Although declarations of the death of God seem to be provocations announcing the end of the era of theology, this announcement is actually central to the Christian revelation in its most classic forms, as well as to its reworkings in contemporary religious thought. Indeed provocative new possibilities for thinking theologically open up precisely in the wake of the death of God. Already Hegel envisaged a revolutionary new realization of divinity emerging in and with the secular world through (...) its establishment of a total order of immanence. However, in postmodern times this comprehensive order aspired to by modern secularism implodes or cracks open towards the wholly Other. A hitherto repressed demand for the absolute difference of the religious, or for “transcendence”, returns with a vengeance. This difference is what could not be stated in terms of the Hegelian System, for reasons that poststructuralist writers particularly have insisted on: all representations of God are indeed dead. Yet this does not mean that they cannot still be powerful, but only that they cannot assign God any stable identity. Nietzsche’s sense of foreboding concerning the death of God is coupled with his intimations of the demise of representation and “grammar” as epistemologically bankrupt, but also with his vision of a positive potential for creating value in the wake of this collapse of all linguistically articulated culture. He points the way towards the emergence of a post-secular religious thinking of what exceeds thought and representation. (shrink)

La interpretación heideggeriana de la “muerte de Dios” que comprende no sólo a Nietzsche, sino el conjunto de la filosofía moderna, entraña la esencial significación de un movimiento según el cual la metafísica llega a ser superada. En palabras de Heidegger, después de Nietzsche “a la filosofía sólo le queda pervertirse y desnaturalizarse, de modo que ya no se divisan otras posibilidades para ella”. Esta superación apunta a la consumación de la onto-teología en cuanto marca fundamental de la metafísica, de (...) la cual Hegel habría ofrecido su exposición más radical al imponerle a lo absoluto la medida del concepto. La “muerte de Dios” evidenciaría según ello lo que Jean-Luc Marion ha sabido denominar la “idolatría del concepto”. El texto examina la “muerte de Dios” a la luz del postulado de la onto-teología en cuanto esencia de la metafísica, y en la línea de una superación de la idolatría, a fin de intentar una reasunción de lo divino para el pensamiento contemporáneo. (shrink)

The novelist is not a theologian or a philosopher, but within the enclosed world of Victorian fiction the matter of theology and the nature of good and evil are examined after the disappearance of God. In the fiction of Dickens, this contention is explored together with the responsibility of the reader as stories are told. While theology may sometimes hamper the reader of fiction, in Victorian novels God may be absent while deeply theological issues remain to be explored (...) and responded to. (shrink)

This paper explores the death of God narrative through the lens of kenosis, drawing insights from thinkers such as Marcel, Heidegger, Vattimo, and Girard. It investigates the implications of kenotic thought for contemporary religious and philosophical discourse, exploring various interpretations of kenosis, ranging from Altizer and Žižek’s apocalyptic views to Vattimo’s more hopeful perspective. Through critical engagement with these viewpoints, this paper advocates for a nuanced understanding of kenosis inspired by Hegel, one that bypasses both radical theology and (...) excessive optimism. Methodologically, this study adopts a hermeneutic approach, analyzing key texts and engaging in philosophical dialogue. This paper concludes that rethinking kenotic thought could provide a robust framework for grappling with the death of God in the contemporary context, offering avenues for ethical reflection, social critique, and speculative renewal. (shrink)

Humanism and the Death of God is a critical exploration of secular humanism and its discontents. Through close readings of three exemplary nineteenth-century philosophical naturalists or materialists, who perhaps more than anyone set the stage for our contemporary quandaries when it comes to questions of human nature and moral obligation, Ronald E. Osborn argues that "the death of God" ultimately tends toward the death of liberal understandings of the human as well. Any fully persuasive defense of humanistic (...) values--including the core humanistic concepts of inviolable dignity, rights, and equality attaching to each individual--requires an essentially religious vision of personhood. Osborn shows such a vision is found in an especially dramatic and historically consequential way in the scandalous particularity of the Christian narrative of God becoming a human. He does not attempt to provide logical proofs for the central claims of Christian humanism along the lines some philosophers might demand. Instead, this study demonstrates how philosophical naturalism or materialism, and secular humanisms and anti-humanisms, might be persuasively read from the perspective of a classically orthodox Christian faith. (shrink)

Approaches to Nietzsche’s political philosophy abound. In this article, however, we explore the possibility of identifying not only a political philosophy, but also a political-theological reading in Nietzsche’s texts. In fact, such a political-theological reading already has something of a genealogy. In the 1960s, “radical theology” appropriated the Nietzschean topic of the death of God, which engendered a transferred radical political theology consisting in radical democracy. The first part of this article explores twentieth-century political theologies surrounding the (...) death of God. We ask herein if this is the only possible political-theological reading of Nietzsche’s texts. The second part argues that, in fact, we can ascribe to Nietzsche a “theological” intention that is transferable to his political theory in a way that differs from the attempts of radical political theology and other political theologies surrounding the death of God. We conclude that, in any case, Nietzsche’s political theology aims to counterbalance St. Paul’s nihilism more than to constitute a determined political view. (shrink)

Robert R. Williams offers a bold new account of divergences and convergences in the work of Hegel and Nietzsche. He explores four themes - the philosophy of tragedy; recognition and community; critique of Kant; and the death of God - and explicates both thinkers' critiques of traditional theology and metaphysics.

