These two volumes consist of a critical edition and English translation of the two earliest known Armenian sets of scholia on the Heavenly Hierarchy of Dionysius the Areopagite. Composed in the monastic schools of Erznka in the late thirteenth century, these scholia provide significant insight into how the Heavenly Hierarchy in particular, and Armenian translations of Greek texts in general, were understood by Armenian scholars in the Middle Ages. This editio princeps of the scholia represents a rare critical edition of (...) a native Armenian composition from the medieval period. In addition to the text and translation, these volumes include a textual commentary as well as a critical collation and English translation of a number of scholia from the Armenian version of the Greek scholia on the Heavenly Hierarchy. (shrink)

Name der Zeitschrift: Semiotica Heft: Ahead of print.

These two volumes consist of a critical edition and English translation of the two earliest known Armenian sets of scholia on the Heavenly Hierarchy of Dionysius the Areopagite. Composed in the monastic schools of Erznka in the late thirteenth century, these scholia provide significant insight into how the Heavenly Hierarchy in particular, and Armenian translations of Greek texts in general, were understood by Armenian scholars in the Middle Ages. This editio princeps of the scholia represents a rare critical edition of (...) a native Armenian composition from the medieval period. In addition to the text and translation, these volumes include a textual commentary as well as a critical collation and English translation of a number of scholia from the Armenian version of the Greek scholia on the Heavenly Hierarchy. (shrink)

Aging is characterized by the decline and deterioration of functional cells and results in a wide variety of molecular damages and reduced physical and mental capacity. The knowledge on aging process is important because life expectancy is expected to rise until 2050. Aging cannot be considered a homogeneous process and includes different trajectories characterized by states of fitness, frailty, and disability. Frailty is a dynamic condition put between a normal functional state and disability, with reduced capacity to cope with stressors. (...) This geriatric syndrome affects physical, neuropsychological, and social domains and is driven by emotional and spiritual components. Sarcopenia is considered one of the determinants and the biological substrates of physical frailty. Physical and cognitive frailty are separately approached during daily clinical practice. The concept of motoric cognitive syndrome has partially changed this scenario, opening interesting windows toward future approaches. Thus, the purpose of this manuscript is to provide an excursus on current clinical practice, enforced by aneddoctical cases. The analysis of the current state of the art seems to support the urgent need of comprehensive organizational model incorporating physical and cognitive spheres in the same umbrella. (shrink)

Plotinus represent a constant reference in all of Šestov's philosophy. For the Russian philosopher Plotinus is, on the one hand, the one who thought up thesynthesis of Greek philosophy, on the other, the one who first broke with that same tradition precisely when it was at its peak. However, Šestov does lift from the Enneadi certain passages which he marries - as if in a sort of contrapuntal rewriting exercise - to others in which Plotinus seems to contradict himself. What (...) interests Šestov are precisely those discontinuities in the thought of the last great philosopher of old in an anti-Greek function. That of Šestov is once again a marked criticism of Rationalism as creator of an autonomous set of ethics that he judges according to an intellect which everything is subject to. Autonomousethics, affirms Šestov, is a fruit of Greek schools of thought to the extent that it shows distrust for what is mutable, unforeseen and arbitrary, of everything which, in short, is irrational, as it is not inserted in the One/All necessitating, justifying, regulating. In the alternative between Athens and Jerusalem, between the Rationalism and the Bible, Šestov opts to assume a stance, in no uncertain terms, on the side Jerusalem, taking with him the Plotinus of the awakening andheading towards a greater reality capable of overturning the throne occupied for too long by reason. That Plotinus who at a certain point was obliged to say thatin this other dimension "the intellect before God represents a reckless, ungodly apostate" (VI.9.5). That Plotinus, who ultimately, in one of those most particularmoments, realized that he was predestined for something loftier with respect to the world of evil and death. (shrink)

AimsSport specialization is an actual trend in youth athletes, but it can increase injury risk. The aim was to determine the eventual correlation between sports specialization and injury risk in various sports, using a biopsychosocial approach.Methods169 sport-specialized athletes completed [; overall,, ] a self-reported questionnaire regarding sociodemographic, physical-attitudinal, injuries and psychological-attitudinal To analyze data univariate and correlate analyses were used.ResultsOf 169 athletes enrolled, 53% were single-sport specialized. In team sports a high risk of having to remain at rest for up (...) to 1 month because of overuse was observed. Males who suffered direct trauma in the team group were more exposed to that type of injury, and also the type of specialization figured significantly. In addition, interoceptive awareness correlates with injury. This study shows that, even though young athletes seem to be at a high risk of becoming injured, early team sport specialization and a high performance level cannot be considered to be the only risk factors. (shrink)

