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Curtis Carter [188]Curtis L. Carter [72]Curtis Lloyd Carter [1]
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Curtis L. Carter
Marquette University
  1.  21
    Body Consciousness: A Philosophy of Mindfulness and Somaesthetics.Curtis L. Carter - 2008 - Journal of Aesthetics and Art Criticism 66 (4):419-422.
  2.  96
    Improvisation in Dance.Curtis Carter - 2000 - Journal of Aesthetics and Art Criticism 58 (2):181-190.
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  3.  27
    Off the Ground: First Steps to a Philosophical Consideration of the Dance.Curtis Carter - 1990 - Journal of Aesthetics and Art Criticism 48 (1):81-83.
  4.  23
    Aesthetics of Everyday Life: East and West.Liu Yuedi & Curtis Carter - unknown
    As a new trend in aesthetics appearing concurrently in the West and the East in the last ten years, the aesthetics of everyday life points to a growing diversification among existing methodologies for pursuing aesthetics, alongside the shift from art-based aesthetics. The cultural diversity manifest in global aesthetics offers common ground for the collaborative efforts of aesthetics in both the West and the East. Given the rapidly growing interest and its potential for attracting new audiences extending beyond the more narrowly (...)
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  5.  12
    Arts and Cognition: Performance, Criticism and Aesthetics.Curtis Carter - unknown
  6.  17
    Nelson Goodman [Dictionary Entry].Curtis Carter - unknown
  7.  92
    Cultural Identity of Art Works.Curtis Carter, Disikate Ke, Min Yu & Chengji Liu - unknown
    Nelson Goodman (1906-2007) approached the arts and other kinds of knowledge as forms of symbolism. His principal aim in philosophy was to advance understanding and remove confusions by verbal analysis and logical constructions. Goodman's philosophical theories encompass nominalism, constructivism and a version of radical relativism. In his Languages of Art, Goodman sets forth distinctions among the various art according to differences in the forms of symbols employed. He contributed as well to arts education and to philosophy of the museum. His (...)
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  8.  65
    Philosophy and Art: Changing Landscapes for Aesthetics.Curtis Carter - unknown
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  9.  17
    A Re-Examination of the 'Death of Art' Interpretation of Hegel's Aesthetics.Curtis L. Carter - unknown
  10.  9
    Theatre X.Curtis L. Carter - 2021 - In Mike Vanden Heuvel (ed.), American Theatre Ensembles Volume 1. Bloomsbury. pp. 83-104.
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  11.  15
    Art and Social Change.Curtis Carter (ed.) - 2009 - International Association for Aesthetics.
  12.  54
    Understanding Dance Understanding.Curtis L. Carter - unknown
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  13.  77
    Carroll, Noël. Living in an Art World: Reviews and Essays on Dance, Performance, Theater, and the Fine Arts in the 1970s and 1980s. Louisville, KY: Chicago Spectrum Press, 2012, 338 Pp., $22.50 Paper. [REVIEW]Curtis L. Carter - 2013 - Journal of Aesthetics and Art Criticism 71 (3):291-294.
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  14.  8
    Conceptual Art: A Base for Global Art or the End of Art?Curtis Carter - unknown
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  15.  45
    Somaesthetics and Dance.Curtis L. Carter - 2015 - Contemporary Pragmatism 12 (1):100-115.
    Dance is proposed as the most representative of somaesthetic arts in Thinking Through the Body: Essays in Somaesthetics and other writings of Richard Shusterman. Shuster- man offers a useful, but incomplete approach to somaesthetics of dance. In the examples provided, dance appears as subordinate to another art form or as a means to achieving bodily excellence. Missing, for example, are accounts of the role of dance as an independent art form, how somaesthetics would address differences in varying approaches to dance, (...)
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  16.  3
    Review of On Criticism by Noël Carroll.Curtis Carter - 2009 - Journal of Aesthetics and Art Criticism 67 (4).
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  17.  8
    Remembering Sally Banes.Curtis L. Carter - 2020 - ASA Newsletter 40 (2):3-4.
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  18.  34
    Aesthetics Into the Twenty-First Century.Curtis Carter - 2004 - Filozofski Vestnik 25 (2).
    The new concerns facing aestheticians in the twenty-first century require serious attention if the discipline is to maintain continued viability as an intellectual discipline. Just as art changes as cultures develop, so must aesthetics. In support of this view is a personal account of evolving engagement with aesthetics and the factors that led to embracing change and a plurality of practices as essential to the health of aesthetic today. A brief examination of the state of aesthetics as it has evolved (...)