In this essay, we analyze the Black Mirror episode "Arkangel" alongside Nietzsche’s critique of religion. After providing an overview of his critique, we argue that the episode demonstrates how a world enframed by technology itself ends up being just as decadent, or just as pathological, repressive, corrupt, anti-life, and unredemptive as Nietzsche accuses Christianity of being. Nietzsche thought, at one point, that science and technology might provide a non-metaphysical or non-theological solution to what he calls our “metaphysical need.” However, Arkangel (...) shows how technology does not overcome problems of idolatrous forms of religion and can be just another tool for manipulation that produces the same kinds of pathologies. Nietzsche insists that the only way to overcome religion as an oppressive system is to “philosophize with a hammer,” or to deconstruct its idolatrous strictures and the “all too human” forces behind it. Ultimately, this deconstruction requires declaring “the death of God.”. (shrink)

This review article critically examines the anthology Resurrecting the Death of God: The Origins, Influence, and Return of Radical Theology, edited by Daniel Peterson and G. Michael Zbaraschuk (Albany: State University of New York Press, 2014). After making brief but largely appreciative summary comments on a number of essays, the article focuses attention on contributions by John Cobb on the theology of Altizer, John Roth on Levinas, and J. W. Robbins on the politics of de Tocqueville's concept (...) of God. Suggestions are provided for inclusion of a wider swath of theologies that might be considered. (shrink)

Heideggerian interpretation of the “Death of God” that not only includes Nietzsche, but the whole modern philosophy, it entails the essential importance of a movement according to which Metaphysics is overcome. In Heidegger’s words, after Nietzsche “the only road for Philosophy is its perversión and denaturalization, so we have no other alternatives in view for her”. This overcoming indicates the consummation of Onto-Theology like fundamental mark of Metaphysics, of which Hegel offers his more radical interpretation when he thinks (...) the absolute one as concept. This way, the “Death of God” it means, according to Jean-Luc Marion’s denomination, the “idolatry of concept”. This paper examines the “Death of God” in the light of the postulate of Onto-Theology as Essence of Metaphysics, and in the line of a overcoming of idolatry, with the purpose of resuming the divinity in the contemporary thought. (shrink)

This article offers a critical reflection on the mutually resonant recent works of Clayton Crockett and Jeffrey Robbins, both of whom expose “radical theology” as insufficiently political, “political theology” as insufficiently radical, and “radical politics” as insufficiently attuned to theology. In light of these shortcomings, they offer a radical political theology as a “necessary supplement” to the project of radical democracy—which is to say a politics of, by, and for “the multitude.” This article tracks the shifting (...) and occasionally conflicting contours of this radically democratic theology. (shrink)

This article explores the concept of the death of God in Hegel's philosophy and its implications for his political thought. It argues that Hegel's notion of the death of God involves a Christological kenotic sense of self-emptying, which extends beyond his philosophy of religion to impact his entire philosophical system, including politics, given that Hegel considers that the state consists in the march of God. The paper aims to interpret Hegel’s stance on the death of God as (...) kenotic and its integration into his system, with the purpose of addressing how this kenotic structure manifests in concrete conceptions of the state. Specifically, it examines the enigmatic figure of the Hegelian monarch as a kenotic-political figure. Finally, it concludes that Hegel's political thought consists of a political theology of kenosis, which is more concerned with the divestment of power rather than a plenipotentiary paradigm. (shrink)

Nietzsche's importance -- Nietzsche's ideas -- Nietzsche's legacy -- Aphorisms, 1875-1889 -- On truths and lies in an extramoral sense, 1873 -- On the uses and disadvantages of history for life, 1874 -- Human, all too human, 1878 -- The gay science, 1882 -- Thus spoke Zarathustra, 1883-1884 -- Beyond good and evil, 1886 -- On the genealogy of morals, 1887.

This paper has three sections. 1) For Hegel, the true infinite is the fundamental concept of philosophy. The true infinite challenges current non-metaphysical interpretations of Hegel, as it challenged Kant’s restriction of cognition to finitude and attack on metaphysics. The consciousness of limit implies a transcendence of limit, and an infinite opposed to the finite shows itself to be finite. 2) Hegel accepts Kant’s approach to the God-question through practical reason, but rejects Kant’s postulates as incoherent. The content of the (...) God-postulate contradicts the subject-relative form of the postulate. Kant’s moral God is a spurious infinite. The true infinite is a self-determining, self-realizing, inclusive whole which sublates the subjective ‘ought to be’ of the postulate. 3) For both Hegel and Nietzsche the moral god is dead; both pursue the question of theology after the death of God. I explore Hegel’s account of tragedy and his conception of tragic reconciliation. The latter is not a comic, but an “anguished reconciliation, a disquieted bliss in disaster.” The death of God and reconciliation include negation and suffering, and are closer to tragic reconciliation than to Dante’s Divine Comedy with its impassible absolute that lacks serious opposition. (shrink)