Plotinus represent a constant reference in all of Šestov's philosophy. For the Russian philosopher Plotinus is, on the one hand, the one who thought up thesynthesis of Greek philosophy, on the other, the one who first broke with that same tradition precisely when it was at its peak. However, Šestov does lift from the Enneadi certain passages which he marries - as if in a sort of contrapuntal rewriting exercise - to others in which Plotinus seems to contradict himself. What (...) interests Šestov are precisely those discontinuities in the thought of the last great philosopher of old in an anti-Greek function. That of Šestov is once again a marked criticism of Rationalism as creator of an autonomous set of ethics that he judges according to an intellect which everything is subject to. Autonomousethics, affirms Šestov, is a fruit of Greek schools of thought to the extent that it shows distrust for what is mutable, unforeseen and arbitrary, of everything which, in short, is irrational, as it is not inserted in the One/All necessitating, justifying, regulating. In the alternative between Athens and Jerusalem, between the Rationalism and the Bible, Šestov opts to assume a stance, in no uncertain terms, on the side Jerusalem, taking with him the Plotinus of the awakening andheading towards a greater reality capable of overturning the throne occupied for too long by reason. That Plotinus who at a certain point was obliged to say thatin this other dimension "the intellect before God represents a reckless, ungodly apostate" (VI.9.5). That Plotinus, who ultimately, in one of those most particularmoments, realized that he was predestined for something loftier with respect to the world of evil and death. (shrink)

Il saggio indaga il rapporto fra impresa e società fra ottocento e novecento così come si esprime nelle società per azioni e nelle imprese cooperative. Nella seconda metà dell’Ottocento i codici di commercio europei introducono la deregolamentazione delle public company e codificano per la prima volta l’impresa cooperativa. Entrambe le novità rappresentano una riposta ai problemi centrali di quella fase dello sviluppo industriale: il finanziamento delle iniziative economiche, la questione sociale e la governance dell’impresa. Si delineano così due forme di (...) impresa, la public company e l’impresa cooperativa, che per tutto il Novecento alimenteranno il dibattito sul rapporto fra società e impresa e contribuiranno alla crescita delle economie occidentali. (shrink)

L'opera sviluppa una riflessione politico-simbolica sul rapporto identità-alterità per rintracciare le valenze, che favoriscono il riconoscimento dell'incontro, al di là del possibile scontro alternativo escludente. Due i simboli politici esaminati, Prometeo e Cristo, che danno di che pensare, sollecitando a ri-pensare, il rapporto con l'altro. Aut aut: da una parte la croce di Cristo che simbolicamente, con i suoi bracci che si intersecano l'uno attraverso l'altro, rappresenta l'apertura della dimensione immanente, nella sua orizzontalità, a quella trascendente, nella sua verticalità, ossia (...) la tensione al supra e al prius quale esigenza di progresso ascensionale di ricerca del massimo bene umano; dall'altra la rupe di Prometeo, espressione dell'attaccamento ctonico al piano immanente, che, se assolutizzato, opprime e mortifica l'essere incatenandolo e affossandolo. Con un'originale apertura della politica alla pedagogia, l'autrice affronta la questione cruciale del la libertà che, intesa come liberazione responsabile dall'insignificanza all'infinito, richiede di essere educata per rendere concretamente possibile il progetto di una convivenza più autenticamente umana. (shrink)

In questo lavoro si esplora la possibilità che l’inserzione dello sfruttamento umano all’interno del processo lavorativo e la conseguente apparizione sociale dell’uomo-merce abbiano lasciato tracce nell’opera di Dante. Si rintracciano così in una selezione di passi i problemi che questo processo impone alla nascente concezione dell’identità individuale e all’assunzione in una cornice ideologica ancora sacralizzata della distinzione fra ambito pubblico e ambito privato, che caratterizzerà il capitalismo fino a poche decadi fa.

