Results for ' Folk art'

996 found
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  1.  1
    Estetik och kunskapsteori.Folke Leander - 1950 - Göteborg,: Elanders boktr..
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  2. Estetik Och Kunskapsteori Croce, Cassier, Dewey.Folke Leander - 1950 - Elanders Boktr.
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  3.  6
    Analysis of measurement as a general scientific method: methodological approach.I. F. Ivashkin & O. V. Folk - 2018 - Liberal Arts in Russia 7 (3):197.
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  4. Non-state justice institutions and the law : decision-making at the interface of tradition, religion and the state.Chiara Correndo, M. Kötter, T. J. Röder, G. Folke Schuppert & R. Wolfrum - 2016 - In Giuseppe Limone (ed.), Ars boni et aequi: il diritto fra scienza, arte, equità e tecnica. Milano: F. Angeli.
     
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  5.  13
    A Dictionary of Contemporary American ArtistsPolitics and Film.James M. Highsmith, Paul Cummings, Leif Furhammar, Folke Isaksson & K. French - 1972 - Journal of Aesthetics and Art Criticism 30 (4):568.
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  6.  16
    The Folk Arts of Japan.E. Dale Saunders & Hugo Munsterberg - 1958 - Journal of the American Oriental Society 78 (4):330.
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  7.  10
    Folk art of China: artistic characteristics of New Year's paintings "puhui Nianhua" of Gaomi city, Shandong Province.Cuiping Wang & Jiezhang Lv - forthcoming - Philosophy and Culture (Russian Journal).
    This study is devoted to the artistic and stylistic analysis of traditional Chinese New Year's pictures called "puhui nianhua" on the example of historical and documentary material collected in the city of Gaomi in Shandong province. It traces the changes in its form and content, the means of expression used during the five-hundred-year history of its distribution in China. The subject of attention is the development of Chinese splint pictures from the Ming Dynasty to the present. As an object, we (...)
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  8.  17
    Finding the Tradition in Folk Art: An Art Educator's Perspective.Kristin G. Congdon - 1986 - The Journal of Aesthetic Education 20 (3):93.
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  9.  13
    Development and study of Chinese folk art of paper cutting.Keying Wang - forthcoming - Philosophy and Culture (Russian Journal).
    As a type of Chinese folk art, jianzhi paper carving expresses not only people's spiritual life, but also their aspirations for a better life. Chinese paper carving art is filled with simple life wisdom and good wishes, and the figurative symbols contain unique artistic value and national traits. However, in today's multifaceted development, the traditional art of paper carving with a thousand years of history is gradually fading away. Traditional folk art represented by paper cutting has also begun (...)
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  10.  17
    Stereoscopic Perspective: Reflections on American Fine and Folk Art.Michael D. Hall - 1989 - Journal of Aesthetics and Art Criticism 47 (2):200.
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  11. Preaching as Local Theology and Folk Art.Leonora Tubbs Tisdale - 1997
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  12.  14
    Outside In: Deliberations on American Contemporary Folk Art.Elizabeth Manley Delacruz - 2000 - The Journal of Aesthetic Education 34 (1):77.
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  13. The Folk Concept of Art.Elzė Sigutė Mikalonytė & Markus Kneer - manuscript
    What is the folk concept of art? Does it track any of the major definitions of art philosophers have proposed? In two preregistered experiments (N=888) focusing on two types of artworks (paintings and musical works), we manipulate three potential features of artworks: intentional creation, the possession of aesthetic value, and institutional recognition. This allows us to investigate whether the folk concept of art fits an essentialist definition drawing on one or more of the manipulated factors, or whether it (...)
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  14.  36
    "Images of Faith: Expressionism, Catholic Folk Art, and the Industrial Revolution," by Helena Lepovitz. [REVIEW]Dermot Quinn - 1993 - The Chesterton Review 19 (2):270-271.
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  15.  35
    Folk Song as Hybrid Art Form.David Atkinson - 2022 - British Journal of Aesthetics 62 (3):419-430.
