In einer kühnen Metapher haben einst Hieronymus, Erasmus und Luther die Heilige Schrift als ein Labyrinth bezeichnet, das die Leser bei fortgesetztem Lesen in eine sich sogar steigernde Verwirrung stürze. Beinah im selben Atemzug wird eben dieselbe Heilige Schrift von eben denselben Autoren als der einzige Faden gepriesen, der die Leser aus dem Labyrinth ihres Lebens herausführe. Eines und dasselbe als Labyrinth und als Faden: Diese Figur ist paradigmatisch. Im Labyrinth der Ethik geht es nicht anders zu. Nur wer sich (...) ihm überläßt, findet aus ihm heraus. 24 Beiträge von namhaften Theologen und Theologinnen zur Theologischen Ethik finden sich in den fünf Abschnitten des vorliegenden Buches, das nacheinander "Biblische Grundlagen", "Theologische Systematik", "Ethische Modelle", "Ethische Leitbegriffe" und "Ethik und die Religionen" behandelt: Hans-Dieter Bastian: Zwischen Glauben und Handeln: Bibel-Lesen - Werner H. Schmidt: Glaube und Handeln. Aspekte des Alten Testaments - Wolfgang Schrage: Der 1. Korintherbrief als Paradigma paulinischer Ethik - Michael Wolter: Der Kompromiß bei Paulus - Jörg Haustein: Beobachtungen zum Schriftverständnis ökumenischer Dokumente - Gerhard Sauter: "Schrifttreue" in ethischer Urteilsbildung Günter Bader: Handeln im Namen Gottes - Erich Gräßer: Die ersten und die letzten Dinge. Bemerkungen zur theologischen und ethischen Schöpfungswahrnehmung - Marcin Hintz: Glaube, Tradition, Vernunft: Auf den Spuren theologischer Urteilsbildung im polnischen Protestantismus - Rolf Schäfer: Christliche Glaubens- und Sittenlehre bei Schleiermacher - Karl-Wilhelm Dahm: Herausforderungen für Selbstverständnis und Rolle des protestantischen Pfarrers im Zuge des Modernisierungsprozesses Traugott Jähnichen: Sozialethik auf dem Weg der Ausbildung von Bereichsethiken - Historische Traditionen und perspektivische Herausforderungen - Ulrich Eibach: Christengemeinde und christliches Leben und Handeln in der pluralistischen Gesellschaft - Ludger Honnefelder: Gesundheit unser "höchstes Gut"? Wertentscheidungen im Rahmen der Ressourcenallokation im Gesundheitswesen - Jörg Hübner: Kollektives Handeln im Zeitalter der Globalisierung. Perspektiven für eine zukünftige politische Ethik - Gottfried Hütter: Menschenwürde und Menschenrechte für Tiere? - Tobias Schlingensiepen: Adam, wo bist du? Die Entkontextualisierung menschlichen Lebens als Problem u. Herausforderung evangelischer Ethik Edgar Thaidigsmann: "Ehrfurcht vor dem Leben". Das Problem der Begründung einer Ethik der Verantwortung für das Lebendige bei Albert Schweitzer und Hans Jonas - Konrad Stock: Laster - der "vielnamige Frevel". Eine theologische Erinnerung an ein vergessenes Problem - Ulrich H. J. Körtner: Bildung und Wertebewußtsein. Anmerkungen zum Wertbegriff in der aktuellen Bildungsdiskussion - Hans G. Ulrich: Güter oder Werte? Zur Aufgabe der Theoriebildung in der evangelischen Sozialethik - Hartmut Kreß: Toleranz als Verpflichtung protestantischer Ethik Hans Waldenfels: Unterwegs zu einer interreligiösen Theologie - Sung-Hee Lee-Linke: Interreligiöse Ethik. Ein Modell für die Zukunft? (shrink)

Open peer commentary on the article “Towards a PL-Metaphysics of Perception: In Search of the Metaphysical Roots of Constructivism” by Konrad Werner. Upshot: I disclaim the need for a metaphysics for perception, in the sense of a general metaphysics, and suggest that the motivations for embarking on that project can be satisfied in an interesting way without any general metaphysical stock-taking, by appeal to phenomenological and enactive accounts of perception.

