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  1. 1922: Dziga Vertov.Dan Geva - 2021 - In A Philosophical History of Documentary, 1895-1959. Cham: Palmgrave Macmillan. pp. 93-100.
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  2. Synthetic Vision in Virtual Reality Documentaries.Jihoon Kim - 2021 - Film-Philosophy 25 (3):321-345.
    Based on a nuanced understanding of immersion and sense of presence as two key aesthetic effects that the application of virtual reality to cinema is believed to innovate, this paper develops the concept of synthetic vision as fundamental to understanding the visual experience of VR media, particularly VR documentaries. The concept contends that viewers’ experience in VR is based on two visions that seemingly contradict each other: first, a disembodied vision that transports them to a simulated world, and second, an (...)
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  3. SportsCenter: The Documentary? A Response to Pratt.Jonathan Frome - 2020 - Wiley: The Journal of Aesthetics and Art Criticism 78 (1):94-97.
    The Journal of Aesthetics and Art Criticism, Volume 78, Issue 1, Page 94-97, Winter 2020.
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  4. The Philosophy of Werner Herzog.M. Blake Wilson & Christopher Turner (eds.) - 2020 - Lexington Books.
    Legendary director, actor, author, and provocateur Werner Herzog has incalculably influenced contemporary cinema for decades. This essay collection by professional philosophers and film theorists from around the globe offers a diversity of perspectives on how the thinking behind the camera is revealed in the action Herzog captures in front of it.
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  5. The Philosophy of Documentary Film: Image, Sound, Fiction, Truth.David LaRocca (ed.) - 2016 - Philosophy of Popular Culture.
    Perhaps nowhere in the broad expanse of types of film is the old "quarrel between philosophy and poetry" more evident--and also more vitally relevant--than in the genre or mode of film known as documentary. Documentary film is just another form of poetic imitation, in its variety of instances and complexity of fabrication, it is just as much caught up with the limitations--and effects--of mimetic art, including fiction film. This book affords a prismatic perspective on documentary cinema, inviting the dynamism and (...)
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  6. প্রামাণ্যচিত্রের বিবর্তন : সত্যের খোঁজে, শিল্পের তাড়নায়.Md Mahmudul Hoque - 2014 - Magic Lanthon 3 (6):81-90.
    প্রামাণ্যচিত্র কী? এ প্রশ্নের উত্তর দেওয়া কঠিন,অনেকের মতে অসম্ভব। তবে সাদামাটাভাবে চিন্তা করলে আসলে যতোটা হয়তো বলা হয়,ততোটা নয়। কেননা, একজন সাধারণ দর্শক তো খুব সহজেই বুঝতে পারেন এটি ‘প্রামাণ্যচিত্র’ না ‘কাহিনীচিত্র’। কিন্তু, একটু গভীরভাবে চিন্তা করলে বিষয়টাকে কঠিনই মনে হয়। চলচ্চিত্রের মাধ্যমে নিছক সত্য বলা কিংবা তথ্য প্রচারই কি প্রামাণ্যচিত্র? মোটেও তা নয়। প্রামাণ্যচিত্র কথাটির সঙ্গে বিভিন্ন বিষয়ের অবতারণা ঘটে­—প্রমাণ, সত্য-মিথ্যা, বাস্তবতা, সত্যতা, সততা, সৃজনশীলতা, বাস্তবতার পুনর্নির্মাণ, প্রোপাগান্ডা ইত্যাদি। এসব বিষয়ই কখনো একটি আরেকটির সহযোগী আবার কখনো দ্বান্দ্বিক। তাই প্রামাণ্যচিত্রকে (...)
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  7. Films of Fact: A History of Science in Documentary Films and Television. [REVIEW]Hanna Shell - 2008 - Isis 99:865-866.
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  8. The Pleasures of Documentary Tragedy.Stacie Friend - 2007 - British Journal of Aesthetics 47 (2):184-198.
    Two assumptions are common in discussions of the paradox of tragedy: (1) that tragic pleasure requires that the work be fictional or, if non-fiction, then non-transparently represented; and (2) that tragic pleasure may be provoked by a wide variety of art forms. In opposition to (1) I argue that certain documentaries could produce tragic pleasure. This is not to say that any sad or painful documentary could do so. In considering which documentaries might be plausible candidates, I further argue, against (...)
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  9. What a Documentary is, After All.Carl Plantinga - 2005 - Journal of Aesthetics and Art Criticism 63 (2):105–117.
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  10. Photographic Traces and Documentary Films: Comments for Gregory Currie.Noël Carroll - 2000 - Journal of Aesthetics and Art Criticism 58 (3):303-306.
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  11. Visible Traces: Documentary and the Contents of Photographs.Gregory Currie - 1999 - Journal of Aesthetics and Art Criticism 57 (3):285-297.
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  12. Narrative Manipulation and Documentary Truth.John Arthos - 1996 - Film and Philosophy:87-94.
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  13. The Documentary Tradition: From Nanook to WoodstockThe New Documentary in Action: A Casebook in Film MakingDocumentary Explorations: Fifteen Interviews with Film-Makers.John S. Katz, Lewis Jacobs, Alan Rosenthal & G. Roy Levin - 1974 - Journal of Aesthetic Education 8 (1):120.
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