The text discusses the importance of religion as a symbolic construct which derives from fundamental human needs. At the same time, religious symbolism can function as an explanation for the major crises existent in the lives of individuals or their communities, even if they live in a democratic or a totalitarian system. Its presence is facilitated by the assumption of the biographical element existent in the philosophical and theological reflection and its extrapolation in a biography which concerns the communities and (...) its governmental resorts. It is in this context that we discuss the way in which the myth concerning the death of God can influence the formation of political ethics relevant for the contemporary man. From the analysis of the signification of the death of God in the contemporary Judaic theology and philosophy emerges a series of important elements for the creation of a political ethics situated between biblical morals and the extermination of the innocents in the 20th century. (shrink)

This article examines the death of God theme in the work of Jacques Lacan and indicates some convergences with Christian theology. It distinguishes the ‘atheism’ of Lacan from the atheism of Freud. And it demonstrates that if Lacan does not believe in the God equated with Being, the God of the philosophers, the later Lacan’s argument for what he calls the ‘eksistence’ of God beyond language, the God of the mystics, makes for a highly nuanced atheism.

This paper offers a critical investigation of the theological assumptions that lie within three forms of modern feminist ethics, with a view to challenging feminist ethics to enter the new theological possibilities opened up in postmodernity for the conceiving of god. The first part of the paper considers the conceiving of god in modern feminisms, in which theology becomes ethics. The consequences of this development are considered. The second part of the paper investigates the turn into postmodernity which hears (...) the saying of the death of god and the critique of onto-theology. This disturbance to the foundations of feminist ethics is understood as part of a wider critique of humanism manifest particularly in gender theory. That the end of the modern human subject might allow a conceiving of god through an understanding of the performative is the restored orthodoxy to which the paper points. (shrink)

This article offers a critical reflection on the mutually resonant recent works of Clayton Crockett and Jeffrey Robbins, both of whom expose “radical theology” as insufficiently political, “political theology” as insufficiently radical, and “radical politics” as insufficiently attuned to theology. In light of these shortcomings, they offer a radical political theology as a “necessary supplement” to the project of radical democracy—which is to say a politics of, by, and for “the multitude.” This article tracks the shifting (...) and occasionally conflicting contours of this radically democratic theology. (shrink)

The word “nihilism” today is everywhere. A staple of common speech ever since its coinage by Friedrich Heinrich Jacobi in the eighteenth century, is there any other term of philosophical provenance more descriptive of our times? Finding Meaning: Essays on Philosophy, Nihilism, and the Death of God deepens the longstanding and ongoing debate about the problem of nihilism. Drawing upon a wide range of philosophical and theological schools, traditions, and figures, the eleven specially commissioned essays by international scholars enrich (...) the discussion of how to meet the challenge of nihilism. Fundamental problems and topics include the existence of God, the origins and status of morality, the nature and meaning of history, the relation between reason and faith, the status and role of philosophical knowledge, the place of art and religion in society, the future of modernity, the nature of postmodernity, the perils of technology, the specter of transhumanism, and the history of philosophy from Augustine to Kant and Hegel, Nietzsche to Kierkegaard and Dostoevsky, and Heidegger to Sartre and Camus. Based on a popular series of online essays published at London artist and philosopher Richard Marshall’s 3:16 AM, Finding Meaning is essential reading for students and scholars of philosophy and theology, and for anyone with a genuine interest in making sense of what it means to be human in an age of nihilism. (shrink)

This paper states that as there is the “death of God” (Nietzsche), there is also the "death of man" (Foucault). The first will be interpreted either as the truth of the God who dies (theologies of the death of God), or as the death of the principle (Heidegger), or as the death of the living God and of his resurrection power (Nietzsche's true interpretation). The second one can certainly consecrate the human as an “fabricated problem” (...) (Foucault), but even more this way can open up the new power relationship of the Übermensch. Therefore, after the fold of the "forces of finitude" comes the fold of the "new creative infinity" (Deleuze). It is in this way, and only by thinking about “the thread of the body”, that we will perhaps move away from the death of man (Foucault) and the death of God (Nietzsche). Going down to Freud’s “es”, but also reaching Nietzsche’s “Self” will be the condition to echo the power of the Übermensch and of the " Über God". Man does not only stand on the “back of the es” like the rider on his horse (Freud), but also on the “back of the Self” like the “back of the tiger” that cannot be tamed (Nietzsche). (shrink)

The "Death of God" is upon us, and since the phrase has caught the popular imagination there has been an outpouring of literature on the topic—defending, attacking, probing the death of God. Murchland has collected together a number of articles representing the current fascination with "atheistic theology." Although the prose is rich and the polemic fierce, it is difficult to gain much illumination on just what are the basic issues and options concerning this "new" theme. One is (...) impressed by the earnestness of the contributors in their dissatisfaction with traditional theology and religion and the search for new directions, but too often flowery rhetoric is provided where one would like to find careful analysis and argument.—R. J. B. (shrink)