Recently, philosophers have identified certain fictional propositions with which one does not imaginatively engage, even where one is transparently intended by their authors to do so. One approach to explaining this categorizes it as 'resistance', that is, as deliberate failure to imagine that the relevant propositions are true; the phenomenon has become generally known (misleadingly) as 'the puzzle of imaginative resistance'. I argue that this identification is incorrect, and I dismiss several other explanations. I then propose a better one, that (...) in central cases of imaginative failure, the basis for the failure is the contingent incomprehensibility of the relevant propositions. Why the phenomenon is especially commonplace with respect to moral propositions is illuminated along the way. (shrink)

A half-billion years ago, a few species of single-celled protozoa stumbled irreversibly from loose social interaction into a tight, specialized interdependence. They became multi-celled metazoa, and human beings are one sort. Metazoa greatly transcend their constituent cells in lifetime, abilities, experiences and even materials (like bone). New kind of beings emerged out of the interactions of the old.

In this paper, I survey in some depth three issues arising from the connection between imagination and fiction: (i) whether fiction can be defined as such in terms of its prescribing imagining; (ii) whether imagining in response to fiction is de se, or de re, or both; (iii) the phenomenon of ‘imaginative resistance’ and various explanations for it. Along the way I survey, more briefly, several other prominent issues in this area too.

Religious beliefs, it has been noted, are often hard to disprove. While this would be a shortcoming for beliefs whose utility was connected to their accuracy, it is actually necessary in the case of beliefs whose function bears no connection to how accurate they are. In the case of religions and other ideologies that serve to promote prosocial behaviour this leads to the need to protect belief systems against potentially disruptive counterevidence while maintaining their relevance. Religions turn out to be (...) particularly adept at this because of the use they make of existing cognitive by-products to make them plausible without exposingthem overly to investigation. (shrink)

In this paper I examine the frequently made claim that grasping a metaphor is a kind of ‘seeing-as’. I describe several ways in which it might be thought that metaphor-grasping is importantly similar to seeing-as, such that an extension of the latter category is though justified to include the former. For some of these similarities, I suggest they are illusory; for others, I argue that they are shared in virtue of the membership of both seeing-as and metaphor-grasping in some much (...) broader category, and so don’t obviously motivate thinking of metaphor-grasping as seeing-as. My aim is modest: not to deny that metaphor-grasping is a kind of seeing-as, but only to suggest that it should not be too quickly accepted. (shrink)

In his article ‘ Fantasy, Imagination and the Screen ’ , Roger Scruton offers an account of fantasy, arguing that it is directed away from reality in some important sense, and that cinema is its natural representational medium. I address certain problems with Scruton’s basic account, thereby producing a signifi cantly amended version, though one that owes a great debt to his. I explain why, as he says, much fantasy is signifi cantly directed away from reality; and conclude with some (...) brief remarks about.. (shrink)

This book collects new studies of the work of F. H. Bradley, a leading British philosopher of the late nineteenth and early twentieth century, and one of the key figures in the emergence of Anglo-American analytic philosophy. Well-known contributors from Britain, North America, and Australia focus on Bradley's views on truth, knowledge, and reality. These essays contribute to the current re-evaluation of Bradley, showing that his work not only was crucial to the development of twentieth-century philosophy, but illuminates contemporary debates (...) in metaphysics, logic, and epistemology. (shrink)

This paper concerns the familiar topic of whether we can have genuinely emotional responses such as pity and fear to characters and situations we believe to be fictional1. As is well known, Kendall Walton responds in the negative (Walton (1978); (1990): 195-204 and Chapter 7; (1997)). That is, he is an ‘irrealist’ about emotional responses to fiction (the term is Gaut’s (2003): 15), arguing that such responses should be construed as quasiemotions (Walton (1990): 245), of which their possessor imagines that (...) they are genuine emotions. This is not to deny that an experience in response to a fiction may have a phenomenology very like a given emotion, but to insist that, nonetheless, such responses are not real instances of the emotions which they resemble (Walton (1997)). So, in his most famous example, Charles, who experiences fear-like emotion in relation to a film which depicts the approach of evil slime, does not, despite appearances, experience genuine fear towards the slime, but only quasi-fear (Walton (1990): 195-204)2. Walton’s view presupposes the following view about the nature of emotion3. (shrink)

In the early years of this century the debate as to the nature of judgment was a central issue dividing British philosophers. What a philosopher said about judgment was not independent of what he said about perception, the distinction between the a priori and empirical, the distinction between external and internal relations, the nature of inference, truth, universals, language, the reality of the self and so on.

