Displayed on school walls during holidays, attached to floats and triumphal arches in processions, emblems played a part in all public events organized by the Jesuits in the 17th century. These verbal-iconographic compositions, which were used to illustrate the principal themes of the ceremony, were not a mere period detail or an ornamental device but constituted a means of expression which, by virtue of the particular relations governing the association of text and image, mobilized complex rhetorical, moral, and spiritual elements (...) simultaneously. By associating an image - seen as the “body” - with a textual element (inscriptio et subscriptio) - the “soul” - the emblem-maker sought to achieve a unity of meaning in which the two forms of communication complemented each other: it is precisely the way in which the two elements are connected, and the laws that regulate their composition, that constitutes the foundation of the language of the emblem. This language, which is used in a corresponding manner in a variety of other symbolic compositions (devices, hieroglyphs, symbols, coats of arms, medals, etc.), is based on the rhetorical operations of the metaphor, applied here as a model both for the word, with its mimetic properties, and for figurative codes. However, the metaphor, as a product of human ingenuity, is not only situated at the crossroads of a system of thought crystallized in a great number of inventions, but also bears witness to an ornamental aesthetic, typical of the 17th century's aristocratic culture and social rituals. While there does exist a vast bibliography of materials on the function and role of metaphor in Baroque culture, questions nevertheless remain about the numerous cultural practices to which the Baroque gave rise and the particular processes that the 17th century brought into play. My intention here is not to resolve all such questions but rather to provide an analytical framework by focusing my observations on emblematic compositions produced in the scholastic milieu of the Society of Jesus. (shrink)

The Rhetorimachia by Anselm of Besate is one of the most original and less understood works of the high Middle Ages. By showing his literary and philosophical competences with this fictitious ‘rhetoric battle’ against his cousin, Anselm tries to obtain a prestigious job at Emperor Henry III’s court. In a continuous, polished game with his learned readers, Anselm uses all resources of the trivium, presenting his culture in a new, secular way, which is an anticipation of the Italian cultural context (...) of the 12th century, the era of the Comuni. (shrink)

Dans la réflexion métaphysico‑théologique de Boece, fondée sur la condition préalable de l’unicité de la vérité, les termes «essentia» et «substantia» jouent un role fondamental. Avec le premier, le sénateur romain indique généralement «ce qui fait d’une chose ce qu’elle est» ; avec le second, il désigne dans la plupart des cas le sujet porteur d’accidents. Les contradictions apparentes et les échanges terminologiques ne remettent pas en cause la valeur de Boèce en tant que philosophe, ni celle de son système (...) spéculatif. (shrink)

Arbitrariness is a distinctive feature of human language, and a growing body of comparative work is investigating its presence in animal communication. But what is arbitrariness, exactly? We propose to distinguish four notions of semiotic arbitrariness: a notion of opaque association between sign forms and semiotic functions, one of sign-function mapping optionality, one of acquisition-dependent sign-function coupling, and one of lack of motivatedness. We characterize these notions, illustrate the benefits of keeping them apart, and describe two reactions to our proposal: (...) abandoning arbitrariness-talk in favor of the newly introduced conceptual vocabulary, or feeding the distinctions back into the parent concept. (shrink)

Arbitrariness is a distinctive feature of human language, and a growing body of comparative work is investigating its presence in animal communication. But what is arbitrariness, exactly? We propose to distinguish four notions of semiotic arbitrariness: a notion of opaque association between sign forms and semiotic functions, one of sign‐function mapping optionality, one of acquisition‐dependent sign‐function coupling, and one of lack of motivatedness. We characterize these notions, illustrate the benefits of keeping them apart, and describe two reactions to our proposal: (...) abandoning arbitrariness‐talk in favor of the newly introduced conceptual vocabulary, or feeding the distinctions back into the parent concept. (shrink)

This article introduces the symposium “Toward a Philosophy of Blockchain,” which provides a philosophical contemplation of blockchain technology, the digital ledger software underlying cryptocurrencies such as bitcoin, for the secure transfer of money, assets, and information via the Internet without needing a third-party intermediary. The symposium offers philosophical scholarship on a new topic, blockchain technology, from a variety of perspectives. The philosophical themes discussed include mathematical models of reality, signification, and the sociopolitical institutions that structure human life and interaction. The (...) symposium also investigates the metaphilosophical theme of how to create a philosophy of anything, specifically a new topic such as blockchain technology. Repeated themes are identified, in all areas of philosophical inquiry, and conceptual resources are elaborated to contribute to a philosophical understanding of blockchain technology. Thus, philosophy as a metaphilosophical approach is shown to be able to provide an understanding of the conceptual, theoretical, and foundational dimensions of novelty and emergence in the world, with a particular focus on blockchain technology. (shrink)