The proclamation of the death of God came at a pivotal time in the history of humankind. It far transcended the concerns of the religious faithful and dented the entire fabric of human existence. Left to its own devices, humans intended their consciousness to replace God's. This proved to be a terrible mistake that collapsed the entire modern project. One of the worldviews that emerged in the wake of this eruption was antinatalism, which refers to the conviction that human (...) reproduction should be brought to an absolute halt. This is the most modern outgrowth of the death of God and represents the most radical face of secular humanism. In spite of the admittedly dark fumes that leak out from the term ‘antinatalism’, this philosophical position emerges quite naturally when we consider the depletion of our traditional sources of philosophical enquiry. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 35.1 (2005) 71-98MuseSearchJournalsThis JournalContents[Access article in PDF]Hospitality after the Death of GodTracy McNultyPierre Klossowski's fiction has been only sporadically published in English, and largely dismissed as perverse erotica or soft-core porn. When his 1965 trilogy Les lois de l'hospitalité was partially translated in English (under the title Roberte, ce soir & The Revocation of the Edict of Nantes), its Library of Congress classification characterized it simply as (...) "erotic fiction—French." Even in France, Klossowski has become the very signifier of perversion. His artwork graces the cover of Serge André's L'imposture perverse and of numerous erotic novels, he has been "diagnosed" as a pervert by writers on both sides of the Atlantic, and unironic readers of his Sade mon prochain hail him as Sade's disciple and heir.1Admittedly, the larger stakes of Klossowski's work are easily obscured by its free adaptation of the stock themes of libertine literature. His fictional works, like his visual compositions (essentially representations of rape scenes, often on historical themes—Diana and Actaeon, the Rape of Lucretia), explore the conflict between a woman's chaste moral attitude and her gradual surrender to an assailant's advances. The Laws of Hospitality concerns the erotic awakening of "hospitality" in a woman, which exposes a contradiction within her moral character and reveals her symbolic identity to be without foundation. Its protagonist Octave, who bears more than a passing resemblance to his creator, is a collector of artworks that eroticize the moment of moral hesitation experienced by women submitting to the sexual advances of a chance stranger—or even a "spiritual" apparition. His "laws of hospitality" are the fruit of his desire to experience this operation firsthand; they name a practice wherein the master of the house "offers" his wife to fortuitous guests, in order to savor the moment of her surrender.However, the stakes of Klossowski's "perverse" meditations are very different from the Sadeian project of uprooting religious morality. Sade challenges the patriarchal and religious authorities of his day by demonstrating that the paternal signifier on which their laws are based is without foundation. In proving that the law cannot hold [End Page 71] up against the repeated assaults of libertinage, he mounts a systematic deconstruction of the symbolic order of language by the real of jouissance. But although Klossowski may share Sade's perverse drive to "humiliate the law with the object,"2 his target is not the signifier as such, but rather the imaginary consistency afforded by what he calls the "grammatical fiction of the 'I,'" the illusion of autonomous personhood. The "object" he confronts it with is not the natural "truth" of jouissance, but rather the feminine object who disrupts the identity of the "master" who offers her.Klossowski's reflections on the special status of femininity in Enlightenment culture—at once marginal and singularly "extimate"—have never been fully appreciated, despite their enormous interest for the study of culture. In a way unique among contemporary authors, Klossowski sheds light on Jacques Lacan's enigmatic insight that the cultural importance of the feminine object consists in its sublimated status as an "object raised to the dignity of the Thing" [Lacan 112]. His fiction underscores the close ties between the feminine and what Freud called das Ding, the Thing uncannily internal to subjectivity that Lacan later identified with the function of the Nebenmensch, as the apotheosis of the Christian idea of the prochain, or neighbor [Lacan 151–52].Although Klossowski's erotic scenario invites comparisons with Sade's and Fourier's utopian calls to dissolve the privative boundaries between subjects, what he understands by "hospitality" is not the abolition of personal identity, but rather the staging of its internal contradiction.Hospitality, at the Limits of the LawThe act of hospitality—whose theological and philosophical origins this former Dominican novice and Latin scholar was intimately acquainted with—concerns a very particular tension. Etymologically, the host is the "master," the one who "eminently personifies" identity: not only his own identity, but also that of the group in whose... (shrink)

Basic issues in the recent ‘death-of-God’ movement can be illuminated by comparison and contrast with the relevant ideas of two American philosophers, John Dewey and William James. Dewey is an earlier spokesman for ideas that are central to the ‘radical theology’ of Thomas J. J. Altizer, William Hamilton, and Paul Van Buren. His reasons for rejecting theism closely resemble propositions maintained by these ‘death-of-God’ theologians. James, on the other hand, points toward a theological alternative. He takes cognizance (...) of ideas similar to those in the ‘radical theology’, but he does not opt for either a metaphorical or real elimination of God. Thus, the contentions of this paper are that there has been a version of the ‘death-of-God’ perspective in American thought before, and that there are resources in the American tradition that suggest a viable option to this perspective. (shrink)

