Carroll on the Emotion of Horror

Projections: The Journal for Movies and Mind 14 (3):47-54 (2020)
  Copy   BIBTEX

Abstract

Noël Carroll’s influence on the contemporary debate on the horror genre is hard to overestimate. His work on the topic is often celebrated as one of the best instances of interdisciplinary dialogue between film studies and philosophy of art. It has provided the foundations for the contemporary study of horror in art. Yet, for all the critical attention that his views on horror have attracted over the years, little scrutiny has been given to the nature itself of the emotion of horror in the genre. This article offers a critical understanding of the nature of the emotion of horror for Carroll, with a view to informing future investigations into the nature of horror in film (and beyond).

Links

PhilArchive

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2020-11-03

Downloads
2,404 (#3,553)

6 months
430 (#3,971)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Filippo Contesi
Universitat de Barcelona

Citations of this work

The Affective Nature of Horror.Filippo Contesi - 2022 - In Max Ryynänen, Heidi Kosonen & Susanne Ylönen (eds.), Cultural Approaches to Disgust and the Visceral. Routledge. pp. 31-43.

Add more citations