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Curtis Carter [190]Curtis L. Carter [76]Curtis Lloyd Carter [1]
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Curtis L. Carter
Marquette University
  1.  30
    Body Consciousness: A Philosophy of Mindfulness and Somaesthetics.Curtis L. Carter - 2008 - Journal of Aesthetics and Art Criticism 66 (4):419-422.
  2. Improvisation in dance.Curtis Carter - 2000 - Journal of Aesthetics and Art Criticism 58 (2):181-190.
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  3.  29
    Off the Ground: First Steps to a Philosophical Consideration of the Dance.Curtis Carter - 1990 - Journal of Aesthetics and Art Criticism 48 (1):81-83.
  4.  29
    Aesthetics of Everyday Life: East and West.Liu Yuedi & Curtis Carter - unknown
    As a new trend in aesthetics appearing concurrently in the West and the East in the last ten years, the aesthetics of everyday life points to a growing diversification among existing methodologies for pursuing aesthetics, alongside the shift from art-based aesthetics. The cultural diversity manifest in global aesthetics offers common ground for the collaborative efforts of aesthetics in both the West and the East. Given the rapidly growing interest and its potential for attracting new audiences extending beyond the more narrowly (...)
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  5.  6
    Nelson Goodman’s Starmaking Philosophy Revisited.Curtis L. Carter - 2022 - Constructivist Foundations 17 (3):267-268.
    Open peer commentary on the article “A Defence of Starmaking Constructivism: The Problem of Stuff” by Bin Liu. Abstract: I provide a brief account of key elements in Nelson Goodman’s starmaking constructivist philosophy and comment on Bin Liu’s defense of Goodman in the context of contemporary constructivist philosophy.
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  6.  15
    Arts and Cognition: Performance, Criticism and Aesthetics.Curtis Carter - unknown
  7. Cultural Identity of Art Works.Curtis Carter, Disikate Ke, Min Yu & Chengji Liu - unknown
    Nelson Goodman (1906-2007) approached the arts and other kinds of knowledge as forms of symbolism. His principal aim in philosophy was to advance understanding and remove confusions by verbal analysis and logical constructions. Goodman's philosophical theories encompass nominalism, constructivism and a version of radical relativism. In his Languages of Art, Goodman sets forth distinctions among the various art according to differences in the forms of symbols employed. He contributed as well to arts education and to philosophy of the museum. His (...)
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  8.  68
    Philosophy and Art: Changing Landscapes for Aesthetics.Curtis L. Carter - 2012 - Diogenes 59 (1-2):84-100.
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  9.  5
    Art and the Ecology of Leisure.Curtis Carter - unknown
    Philosophers, scientists, and artists alike are prone to explore important questions concerning ecology as it relates to the impact of human actions for the future of nature and human civilizations. The main focus in this essay is to consider ecological implications of art understood as a form of leisure. Art is of course more than leisure for the artists and other arts professionals, but its personal and societal roles also serve as leisure activities. Both the production of art and its (...)
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  10.  80
    Carroll, Noël. Living in an Art World: Reviews and Essays on Dance, Performance, Theater, and the Fine Arts in the 1970s and 1980s. Louisville, KY: Chicago Spectrum Press, 2012, 338 pp., $22.50 paper. [REVIEW]Curtis L. Carter - 2013 - Journal of Aesthetics and Art Criticism 71 (3):291-294.
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  11.  55
    Understanding Dance Understanding.Curtis L. Carter - unknown
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  12. Dunn, Robert Ellis [encyclopedia entry].Curtis L. Carter - unknown
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  13. Endgame [Review of Samuel Beckett's play "Endgame" at Theater X, Milwaukee].Curtis Carter - unknown
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  14. Mis-Construction: Changes in Art and Aesthetics East/West.Curtis L. Carter - unknown
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  15. Milwaukee's King of Comix: The Underground Art of Jim Mitchell.Curtis Carter - unknown
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  16. Preface to Matta: Surrealism and Beyond.Curtis Carter - unknown
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  17.  11
    Skepticism and moral principles.Curtis L. Carter - 1973 - [Evanston, Ill.,: New University Press.