Patrizia Lombardo | : Stendhal et Musil sont les deux écrivains par excellence qui se sont interrogés sur le type de connaissance qui vient de la littérature. Avant Musil et comme Musil, Stendhal répond à cette question fondamentale en montrant que le roman offre une connaissance des émotions humaines et de leur lien avec les valeurs. Il s’agit à la fois de valeurs éthiques — les situations morales dans lesquelles se trouvent les personnages — et des valeurs esthétiques et (...) proprement littéraires — le tragique, le comique, le tragi-comique, le sublime, etc. Surtout, le roman n’est pas simple représentation du réel, mais aussi du possible. L’analyse de quelques phrases hypothétiques, conjectures et expériences de pensée dans Le Rouge et le Noir, confirme la thèse que la littérature propose une connaissance du possible à travers le travail de l’imagination. | : Stendhal and Musil are deeply concerned with the question of theknowledge value of literature. Like Musil and before him, Stendhalanswered this question by showing the potential of the novel :this literary form presents human emotions and their connection tovalues. The characters deal with various situations, therefore conveyethical values, while aesthetic values —such as the comic, thetragic, the tragic-comic, the sublime- emerge from the way in whichhuman actions and emotions are represented. All these values arebrought about by the style of Stendhal, which is both form and content,both ethical and aesthetic. The analysis of some hypotheticalsentences, conjectures and thought experiments in The Red and the Blackconfirms the thesis later endorsed by Musil, that literature allows forthe knowledge of the possible, thanks to the exercise of theimagination. (shrink)

Este trabajo trata de ilustrar el paralelismo existente –no obstante ciertas diferencias de enfoque y de conceptualización– entre el pensamiento wittgensteineano de principios de los años 30 y la teoría del conocimiento de C.I. Lewis. El punto de comparación es la noción de experiencia en tanto que trato epistémico con los objetos. Según la lectura sugerida, nuestra vida epistémica se desarrolla –bajo el denominador común de nuestra conciencia de pertinencias conceptuales– como un dinámico juego entre certezas (vitales) y tentativas de (...) conocimiento (racional). Ciertamente, habría que añadir que, debido a su dependencia contextual, estos factores se caracterizan tanto por su provisionalidad como por su naturaleza intercambiable. (shrink)

Existe una evolución en la crítica fregueana al psicologismo, siendo de particular relevancia las diferencias que existen entre la posición de 1884 y la de 1893, momento a partir del cual la misma comienza a fundarse en una revisión de la teoría psicologista de la subjetividad.

L’ironie est une valeur esthétique, et donc affective, chez Stendhal. Les phénomènes affectifs varient en nature et en intensité. L’ironie implique une gamme complexe d’aspects et de degrés : elle peut être satirique, comique, tragique, nihiliste, paradoxale, etc. Stendhal s’éloigne à la fois de la satire tragique de Chateaubriand et de l’ironie romantique nihiliste. Il pratique, certes, la satire sociale ; le roman doit atteindre l’idéal de l’ opéra-bouffe, où le comique est « un mélange de gaieté et de tendresse (...) ». L’ironie cache enfin la pudeur de l’écrivain qui masque ainsi sa tendresse et sa sympathie pour les âmes sublimes de ses personnages majeurs. (shrink)

This article aims to analyse one specific type of memorial site that furnishes an indexical link to past traumatic events which took place in precisely these places. Such memorials will be defined here as trauma sites. It will be shown how the semiotic trait of indexicality produces unique meaning effects, forcing a reframing of the issue of representation, with all its aesthetic and ethical dimensions. In contrast to other forms of memorial site, trauma sites exist factually as material testimonies of (...) the violence and horror that took place there. The fact they still exist, more or less as they were, implies a precise choice on the part of post-conflict societies regarding which traces of the past ought to be preserved and in which ways. In other words, a decision is made about what politics of memory to adopt in each case. Trauma sites thus become unique, privileged observatories that allow us to understand better the emergence of post-conflict societies. The various forms of conservation, transformation, memorialization of places where slaughter, torture and horror have been carried out are key clues to better understandings of the relationship between memory and history in each post-conflict society studied. This article presents a close reading of three very different trauma sites: the Tuol Sleng Museum of the Crimes of Genocide in Phnom Penh, Cambodia; Villa Grimaldi in Santiago, Chile; and a third, more recent, museum: The Ustica Memorial Museum (Museo per la Memoria di Ustica) in Bologna, Italy. These memorials represent instances of three very different traumatic memory politics: in Tuol Sleng, visitors are relocated in the trauma space, in a sort of ‘frozen past’; in Villa Grimaldi, a process of attenuation is at work, the traces of the past are less evident, and their emotional effects weaker. The Ustica Museum represents yet another option, a movement towards an artistic and creative reinterpretation of the traumatic event itself. (shrink)