In this article I explore how a philosophical conception of love may be used to draw debate on the death of God beyond the binary opposition between theology and philosophy through a comparative study of the work of Jean-Luc Marion and Jean-Luc Nancy. Although Marion’s reading of love—in both its theological and phenomenological guises—proposes an innovative phrasing of a non-metaphysical notion of divinity, I argue that it is ultimately unable to maintain its coherence in nominal discourse due to (...) Marion’s insistence on keeping love and being separate. In contrast, through his unique thinking on ontology, Nancy’s philosophy allows us to reposition love at the heart of being, from whence it may serve as a means of disrupting the very principle governing the atheist and theist world-views. Far from dismantling Marion’s core proposition, I conclude that the two thinkers may in fact be more closely aligned than previous scholarship has acknowledged, coming together in the need to affirm an experience of the impossible that takes place in the present rather than in any eschatological fulfillment to come. At this intersection between two nominally very different thinkers, love forms an ontological limit-point for thought that poses a challenge to both theology and philosophy alike as they continue to grapple with the question of religion in the twenty-first century. (shrink)

This article rethinks Michel Foucault’s relation to religion by situating his engagement with the ‘death of God’ in relation to his ongoing efforts to frame critical discourse in consistently immanent terms. It argues that a certain, indirect ‘theological’ horizon is the paradoxical and problematic limit, for Foucault, of the possibility of a thoroughgoing immanent discourse in his earlier work, due to the paradoxes of the death of long-duration of God (and ‘man’). The relation of his work to religion (...) thus emerges less as a productive question, for Foucault, than as a problem to be resolved if his critical project is to be viable. The article argues that his later work is informed by a significant re-framing of his relation to religion, signalled in comments he makes at the end of his 1978 lecture, “What is Critique?” and performed in his engagements with Christian mysticism, the ‘political spirituality’ of the Iranian revolution and early Christian practices of the self. Foucault is shown to perform a complex openness to religion as ‘other,’ which negotiates the ‘religious problem’ haunting his early work, even as it must repeatedly risk undermining his project. It is concluded that the relation to religion in Foucault’s work, less reflects resonance with aspects of a religious worldview, than it stages and clarifies the challenge of thinking otherwise immanently after the death of God. (shrink)

This paper traces the origins of the phrase “God is dead!” back to Hegel and Luther. It proceeds in the following four steps: Section I investigates the appearance of the theme of God’s death in Lutheran theology. Section II elaborates on Hegel’s adaptation of this theme in the context of his early work Faith & Knowledge. In section III, the paper continues on how the theme of the death of God developed from Luther to Nietzsche via Hegel, (...) before concluding, in section IV, by indicating the link between Protestantism and modern atheism. (shrink)

One hundred years ago the expression "God is dead" was first used by Nietzsche. Now, Nietzsche was reared in a christian home, but at the university he decided there was no god.Now, this philosophy began to pervade German thought. And I believe that history is going to say that this philosophy … contributed to a religious, moral and intellectual vacuum, and into that vacuum came Nazism and the concept of the super race that produced Hitler and the second World War.Now, (...) if we in America reject the idea of god and all that that means, we're going to have a vacuum in which either a fascist type or a communist type of ideology is going to come in … that could eventually lead, in my opinion, to anarchy and chaos.The... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS The Incarnation of God: An Introduction to Hegel's Theological Thought as Prolegomena to a Future Christology. By HANS Kii'NG. Translated by J. R. Stephenson. New York: Crossroad, 1987. Pp. 601. $37.50 (cloth bound). This is an imposing book (first German edition, 1970), not only in length, but in breadth of presentation. Kiing, in the introduction, outlines the philosophical, theological and cultural milieus out of which Hegel's (...) class='Hi'>theology and philosophy emerged. In the next 400 pages (seven chapters), Kiing thoroughly articulates the historical development of Hegel's theological and philosophical thought as expressed in his successive writings, specifically examining and evaluating the christological elements. Kiing's final chapter interprets Hegel's Christology in light of recent biblical historical/critical methodology, by way of a prolegomenon to a future Christology. The book concludes with five integral historical/theological excursus which take up specific questions that arise out of this Hegelian enterprise, for example: "Does God suffer?," "The Dialectic of the Attributes of God," "Immutability of God?". In the preface to this English edition, Kiing states that the purpose of this work is to "provide theologians with an introduction to Hegel's theological and christological thought.... [It will be] a many-leveled 'invitation' into Hegel's life and 'thought, with particular reference to his religious world, and then into his theology and Christology " (p. ix). "Moreover,.this book is an introduction to Hegel's thought by way of 'prolegomena to a future Christology '. In ·these pages we endeavour to return... a provisional reply that will take us some way in the right direction" (p. x). Why did Kiing look to Hegel for the clue to a future Christology? His thesis is that "the biblical message concerning a God who is by no means separated from the world but rather operates within it, and who is by no means stuck immovable and immutable in an unhistorical and suprahistorical realm but rather performs living acts in hi&tory can be better understood [along the lines of Hegelian thought] than in terms of the metaphysics of either classical Greece or the middle ages" (p. xii). Any student of historical or philosophical theology/christology will be captivated by Kiing's treatment of.the development of Hegel's ilhought. Undoubtedly he has mastered Hegel's life, writings and 698 694 BOOK REVIEWS thought, and presents these in a clear, complete and engaging manner. Kiing notes that Hegel, beginning with his student days at Tiihingen, was influenced by three strong cultural and intellectual currents: the Enlightenment as it specifically culminated in the thought of Kant, the French Revolution, and the rise of the Romantic movement. Kiing shows that, while the young Hegel was acquainted with the Bible, and even,though he already displayed an interest in the role of religion (folk religion) as formative of society, nowhere was he "seized in a lively and inward fashion by the Christian faith, by the figure of Christ himself" (p. 54). To rthe contrary, Hegel's early experience of Christianity was lifeless and joyless. During his subsequent time in Bern, Hegel's evaluation of Jesus un· derwent a transformation. Hegel became fascinated with Greek religion, not because it was true, but because it embodied the culture and spirit of the people. Developing this train of thought, he stated that "The supreme end of man is morality, and his religious bent is pre· eminent among his aptitudes for promoting that end" (p. 69). In light of this, Hegel considered Jesus,to lack the humane and universal scope of Socrates, who was " the paradigm of a free, good and humane Hellenism and of harmony with nature, world and state " (p. 63). Jesus' teaching was too much an authoritarian imposition upon people rarther than, like Socrates', a nurturing of their inner spirit and life. Shordy, as reflected in his Life of Jesus, Hegel's view of Jesus was to change. Now he was placed above Socrates, not because he was acknowledged to be the eternal Son of God, nor because he reconciled mankind to God by his death on the cross, but rather because he per· sonified the divine ideal of virtue that is so necessary for social order. " Whart is... (shrink)