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  18. Skepticism and moral principles.Curtis L. Carter - 1973 - [Evanston, Ill.,: New University Press.
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  19. Salvador Dali; 1904; Madonna of Port Lligat; 1949.Curtis L. Carter - unknown
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  20. Speech for Opening Ceremonies International Congress for Aesthetics Beijing, August, 2010.Curtis L. Carter - unknown
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  21. The Layton Collection: MAM Remembers Milwaukee's First Art Museum.Curtis Carter - unknown
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  22.  2
    Unsettled boundaries: philosophy, art, ethics east/west.Curtis L. Carter (ed.) - 2017 - Milwaukee, Wisconsin: Marquette University Press.
    For readers looking for insights into key issues linking current Eastern and Western views on the arts, aesthetics, and philosophy, Unsettled Boundaries offers fresh and insightful perspectives on current issues as seen by leading Chinese and Western scholars. Represented in the volume are previously unpublished essays of Nöel Carroll, Garry Hagberg, Richard Shusterman, and Jason Wirth alongside writings of Chinese peers Gao Jianping, Peng Feng, Liu Yuedi, Wang Chunchen and Cheng Xiangzhan. The essays in this volume draw attention to evolving (...)
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  23. 'You Are the One': Life and Art at RedLine Milwaukee.Curtis Carter - unknown
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  24.  48
    Somaesthetics and Dance.Curtis L. Carter - 2015 - Contemporary Pragmatism 12 (1):100-115.
    Dance is proposed as the most representative of somaesthetic arts in Thinking Through the Body: Essays in Somaesthetics and other writings of Richard Shusterman. Shuster- man offers a useful, but incomplete approach to somaesthetics of dance. In the examples provided, dance appears as subordinate to another art form or as a means to achieving bodily excellence. Missing, for example, are accounts of the role of dance as an independent art form, how somaesthetics would address differences in varying approaches to dance, (...)
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  25.  19
    Nelson Goodman [Dictionary Entry].Curtis Carter - unknown
  26.  20
    A Re-examination of the 'Death of Art' Interpretation of Hegel's Aesthetics.Curtis Carter - unknown
  27.  39
    Hegel and Whitehead on Aesthetic Symbols.Curtis Carter - unknown
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  28.  36
    Aesthetics into the Twenty-First Century.Curtis Carter - 2004 - Filozofski Vestnik 25 (2).
    The new concerns facing aestheticians in the twenty-first century require serious attention if the discipline is to maintain continued viability as an intellectual discipline. Just as art changes as cultures develop, so must aesthetics. In support of this view is a personal account of evolving engagement with aesthetics and the factors that led to embracing change and a plurality of practices as essential to the health of aesthetic today. A brief examination of the state of aesthetics as it has evolved (...)
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  29.  12
    Remembering Sally Banes.Curtis L. Carter - 2020 - ASA Newsletter 40 (2):3-4.
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  30.  36
    After Cassirer: Art and Aesthetic Symbols in Langer and Goodman.Curtis L. Carter - 2015 - In Sebastian Luft & J. Tyler Friedman (eds.), The Philosophy of Ernst Cassirer: A Novel Assessment. De Gruyter. pp. 401-418.
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  31.  13
    Conceptual Art: A Base for Global Art or the End of Art?Curtis Carter - unknown
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  32.  31
    Book Review on Shusterman, Richard. Body Consciousness: A Philosophy of Mindfulness and Somaesthetics[REVIEW]Curtis Carter - unknown
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  33.  25
    Review of Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements Edited by Aleš Erjavec.Curtis Carter - 2016 - Journal of Aesthetics and Art Criticism 74 (3): 314-316.
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  34.  16
    Art and Social Change.Curtis Carter (ed.) - 2009 - International Association for Aesthetics.
