... PREFACE Paul Gochet (Liege) "[...] une entite physique ne peut etre envisagee que comme une sorte de concretisation, de consolidation locale dans un ...

It is widely agreed that fiction is necessarily incomplete, but some recent work postulates the existence of universal fictions—stories according to which everything is true. Building such a story is supposedly straightforward: authors can either assert that everything is true in their story, define a complement function that does the assertoric work for them, or, most compellingly, write a story combining a contradiction with the principle of explosion. The case for universal fictions thus turns on the intuitive priority we assign (...) to the law of non-contradiction. My goal in this paper is to show that our critical and reflective literary practices set constraints on story-telling which preclude universal fictions. I will raise four stumbling blocks for universal fictionalists: the gap between saying and making true, our actual interpretive reactions to story-level contradictions, the criteria we accept for what counts as a story in our literary practices, and the undesirability of the universal fictionalist’s closure principles. (shrink)

The premise that every work belongs to an art-kind has recently inspired a kind-centred approach to theories of art. Kind-centred analyses posit that we should abandon the project of giving a general theory of art and focus instead on giving theories of the arts. The main difficulty, however, is to explain what makes a given kind an art-kind in the first place. Kind-centred theorists have passed this buck on to appreciative practices, but this move proves unsatisfactory. I argue that the (...) root of this dissatisfaction stems not from the act of kicking the can down the road, but from not kicking it far enough. The missing ingredient, I argue, is a notion of convention which does the work of marking the difference between art and non-art for a given physical medium. (shrink)

It is widely believed, among philosophers of literature, that imagining contradictions is as easy as telling or reading a story with contradictory content. Italo Calvino’s The Nonexistent Knight, for instance, concerns a knight who performs many brave deeds, but who does not exist. Anything at all, they argue, can be true in a story, including contradictions and other impossibilia. While most will readily concede that we cannot objectually imagine contradictions, they nevertheless insist that we can propositionally imagine them, and regularly (...) do, simply by entertaining a text which prompts us to do so. I argue that this narrative does not bear scrutiny for two main reasons. First, because propositional imagining is beside the point, where truth in fiction is concerned; evaluating truth in fiction engages the cognitive architecture in ways that prohibit the mobilization of merely propositional imagination to that end. And second, because it is not obvious, given the strategies usually suggested, that we ever propositionally imagine contradictions in the first place—in fact, it seems we go out of our way to avoid directly imagining them. (shrink)

Schopenhauer’s invective is legendary among philosophers, and is unmatched in the historical canon. But these complaints are themselves worthy of careful consideration: they are rooted in Schopenhauer’s philosophy of language, which itself reflects the structure of his metaphysics. This short chapter argues that Schopenhauer’s vitriol rewards philosophical attention; not because it expresses his critical take on Fichte, Hegel, Herbart, Schelling, and Schleiermacher, but because it neatly illustrates his philosophy of language. Schopenhauer’s epithets are not merely spiteful slurs; instead, they reflect (...) deep-seated theoretical and methodological commitments to transparency of exposition. (shrink)

Michel Weber, Éléments de routine ayurvédique. Autonomie, rituel et ascèse, Les Éditions Chromatika, 2021. (978-2-930517-82-7 ; pdf 978-2-930517-83-4 ; 104 pp., 14€) -/- L’Ayurvéda propose une philosophie de vie qui articule un vaste système métaphysique (une cosmologie théorique) avec une visée thérapeutique profonde (une anthropologie pratique). -/- À la croisée de la théorie et de la pratique, on trouve la routine (« dinacharya ») dont le but est de susciter l’individuation et la solidarité, c’est-à-dire l’autonomie (de chacun) respectueuse de la (...) communauté (de tous). Ce faisant, elle constitue une ascèse dont l’efficacité a été longuement éprouvée et rarement égalée. (shrink)

Ao longo dos séculos as ferramentas de trabalho evoluíram constantemente e as ferramentas que se destinam à manipulação de informações não são diferentes. O surgimento da Informática e de recursos e conceitos que a impulsionaram, corno o computador pessoal, a interface gráfica e a multimídia, revolucionaram os processos tradicionais de criação e disponibilização de informações. O Folio Views é um exemplo de ferramenta de informação de última geração e está sendo utilizado pelo Projeto Integrado Urbanidade e Cidadania.