Contemporary continental philosophy approaches metaphysics with great reservation. A point of criticism concerns traditional philosophical speaking about God. Whereas Nietzsche, with his question "God is dead; who killed Him?" was, in his time, highly 'unzeitgemäß' and shocking, the twentieth century by contrast, saw Heidegger's concept of 'onto-theology' and its implied problematization of the God of the metaphysicians quickly become a famous term. In Heidegger's words, to a philosophical concept or 'being' we can neither pray, nor kneel. Heidegger did not, (...) however, return to the God of Christian faith. He tried to initiate a new way of speaking about God--a way that reveals the limits of philosophical discourse. Derrida, Marion, Bataille, Adorno, Taubes and Bakhtin, each in their own way, continue this exploration begun by Nietzsche and Heidegger. This book takes a fresh look at these developments. The 'death of God' as the editors say in an introductory study, announces not so much the death of the 'old God'--the God of philosophers, theologians and believers--but rather the death of the god who put himself on His throne: autonomous human reason. In listening to the reactions to this dethronement of autonomous reason, the editors believe they hear the echoes of an experience of an embarrassment rooted partly in an old medieval tradition: negative theology. With the death of this 'new god', might a sensitivity reappear for transcendence? Here the editors want to offer a platform where contemporary philosophers of culture can again pose the question of speaking about God. (shrink)

The recent deaths of two children from parental decisions to rely on faith healing rather than medical treatment raises fundamental questions about the extent and limits of religious liberty in a liberal democratic society. This essay seeks to identify and critically examine three central issues internal to the ethics of religious communities that engage in faith healing regarding children: (1) the various forms of religious and nonreligious justification for faith healing; (2) the moral, institutional, or metaphysical wrong of medical practice (...) from the perspectives of faith-healing communities; (3) the explanation or "theodicy" articulated by the religious community when faith healing does not occur and a child dies. The essay finds that the holding in Prince v. Massachusetts that parents with religious convictions cannot enforce martyrdom on their children presents a guiding principle for medicine and public policy. (shrink)

In one of his essays on art, Dutch author and essayist Joost Zwagerman reflects on the work of South African artist Marlene Dumas. Zwagerman addresses in particular Dumas' My Mother Before She Became My Mother, painted 3 years after her mother died. In his reflections, Zwagerman proposes an interpretation of Dumas' work. He suggests that Dumas, in her art, does not accept the omnipotence of death. Maybe against better judgement, but Dumas keeps creating images that not only illustrate the (...) desire for meaning but also embody this desire. The image and the desire for meaning merge in Dumas' paintings. The painting itself becomes an autonomous 'desire machine', according to Zwagerman. In this article, a theological reading of Zwagerman's own posthumously published volume of poetry, 'Wakend over God', is presented, with a specific interest in art, death and God. The sacramental hermeneutics of Richard Kearney and the theopoetics of John Caputo are brought into the conversation to elicit the dimensions of faith and religion in Zwagerman's own 'desire machine'. (shrink)

LeRon Shults and Palgrave MacMillan are happy to announce the arrival of Postpartum Theology!Shults has changed his guiding metaphors during the short interval between the publication of Iconoclastic Theology: Gilles Deleuze and the Secretion of Atheism and Theology After the Birth of God. While Iconoclastic Theology emphasized the iconoclastic potential of theology with the help of Deleuze’s well-struck hammer blows, Theology After the Birth of God adopts natal imagery. The gods, Shults argues, were conceived (...) in the human mind, born into the world as a result of human cognitive errors, and continue to be borne in diverse cultures. Prophets who have announced the death of God have little impacted our continued... (shrink)

