in which civilizational disaster is abrupt, all-consuming, and catastrophic. For no reason, out of the blue, birds collectively mass to attack human beings. The film is nothing more, some would argue, than one more film in the "revenge of nature" genre. But the attack of the birds is not a response called forth by a moral transgression. It is not a reciprocal act of violence, as the "revenge of nature" mode of interpretation would imply. In fact, the very randomness, irrationality, and suddenness of the attack is the key to understanding the film. The preeminent question is, as Slavoj Žižek puts it, "the stupid and... (shrink)

G.E. Moore famously observed that to say, ‘I went to the pictures last Tuesday but I don’t believe that I did’ or ‘I believe that he has gone out, but he has not’. would be ‘absurd’. Moore-paradoxical omissive or commissive beliefs of the forms p & I do not believe that p and p & I believe that not-p. are also absurd, although their contents are possible truths. Can there be ‘Moorean desires’, namely desires of the forms I (...) desire both that and I desire both that that are ‘Moore-paradoxical’, in the sense that they are absurd roughly in the way Moore-paradoxical beliefs are absurd? I argue that the most promising approach to a yes is a normative account of doxastic Moore-paradoxicality that parallels a normative account of Moorean desire. It turns out that this won’t work, not because there are no norms of desire, but because the norms required are ones we should reject. Unlike Moorean belief, which is always irrational, Moorean desire, although often odd, is sometimes sensible. An interesting lesson to be learned along the way—and an important one for functionalism—is that the logic of desire differs from that of both conscious belief and belief per se. (shrink)

In this paper, I analyze the least discussed of Kant’s four examples of duty in the first section of his Groundwork to the Metaphysics of Morals: the gout sufferer who is no longer motivated by natural interest in his long-term wellbeing, and is thus in a unique position to secure his own happiness from duty. This example has long been wrongly interpreted as a failure of prudential rationality, as recently illustrated by Allen Wood’s reading of that example. -/- I argue (...) that the gout sufferer example is meant to illustrate a violation of a duty to the self and should not be confused with mere prudential failure. The example also helps us understand the line between prudential reason and duties to the self. I show that given Kant’s conception of happiness as an indeterminate concept and his hedonistic account of non-moral ends, it can sometimes be more rational from the perspective of empirical practical reason to choose short term over long-term wellbeing when long term wellbeing seems uncertain in regard to expected pleasure. In other words: Kant’s account of empirical practical reason does not rule out as irrational choosing short term pleasure at the expense of long-term wellbeing. However, this is precisely why the gout sufferer’s long-term happiness can be directly morally required and so becomes the content of a duty to the self. To explain how there can be a direct duty to promote our own happiness under certain circumstances I also elucidate Kant’s distinction between direct and indirect duties. (shrink)

Is there a Moore ’s paradox in desire? I give a normative explanation of the epistemic irrationality, and hence absurdity, of Moorean belief that builds on Green and Williams’ normative account of absurdity. This explains why Moorean beliefs are normally irrational and thus absurd, while some Moorean beliefs are absurd without being irrational. Then I defend constructing a Moorean desire as the syntactic counterpart of a Moorean belief and distinguish it from a ‘Frankfurt’ conjunction of desires. Next (...) I discuss putative examples of rational and irrational desires, suggesting that there are norms of rational desire. Then I examine David Wall’s groundbreaking argument that Moorean desires are always unreasonable. Next I show against this that there are rational as well as irrational Moorean desires. Those that are irrational are also absurd, although there seem to be absurd desires that are not irrational. I conclude that certain norms of rational desire should be rejected. (shrink)

Internalists hold that all reasons derive from existing motivations. They also hold that agents act irrationally when they fail to act on the strongest reasons they have. Emotions can make one act irrationally. But depression as an emotion tends to remove the motivation to act at the same time as it causes irrational inaction. If depression can cause irrationality, then the reasons to act must remain. Hence the internalist must explain how reasons can remain if depression removes motivation. This (...) paper does so by arguing that the cognitive, evaluative aspect of motivation remains when the dispositional and affective aspects are removed. (shrink)

The question of the meaning of life has long been thought to be closely intertwined with that of the existence of God. I offer a new theistic, anti-naturalist argument from the meaning of life. It is argued that the desire for life is irrational on naturalism, since there would be no good reason to believe that life is worthwhile on the whole if naturalism were true. As I show, the same cannot be argued of theism. Since it is clear (...) that the desire for life is not irrational, it is concluded that we have strong reason to prefer theism over naturalism. (shrink)