‘Philosophical dialogue’ indicates both a form of philosophical inquiry and its corresponding literary genre. In its written form, it typically features two or more characters who engage in a discussion concerning morals, knowledge, as well as a variety of topics that can be widely labelled as ‘philosophical’. Our philosophical dialogue takes place in Krakow, Poland. It is a rainy morning and two strangers are waiting at a tram stop. One of them is dressed neatly, and cannot stop fidgeting with his (...) closed umbrella. The other was caught unprepared by the morning downpour and water is dripping from his worn, soaked jacket. (shrink)

Everson presents a comprehensive new study of Aristotle's account of perception and related mental capacities. Recent debate about Aristotle's theory of mind has focused on this account, which is Aristotle's most sustained and detailed attempt to describe and explain the behavior of living things. Everson places this account in the context of Aristotle's natural science as a whole, showing how Aristotle applies the explanatory tools he developed in other works to the study of perceptual cognition.

This volume deals with Epistemology. The period from the sixth century BC to the second and third centuries AD was one of the most fertile for the theory of knowledge, and the range of 'epistemic states' explored in the ancient texts is much wider than those to be found in contemporary discussions of epistemology or cognition. Greek philosophers approached these problems in a great variety of ways, from the extreme relativism of Protagoras to the scepticism of the Pyrrhonists, and the (...) contributors demonstrate both the familiarity and novelty of this range of views in their critical essays. (shrink)

Language is the third in a series of volumes edited by Stephen Everson devoted to the examination of a special topic in philosophy from its origins in the pre-Socratic thinkers through to Late Antiquity. In keeping with its predecessors, Epistemology and Psychology, this is a collection of essays whose audience is primarily Anglo-American philosophers of an analytic bent. “This new series of Companions is intended particularly for students of ancient thought who will be reading the texts in translation but (...) approaching them with the analytical skills of modern philosophy and with an eye to their contemporary as well as their historical significance”. This volume also features an up-to-date, thematically arranged bibliography, which, along with appendices of names and passages cited, will prove to be a useful resource to readers and scholars. The distinguished group of authors survey most of the major figures/schools. There is, however, next to nothing about the pre-Socratic thinkers and nothing on later Platonism. Perhaps the emphasis on contemporary analytic philosophy of language meshes less well with the distinctive views of these philosophical writers. (shrink)

This is an important book for the specialist in Aristotelian natural science and philosophy of mind. While its overall aims are more sweeping—to show how the account of perception is an application of the explanatory method of the Physics and to argue that Aristotle’s resulting method of explaining mental activity has substantive advantages over contemporary accounts in philosophy of mind —much of its most successful argument is a sustained and detailed attack on a position made famous by Myles Burnyeat. On (...) Burnyeat’s “spiritualist” reading of Aristotle, the sense organs perceive without undergoing any material alteration; the capacity for perception is a basic capacity of the matter that constitutes sense organs, and admits of no further material explanation. The “literalist,” by contrast, maintains that when a sense organ perceives something it is physically altered, so that it takes on a property of the sensible that affects it. Everson’s primary achievement is to supply a thorough and generally convincing defense of a literalist reading by explaining in detail the material workings of both the individual senses and the perceptual system as a whole, including the activities of phantasia. (shrink)