The age-old philosophical problem of evil, especially prominent in Western philosophy, as resulting from the intellectual irreconcilability of some appellations of God with the presence of evil – indeed, of myriads of evil – in the world, has been debated upon by many African religious scholars; particularly, philosophers. These include John Mbiti, Kwasi Wiredu, Kwame Gyekye, E. B. Idowu and E.O. Oduwole. While the debate has often been about the existence or not of the problem of evil in African (...) class='Hi'>theology, not much philosophical discussion has taken place regarding death and its implications for African conception(s) of God. This paper attempts to contribute to the discussion of those implications. It explores the evilness of death, as exemplified in the African notion of “evil death,” and argues that the phenomenon of death presents itself in complex but interesting ways that do not philosophically ground its characterization as evil. Therefore, the problem of evil would not arise in African thought on account of the phenomenon of death. (shrink)

The age-old philosophical problem of evil, especially prominent in Western philosophy, as resulting from the intellectual irreconcilability of some appellations of God with the presence of evil – indeed, of myriads of evil – in the world, has been debated upon by many African religious scholars; particularly, philosophers. These include John Mbiti, Kwasi Wiredu, Kwame Gyekye, E. B. Idowu and E.O. Oduwole. While the debate has often been about the existence or not of the problem of evil in African (...) class='Hi'>theology, not much philosophical discussion has taken place regarding death and its implications for African conception(s) of God. This paper attempts to contribute to the discussion of those implications. It explores the evilness of death, as exemplified in the African notion of “evil death,” and argues that the phenomenon of death presents itself in complex but interesting ways that do not philosophically ground its characterization as evil. Therefore, the problem of evil would not arise in African thought on account of the phenomenon of death. (shrink)

The theme that God suffers with his world has become a familiar one in recent years, but a careful examination is needed of what it means to talk about the suffering of God, avoiding the danger of a merely sentimental belief. This book offers a consistent way of thinking about a God who suffers supremely and yet is still the kind of God to whom the Christian tradition has witnessed, and also about a God who suffers universally and yet is (...) still present uniquely in the cross of Christ. It is at once both a survey of recent thought about the suffering of God and a proposal for a way forward in this important area of Christian theology. The author surveys four main trends of recent thought: the 'theology of the cross' in modern German theology ; American process theology; 'the death of God' theology; and finally, the rejection of the whole idea of divine passibility by modern followers of classical theism. He draws upon these schools of thought in the course of reflecting upon various aspects of the main theme of the study. This thematic structure enables an idea of divine suffering to be developed throughout the book, affirming that God freely chooses to limit himself, to suffer change, to journey through time and even to experience death while remaining the living God. (shrink)

What should philosophical theology look like after the critique of Onto-theology, after Phenomenology, and in the age of Speculative Realism? What does Kabbalah have to say to Philosophy? Since Kant and especially since Husserl, philosophy has only permitted itself to speak about how one relates to God in terms of the intentionality of consciousness and not of how God is in himself. This meant that one could only ever speak to God as an addressed and yearned-for holy Thou, (...) but not to God as infinite creator of all. In this book-length essay, the author argues that reality itself is made up of the Holy Name of God. Drawing upon the set-theoretical ontology of Alain Badiou, the computational theory of Stephen Wolfram, the physics of Frank Tipler, the psychoanalytical theory of Jacques Lacan, and the genius of Georg Cantor, the author works to demonstrate that the universe is a computer processing the divine Name and that all existence is made of information (the bit). As a result of this ontic pan-computationalism, it is shown that the future resurrection of the dead can take place and how it may in fact occur. Along the way, the book also offers compelling critiques of several significant theories of reality, including the phenomenological theologies of Emmanuel Levinas and Jean-Luc Marion, Process Theology, and Object-Oriented Ontology. Reality in the Name of God explores how the concepts of Jewish mysticism can be articulated and deployed as philosophical theses within current metaphysical debates. It provides a new and dynamic Structural Realist ontology of information. Ultimately, the book aims to deal a death blow to the restriction of philosophy and theology in relation to elaborations of a how a believer relates to a God outside the mind and to return thought to a direct encounter with the divine nature of reality itself and its creator"--Website of the publisher, October 19, 2020. (shrink)

Smith traces a major line in the history of theology and the philosophy of religion down the "slippery slope" of secularization—from Luther and Erasmus, through Idealism, to Nietzsche, Heidegger, Derrida, Habermas, Vattimo, and Asad.