    A number of philosophers of music have proved resistant to the idea that song should be considered as a hybrid art that combines language and music. Separately, Levinson in his influential account of hybrid art forms does not admit folk song, even though he does allow nineteenth-century lieder into the hybrid category. Folk songs are sometimes treated as if they are anterior to and therefore ontologically distinct from the more complex songs of Western art music, or even of (...)
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  16.  3
    Uncommon Art from Common Folk.Curtis Carter - unknown
  17.  12
    Folk-Songs of ChhattisgarhVerrier ElwinThe Muria and Their GhotulVerrier ElwinMaria Murder and SuicideVerrier ElwinBondo HighlanderVerrier ElwinThe Tribal Art of Middle IndiaVerrier Elwin.Ashley Montagu - 1952 - Isis 43 (3):288-289.
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  18. Josef Čapek: The Art of Primitive Peoples; Folk Painters; What We Encounter; The Social Utility of Art.Pavla Pečinková - 2012 - Estetika: The European Journal of Aesthetics:71-108.
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  19.  99
    A critique of folk, popular and ‘art’ music.Frank Howes - 1962 - British Journal of Aesthetics 2 (3):239-248.
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  20.  14
    Folk phenomenology: education, study, and the human person.Samuel D. Rocha - 2015 - Eugene, Oregon: Pickwick Publications. Edited by William F. Pinar & Eduardo Manuel Duarte.
    Folk is an analog foundation in a digital world. Phenomenology is a big word about a small, impossible task: trying to imagine the real. This book describes this task in relation to its foundation. Most of all, 'Folk phenomenology' is a defense of the integrity and sufficiency of art--thinking, feeling, living, dying. In short, being in love."--Back cover.
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  21.  84
    Epistemic Justification and The Folk Conceptual Gap.Dario Mortini - forthcoming - Episteme.
    Recent experimental epistemology has devoted increasing attention to folk attributions of epistemic justification. Empirical studies have tested whether lay people ascribe epistemic justification in specific lottery-style vignettes (Friedman and Turri 2014, Turri and Friedman 2015, Ebert et al. 2018) and also to more ordinary beliefs (Nolte et al. 2021). In this paper, I highlight three crucial but hitherto uncritically accepted assumptions of these studies, and I argue that they are untenable. Central to my criticism is the observation that epistemic (...)
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  22.  51
    Rescuing the institutional theory of art: Implicit definitions and folk aesthetics.Barbara C. Scholz - 1994 - Journal of Aesthetics and Art Criticism 52 (3):309-325.
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  23.  13
    Tantra art, its philosophy & physics.Ajit Mookerjee - 1994 - New Delhi: Rupa & Co. in collaboration with Ravi Kumar, Paris.
    Ajit Mookerjee is an expert in the traditional arts and crafts of his native country. After completing a post graduate course in Ancient Indian History and Culture at Culcutta University, he wrote his first book, Folk Art of Bengal. He then went to England for further studies at the University of London, where he received his M.A in History of Art. Since 1945 he has travelled widely both in India, Europe and the United States of America, carrying out research (...)
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  24.  62
    Tribal art and artifact.Denis Dutton - 1993 - Journal of Aesthetics and Art Criticism 51 (1):13-21.
    Europeans seeking to understand tribal arts face obvious problems of comprehending the histories, values, and ideas of vastly remote cultures. In this respect the issues faced in understanding tribal art (or folk art, primitive art, traditional art, third or fourth-world art — none of these designations is ideal) are not much different from those encountered in trying to comprehend the distant art of “our own” culture, for instance, the art of medieval Europe. But in the case of tribal or (...)
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  25.  9
    Hutsul Christmas as a Phenomenon of Christian Worldview and Folk Morality.R. P. Bereza - 2003 - Ukrainian Religious Studies 26:82-89.
    Hutsuls, as one of the ethnic groups of the Ukrainian people, are undoubtedly, along with fights and lemmas, among the most striking exponents of the spiritual culture of the Carpathian Ukrainians. The great attractiveness of the Hutsul's geographical space of habitation could not but affect their worldviews, bright mentality and original patterns of traditional culture. Along with unsurpassed specimens of folk architecture, folk art, choreography, the original pearls of the Hutsul's spiritual heritage include their songs.