Comment Bachelard, fils d'un cordonnier, professeur de physique et chimie, a-t-il pu devenir cet humaniste aussi savant que philosophe, aussi penseur que poète? Il n'a pas emprunté les chemins balisés, ceux des élites universitaires et culturelles. Il a contrarié les pronostics et les conventions. Il s'est adjugé contre vents et marées le droit de penser par lui-même en bousculant les frontières des savoirs et de la culture et en dérangeant les us et coutumes établis. "Un ouvrage aussi lumineux que la (...) destinée et l'oeuvre de Gaston Bachelard. Au plus près de sa vie et de sa pensée". (Philippe Meirieu). (shrink)

This second Companion deals with the ancient theories of the psyche. The essays range over more than eight hundred years of psychological enquiry and provide critical analyses not only of the ancient discussions of the nature of the psyche and its states, but of such central topics as perception, subjectivity, the explanation of action, and what it is to be a person. In examining the wide variety of the different psychological theories offered by the ancient thinkers, from the increasingly complex (...) materialism of the Presocratics and Hellenistics to the dualism of Plato and Plotinus, the collection demonstrates that psychology had become a wide-ranging and sophisticated discipline long before Descartes. The essays will be of interest not only to ancient philosophers but also to all those studying psychology and its history. (shrink)

This volume is a wonderful introduction to Foucault and a testimony to the deep humanity of the man himself.

This chapter contains sections titled: References.

Il n’est pas courant que Clio se livre au compte rendu d’un numéro de revue, mais celui consacré aux récits de femme en Méditerranée par l’écriture, l’expression corporelle et les arts visuels faisait écho à plusieurs numéros de notre revue dont le dernier consacré à « Écrire au féminin » (2012/35). Rives méditerranéennes publie ici une partie des résultats d’un programme de recherche pluridisciplinaire et dans la longue durée de l’espace méditerranéen qui entendait « questionner les processu...

In an age of internet scrolling and skimming, where concentration and attention are fast becoming endangered skills, it is timely to think about the act of reading and the many forms that it can take. Slow Philosophy: Reading Against the Institution makes the case for thinking about reading in philosophical terms. Boulous Walker argues that philosophy involves the patient work of thought; in this it resembles the work of art, which invites and implores us to take our time and to (...) engage with the world. At its best, philosophy teaches us to read slowly; in fact, philosophy is the art of reading slowly – and this inevitably clashes with many of our current institutional practices and demands. Slow reading shares something in common with contemporary social movements, such as that devoted to slow food; it offers us ways to engage the complexity of the world. With the help of writers as diverse as Nietzsche, Wittgenstein, Woolf, Adorno, Levinas, Critchley, Beauvoir, Le Dœuff, Irigaray, Cixous, Weil, and others, Boulous Walker offers a foundational text in the emerging field of slow philosophy, one that explores the importance of unhurried time in establishing our institutional encounters with complex and demanding works. (shrink)

Everson discusses the five senses and their proper objects; e.g. sound for hearing, colour for sight. The senses, Everson argues, are essentially related to their proper objects because they are essentially such as to be affected by them. There is thus an intrinsic relationship between a proper object and its proper sense, and this, Everson argues, is causal, rather than conceptual or logical. This being so, perception requires a scientific investigation.

Everson has argued that material change does occur in the perceiving sense organ; the final chapter consists of his argument that material changes are a crucial part of the explanation of perceptual awareness of the organ. Whenever there is a formal change, Everson argues, there will also be a material change,, and these determine formal changes. Everson concludes, then, that Aristotle accepts explanatory physicalism, or the thesis that all perpetual events can be explained by reference to material (...) alterations that determine those events. Everson argues that this thesis, despite appearances, is compatible with hypothetical necessity. In conclusion, Everson argues that neither functionalism, nor supervenience, can account adequately for explanatory physicalism. (shrink)

Everson examines Aristotle's use of the term empeiria, particularly as it appears in Metaphysics I.1 and Posterior Analytics II.19. Empeiria is usually translated as ‘experience’, but Everson argues that it ought to be interpreted as ‘an acquired perceptual concept’. Such concepts are involved in determining the content of perceptual experience. On this account, perceptual awareness is a combination of phantasia and the presence or absence of a certain empeiria, i.e. of the acquired perceptual concept appropriate for the perceptual (...) awareness in question. (shrink)