This article traces Pasolini’s engagement with Aeschylus Oresteia and the concept of the “irrational,” through which he sought to excavate patterns of ideological resistance in the classical past. I argue that Pasolini’s translations and adaptations of Aeschylus ultimately failed to achieve his desired ambition to forward an Aeschylus fit for the proletariat, and whose words might spark new kinds of Marxist thought. However, there is value in reading into Pasolini’s practices and his reflections on his work. Acknowledging and parsing (...) his affects of disappointment and resignation, the broader conceptual outlines of his ambitions become clearer as gestures of kind of “failed” classical reception – an attempt to turn the classics to new political ends. An analysis of this kind of failure teaches us broader theoretical lessons about what it might mean to perform a generative and politically fruitful appropriation of the classics, necessarily confronting the entrenched ideologies of the past and their tenacious ability to reproduce themselves even in the most unexpected literary and political contexts. The article engages with selections from Pasolini’s literary, personal, and political writings from the 1960s until his death – connecting his translations and adaptations of Aeschylus to other contemporaneous essayistic, novelistic, and cinematic projects. (shrink)

It is sometimes argued that having inconsistent desires is irrational or otherwise bad for an agent. If so, if agents seem to want a and not-a, then either their attitudes are being misdescribed – what they really want is some aspect x of a and some aspect y of not-a – or those desires are somehow 'inconsistent' and thus inappropriate. I argue first that the proper characterization of inconsistency here does not involve logical form, that is, whether (...) the desires involved have the form 'a and not-a', but rather the possibility of fulfilling all one's desires; and secondly, that the 'essential' conflicts involved in such inconsistencies are quite common and no worse for an agent than contingent conflicts. I draw implications concerning moral epistemology, moral realism and the logic of attitudes. (shrink)

In ‘Patients, doctors and risk attitudes,’ Makins argues that, when physicians must decide for, or act on behalf of, their patients they should defer to patient risk attitudes for many of the same reasons they defer to patient values, although with a caveat: physicians should defer to the higher-order desires of patients when considering their risk attitudes. This modification of what Makins terms the ‘deference principle’ is primarily driven by potential counterexamples in which a patient has a first-order desire (...) with one risk attitude (either risk-seeking or averse) and a second-order desire that this risk attitude not be effective in guiding their choices.1 There are two reasons we might think people with obsessive–compulsive disorder (OCD) are particularly relevant patients for evaluating Makins’ proposal. Not only might their first-order risk attitudes be irrational, but many people with OCD also judge their own OCD behaviours to be excessive or unwarranted making them structurally similar to the counterexamples outlined above. Yet, I argue that recent research about risk and decision-making under uncertainty for those with OCD complicates Makins’ proposal by raising questions of whether and to what degree their risk attitudes are irrational such that they should not play a part in the surrogate decisions made by physicians. This places more …. (shrink)

Richard Brandt, following Hume, famously argued that suicide could be rational. In this he was going against a common ‘absolutist’ view that suicide is irrational almost by definition. Arguments to the effect that suicide is morally permissible or prohibited tend to follow from one’s position on this first issue of rationality. I want to argue that the concept of rationality is not appropriately ascribed – or withheld – to the victim or the act or the desire to commit the (...) act. To support this, I explore how the concept is ascribed and withheld in ordinary situations, and show that it is essentially future-oriented. Since the suicide victim has no future, it makes no sense to call his act rational or irrational. The more appropriate reaction to a declared desire for suicide, or to the news of a successful suicide, is horror and pity, and these are absent from Brandt’s account, as is a humble acknowledgement of the profound mystery at the heart of any suicide. (shrink)

Philosophers, psychiatrists, and social scientists would welcome clarification of the distinction between rational and irrational desires. It may be proper to say that rational desires are those which manifest rationality. But since this seems a rather unilluminating characterization, philosophers sometimes offer definitions of what constitute such manifestations of rationality. I shall consider definitions provided by John Rawls and Richard Brandt. Their definitions are unsatisfactory mainly because they include subjunctive conditionals. An alternative approach, which avoids conditionals, is attractive. (...) But it encounters so many additional problems that I shall conclude that we are not now in a position to define rationality in this area and must treat it as a state or disposition which to date has only been partially characterized. Thus, if we want a definition of the difference between rational and irrational desires, we must at present settle for the rather unexciting one mentioned above. (shrink)