  35.  31
    Aesthetics, Video Art and Television.Curtis L. Carter - unknown
    The author reviews two symposia: 'The Video Arts: Demonstration and Discussion', The American Society for Aesthetics, New York City, 28 Oct. 1978, and 'The Aestheticians Look at Television', National Association of Education Broadcasters, Washington, D.C., 30 Oct. 1978. He also presents an evaluation of the current state of video art in terms of philosophical aesthetics. Furthermore, he attempts to make a clear distinction between television and video art. The differences cited include corporate studio efforts vs efforts of individual artists, commercial (...)
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  36.  31
    Then and Now: Globalization and the Avant-Garde in Chinese Contemporary Art.Curtis Carter, Disikate Ke & Jing An - unknown
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  37.  33
    Symbol and Function in Contemporary Architecture.Curtis L. Carter - 2008 - Proceedings of the Xxii World Congress of Philosophy 1:15-25.
    The focus here will be on the tension between architecture’s symbolic role and its function as a space to house and present art. ‘Symbolic’ refers both to a building as an aesthetic or sculptural form and secondly to its role in expressing civic identity. ‘Function’ refers to the intended purpose or practical use apart from its role as a form of art. As an art form, it serves important symbolic purposes; its practical purposes are linked to serving individual and community (...)
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  38.  30
    Nelson Goodman Hockey Seen: A Philosopher and Performer.Curtis Carter - unknown
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  39.  10
    Theatre X.Curtis L. Carter - 2021 - In Mike Vanden Heuvel (ed.), American Theatre Ensembles Volume 1. Bloomsbury. pp. 83-104.
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  40.  53
    A tribute to Nelson Goodman.Curtis Carter - 2000 - Journal of Aesthetics and Art Criticism 58 (3):251-253.
    Presents a tribute to American philosopher Nelson Goodman who died on November 25, 1998 in Needham, Massachusetts. Contributions of Goodman to analytic philosophy; Career background; Range of interest from philosophy to art collecting; Major publications on the work of Goodman; Role of Goodman as a gallery director and private art collector.
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  41.  8
    On the State of Dance Philosophy.Curtis L. Carter - 2021 - Journal of Aesthetic Education 55 (3):106-121.
    What are Eric Mullis’s contributions to a pragmatist philosophy of dance? First, the work brings attention to aspects of dance in regional and religious contexts and to a selection of religious dance practices not typically addressed in the literature of dance philosophy, thus adding to the current scope of dance studies. This book’s main strength with respect to pragmatist philosophies is its efforts to apply existing theories of pragmatism to aspects of dance in a particular regional setting. This task is (...)
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  42.  29
    Introduction [to City from Within: A Perspective on African-American Life in Milwaukee].Curtis Carter - unknown
  43.  25
    New Curator at Milwaukee Art Museum: Off the Cuff with Brandon Ruud.Curtis L. Carter - unknown
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  44.  14
    Arthur R. Danto (1924-2013) As Remembered by Curtis L. Carter.Curtis L. Carter - 2013 - IAA Newsletter 43.
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  45.  26
    Industrial Design: On Its Characteristics and Relationships to the Visual Fine Arts.Curtis Carter - unknown
    Industrial design and the visual arts share a common aesthetic basis as demonstrated by their common use of aesthetic principles and by designers who are also visual artists. The author examines the rationale for exhibiting industrial products in art museums and the similarities and differences between industrial design and the fine arts. He argues that industrial design shares important theoretical concepts with the visual fine arts.
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  46.  23
    Off the Cuff with Monica Obniski.Curtis L. Carter - unknown
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  47.  21
    Preface [to Leonaert Bramer, 1596-1674: A Painter of the Night].Curtis Carter - unknown
  48.  21
    Dadaism.Curtis L. Carter - unknown
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  49.  25
    Toby Armour and the New England Dinosaur.Curtis Carter - unknown
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  50.  18
    Marquette’s Haggerty Museum has a New Director: Off the Cuff with Susan Longhenry.Curtis L. Carter - unknown
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1 — 50 / 265