Everson introduces the ‘spiritualist’ and the ‘literalist’ readings. He offers some criticism of the ‘spiritualist reading’ in this chapter. The spiritualist must explain why the matter of a sense organ is not affected in perception. Everson argues that Aristotle's account implies that there is material change of the sense organ in perception. Firstly, there is Aristotle's insistence that each sense organ has a particular material constitution, and secondly, there is the claim that, in perception, the sense organ becomes (...) like the object. (shrink)

Everson argues that Aristotle does not think of colours, sounds, as secondary qualities; rather, all sensible qualities for Aristotle are primary qualities. This implies a very ‘direct’ notion of perception; for instance, I see red because my eye undergoes a change, a material alteration that can be fully accounted for in non‐perceptual terms. This alteration differs form non‐perceptual alteration in that it involves awareness. Everson concludes that the textual evidence in both the psychological and physical works supports the (...) literalist reading. (shrink)

Everson gives an account of the perceptual system as a whole, and also examines the connection between perception and phantasia, or imagination. Everson argues that Aristotle has two notions of phantasia, a technical sense, and a more general sense. The technical sense refers to quasi‐perceptual states, such as dreams, or remembrances, where no sense object is present to the perceiver. The general sense takes phantasia in the sense of appearances generally speaking; thus in this sense, take all perceptions (...) as a sub‐class of phantasia. (shrink)

Language and the birth of "literature." A preface to transgression. Language to infinity. The father's "no." Fantasia of the library.--Counter-memory: the philosophy of difference. What is an author? Nietzsche, genealogy, history. Theatrum philosophicum.--Practice: knowledge and power. History of systems of thought. Intellectuals and power. Revolutionary action: "until now.".

In his book What We Owe to Each Other, Thomas Scanlon proposes what he calls a ‘contractualist’ explanation of what he describes as ‘a central part of the territory called morality’, i.e. our duties to other rational creatures. If Scanlon is right, the fact that another creature is rational generates a particular kind of moral constraint on how we may act towards it: one should ‘treat rational creatures only in ways that would be allowed by principles that they could not (...) reasonably reject insofar as they too were seeking principles of mutual governance which other rational creatures could not reasonably reject’. This is then used to explain what makes actions right, at least within his central moral area. Such actions will be right because they are permitted by principles that cannot reasonably be rejected. In this essay, I question both whether Scanlon succeeds in identifying a proper part of the moral terrain as a subject for his account and also what, if any, is the contractualist content of that account. I argue that he equivocates between two distinct and incompatible conceptions of the justifiability of principles. According to the first, justifiability is a relation between principles and people, whilst according to the second, for a principle to be justifiable is for it to be justified. For his explanation of morality to have any contractualist force, justifiability needs to be understood as a relation, but for that explanation to have any plausibility, justifiability must be understood nonrelationally. Because of this, the account is unstable and fails to describe any part of the moral landscape. (shrink)

This fourth Companion to Ancient Thought is devoted to ancient ethics. The chapters range over the ethical theories of all the major philosophers and schools from the earliest times to the work of the Hellenistic philosophers. There is a substantial introduction which considers the question of what is distinctive about ancient ethics, and an extensive bibliography. This collection provides a sophisticated and accessible introduction to the moral theories of the ancient world.

This third Companion To Ancient Thought is devoted to ancient theories of language. The chapters range over more than eight hundred years of philosophical enquiry, and provide critical analyses of all the principal accounts of how it is that language can have meaning and how we can come to acquire linguistic understanding. The discussions move from the naturalism examined in Plato's Cratylus to the sophisticated theories of the Hellenistic schools and the work of St Augustine. The relations between thought about (...) language and metaphysics, philosophy of mind and the development of grammar are also explored. (shrink)