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  26. The Philosophy of Art History.Arnold Hauser - 1958 - New York: Knopf.
    First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in (...)
  27.  8
    Rugs, guitars, and fiddling: intensification and the rich modern lives of traditional arts.Chris Goertzen - 2022 - Jackson: University Press of Mississippi.
    What do exotic area rugs, handcrafted steel-string guitars, and fiddling have in common today? Many contemporary tradition bearers embrace complexity in form and content. They construct objects and performances that draw on the past and evoke nostalgia effectively but also reward close attention. In Rugs, Guitars, and Fiddling: Intensification and the Rich Modern Lives of Traditional Arts, author Chris Goertzen argues that this entails three types of change that can be grouped under an umbrella term: intensification. First, traditional creativity can (...)
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  28.  99
    The Philosophy of Art History.Arnold Hauser - 1959 - Routledge.
    First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in (...)
  29.  10
    Art Nouveau Ukrainian Architecture in a Global Context.Nelia Romaniuk - 2019 - Kyiv-Mohyla Humanities Journal 6:137-148.
    The article is dedicated to Ukrainian Art Nouveau architecture, which became a unique phenomenon in the development of late nineteenth and early twentieth-century architecture. Along with the reality that architecture in Ukraine evolved as a component of the European artistic movement, a distinctive architectural style was formed, based on the development of the traditions of folk architecture and ornamentation. This style produced much innovation in the shaping, decor, and ornamentation of buildings. Significant contributions to the development of architectural modernism (...)
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  30. Conceptual Art Is Not What It Seems.Dominic McIver Lopes - 2007 - In Peter Goldie & Elisabeth Schellekens (eds.), Philosophy and conceptual art. New York: Oxford University Press.
    Hypotheses in aesthetics should explain appreciative failure as well as appreciative success. They should state the general conditions under which people fail to understand and value works as works of art. This stricture is all the more important when the typical response to conceptual art is one of resistance. Some philosophers explain this by claiming that conceptual art violates traditional theories of art. Others say that it violates folk ontologies of art. In fact, the appreciative failure to which conceptual (...)
     
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  31.  91
    Arts-sciences, alloys: the thesis defense of Iannis Xenakis before Olivier Messiaen, Michel Ragon, Olivier Revault d'Allonnes, Michel Serres, and Bernard Teyssèdre.Iannis Xenakis - 1985 - New York: Pendragon Press. Edited by Olivier Messiaen.
    PRELIMINAR Y STA TEMENT BY IA NNIS XENA KIS Subtended Philosophy* The worlds of classical, contemporary, pop, folk, traditional, avant-garde, etc., ...
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  32.  24
    Stesichorus' Geryoneis and its Folk-tale Origins.Malcolm Davies - 1988 - Classical Quarterly 38 (02):277-.
    ‘More light is thrown on the poetic art of Stesichorus by the papyrus-text of his Geryoneis than by all his other fragments together.’ This verdict continues to be as true now as when it was first enunciated. But we are also in the fortunate position of being able to infer much of value about what we may term the pre-history of the legend which the poet took as the basis for his composition. And a key document within this process turns (...)
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  33.  21
    Hermeneutics and folk songs.Homer Hogan - 1969 - Journal of Aesthetics and Art Criticism 28 (2):223-229.
  34. What is Art? The Role of Intention, Beauty, and Institutional Recognition.Elzė Sigutė Mikalonytė & Markus Kneer - 2023 - Proceedings of the Annual Meeting of the Cognitive Science Society 45:3039-3047.
    In two experiments (N=888), we explore to what extent the folk concept of art is compatible with the leading philosophical definitions of art, and whether it is an essentialist or a non-essentialist concept. We manipulate three factors: whether an object is created intentionally, whether it has aesthetic value, and whether it is institutionally recognized. In addition, we also manipulate the artistic domain (visual art or music). The results suggest that none of the three properties is seen by the (...) as necessary for an object to be considered art, which suggests that the folk concept of art might be a cluster concept. (shrink)
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  35.  8
    The Art of Interruption.David Teh - 2008 - Theory, Culture and Society 25 (7-8):309-320.