혼에 관한 플라톤의 주장들은 작품들마다 불일치를 보이거나 양립이 어려울 정도로 상충되기도 한다. 혼은 순수하고 단일한 모습을 띠는가 하면, 부분을 갖기도 하고, 불사적인가 하면 사멸적인 부류를 갖기도 한다. 본 논문은 플라톤 혼 이론이 외관상 불일치함에도 불구하고, 그 너머에서 일관된 설명이 가능함을 보이고자 한다. 이를 위해 혼을 두 계기, 즉 몸에서 분리되어 있는 상황과 몸에 깃든 상황으로 나눠서 고찰할 것이다. 혼은 몸에서 분리되어 있을 때 단순하고 순수한 형태를 띠며, 물질적 간섭을 일절 받지 않은 채 자신과 닮은 형상을 관조하는 일에만 몰두한다. 반면에 혼이 (...) 몸에 깃드는 순간, 그것은 몸의 제약을 받고 신체 기관을 통해서만 외부와 조우하며, 몸에 필요한 요소들을 돌봐야 하는 상황에 처한다. 이른바 혼의 비이성적인 부류내지는 기개와 욕구라는 부분은 바로 신체와의 관계 속에서 자신의 존재 근거를 갖는 것이다. 우리는 이런 해석을 바탕으로 혼의 부분에 관한 전통적인 문제들이 어떻게 해소될 수 있는지에 대해서도 그 가능성을 모색해보고자 한다. (shrink)

The ancient Stoics proposed one of the most sophisticated and influential ethical frameworks in the history of philosophy. Its impact on theory and practice lasted for centuries during the Hellenistic and Roman periods. Today, their arguments and theories still inform many contemporary ethical debates. Moreover, some of the framework’s main tenets have been used as a theoretical foundation for cognitive–behavioural therapy (CBT), a widely used psychosocial intervention for improving mental health. Much of its lasting impact is the result of the (...) special attention Stoic ethics pays to moral psychology, action theory and education. Stoics consider one of the main components of the development of virtue to be a careful and systematic training of our desires and aversions. -/- This chapter will offer a clear, succinct and up-to-date discussion of four main topics: (1) the Stoic theory of desire; (2) the complex taxonomies of desire offered by the ancient Stoics; (3) the arguments, educational strategies, and practices the Stoics recommend to discipline our soul and extirpate our irrational desires and finally (4) a brief discussion of the possibility of adapting the Stoic philosophy for the education of desires in the present day. (shrink)

According to Michael Smith’s practicality requirement, if an agent judges that there is reason for her to f in circumstances C, then either she is motivated to f in C or she is practically irrational. As a number of critics have noted, however, it is far from clear that this is correct, for if an agent’s normative judgments have often proven unreliable before, or seem otherwise suspect now, it is not always clear what practical rationality demands of her. I (...) therefore begin by proposing a friendly amendment to Smith’s requirement, one that makes it much easier to defend. I then go on to argue that this requirement is actually much harder to satisfy than Smith thinks it is, and in fact that there is good reason to doubt that it could be satisfied if desires were nothing more than the purely functional states that Smith claims they are. (shrink)

In the first part of the paper, three objections to the precautionary principle are outlined: the principle requires some account of how to balance risks of significant harms; the principle focuses on action and ignores the costs of inaction; and the principle threatens epistemic anarchy. I argue that these objections may overlook two distinctive features of precautionary thought: a suspicion of the value of “full scientific certainty”; and a desire to distinguish environmental doings from allowings. In Section 2, I argue (...) that any simple distinction between environmental doings and allowings is untenable. However, I argue that the appeal of such a distinction can be captured within a relational account of environmental equity. In Section 3 I show how the proposed account of environmental justice can generate a justification for distinctively “precautionary” policy-making. (shrink)