Esperimento mentale: siete Immanuel Kant, vi trovate in Australia, e ve ne state andando a passeggio. A un tratto scorgete una strana bestiola in riva al lago. Ha gli occhi di una talpa, ma sarà grande dieci volte tanto. Ha il becco di un’anatra, ma non ha le ali; e non ha piume bensì una fitta pelliccia che la fa assomigliare semmai a una lontra. La coda poi sembra quella di un castoro; e le zampe hanno dita palmate, ma con (...) artigli. Insomma, è proprio uno strano animale (ammesso che sia un animale e non una creatura degli inferi o lo scherzo di un taxidermista) nel quale certamente non vi siete mai imbattuti e di cui sicuramente non aver mai sentito parlare. Domanda: che cosa dunque state vedendo? Siete incappati in un ornitorinco. Ma attenzione: l’esperimento richiede che vi immedesimiate in Kant, e ai tempi di Kant l’ornitorinco non era ancora stato scoperto. Per meglio dire: non era ancora stato scoperto e classificato dai naturalisti europei, che ci avrebbero impiegato quasi un altro secolo prima di trovargli un posto nell’ordine sui generis dei mammiferi ovipari. Il vecchio Immanuel non ne sapeva nulla, non ne aveva il concetto; quindi voi non potete rispondere che state vedendo un ornitorinco. State vedendo quella cosa lì e basta. Il problema è cosa significhi dire che state vedendo quella cosa dato che non avete la più pallida idea di che cosa stiate vedendo. (shrink)

Frege’s account, according to which the problem of how thoughts are apprehended should be a part of psychology, has led scholars to the idea that every consideration regarding subjectivity is absent in this author. From the latter follows a certain way of conceiving the relation between Frege and Husserl which establishes an absolute chasm between both authors regarding the topic mentioned. In the present contribution an extremely different view is defended, namely, that Frege plays an intermediate role between 19th century (...) Platonism and husserlian phenomenology. The main focus of the argument is the commitment between naturalism and idealism which characterizes Platonism before Frege and the beginning of its overcoming carried out by him. (shrink)

This article discusses irony as an aesthetic, therefore affective, value, as exemplified in Stendhal’s irony. Affective phenomena vary in nature and intensity, and one same emotion can be coloured differently (adjectives indicate its nuances, as, for example, in “sweet nostalgia” or “desperate nostalgia” etc.). Irony involves a very complex gamut of aspects and degrees: it can be satiric, comic, tragic, nihilistic, paradoxical etc. I first consider what kinds of irony Stendhal avoided. He discarded both the tragic satire of Chateaubriand and (...) Romantic nihilistic irony. Then I look at Stendhal’s theory of laughter, as hinted at in several of his writings where he reflects upon various forms of comedy while developing his own ideal of comedy as it will appear in his major novels (see Journal littéraire, Histoire de la peinture en Italie, Racine et Shakespeare, and Correspondance). Dissatisfied with Hobbes’ definition of laughter as involving a feeling of superiority, he considered two conditions for the comic effect: clarity and suddenness. Both become fundamental in his literary style. At the same time Stendhal was convinced of the affective superiority of the moderns over the Ancients: only the moderns, forged by Christian sensitivity, experienced tender emotions. Tenderness should color everything: the novel should aim at the ideal of opera-bouffe, where comedy is “a mixture of gaiety and tenderness,” while the writer masks his tenderness by using a “sweet” (douce) irony towards his favourite characters. (shrink)

Sobre la base de la relación con los conceptos de existencia y realidad, el artículo analiza la teoría de los contenidosde- juicio de Anton Marty en tanto irrealia y truth-makers. Partiendo de su debate con el ‘psicologismo’ y el ‘a-psicologismo’, mostramos la originalidad y la tensión de su posición, que intenta de articular el contenido- de-juicio con la inmanencia del acto intencional y la trascendencia de la objetividad, a partir de los conceptos de co-percepción e intencionalidad.