El presente escrito analiza algunos lineamientos de la teoría hegeliana del reconocimiento y sus diferentes contextos a la luz de la cuestión del derecho natural y el estado de naturaleza. Específicamente, nos referiremos a los siguientes escritos: el Sistema de la Eticidad, la Filosofía del Espíritu, la Fenomenología del Espíritu y la Filosofía del Derecho.

En el presente trabajo se desarrollarán algunos avances del grupo de investigación Feminización de la Extensión Crítica, el cual forma parte del Grupo de Trabajo Extensión crítica: teorías y prácticas en América Latina y el Caribe del Consejo Latinoamericano de Ciencias Sociales (CLACSO). Este grupo tiene como objetivo hacer visibles algunos invisibles que sostienen y reproducen la división social, técnica y sexual de la práctica extensionista, utilizando dos estrategias: 1- constituir la extensión universitaria en objeto de análisis y; 2- revisar (...) su corpus teórico desde las categorías propuestas por los feminismos academicistas y populares. Se presentarán algunos resultados preliminares obtenidos a partir de la lectura sintomal (leer un texto o un corpus teórico no solo por lo que dice sino también por lo que omite o silencia), lo que permite la elucidación crítica de los sesgos sexistas en el interior de las propias prácticas y construcciones teóricas para posibilitar reconceptualizaciones y aportes. Se incorpora además una nueva estrategia de abordaje: el análisis de la implicación subjetiva, para permitir el despliegue de lo opaco, para poder así actualizar la extensión crítica latinoamericana y caribeña y continuar recorriendo, con pasos renovados, los caminos de la extensión critica que ya fueran marcados por otrxs. (shrink)

MĂDĂLINA DIACONU, Tasten, Riechen, Schmecken. Eine Ästhetik der anästhesierten Sinne, 2005 ; SILVIA STOLLER, VERONICA VASTERLING,LINDA FISHER, Feministische Phänomenologie und Hermeneutik, 2005 ; KARL SCHUHMANN, Karl Schuhmann: Selected Papers on Phenomenology. Edited by CEES LEIJENHORST and PIET STEENBAKKERS, 2004 ; HIROSHI GOTO, Der Begriff der Person in der PhänomenologieHusserls. Ein Interpretationsversuch der Husserlschen Phänomenologie als Ethik im Hinblick auf den Begriff der Habitualität, 2004 ; GÜNTER FIGAL, Lebensverstricktheit und Abstandsnahme. „Verhalten zu sich“ im Anschluss an Heidegger, Kierkegaard und Hegel, 2001 (...) ; JACQUES DERRIDA, Le toucher, Jean-Luc Nancy, 2000. (shrink)

Temporal regularities in speech, such as interdependencies in the timing of speech events, are thought to scaffold early acquisition of the building blocks in speech. By providing on-line clues to the location and duration of upcoming syllables, temporal structure may aid segmentation and clustering of continuous speech into separable units. This hypothesis tacitly assumes that learners exploit predictability in the temporal structure of speech. Existing measures of speech timing tend to focus on first-order regularities among adjacent units, and are overly (...) sensitive to idiosyncrasies in the data they describe. Here, we compare several statistical methods on a sample of 18 languages, testing whether syllable occurrence is predictable over time. Rather than looking for differences between languages, we aim to find across languages (using clearly defined acoustic, rather than orthographic, measures), temporal predictability in the speech signal which could be exploited by a language learner. First, we analyse distributional regularities using two novel techniques: a Bayesian ideal learner analysis, and a simple distributional measure. Second, we model higher-order temporal structure—regularities arising in an ordered series of syllable timings—testing the hypothesis that non-adjacent temporal structures may explain the gap between subjectively-perceived temporal regularities, and the absence of universally-accepted lower-order objective measures. Together, our analyses provide limited evidence for predictability at different time scales, though higher-order predictability is difficult to reliably infer. We conclude that temporal predictability in speech may well arise from a combination of individually weak perceptual cues at multiple structural levels, but is challenging to pinpoint. (shrink)