In lieu of an abstract, here is a brief excerpt of the content:Reports of the Death of the AuthorDonald KeeferReports of the death of the author have been greatly exaggerated. Throughout Western history, the death of a hero, the disappearance of something sacred, the fall of a leader, or the defeat of a powerful people has signaled cultural crises and the coming of anxiety-filled transformations towards an unknowable future. When Friedrich Nietzsche wrote the belated obituary on the (...) death of God, he was well aware of its enormity. He complains that millennia will pass before humanity will overcome its living in the “immense frightful shadow” of God. 1 Roland Barthes’s 1968 notice on “The Death of the Author,” however, announces an analogous loss of the “Author-God” with nothing but smug confidence: “We know to give writing its future, it is necessary to overthrow the myth: the birth of the reader must be at the cost of the death of the Author.” 2 Since his actual death in 1980, and despite his writings contra the author, Barthes has become the sort of Author declared moribund in his article, as he is attentively read and dutifully quoted with adulation by artists, art and literary critical theorists alike. 3For Abigail Solomon-Godeu, writing on photography, the death of the author, and by extension, the artist and composer, as theorized by Barthes, was a cornerstone in a new age of cultural production and consumption. Readers would be liberated from the tyranny of authorial authority. She links the transgressive edge of “appropriative art,” found in such works as photographer Sherry Levine’s photographs of famous photographs, to playing out the cultural consequences of Barthes’s manifesto. “The dismantling of the notion of unique subjectivity Barthes understood as a salutary blow struck against ossified and essential retrograde bourgeois humanism.” 4 The paramount irony is [End Page 78] that the Four Henchman of the Authorial Apocalypse, Roland Barthes, Michel Foucault, Jacques Derrida, and Paul De Man, are given the godlike status of founding fathers of postmodernism by practically every writer on the current art scene. The program to “challenge the symbolic itself,” is accepted as a sacred charge by the new cultural clerisy. 5Nearing three decades of postmortem of the author, what has changed? The “death of the author” has given birth not to the reader, but to a booming industry of “discursive practices,” or the production of texts on texts. And clearly, not one of the producers of these texts would happily give credit to discourse itself for their byline. Despite postmodern misgivings about authority and propriety, we can still be sued for appropriating without their permission words and ideas theoretically the product of language itself! 6 Isn’t it high time that we began to demand some sort of truth in advertising or reporting on matters such as these?Margit Sutrop has lamented in the pages of this journal the resilient attitudes of those cultural critics who take as axiomatic Barthes’s claims: “Even the sharpest philosophical analysis has had no influence on those speaking about the death of the author.” 7 In fact, many of the critiques are so good, one must wonder if our continuing concern with Barthes isn’t bordering on overkill. Sutrop sees that Barthesian proponents have too much invested in the thesis to be moved. She then acknowledges that arguments might prove fruitless against the force of a metaphor. This is a very troubling concession however. There is nothing surprising about a community’s lack of self-criticism except when that community advertises itself as the party that dares to challenge all. The convenience of certain “truths,” or beliefs not subject to correction ought always to make us suspicious.The truth is Barthes’s attack has much less to do with authors than with a style of reading: “We know that a text is not a line of words releasing a single ‘theological’ meaning (the ‘message’ of the Author-God), but a multi-dimensional space in which a variety of writings, none of them original, blend and clash” (DOA, p. 146). The tenacity of Barthes’s supporters is a function of the sort of reading that Barthes licenses here and in his other works. Clearly... (shrink)

Suppose there comes a day when Homo sapiens has evolved into or been overtaken by techno sapiens. Will it then still make sense to speak of human beings as created in the image of God? What is the relevance of asking such a question today? I offer a sketch of the present state of development and discussion in artificial intelligence (AI) and artificial life (AL) and discuss some implications for the human condition. Taking into account both reality and fiction in (...) AI and AL, I hold that, regardless of the degree of realization, issues related to technological evolution inform the cultural agenda—at least the European–American one. I comment on antireductionist arguments and on arguments from philosophy and (history of) culture. I argue in favor of a consonance between neurotechnology and the Christian gospel in terms of realizing the marks of messianic life. However, issues of justice, reason versus nature, and perfection and finitude versus imperfection and immortality call for further illumination. Even though no principal opposition seems to exist between technological evolution and possible interpretations of the concept of the image of God (imago dei), a number of significant dissimilarities need to be addressed, such as the differences between technical improvement and forgiveness or transformation and between immortality and resurrection. The role of irregularity, disturbance, and error for creative processes in nature and culture is an exciting topic in science and technology as well as in theology. (shrink)

The Alexandrian theologian Origen wrote that God the Father exceeds the Son in a way that surpasses the Son’s own transcendence of creation, and he apparently did so in order to oppose those who disregarded Jesus’ statement that «the Father is greater than I» . Just a few years after Origen’s death, however, when correction of his Son of God theology was well underway, Arius radicalized the latent subordinationism present in Origen’s thought by placing the Son among created (...) things. The Arian tendency to associate the Son with the created realm can be traced back to the attempts of Methodius of Olympus and Eusebius of Caesarea to counter Origen’s doctrine of eternal creation. Arius claimed that Christ is called «Son» because he is the created instrument of God’s will, and he gained sympathy for this voluntaristic view by citing John 14:28. Here was irrefutable scriptural proof of the metaphysical priority of the Father over the Son who is a separate and yet perfect creature of God. (shrink)