Este trabajo trata de probar la incompatibilidad entre el principio de verificación neopositivista, y las ideas de Wittgenstein acerca del método de verificación como criterio de significatividad. Se muestra que el concepto wittgensteineano de verificación apunta a un saber moverse en un espacio lógico que, en virtud de su multiplicidad, resulta ser pertinente para una proposición dentro de un contexto determinado. Así, un "método de verificación" es -para Wittgenstein- una manera de localizar un camino para ver conexiones pertinentes, y no (...) una estrategia deductiva que se supone garantice, en su último paso, un contacto decisivo con la realidad.Palabras llave: Verificación; método; espacio lógico; multiplicidad; Wittgenstein; Neopositivismo.This essay attempts to prove the incompatibility between the neopositivist verification principle and Wittgenstein’s ideas concerning the method of verification as a criterion of significance. It is shown that the Wittgensteinian concept of verification points to an ability to move in a logical space which, by virtue of its multiplicity, turns out to be pertinent for a proposition within a certain context. Thus, a "method of verification" is -according to Wittgenstein- a way of locating a path to see pertinent connections, and not a deductive strategy which is supposed to guarantee, in its last phase, a decisive contact with reality.Palabras llave: Verification; method; logical space; multiplicity; Wittgenstein; Neopositivism. (shrink)

A differenza di altri concetti su cui il ruolo svolto dall'Illuminismo e universalmente noto, beneficenza e un termine che appare indissolubilmente legato all'Ottocento, ed a una visione paternalista ed ipocrita dei rapporti sociali. Pochi conoscono le avventure settecentesche dell'idea di - bienfaisance - che, al pari di termini quali tolleranza ed - egalite -, e un frutto maturo dell'Illuminismo, ed una delle parole-chiave dei <I>philosophes. Di questo concetto, essenziale nel dibattito morale settecentesco, il libro esplora le potenzialita concentrandosi sul decennio (...) cruciale della Rivoluzione, da cui la beneficenza uscira profondamente trasformata. Dallo studio delle piu diverse fonti letterarie, tra cui saggistica politico-morale, romanzi ed opere teatrali, emergono le contraddizioni di un pensiero filantropico che la Rivoluzione fece proprio fin dall'inizio, e che dovette percio subire i contraccolpi dell'azione politica, anche violenta, dispiegata in quegli anni. Facendo interagire l'asse diacronico degli eventi storici con una esemplificazione sincronica dei vari aspetti del pensiero del dono, il libro mostra il trapasso dall'immaginario felice della - bienfaisance - illuminista a quello malinconico o dolente della consolazione del malessere esistenziale; mentre sul piano politico l'ideale riformatore degli illuministi si trasforma progressivamente in un piano ragionato di conservazione sociale.". (shrink)

Existe en Frege no solo una concepción intencional de la conciencia, sino también uma concepción motivacional de su causalidad, esto es, Frege concibe la idea de una causalidade específica, diferente de la científico-natural, y que tiene como presupuesto la existência de estados intencionales. En tal sentido, existe un interesante punto de contacto entre Frege y Husserl.

La formación doctoral representa en sí misma un itinerario educativo particular y complejo. Su singularidad radica no solo en aspectos institucionales, sistémicos o curriculares de cada programa de formación, sino que éste atraviesa al sujeto desde coordenadas biográficas, temporales y afectivas que solo pueden dimensionarse a través de su propia textualización y narración. Posicionados desde perspectivas pos cualitativas de investigación social, el enfoque biográfico, auto-biográfico y narrativo, emerge como posibilidad para recuperar las experiencias vividas por aquellos docentes universitarios que han (...) atravesado la formación doctoral, resemantizarlas a partir de sus relatos de vida y reinterpretarlas desde nuevos sentidos y significados. En el presente artículo, a partir de los testimonios de docentes universitarios, nos centramos en el valor biográfico de sus narraciones en donde se ponen de manifiesto las tramas cronotópicas que acontecen el devenir de la formación, su carácter formativo, y la compleja amalgama entre vida, profesión y formación evidenciada en el despliegue de sus relatos. Los hallazgos narrativos se configuran en intersticios íntimos desde los cuales construir de un modo alternativo el campo de la investigación educativa, visibilizar el rostro más humano de la formación de posgrado y, producir desplazamientos y debates futuros en torno al objeto de estudio. (shrink)