Ist ein Philosophieren durch Bilder möglich? Elena Filippi betritt ein kaum erforschtes Gebiet, indem sie die Philosophie Albrecht Dürers nicht etwa in seinen Schriften, sondern in einer Reihe von bildnerischen Meisterwerken untersucht, in welchen die docta manus des Malers und Zeichners grundlegende Beiträge zu den überlieferten Fragen der Philosophie – wie sie sich insbesondere in der platonischen Tradition stellten, aber auch in der Rezeption des Nicolaus Cusanus in Nürnberg fanden – geleistet hat. Um 1500, als seine künstlerische und menschliche (...) Bildung eine erste Vollendung erreicht, beginnt Dürer, sich intensiv mit philosophischen Themen zu beschäftigen.0Der permanente Widerstreit zwischen ‚MaǑ und ‚Maßlosigkeit‘ prägt als entscheidendes ethisches Motiv Dürers Denken und wird wegweisend für seine Kunst. Darin artikuliert sich die Schlüsselfrage nach dem Wesen der Gerechtigkeit, die Dürers gesamtes Schaffen durchzieht und in der Suche nach einem möglichen einheitlichen „ grvndt“, einen Kristallisationspunkt seines philosophischen Denkens bildet.0Der Künstler Albrecht Dürer als „ philosophus“: Filippi erschließt dieses historisch und systematisch reizvolle Motiv erstmals interdisziplinär, indem sie zentrale Interpretationsansätze aus Kunstgeschichte und Philosophie miteinander verbindet. (shrink)

Name der Zeitschrift: Das Mittelalter Jahrgang: 19 Heft: 1 Seiten: 103-124.

Así como en San Pablo, Heidegger cree encontrar en San Agustín la expresión de la existencia humana como acontecida históricamente y de la historia como advenir no objetivable ni dispo-nible. Esta facticidad radical del yo se muestra como propia de la experiencia protocristiana que surge con nitidez..

Through the seasons, you are attentive to God's inherent timing and intended purpose at every stage and episode in life. Obstacles give way to opportunities and hindrances to heights, as you surrender to a life of completion with a realization that it is the journey that matters at the finish.

Contra algunas tesis que han minusvalorado el rol de la corporeidad en vistas al logro de la plenitud humana, Tomás de Aquino afirma decididamente que "el alma unida al cuerpo es más semejante a Dios2 que separada de él. Con sólidas bases bíblicas, el teólogo dominico rechaza la comprensión del cuer..

The article describes the historical-critical method within the field of philosophy and the issues to which it is related, such as the role of the history of philosophy in the development of theoretical philosophy and thedistinction between historiography and history. First, it highlights the relevance of the historical-critical method for philosophy, which is based on the knowledge philosophers should have about the genesis of thinking. Then it analyzes the original sense of the method, understood as a search for historical, cultural, (...) external, and internal factors that influence philosophical works. It, also, addresses history of philosophy as a rational reconstruction of previous doctrines. Finally, it considers the distinction between Historie and Geschichte, which comes from biblical studies, to evaluate the limitations to applying the historical-critical method. To sum up, the article goes from mere documentarism, as a primary form of preserving and recovering information about the progression of philosophical doctrines, through historiography, as a systematic undertaking for chronological ordering with the assistance of specific instruments, to history, as rational and critical reconstruction of thinking, and what in theology -but also in philosophy- is known as Geschichte, that is, the profound happening that provides the fabric of thinking with real meaning. (shrink)

En este libro, los autores recorren y desentrañan de manera rigurosa los múltiples itinerarios de la recepción de la monumental obra del maestro italiano en Argentina, México, Venezuela, Brasil, España, Chile, Portugal, Uruguay y Colombia; itinerario que inició -apuntan los autores- con los debates sobre liberalismo y socialismo suscitados por los exiliados italianos y españoles antifascistas y antifranquistas en América Latina.

La notoria importancia que Eckhart da al desapego de las cosas (Gelassenheit) podría sugerir que el místico alemán desdeña la vida activa. Inversamente, Eckhart entiende que el desasimiento respecto de las creaturas es perfectamente compatible con la acción e incluso interpreta, de un modo opuesto a..