A intenção deste artigo é primàriamente exegética. Não pretende chegar a conclusães filosóficas substanciais nem fazer uma apreciação crítica. Pretende simplesmente esclarecer a versão de Russell quanto ao atomismo lógico, apresentando a sua teoria do juízo empírico num contexto histórico. A maior parte dos comentários contemporâneos falham neste ponto; contudo, afigura-se impossível compreender perfeitamente a teoria de Russell aeerca do conhecimento, bem como a Teoria das Descrições, como parte integrante daquela teoria, se não for encarada como uma tentativa para evitar (...) as consequencias de certas teorias alternativas do juízo. Pensa o autor que muitas críticas contemporâneas da Teoria das Descrições estão deslocadas, simplesmente por não conseguirem apreender o papel que aquela teoria devia desempenhar na análise russelliana do juízo empírico. A título de exemplo tenta o autor mostrar como as críticas de P. F. Strawson a respeito da Teoria das Descrições, como foram formuladas no seu artigo On Referring, não vêm a propósito (cf. Secção VT). A principal comparação histórica aqui apresentada refere-se à teoria idealista do juízo de F. H. Bradley. Contudo, parece também importante salientar o acordo que existe entre Russell e Bradley quanto a rejeitar como inadequado o tipo de análise do juízo apresentado por Leibniz e, numa primeira etapa da sua carreira, por G. E. Moore. Leibniz e Moore apresentaram, em moldes diversos, aquilo a que podíamos chamar teorias 'essencialmente genéricas' do juízo. Para Leibniz uma proposição é uma conexão analitica de conceitos, para Moore uma proposição é uma conexão sintética de conceitos. Tanto Russell como Bradley afirmam que é impossível formular uma teoria do juízo satisfatória, se concebermos a relação entre uma mente e uma proposição, implicada no juízo, como uma simples conexao de conceitos. O juízo deve ser apresentado como algo que implica experiência imediata pré-conceitual, experiência essa que, embora em si mesma não seja capaz de verdade ou falsidade, está pressuposta na própria possibilidade de qualquer juízo, verdadeiro ou falso, acerca da realidade. Dum modo geral, podíamos dizer que um juízo, cujo conteúdo é conceitual, é em virtude da experiência imediata que 'atinge a realidade' ('reaches right up to reality'). Contudo, embora Russell e Bradley concordem neste ponto, a análise da experiência imediata apresentada pelo primeiro é muito diferente da do segundo. Na medida em que se pode falar duma tese exegética positiva neste artigo, dir-se-ia que a análise russelliana da experiência imediata, contida na sua doutrina do 'conhecimento por experiência directa' dos particulares na sensação, é formulada especificamente (a) para ser compatível com a existência dum universo pluralista de particulares externamente relacionados e (b) para permitir uma versão da teoria de correspondência da verdade. Por outras palavras, a análise russelliana do juízo empírico, implicando necessàriamente um 'conhecimento por experiência directa' dos particulares na sensação, foi formulada especìficamente para evitar as consequências que, tanto Bradley como Russell, viram seeguir-se da análise idealista do juízo. Isto ilustra uma diferença fundamental entre o método filosófico de Russell e o de Bradley. Bradley aceita o monismo, a irrealidade das relações externas, e a teoria de coerência da verdade como consequência da sua teoria inicial do juízo. Russell, por outro lado, pensa que estas consequências se tornaram inaceitáveis perante a prática e as descobertas da ciência empírica; e tenta, por isso, construir uma teoria do juízo compatível com o tipo de metafísica e com a teoria da verdade, que lhe parece serem exigidos pela ciência empírica. (Resumo do Autor. Trad. A. M.). (shrink)

Leading young scholars present a collection of wide-ranging essays covering central problems in meta-aesthetics and aesthetic issues in the philosophy of mind, as well as offering analyses of key aesthetic concepts, new perspectives on the history of aesthetics, and specialized treatment of individual art forms.

In Art as Performance , David Davies identifies certain properties relevant to artistic appreciation of artworks that, he suggests, are naturally construed as belonging to the artist’s creative performance rather than to any product of that performance (the “work-product”). He further argues, against an anticipated opponent, that such properties cannot be excluded as irrelevant to artistic appreciation in any principled way. I argue that the cited properties can be intelligibly construed as properties of the associated work-product, whether or not they (...) are relevant to artistic appreciation; but that some are not relevant to artistic appreciation. In doing so, I offer a principle determining when a property of an artwork is relevant to artistic appreciation. I conclude that, on its own, Davies’s argument offers no good grounds to abandon our practice of thinking of the artwork as the product of an artist’s activity, rather than the activity itself. (shrink)

The claim that the functions of art liable to change over time appears to suggest that any attempt to define art in terms of a limited set of functions will fail. Robert Stecker has offered a functionalist definition which seeks to accommodate this criticism by making the functions which are relevant to an artwork's status those which are 'standard or correctly recognized' for some art form. I argue that Stecker does not offer a clear enough distinction between the 'standard or (...) correctly recognized' and the accidental functions of an art form; that his account of the 'standard or correctly recognized' functions of an art form does not exhaust important artistic functions; and that his proposed definition is neither necessary nor sufficient for an object to count as an artwork. For these reasons I suggest that Stecker's functionalist account of art should be rejected. (shrink)

It is with much sadness that we record the death of Professor Anthony Manser on 19 January, 1995. He had recently agreed to be President of the Bradley Society.