    This text is an edited version of my curatorial essay for `The More Things Change...', the 5th Bangkok Experimental Film Festival. I introduce it here with some background on the political flux since the most recent coup d'etat, from which Thailand's political system is yet to recover. I outline two key themes that emerged in BEFF 5's Thai programmes. The first concerns the cycles — `historical, biological and psycho-social' — that find expression in the country's repetitive political narrative. The second (...)
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  36.  9
    Symbolism in the works of art of jianzhi 剪纸 Jinzhou district.Jianye Wan - 2022 - Философия И Культура 4:50-59.
    This article examines the symbolism contained in the works of Jianzhi art. As a simple folk art, papercutting in Jinzhou has its own aesthetic and educational style that penetrates the hearts of people and raises them to a higher spiritual level. Jianzhi can represent the spiritual worldview of a certain era in the region. Among the symbolic images, images of animals, plants, figures, objects, hieroglyphs and patterns were studied. Jianzhi's works of art are combinations of various patterns, shapes and (...)
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  37.  11
    The Role and Significance of Chinese Folk Paintings by Nunminhua in Propaganda and Education.Xiao Xiao - 2022 - Philosophy and Culture (Russian Journal) 9:133-146.
    The content of Chinese folk paintings by nongminhua is based on morality and national philosophy, which can inspire and raise the morale of citizens. This type of incentive differs from agitation and advertising in the usual sense of these concepts. This is a form of complex artistic expression combining symbolic lyrics and philosophical reflections, which has in its arsenal methods of active stimulation aimed at gaining the trust of the audience and expanding the coverage of propaganda activities. The object (...)
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  38.  10
    The Philosophy of Art History.Arnold Hauser - 1958 - Routledge.
    First published in 1959, this book is concerned with the methodology of art history, and so with questions about historical thinking; it enquires what scientific history of art can accomplish, what are its mean and limitations? It contains philosophical reflections on history and begins with chapters on the scope and limitations of a sociology of art, and the concept of ideology in the history of art. The chapter on the concept of "art history without names" occupies the central position in (...)
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  39.  8
    Vom Wert der Werte: die Tauglichkeit des Wertbegriffs als Orientierung gebende Kategorie menschlicher Lebensführung ; eine Studie aus evangelischer Perspektive.Folke Werner - 2002 - Münster: Lit.
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  40.  31
    Tech Art: the effects of code and network systems on music and art.Joel Cahen - 2008 - Technoetic Arts 6 (2):185-198.
    The paper describes a thread that binds past beliefs and practices with current technology and how that might be used to interpret current artistic progress. This requires an examination of Gnostic ideas, and an account of scientific and metaphysic research into the idea of networked systems and connectivity. The implementations and development of different codes as tools for sound composing is discussed. Two apparently contradictory contemporary trends are identified: (a) the growing homogenization of consumer culture that can be seen as (...)
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  41.  48
    Ulterior Significance in the Art of Bob Dylan.Glenn Hughes - 2011 - Journal of Macrodynamic Analysis 6:18-40.
    This essay examines the songwriting art of Bob Dylan as a vehicle for exploring and clarifying elements in Bernard Lonergan’s analysis of art. The elements focused upon include Lonergan’s treatment of symbols and symbolic meaning as the communicative medium of art, and, at greater length, Lonergan’s account of art’s capacity for what he calls “ulterior significance,” its ability to suggest depths of meaning—including divine or ultimate meaning—that we surmise to lie beyond our comprehension. Examining songs from the full range of (...)
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  42. Moral Disagreement.Folke Tersman - 2006 - New York: Cambridge University Press.
    Folke Tersman explores what we can learn about the nature of moral thinking by examining moral disagreement. He explains how diversity of opinion on moral issues undermines the idea that moral convictions can be objectively valued. Arguments on moral thinking are often criticized for not being able to explain why there is a contrast between ethics and other areas in which there is disagreement, but where one does not give up the idea of an objective truth, as in the natural (...)