Wish-fulfilment as a singular means of satisfying ineluctable desire is a pivotal concept in classical psychoanalysis. Freud argued that it was the thread that united dreams, daydreams, phantasy, omnipotent thinking, neurotic and some psychotic symptoms such as hallucinations and delusions, art, myth, and religious illusions. The concept's theoretical exploration has been largely neglected within psychoanalysis since, but contemporary philosophers have recognised it as providing an explanatory model for much of the kind of irrational behaviour so problematic for psychiatry, social (...) psychology and the philosophy of mind. Although critically neglected in contemporary psychological and psychoanalytic thought, the concept remains clinically fundamental, under different labels: it encompasses the processes of omnipotent phantasy, symbolic or substitutive satisfaction, actualisation in transference and acting out, symptom formation and defenses such as projective identification. Wish-fulfilment can be shown to be a specifically psychoanalytic compartment of a common-sense psychological theory of action that illuminates not just clinical material but also the paradoxes of irrationality – such as weakness of will and self-deception – that preoccupy philosophers. The first half of this book develops a comprehensive and novel theory of wish-fulfilment, explores its radical implications for the structure of mind, and locates it against the backdrop of both contemporary psychoanalytic and philosophical thought. In the second half, the book applies the theory to illuminate important features of self-deception and delusion, religion, insanity defences, creative writing and the exclusion of mind and intention in the biological drift of modern psychiatry. The book will be essential to philosophers of mind, psychoanalysts, psychiatrists, psychologists, social theorists, and students in these disciplines; as well as readers interested in understanding how the mind works in mental illness, self-deception, religion, and creative writing. (shrink)

According to Davidson, an agent S acts for a reason if S has a pro-attitude towards actions of a certain kind, and if S believes that her action is of that kind. Reasons not only explain actions, but they also justify them. Given this account of rational action, how do we explain what happens when an agent acts irrationally? Psychoanalysis seems to explain irrational behaviour by extending the domain of rational explanation into the unconscious, and Davidson himself admits that (...) many of the reasons and desires that lead to action may not be conscious. But does the appeal to unconscious beliefs and desires fill in the required explanatory gap? I shall argue that it does not. Borrowing Richard Wollheim’s distinction between “acting on phantasy” and “acting on desire” to show how ordinary action differs from deeply irrational activity, I shall argue that irrational activity differs from rational action, not only in terms of the kinds of beliefs and desires involved, but also in terms of the structure of the relationship between mental states and action. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Diacritics 31.2 (2001) 35-48 [Access article in PDF] Film, Freud, and ParanoiaDalí and the Representation of Male Desire in An Andalusian Dog Ignacio Javier López An Andalusian Dog, one of the most universally acclaimed films in cinema history, is frequently mentioned by critics as a privileged point of reference for the Surrealist rebellion. The film remains enigmatic to this day. Criticism has concentrated on the validity and effectiveness of (...) its images to exemplify the avant-garde attack against social conventions and against the exclusive dominance of rationality in epistemology and social discourse. But this contextual approach does not take account of the script's fragmented narrative, which finds support in Freud's psychoanalytical theories and articulates a radical proposal for identity and culture. Largely neglected by critics, this narrative has been highly influential in the history of cinema. An Andalusian Dog is central to a long list of films that explore different aspects of the irrational, among them Jean Cocteau's Le sang du poète, Hunt Stromberg's The Strange Woman, Guy Debord's script Howling in Favor of the Marquis de Sade, Alfred Hitchcock's Spellbound, David Lynch's Blue Velvet, Jonathan Demme's The Silence of the Lambs, and Philip Kaufman's Quills. This impressive list underscores the need for an interpretative critical effort that accounts for the authors' proposal in the context of the Surrealist reaction to convention and tradition.Conventionally An Andalusian Dog has been viewed as a film about sexuality; I suggest that sexuality appears in the film as the pretext for a discussion of the threat sexual desire poses for male identity. In this respect, the film develops ideas that begin to appear in paintings completed by Dalí after his initial contact with Freud's works in the mid-1920s. These paintings display male identity as a fragile form of subsistence unfolding between two alternate forces, desire and fear: the desire for sexual realization and the opposed fear that sexual intercourse will conclude in disease and ultimately in death. Given the scarcity of Buñuel's production prior to 1929, I suggest that Dalí's monumental production of paintings during these years served as a preliminary visual point of reference for the design of some of the images in An Andalusian Dog.By concentrating on Dalí's work, I do not mean to suggest that he deserves exclusive credit for the film; a careful examination of Buñuel's writings clearly indicates that the movie included most of his interests as well. Nonetheless, I would like to correct what has become a common trend in the study of An Andalusian Dog. In the early 1940s, Buñuel and Dalí's friendship came to an abrupt end, and in the following years each claimed sole authorship for the ideas in the film. The conflict between the two artists contaminated critical attitudes, which were guided exclusively by Buñuel's pre-1929 writings on cinema. The recurrence of images in the filmmaker's subsequent work was employed to confirm critics' initial intuitions that the film was exclusively Buñuel's. As a result, Dalí's name became increasingly dissociated from the movie, as is illustrated by the absence of the painter's name on the cover of the English edition of the script. However, the antagonism that separated the artists more than ten years after An [End Page 35] [Begin Page 37] Andalusian Dog premiered in Paris on June 6, 1929, should not be a consideration in our critical understanding of this work. Although Buñuel directed the movie and deserves to be recognized for his undeniable input, we should not forget that he eagerly sought the painter's cooperation in writing the script. Moreover, contrary to Buñuel's later practice of frequently altering the initial script during the course of the film's production, An Andalusian Dog closely follows the original plan. This furthers the idea of the importance of Dalí's contribution, and, despite the opposing claims made by both artists in later years, it certainly appears... (shrink)