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  19.  20
    Nelson Goodman's Hockey Seen: A Philosopher's Approach to Performance.Curtis Carter - unknown
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  20.  34
    Hegel and Whitehead on Aesthetic Symbols.Curtis Carter - unknown
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  21. Art, Technology, and the Museum.Curtis L. Carter - unknown
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  22. Conceptual Art East and West: A Base for Global Art or the End of Art?Curtis L. Carter - unknown
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  23. Dunn, Robert Ellis [Encyclopedia Entry].Curtis L. Carter - unknown
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  24. Dance Repertory Theatre.Curtis Carter - unknown
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  25. Endgame [Review of Samuel Beckett's Play "Endgame" at Theater X, Milwaukee].Curtis Carter - unknown
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  26. Foreword in "International Encyclopedia of Dance".Curtis Carter - unknown
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  27. Franta: Paintings/Works on Paper/Sculptures.Curtis Carter - unknown
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  28. Globalization and Chinese Contemporary Art: West to East, East to West.Curtis L. Carter - unknown
    In this article, Carter tells the weaving tale of the globalization of art and the interplay between eastern and western contemporary art. Carter sketches out the history of contemporary art in China with a keen eye towards the interplay between Chinese artists and the various western influences over time, such as the 16th century Jesuit artists, Impressionism, Cubism, Fauvism, and Dada to name a few. This history is marked by a ubiquitous tension as Chinese artists incorporated western innovations into their (...)
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  29. Introduction to Peter Sehringer: Kanon.Curtis Carter - unknown
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  30. Introduction to Smoggy Abstraction : Recent Los Angeles Painting.Curtis Carter - unknown
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  31. Judith Lynne Hana, The Performer-Audience Connection: Emotion To Metaphor in Dance and Society.Curtis L. Carter - 1985 - Journal of Aesthetics and Art Criticism 44 (1):87-87.
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  32. Letter to the Editor: "Chinese Art: Exhibition, Artist Unrelated Issues".Curtis L. Carter - unknown
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  33. Mis-Construction: Changes in Art and Aesthetics East/West.Curtis L. Carter - unknown
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  34. Milwaukee's King of Comix: The Underground Art of Jim Mitchell.Curtis Carter - unknown
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  35. Matta: Surrealism and Beyond [Essay].Curtis Carter - unknown
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  36. Outsiders Inside 'Accidental Genius' at Milwaukee Art Museum.Curtis Carter - unknown
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  37. Pan Gongkai: Reflections on Beginnings, Opposites, Changes Re: Contemporary Chinese Art.Curtis Carter - unknown
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  38. Photography on the Edge.Curtis Carter - unknown
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  39. Preface to Matta: Surrealism and Beyond.Curtis Carter - unknown
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  40.  11
    Skepticism and Moral Principles: Modern Ethics in Review.Curtis L. Carter - 1973 - [Evanston, Ill., New University Press.
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  41. Skepticism and Moral Principles: Modern Ethics in Review.Curtis L. Carter - 1973 - [New University Press].
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  42. Speech for Opening Ceremonies International Congress for Aesthetics Beijing, August, 2010.Curtis L. Carter - unknown
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  43. Standing Wave.Curtis Carter - unknown
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  44. Toward a History of Aesthetics of the Twentieth Century.Curtis Carter - unknown
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  45. The Layton Collection: MAM Remembers Milwaukee's First Art Museum.Curtis Carter - unknown
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  46. The Pavilion of China in the Globalization of Time.Curtis Carter - unknown
  47. 'You Are the One': Life and Art at RedLine Milwaukee.Curtis Carter - unknown
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  48.  29
    Book Review on Shusterman, Richard. Body Consciousness: A Philosophy of Mindfulness and Somaesthetics[REVIEW]Curtis Carter - unknown
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  49.  22
    Review of Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements Edited by Aleš Erjavec.Curtis Carter - 2016 - Journal of Aesthetics and Art Criticism 74 (3): 314-316.
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  50.  29
    Aesthetics, Video Art and Television.Curtis L. Carter - unknown
    The author reviews two symposia: 'The Video Arts: Demonstration and Discussion', The American Society for Aesthetics, New York City, 28 Oct. 1978, and 'The Aestheticians Look at Television', National Association of Education Broadcasters, Washington, D.C., 30 Oct. 1978. He also presents an evaluation of the current state of video art in terms of philosophical aesthetics. Furthermore, he attempts to make a clear distinction between television and video art. The differences cited include corporate studio efforts vs efforts of individual artists, commercial (...)
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1 — 50 / 259