The method of citation analysis has been elaborated by E. Garfield for the purpose of documentation of scientific literature. The data accumulated in "Citation Indices" can also be used as an empirical basis for certain investigations in the field of science of science. Techniques of citation analysis permit measurements of information activities of scientists. We refuse overdrawn interpretations of the results of citation analyses, for instance the indication of "scientific quality" or of "thematico-technical relations between ideas, problems etc.".

Thomas S. Kuhns Variante einer Theorie der Wissenschaftsgeschichte hat in einem Werk Ludwig Flecks (von 1935) einen wichtigen Vorläufer. Durch die Frage, wie es komme, daß die Flecksche Theorie seinerzeit nicht so bekannt wurde wie die Kuhnsche Bearbeitung etwa dreißig Jahre später, stellt sich das Problem der wissenschaftlichen Beachtung. Eine Theorie der wissenschaftlichen Beachtung muß zwei Dimensionen "thematischer Rahmen" und "wissenschaftliche Theorie" unterscheiden. Beachtung gefunden werden kann nur, wenn ein bestimmter Text sich innerhalb eines etablierten thematischen Rahmens befindet und wenn (...) die darin vertretene Theorie in Widerspruch zu Grundgesetzen etablierter Theorien steht. (shrink)

Wie entsteht eine Wahrnehmung? Wir betrachten einen derzeit nahezu vergessenen philosophischen wie psychologischen Ansatz, der eine solche Theorie entwickelte. Die Vorgeschichte dieser Theorie beginnt bei Alexius Meinongs Relationstheorie (1882) und dessen frühen Bemühungen zur Psychologie. Christian von Ehrenfels, aufbauend auf Meinongs Vorarbeiten sowie Ernst Machs Analyse der Empfindungen von 1886, gibt der Theoriegenese 1890 durch seine Arbeit über Gestaltqualitäten starken Auftrieb. Die Grazer Schule übernimmt das Thema unter dem Aspekt: Sind Gestalten als Ganzes erfaßbar, oder werden sie auf der Basis (...) elementarer Empfindungen erst durch einen psychischen Akt produziert? Anhand der geometrisch-optischen Täuschungen gehen zunächst Stephan Witasek und später Vittorio Benussi dieser Frage ab 1894 auch experimentell nach. Zunächst kann ausgeschlossen werden, daß solche Täuschungen Urteilstäuschungen sind, daß sie also Vorstellungstäuschungen sein müssen. Als wichtig für die psychologische Theorie der Vorstellungsproduküon erweist sich Meinongs philosophische Konzeption der Gegenstände höherer Ordnung. Rudolf Ameseder legt 1904 eine gegenstandstheoretische Skizze der Produktionstheorie vor. Benussi zeigt ebenfalls 1904 wiederum am Beispiel der optischen Täuschungen, daß diese keine Empfindungstäuschungen sind (was Witasek angenommen hatte), sondern Produktionstäuschungen. Damit ist experimentell belegt, daß es psychische Produktionen gibt. (shrink)

I start from Phillips' discussion of Rhees's dissatisfaction with the idea of a language‐game. Then, from a rereading of Moore, I go on to exemplify interconnected uses of the expressions “language‐game,”“recurrent procedure,”“world‐picture,”“formal procedure,”“agreement in judgment,”“genre picture” and “form of life.” The discussion is related to sense perception, our knowledge of time and space, and the picture‐theory. These topics connect with Wittgenstein's earlier treatment of the will – which changed markedly later. The subtext (in footnotes) confronts (i) the sceptical methods of (...) Descartes and Hume with the grammatical methods of Leibniz, Kant and Wittgenstein, and (ii) the realism of Leibniz and the Tractatus with the transcendental idealism of Kant. My conclusion is that, although the method of Wittgenstein's later work remains in a sense grammatical, (i) in its new form it can free us from the conviction that the intellect can and must resolve one way or the other the conflicts that arise in the course of the latter confrontation, and that (ii), although release from such a conviction is to be seen as the aim of philosophical discourse in general, it allows philosophy to retain its overriding significance. A positive element in that lies in the respect the method demands for that in a human life which is transcendental to the activity of scientific theorising: respect, therefore, for the unique perspective of the individual historical agent. (shrink)