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  43. The Camilo Ayala Brothers: Lost treasures of the art world.Tyler Cowen - unknown
    The paintings of the three brothers -- Marcial Camilo, Juan Camilo, and Felix Camilo Ayala -- stand among the high points of modern Mexican folk art, and represent the most ambitious creations to have come from the province of Guerrero . The joyous traditions of Guerrero rival the better-known outputs of Oaxaca or Michoacan in quality but they have not received comparable attention from collectors or museums.
     
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  44.  16
    The Perilous Quest: Baseball as Folk Drama.Dennis Porter - 1977 - Critical Inquiry 4 (1):143-157.
    If the morphology of baseball is similar to that of the fairy tale, it is obviously not because baseball is a form of narrative art. As my title suggests, insofar as baseball resembles literature at all in the way it manifests itself, it is clearly much closer to drama. Baseball takes place within a fixed, carefully delimited space that may be improvised but is reserved specifically for the purpose wherever the game is institutionalized. It is an ensemble performance carried out (...)
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  45. Defending the Discovery Model in the Ontology of Art: A Reply to Amie Thomasson on the Qua Problem.J. Dodd - 2012 - British Journal of Aesthetics 52 (1):75-95.
    According to the discovery model in the ontology of art, the facts concerning the ontological status of artworks are mind-independent and, hence, are facts about which the folk may be substantially ignorant or in error. In recent work Amie Thomasson has claimed that the most promising solution to the ‘ qua problem’—a problem concerning how the reference of a referring-expression is fixed—requires us to give up the discovery model. I argue that this claim is false. Thomasson's solution to the (...)
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  46. Genre fiction and "the origin of the work of art".Nancy J. Holland - 2002 - Philosophy and Literature 26 (1):216-223.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.1 (2002) 216-223 [Access article in PDF] Notes and Fragments Genre Fiction and "The Origin of the Work of Art" Nancy J. Holland I FIRST, A CONFESSION. Like, I suspect, many of my readers, I am an unpublished fiction writer. Unlike most of the closet fiction writers in academia, however, I write genre fiction. The question that immediately follows is how that writing is related to (...)
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  47. Rethinking Low, Middle, and High Art.Ting Cho Lau - 2022 - Journal of Aesthetics and Art Criticism (4):1-12.
    What distinguishes low, middle, and high art? In this article, I give an ameliorative analysis of these concepts. On what I call the Capacity View, the distinction between low, middle, and high art depends on the relation between an artwork’s perceiver (specifically her aesthetic responsive capacities) and the perceived artwork. Though the Capacity View may not align perfectly with folk usage, the view is worth our attention due to three attractive upshots. First, it explains how an artwork’s status level (...)
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  48. Recent work on reflective equilibrium and method in ethics.Folke Tersman - 2018 - Philosophy Compass 13 (6):e12493.
    The idea of reflective equilibrium remains the most popular approach to questions about method in ethics, despite the masses of criticism it has been faced with over the years. Is this due to the availability of compelling responses to the criticisms or rather to factors that are independent of its reasonableness? The aim of this paper is to provide support for the first answer. I particularly focus on the recent discussion. Some recent objections are related to general arguments against the (...)
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  49. The reliability of moral intuitions: A challenge from neuroscience.Folke Tersman - 2008 - Australasian Journal of Philosophy 86 (3):389 – 405.
    A recent study of moral intuitions, performed by Joshua Greene and a group of researchers at Princeton University, has recently received a lot of attention. Greene and his collaborators designed a set of experiments in which subjects were undergoing brain scanning as they were asked to respond to various practical dilemmas. They found that contemplation of some of these cases (cases where the subjects had to imagine that they must use some direct form of violence) elicited greater activity in certain (...)
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  50. Debunking and Disagreement.Folke Tersman - 2017 - Noûs 51 (4):754-774.
    The fact that debunkers can turn to the argument from disagreement for help is ofcourse not a surprise. After all, both types of challenge basically pursue the same,skeptical conclusion. What I have tried to show, however, is that they are related in amore intimate way.
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