In deriving his moral code, Hobbes does not appeal to any mind-independent good, natural human telos, or innate human sympathies. Instead he assumes a subjectivist theory of value and an egoistic theory of human motivation. Some critics, however, doubt that his laws of nature can be constructed from such scant material. Hobbes ultimately justifies the acceptance of moral laws by the fact that they promote self-preservation. But, as Hobbes himself acknowledges, not everyone prefers survival over natural liberty. In this essay (...) I show that Hobbes can argue that the desire for self-preservation is rationally required by modifying his subjectivist theory of the good to equate what is good for an agent only with the satisfaction of desires (for her own life) that she has at the time that they are satisfied. It is thus irrational to prefer postmortem glory over survival since an agent must be alive for glory to have any value for her. (shrink)

According to Railton: x is good for me iff my Fully Informed Self (FIS) while contemplating my situation would want me to want x. I offer four interpretations of this view. The first three are inadequate. Their inadequacy rests on the following two facts: (a) my FIS cannot want me to want what would be irrational for me to want, (b) when contemplating what is rational for me to want we must specify a particular way in which I could (...) rationally acquire the recommended desire. As a result, what my FIS could reasonably want me to want is limited by what information my FIS could reliably convey to me. And therefore what my FIS could reasonably want me to want cannot be grounded in changes in desires that my FIS cannot publicly justify. The fourth interpretation limits the scope of what my FIS could want me to want in a way that avoids these problems, but conflicts with standard intuitions about what is a non-moral good. (shrink)

G.E. Moore famously observed that to say, ‘I went to the pictures last Tuesday but I don’t believe that I did’ or ‘I believe that he has gone out, but he has not’. would be ‘absurd’. Moore-paradoxical omissive or commissive beliefs of the forms p & I do not believe that p and p & I believe that not-p. are also absurd, although their contents are possible truths. Can there be ‘Moorean desires’, namely desires of the forms I (...) desire both that and I desire both that that are ‘Moore-paradoxical’, in the sense that they are absurd roughly in the way Moore-paradoxical beliefs are absurd? I argue that the most promising approach to a yes is a normative account of doxastic Moore-paradoxicality that parallels a normative account of Moorean desire. It turns out that this won’t work, not because there are no norms of desire, but because the norms required are ones we should reject. Unlike Moorean belief, which is always irrational, Moorean desire, although often odd, is sometimes sensible. An interesting lesson to be learned along the way—and an important one for functionalism—is that the logic of desire differs from that of both belief and conscious belief. (shrink)

Rapid Automatized Naming is considered a universal marker of developmental dyslexia and could also be helpful to identify a reading deficit in minority-language children, in which it may be hard to disentangle whether the reading difficulties are due to a learning disorder or a lower proficiency in the language of instruction. We tested reading and rapid naming skills in monolingual Good Readers, monolingual Poor Readers, and MLC, by using our new version of RAN, the RAN-Shapes, in 127 primary school students. (...) In line with previous research, MLC showed, on average, lower reading performances as compared to mGR. However, the two groups performed similarly to the RAN-Shapes task. On the contrary, the mPR group underperformed both in the reading and the RAN tasks. Our findings suggest that reading difficulties and RAN performance can be dissociated in MLC; consequently, the performance at the RAN-Shapes may contribute to the identification of children at risk of a reading disorder without introducing any linguistic bias, when testing MLC. (shrink)

Excerpt from La Notion d'Espace Le probleme de l'espace que nous nous proposons de traiter forme une partie integrante de la cosmologie. Il a sa place tout indiquee dans cette etude cosmologique, intitulee: les causes constitutives du monde mineral. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format (...) whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)